CHAPTER XVIII

FATHER CASSIDY

Consternation reigned at New Moon. Everybody was desperately unhappy.

Aunt Laura cried. Aunt Elizabeth was so cantankerous that there was no

living with her. Cousin Jimmy went about as one distracted and Emily

gave up worrying about Ilse’s mother and Silas Lee’s remorseful ghost

after she went to bed, and worried over this new trouble. For it had

all originated in her disregard of New Moon tradition in making calls

on Lofty John, and Aunt Elizabeth did not mince matters in telling her

so. If she, Emily Byrd Starr, had never gone to Lofty John’s she would

never have eaten the Big Sweet apple, and if she had never eaten the

Big Sweet apple Lofty John would not have played a joke on her and if

he had not played a joke on her Aunt Elizabeth would never have gone

and said bitter, Murray-like things to him; and if Aunt Elizabeth

had never said bitter Murray-like things to him Lofty John would not

have become offended and revengeful; and if Lofty John had not become

offended and revengeful he would never have taken it into his lofty

head to cut down the beautiful grove to the north of New Moon.

For this was exactly where this house-that-Jack-built progression had

landed them all. Lofty John had announced publicly in the Blair Water

blacksmith shop that he was going to cut down the bush as soon as

harvest was over--every last tree and sapling was to be laid low. The

news was promptly carried to New Moon and upset the inhabitants thereof

as they had not been upset for years. In their eyes it was nothing

short of a catastrophe.

Elizabeth and Laura could hardly bring themselves to believe it. The

thing was incredible. That big, thick, protecting bush of spruce and

hardwood had _always_ been there; it belonged to New Moon _morally_;

even Lofty John Sullivan would not _dare_ to cut it down. But Lofty

John had an uncomfortable reputation for doing what he said he would

do; that was a part of his loftiness; and if he did--if he did--

“New Moon will be ruined,” wailed poor Aunt Laura. “It will look

_dreadful_--_all_ its beauty will go--and we will be left open to

the north wind and the sea storms--we have always been so warm and

sheltered here. And Jimmy’s garden will be ruined too.”

“This is what comes of bringing Emily here,” said Aunt Elizabeth.

It was a cruel thing to say, even when all allowances were made,--cruel

and unjust, since her own sharp tongue and Murray sarcasm had had quite

as much to do with it as Emily. But she said it and it pierced Emily to

the heart with a pang that left a scar for years. Poor Emily did not

feel as if she needed any additional anguish. She was already feeling

so wretched that she could not eat or sleep. Elizabeth Murray, angry

and unhappy as she was, slept soundly at nights; but beside her in the

darkness, afraid to move or turn, lay a slender little creature whose

tears, stealing silently down her cheeks, could not ease her breaking

heart. For Emily thought her heart _was_ breaking; she couldn’t go on

living and suffering like this. Nobody could.

Emily had lived long enough at New Moon for it to get pretty thoroughly

into her blood. Perhaps it had even been born there. At any rate,

when she came to it she fitted into its atmosphere as a hand into a

glove. She loved it as well as if she had lived there all her short

life--loved every stick and stone and tree and blade of grass about

it--every nail in the old kitchen floor, every cushion of green moss

on the dairy roof, every pink and white columbine that grew in the

old orchard, every “tradition” of its history. To think of its beauty

being in a large measure reft from it was agony to her. And to think

of Cousin Jimmy’s garden being ruined! Emily loved that garden almost

as much as he did; why, it was the pride of Cousin Jimmy’s life that

he could grow there plants and shrubs that would winter nowhere else

in P. E. Island; if the northern shelter were removed they would die.

And to think of that beautiful bush itself being cut down--the Today

Road and the Yesterday Road and the Tomorrow Road being swept out of

existence--the stately Monarch of the Forest discrowned--the little

playhouse where she and Ilse had such glorious hours destroyed--the

whole lovely, ferny, intimate place torn out of her life at one fell

swoop.

Oh, Lofty John had chosen and timed his vengeance well!

