In addition

(6) Mn^2[chi]_k + T(tan [alpha]_(k+1) - tan [alpha]_k) = 0,

with the geometrical relation

(7) [chi]_(k+1) - [chi]_k - [alpha](sin [theta]_(k+1) + sin [theta]_k)

- 2l sin{k + 1} = 0.

When the polygon is nearly coincident with Oz, these equations can be

replaced by

(8) (-An^2 + Kn + 2Ta)[theta]_k - Ta([alpha]_(k+1) + [alpha]_k) = 0,

(9) Mn^2x_k + T([alpha]_(k+1) - [alpha]_k) = 0,

(10) x_(k+1) - x_k - a([theta]_(k+1) + [theta]_k) - 2la_k = 0,

and the rest of the solution proceeds as before in S 14, putting

(11) x_k, [theta]_k, [alpha]_k = (L, P, Q) exp cki.

A half wave length of the curve of gyrostats is covered when ck =

[pi], so that [pi]/c is the number of gyrostats in a half wave, which

is therefore of wave length 2[pi](a + l)/c.

A plane polarized wave is given when exp cki is replaced by exp (nt +

ck)i, and a wave circularly polarized when w, [~omega], [sigma] of S

14 replace this x, [theta], [alpha].

_Gyroscopic Pendulum._--The elastic flexure joint is useful for

supporting a rod, carrying a fly-wheel, like a gyroscopic pendulum.

Expressed by Euler's angles, [theta], [phi], [psi], the kinetic energy

is

(12) T = 1/2A( .[theta]^2 + sin^2 [theta] .[psi]^2)

+ 1/2C'(1 - cos [theta])^2 .[psi]^2

+ 1/2C( .[phi] + .[psi] cos [theta])^2,

where A refers to rod and gyroscope about the transverse axis at the

point of support, C' refers to rod about its axis of length, and C

refers to the revolving fly-wheel.

The elimination of .[psi] between the equation of conservation of

angular momentum about the vertical, viz.

(13) A sin^2 [theta] .[psi] - C'(1 - cos [theta]) cos [theta] .[psi] +

C( .[phi] + .[psi] cos [theta]) cos [theta] = G, a constant, and the

equation of energy, viz.

(14) T - gMh cos [theta] = H, a constant, with [theta] measured from

the downward vertical, and

(15) .[phi] + .[psi] cos [theta] = R, a constant, will lead to an

equation for d[theta]/dt, or dz/dt, in terms of cos [theta] or z, the

integral of which is of hyperelliptic character, except when A = C'.

In the suspension of fig. 8, the motion given by .[phi] is suppressed

in the stalk, and for the fly-wheel .[phi] gives the rubbing angular

velocity of the wheel on the stalk; the equations are now

(16) T = 1/2A( .[theta]^2 + sin^2 [theta] .[psi]^2)

+ 1/2C' cos^2 [theta] .[psi]^2 + 1/2CR^2 = H + gMh cos [theta],

(17) A sin^2 [theta][.[psi]] + C' cos^2 [theta] .[psi] + CR cos [theta]

= G,

and the motion is again of hyperelliptic character, except when A =

C', or C' = 0. To realize a motion given completely by the elliptic

function, the suspension of the stalk must be made by a smooth ball

and socket, or else a Hooke universal joint.

Finally, there is the case of the general motion of a top with a

spherical rounded point on a smooth plane, in which the centre of

gravity may be supposed to rise and fall in a vertical line. Here

(18) T = 1/2(A + Mh^2 sin^2 [theta]) .[theta]^2 + 1/2A sin^2 [theta] .[psi]^2

+ 1/2CR^2 = H - gMh cos [theta],

with [theta] measured from the upward vertical, and

(19) A sin^2 [theta] .[psi] + CR cos [theta] = G,

where A now refers to a transverse axis through the centre of gravity.

The elimination of [.[psi]] leads to an equation for z, = cos [theta],

of the form

/dz\^2 g Z g (z1 - z)(z2 - z)(z3 - z)

(20) ( -- ) = 2 -- ---------------- = 2 -- ------------------------,

\dt/ h 1 - z^2 + A/Mh^2 h (z4 - z)(z - z5)

with the arrangement

(21) z1, z4 > / > z2 > z > z3 > - / > z5;

so that the motion is hyperelliptic.

AUTHORITIES.--In addition to the references in the text the following

will be found useful:--_Ast. Notices_, vol. i.; _Comptes rendus_,

Sept. 1852; Paper by Professor Magnus translated in Taylor's _Foreign

Scientific Memoirs_, n.s., pt. 3, p. 210; _Ast. Notices_, xiii.

221-248; _Theory of Foucault's Gyroscope Experiments_, by the Rev.

Baden Powell, F.R.S.; _Ast. Notices_, vol. xv.; articles by Major J.

G. Barnard in _Silliman's Journal_, 2nd ser., vols. xxiv. and xxv.; E.

Hunt on "Rotatory Motion," _Proc. Phil. Soc. Glasgow_, vol. iv.; J.

Clerk Maxwell, "On a Dynamical Top," _Trans. R.S.E._ vol. xxi.; _Phil.

Mag._ 4th ser. vols. 7, 13, 14; _Proc. Royal Irish Academy_, vol.

viii.; Sir William Thomson on "Gyrostat," _Nature_, xv. 297; G. T.

Walker, "The Motion of a Celt," _Quar. Jour. Math._, 1896; G. T.

Walker, _Math. Ency._ iv. 1, xi. 1; Gallop, _Proc. Camb. Phil. Soc._

xii. 82, pt. 2, 1903, "Rise of a Top"; Price's _Infinitesimal

Calculus_, vol. iv.; Worms, _The Earth and its Mechanism_; Routh,

_Rigid Dynamics_; A. G. Webster, _Dynamics_ (1904); H. Crabtree,

_Spinning Tops and Gyroscopic Motion_ (1909). For a complete list of

the mathematical works on the subject of the Gyroscope and Gyrostat

from the outset, Professor Cayley's Report to the British