When would the blow fall? Every morning Emily listened miserably as

she stood on the sandstone doorstep of the kitchen, for the sound of

axe blows on the clear September air. Every evening when she returned

from school she dreaded to see that the work of destruction had

begun. She pined and fretted. There were times when it seemed to her

she couldn’t bear her life any longer. Every day Aunt Elizabeth said

something imputing the whole blame to her and the child grew morbidly

sensitive about it. Almost she wished Lofty John would begin and be

done with it. If Emily had ever heard the classic story of Damocles

she would have heartily sympathized with him. If she had had any hope

that it would do any good she would have swallowed Murray pride and

Starr pride and every other kind of pride and gone on her knees to

Lofty John to entreat him to hold his revengeful hand. But she believed

it would not. Lofty John had left no doubt in anybody’s mind as to

his bitter determination in the matter. There was much talk about it

in Blair Water and some were very well pleased at this blow to New

Moon pride and prestige, and some held that it was low and unclean

behaviour on Lofty John’s part, and all agreed that this was what

they had prophesied all along as bound to happen some day when the

old Murray-Sullivan feud of three generations should have come to its

inevitable head. The only surprising thing was that Lofty John hadn’t

done it long ago. He had always hated Elizabeth Murray since their

schooldays, when her tongue had not spared him.

One day by the banks of Blair Water Emily sat down and wept. She had

been sent to trim the dead blossoms off the rosebushes on Grandmother

Murray’s grave; having finished her task she had not the heart to go

back to the house where Aunt Elizabeth was making everybody miserable

because she was herself so unhappy. Perry had reported that Lofty John

had stated the day before at the blacksmith’s that he was going to

begin cutting down the big bush on Monday morning.

“I _can’t_ bear it,” sobbed Emily to the rosebushes.

A few late roses nodded at her; the Wind Woman combed and waved and

stirred the long green grasses on the graves where proud Murrays, men

and women, slept calmly, unstirred by old feuds and passions; the

September sunlight shone beyond on old harvest fields mellowly bright

and serene, and very softly against its green, shrub-hung bank, purred

and lapped the blue Blair Water.

“I don’t see why God doesn’t _stop_ Lofty John,” said Emily

passionately. Surely the New Moon Murrays had a right to expect that

much from Providence.

Teddy came whistling down the pasture, the notes of his tune blowing

across the Blair Water like elfin drops of sound, vaulted the graveyard

fence and perched his lean, graceful body irreverently on the “Here I

stay” of Great-Grandmother Murray’s flat tombstone.

“What’s the matter?” he said.

“Everything’s the matter,” said Emily, a little crossly. Teddy had no

business to be looking so cheerful. She was used to more sympathy from

Teddy and it aggravated her not to find it. “Don’t you know Lofty John

is going to begin cutting down the bush Monday?”

Teddy nodded.

“Yep. Ilse told me. But look here, Emily, I’ve thought of something.

Lofty John wouldn’t dare cut down that bush if the priest told him not

to, would he?”

“Why?”

“Because the Catholics have to do just what their priests tell them to,

haven’t they?”

“I don’t know--I don’t know anything about them. _We_ are

Presbyterians.”

Emily gave her head a little toss. Mrs. Kent was known to be an

“English Church” woman and though Teddy went to the Presbyterian Sunday

School, that fact gave him scanty standing among bred-in-the-bone

Presbyterian circles.

“If your Aunt Elizabeth went to Father Cassidy at White Cross and asked

him to stop Lofty John, maybe he’d do it,” persisted Teddy.

“Aunt Elizabeth would never do that,” said Emily positively. “I’m sure

of it. She’s too proud.”

“Not even to save the bush?”

“Not even for that.”

“Then I guess nothing can be done,” said Teddy rather crest-fallen.

“Look here--see what I’ve made. This is a picture of Lofty John in

purgatory, with three little devils sticking red-hot pitch forks

into him. I copied some of it out of one of mother’s books--Dante’s

Infernal, I think it was--but I put Lofty John in place of the man in

the book. You can have it.”

“I don’t want it.” Emily uncoiled her legs and got up. She was past the

stage when inflicting imaginary torments on Lofty John could comfort

her. She had already slain him in several agonizing ways during her

night vigils. But an idea had come to her--a daring, breathless idea.

“I must go home now, Teddy--it’s supper time.”

Teddy pocketed his despised sketch--which was really a wonderful bit

of work if either of them had had the sense to know it; the expression

of anguish in Lofty John’s face as a merry little devil touched him

up with a pitchfork would have been the despair of many a trained

artist. He went home wishing he could help Emily; it was all wrong

that a creature like Emily--with soft purple-gray eyes and a smile

that made you think of all sorts of wonderful things you couldn’t put

into words--should be unhappy. Teddy felt so worried about it that he

added a few more devils to his sketch of Lofty John in purgatory and

lengthened the prongs of their pitchforks quite considerably.

Emily went home with a determined twist to her mouth. She ate as much

supper as she could--which wasn’t much, for Aunt Elizabeth’s face would

have destroyed her appetite if she had had any--and then sneaked out

of the house by the front door. Cousin Jimmy was working in his garden

but he did not call her. Cousin Jimmy was always very sorrowful now.

Emily stood a moment on the Grecian porch and looked at Lofty John’s

bush--green-bosomed, waving, all lovely. Would it be a desecrated waste

of stumps by Monday night? Goaded by the thought Emily cast fear and

hesitation to the winds and started briskly off down the lane. When she

reached the gate she turned to the left on the long red road of mystery

that ran up the Delectable Mountain. She had never been on that road

before; it ran straight to White Cross; Emily was going to the parish

house there to interview Father Cassidy. It was two miles to White

Cross and Emily walked it all too soon--not because it was a beautiful

road of wind and wild fern, haunted by little rabbits--but because she

dreaded what awaited her at the end. She had been trying to think what

she should say--how she should say it; but her invention failed her.

She had no acquaintance with Catholic priests, and couldn’t imagine

how you should talk to them at all. They were even more mysterious and

unknowable than ministers. Suppose Father Cassidy should be dreadfully

angry at her daring to come there and ask a favour. Perhaps it _was_ a

dreadful thing to do from every point of view. And very likely it would

do no good. Very likely Father Cassidy would refuse to interfere with

Lofty John, who was a good Catholic, while she was, in his opinion,

a heretic. But for any chance, even the faintest, of averting the

calamity impending over New Moon, Emily would have faced the entire

Sacred College. Horribly frightened, miserably nervous as she was, the

idea of turning back never occurred to her. She was only sorry that

she hadn’t put on her Venetian beads. They might have impressed Father

Cassidy.

Although Emily had never been to White Cross she knew the parish house

when she saw it--a fine, tree-embowered residence near the big white

chapel with the flashing gilt cross on its spire and the four gilt

angels, one on each of the little spires at the corners. Emily thought

them very beautiful as they gleamed in the light of the lowering sun,

and wished they could have some on the plain white church at Blair

Water. She couldn’t understand why Catholics should have all the

angels. But there was not time to puzzle over this, for the door was

opening and the trim little maid was looking a question.

“Is--Father Cassidy--at--home?” asked Emily, rather jerkily.

“Yes.”

“Can--I--see--him?”

“Come in,” said the little maid. Evidently there was no difficulty

about seeing Father Cassidy--no mysterious ceremonies such as Emily

had half expected, even if she were allowed to see him at all. She was

shown into a book-lined room and left there, while the maid went to

call Father Cassidy, who, she said, was working in the garden. _That_

sounded quite natural and encouraging. If Father Cassidy worked in a

garden, he could not be so very terrible.

Emily looked about her curiously. She was in a very pretty room--with

cosy chairs, and pictures and flowers. Nothing alarming or uncanny

about it--except a huge black cat who was sitting on the top of one of

the bookcases. It was really an enormous creature. Emily adored cats

and had always felt at home with any of them. But she had never seen

such a cat as this. What with its size and its insolent, gold-hued

eyes, set like living jewels in its black velvet face, it did not seem

to belong to the same species as nice, cuddly, respectable kittens at

all. Mr. Dare would never have had such a beast about his manse. All

Emily’s dread of Father Cassidy returned.

And then in came Father Cassidy, with the friendliest smile in the

world. Emily took him in with her level glance as was her habit--or

gift--and never again in the world was she the least bit afraid of

Father Cassidy. He was big and broad-shouldered, with brown eyes and

brown hair; and his very face was so deeply tanned from his inveterate

habit of going about bareheaded in merciless sunshine, that it was

brown, too. Emily thought he looked just like a big nut--a big, brown,

wholesome nut.

Father Cassidy looked at her as he shook hands; Emily had one of her

visitations of beauty just then. Excitement had brought a wildrose

hue to her face, the sunlight brought out the watered-silk gloss of

her black hair; her eyes were softly dark and limpid; but it was at

her ears Father Cassidy suddenly bent to look. Emily had a moment of

agonized wonder if they were clean.

“She’s got pointed ears,” said Father Cassidy, in a thrilling whisper.

“Pointed ears! I _knew_ she came straight from fairyland the minute

I saw her. Sit down, Elf--if elves do sit--sit down and give me the

latest news av Titania’s court.”

Emily’s foot was now on her native heath. Father Cassidy talked her

language, and he talked it in such a mellow, throaty voice, slurring

his “ofs” ever so softly as became a proper Irishman. But she shook

her head a little sadly. With the burden of her errand on her soul she

could not play the part of ambassadress from Elfland.

“I’m only Emily Starr of New Moon,” she said; and then gasped

hurriedly, because there must be no deception--no sailing under false

colours, “and I’m a Protestant.”

“And a very nice little Protestant you are,” said Father Cassidy. “But

for sure I’m a bit disappointed. I’m used to Protestants--the woods

hereabouts being full av them--but it’s a hundred years since the last

elf called on me.”

Emily stared. Surely Father Cassidy wasn’t a hundred years old. He

didn’t look more than fifty. Perhaps, though, Catholic priests did live

longer than other people. She didn’t know exactly what to say so she

said, a bit lamely,

“I see you have a cat.”

“Wrong.” Father Cassidy shook his head and groaned dismally. “A cat has

me.”

Emily gave up trying to understand Father Cassidy. He was nice but

ununderstandable. She let it go at that. And she must get on with her

errand.

“You are a kind of minister, aren’t you?” she asked timidly. She

didn’t know whether Father Cassidy would like being called a minister.

“Kind av,” he agreed amiably. “And you see ministers and priests can’t

do their own swearing. They have to keep cats to do it for them. I

never knew any cat that could sware as genteelly and effectively as the

B’y.”

“Is that what you call him?” asked Emily, looking at the black cat in

some awe. It seemed hardly safe to discuss him right before his face.

“That’s what he calls himself. My mother doesn’t like him because he

steals the cream. Now, _I_ don’t mind his doing that; no, it’s his way

av licking his jaws after it that I can’t stand. Oh, B’y, we’ve a fairy

calling on us. Be excited for once, I implore you--there’s a duck av a

cat.”

The B’y refused to be excited. He winked an insolent eye at Emily.

“Have you any idea what goes on in the head av a cat, elf?”

What queer questions Father Cassidy asked. Yet Emily thought she would

like his questions if she were not so worried. Suddenly Father Cassidy

leaned across the table and said,

“Now, just what’s bothering you?”

“I’m so unhappy,” said Emily piteously.

“So are lots av other people. Everybody is unhappy by spells. But

creatures who have pointed ears shouldn’t be unhappy. It’s only mortals

who should be that.”

“Oh, please--please--” Emily wondered what she should call him. Would

it offend him if a Protestant called him “Father”? But she had to risk

it--“please, Father Cassidy, I’m in such trouble and I’ve come to ask a

_great favour_ of you.”

Emily told him the whole tale from beginning to end--the old

Murray-Sullivan feud, her erstwhile friendship with Lofty John, the

Big Sweet apple, the unhappy consequence, and Lofty John’s threatened

revenge. The B’y and Father Cassidy listened with equal gravity until

she had finished. Then the B’y winked at her, but Father Cassidy put

his long brown fingers together.

“Humph,” he said.

(“That’s the first time,” reflected Emily, “that I’ve ever heard anyone

outside of a book say ‘Humph.’”)

“Humph,” said Father Cassidy again. “And you want me to put a stop to

this nefarious deed?”

“If you can,” said Emily. “Oh, it would be so splendid if you could.

Will you--will you?”

Father Cassidy fitted his fingers still more carefully together.

“I’m afraid I can hardly invoke the power av the keys to prevent Lofty

John from disposing as he wishes av his own lawful property, you know,

elf.”

Emily didn’t understand the allusion to the keys but she did understand

that Father Cassidy was declining to bring the lever of the Church to

bear on Lofty John. There was no hope, then. She could not keep the

tears of disappointment out of her eyes.

“Oh, come now, darling, don’t cry,” implored Father Cassidy. “Elves

never cry--they can’t. It would break my heart to discover you weren’t

av the Green Folk. You may call yourself av New Moon and av any

religion you like, but the fact remains that you belong to the Golden

Age and the old gods. That’s why I must save your precious bit av

greenwood for you.”

Emily stared.

“I think it can be done,” Father Cassidy went on. “I think if I go

to Lofty John and have a heart-to-heart talk with him I can make him

see reason. Lofty John and I are very good friends. He’s a reasonable

creature, if you know how to take him--which means to flatter his

vanity judiciously. I’ll put it to him, not as priest to parishoner,

but as man to man, that no decent Irishman carries on a feud with

women and that no sensible person is going to destroy for nothing but

a grudge those fine old trees that have taken half a century to grow

and can never be replaced. Why, the man who cuts down such a tree except

when it is really necessary should be hanged as high as Haman on a

gallows made from the wood av it.”

(Emily thought she would write that last sentence of Father Cassidy’s

down in Cousin Jimmy’s blank book when she got home.)

“But I won’t say _that_ to Lofty John,” concluded Father Cassidy. “Yes,

Emily av New Moon, I think we can consider it a settled thing that your

bush will not be cut down.”

Suddenly Emily felt very happy. Somehow she had entire confidence in

Father Cassidy. She was sure he would twist Lofty John around his

little finger.

“Oh, I can never thank you enough!” she said earnestly.

“That’s true, so don’t waste breath trying. And now tell me things. Are

there any more av you? And how long have you been yourself?”

“I’m twelve years old--I haven’t any brothers or sisters. And I _think_

I’d better be going home.”

“Not till you’ve had a bite av lunch.”

“Oh, thank you, I’ve had my supper.”

“Two hours ago and a two-mile walk since. Don’t tell me. I’m sorry I

haven’t any nectar and ambrosia on hand--such food as elves eat--and

not even a saucer av moonshine--but my mother makes the best plum

cake av any woman in P. E. Island. And we keep a cream cow. Wait here

a bit. Don’t be afraid av the B’y. He eats tender little Protestants

sometimes, but he never meddles with leprechauns.”

When Father Cassidy came back his mother came with him, carrying a

tray. Emily had expected to see her big and brown too, but she was the

tiniest woman imaginable, with snow-white, silky hair, mild blue eyes,

and pink cheeks.

“Isn’t she the sweetest thing in the way av mothers?” asked Father

Cassidy. “I keep her to look at. Av course--” Father Cassidy dropped

his voice to a pig’s whisper--“there’s something odd about her. I’ve

known that woman to stop right in the middle av housecleaning, and go

off and spend an afternoon in the woods. Like yourself, I’m thinking

she has some truck with fairies.”

Mrs. Cassidy smiled, kissed Emily, said she must go out and finish her

preserving, and trotted off.

“Now you sit right down here, Elf, and be human for ten minutes and

we’ll have a friendly snack.”

Emily _was_ hungry--a nice comfortable feeling she hadn’t experienced

for a fortnight. Mrs. Cassidy’s plum cake was all her reverend son

claimed, and the cream cow seemed to be no myth.

“What do you think av me now?” asked Father Cassidy suddenly, finding

Emily’s eyes fixed on him speculatively.

Emily blushed. She had been wondering if she dared ask another favour

of Father Cassidy.

“I think you are awfully good,” she said.

“I _am_ awfully good,” agreed Father Cassidy. “I’m so good that I’ll do

what you want me to do--for I feel there’s something else you want me

to do.”

“I’m in a scrape and I’ve been in it all summer. You see”--Emily was

very sober--“I am a poetess.”

“Holy Mike! That _is_ serious. I don’t know if I can do much for you.

How long have you been that way?”

“Are you making fun of me?” asked Emily gravely.

Father Cassidy swallowed something besides plum cake.

“The saints forbid! It’s only that I’m rather overcome. To be after

entertaining a lady av New Moon--and an elf--and a poetess all in one

is a bit too much for a humble praste like meself. Have another slice

av cake and tell me all about it.”

“It’s like this--I’m writing an epic.”

Father Cassidy suddenly leaned over and gave Emily’s wrist a little

pinch.

“I just wanted to see if you were real,” he explained. “Yes--yes,

you’re writing an epic--go on. I think I’ve got my second wind now.”

“I began it last spring. I called it _The White Lady_ first but now

I’ve changed it to _The Child of the Sea_. Don’t you think that’s a

better title?”

“Much better.”

“I’ve got three cantos done, and I can’t get any further because

there’s something I don’t know and can’t find out. I’ve been so worried

about it.”

“What is it?”

“My epic,” said Emily, diligently devouring plum cake, “is about a very

beautiful high-born girl who was stolen away from her real parents when

she was a baby and brought up in a woodcutter’s hut.”

“One av of the seven original plots in the world,” murmured Father

Cassidy.

“What?”

“Nothing. Just a bad habit av thinking aloud. Go on.”

“She had a lover of high degree but his family did not want him to

marry her because she was only a woodcutter’s daughter--”

“Another of the seven plots--excuse me.”

“--so they sent him away to the Holy land on a crusade and word came

back that he was killed and then Editha--her name was Editha--went into

a convent--”

Emily paused for a bite of plum cake and Father Cassidy took up the

strain.

“And now her lover comes back very much alive, though covered with

Paynim scars, and the secret av her birth is discovered through the

dying confession av the old nurse and the birthmark on her arm.”

“How did you know?” gasped Emily in amazement.

“Oh, I guessed it--I’m a good guesser. But where’s your bother in all

this?”

“I don’t know how to get her out of the convent,” confessed Emily. “I

thought perhaps you would know how it could be done.”

Again Father Cassidy fitted his fingers.

“Let us see, now. It’s no light matter you’ve undertaken, young lady.

How stands the case? _Editha_ has taken the veil, not because she has

a religious vocation but because she imagines her heart is broken. The

Catholic Church does not release its nuns from their vows because they

happen to think they’ve made a little mistake av that sort. No, no,--we

must have a better reason. Is this Editha the sole child av her real

parents?”

“Yes.”

“Oh, then the way is clear. If she had had any brothers or sisters you

would have had to kill them off, which is a messy thing to do. Well,

then, she is the sole daughter and heiress av a noble family who have

for years been at deadly feud with another noble family--the family av

the lover. Do you know what a feud is?”

“Of course,” said Emily disdainfully. “And I’ve got all that in the

poem already.”

“So much the better. This feud has rent the kingdom in twain and can

only be healed by an alliance between Capulet and Montague.”

“Those aren’t their names.”

“No matter. This, then, is a national affair, with far-reaching issues,

therefore an appeal to the Supreme Pontiff is quite in order. What you

want,” Father Cassidy nodded solemnly, “is a dispensation from Rome.”

“Dispensation is a hard word to work into a poem,” said Emily.

“Undoubtedly. But young ladies who _will_ write epic poems and who

_will_ lay the scenes thereof amid times and manners av hundreds av

years ago, and _will_ choose heroines av a religion quite unknown to

them, _must_ expect to run up against a few snags.”

“Oh, I think I’ll be able to work it in,” said Emily cheerfully. “And

I’m so much obliged to you. You don’t know what a relief it is to my

mind. I’ll finish the poem right up now in a few weeks. I haven’t done

a thing at it all summer. But then of course I’ve been busy. Ilse

Burnley and I have been making a new language.”

“Making a--new--excuse me. _Did_ you say _language_?”

“Yes.”

“What’s the matter with English? Isn’t it good enough for you, you

incomprehensible little being?”

“Oh, yes. _That_ isn’t why we’re making a new one. You see in the

spring, Cousin Jimmy got a lot of French boys to help plant the

potatoes. I had to help too, and Ilse came to keep me company. And it

was so annoying to hear those boys talking French when we couldn’t

understand a word of it. They did it just to make us mad. Such

jabbering! So Ilse and I just made up our minds we’d invent a new

language that _they_ couldn’t understand. We’re getting on fine and

when the potato picking time comes we’ll be able to talk to each other

and those boys won’t be able to understand a word we’re saying. Oh, it

will be great fun!”

“I haven’t a doubt. But two girls who will go to all the trouble av

inventing a new language just to get square with some poor little

French boys--you’re beyond me,” said Father Cassidy, helplessly.

“Goodness knows what you’ll be doing when you grow up. You’ll be Red

Revolutionists. I tremble for Canada.”

“Oh, it isn’t a trouble--it’s fun. And all the girls in school are just

wild because they hear us talking in it and can’t make it out. We can

talk secrets right before them.”

“Human nature being what it is, I can see where the fun comes in all

right. Let’s hear a sample av your language.”

“Nat millan O ste dolman bote ta Shrewsbury fernas ta poo litanos,”

said Emily glibly. “That means, ‘Next summer I am going to Shrewsbury

woods to pick strawberries.’ I yelled that across the playground to

Ilse the other day at recess and oh, how everybody stared.”

“Staring, is it? I should say so. My own poor old eyes are all but

dropping out av me head. Let’s hear a bit more av it.”

“Mo tral li dead seb ad li mo trene. Mo bertral seb mo bertrene das

sten dead e ting setra. _That_ means ‘My father is dead and so is my

mother. My grandfather and grandmother have been dead a long time.’ We

haven’t invented a word for ‘dead’ yet. I think I will soon be able to

write my poems in our language and then Aunt Elizabeth will not be able

to read them if she finds them.”

“Have you written any other poetry besides your epic?”

“Oh, yes--but just short pieces--dozens of them.”

“H’m. Would you be so kind as to let me hear one av them?”

Emily was greatly flattered. And she did not mind letting Father

Cassidy hear her precious stuff.

“I’ll recite my last poem,” she said, clearing her throat importantly.

“It’s called _Evening Dreams_.”

Father Cassidy listened attentively. After the first verse a change

came over his big brown face, and he began patting his fingertips

together. When Emily finished she hung down her lashes and waited

tremblingly. What if Father Cassidy said it was no good? No, he

wouldn’t be so impolite--but if he bantered her as he had done about

her epic--she would know what _that_ meant.

Father Cassidy did not speak all at once. The prolonged suspense was

terrible to Emily. She was afraid he could not praise and did not want

to hurt her feelings by dispraise. All at once her “Evening Dreams”

seemed trash and she wondered how she could ever have been silly enough

to repeat it to Father Cassidy.

Of course, it _was_ trash. Father Cassidy knew that well enough.

All the same, for a child like this--and rhyme and rhythm were

flawless--and there was one line--just one line--“the light of faintly

golden stars”--for the sake of that line Father Cassidy suddenly said,

“Keep on,--keep on writing poetry.”

“You mean?”--Emily was breathless.

“I mean you’ll be able to do something by and by. Something--I don’t

know how much--but keep on--keep on.”

Emily was so happy she wanted to cry. It was the first word of

commendation she had ever received except from her father--and a father

might have too high an opinion of one. _This_ was different. To the end

of her struggle for recognition Emily never forgot Father Cassidy’s

“Keep on” and the tone in which he said it.

“Aunt Elizabeth scolds me for writing poetry,” she said wistfully. “She

says people will think I’m as simple as Cousin Jimmy.”

“The path of genius never did run smooth. But have another piece av

cake--do, just to show there’s something human about you.”

“Ve, merry ti. O del re dolman cosey aman ri sen ritter. _That_ means,

‘No, thank you. I must be going home before it gets dark.’”

“I’ll drive you home.”

“Oh, no, no. It’s very kind of you”--the English language was quite

good enough for Emily now. “But I’d rather _walk_. It’s--it’s--such

good exercise.”

“Meaning,” said Father Cassidy with a twinkle in his eye, “that we

must keep it from the old lady. Good-bye, and may you always see a

happy face in your looking-glass!”

Emily was too happy to be tired on the way home. There seemed to be a

bubble of joy in her heart--a shimmering, prismatic bubble. When she

came to the top of the big hill and looked across to New Moon, her eyes

were satisfied and loving. How beautiful it was, lying embowered in the

twilight of the old trees; the tips of the loftiest spruces came out in

purple silhouette against the northwestern sky of rose and amber; down

behind it the Blair Water dreamed in silver; the Wind Woman had folded

her misty bat-wings in a valley of sunset and stillness lay over the

world like a blessing. Emily felt sure everything would be all right.

Father Cassidy would manage it in some way.

And he had told her to “keep on.”

Emily of New Moon · 第 18 / 31 章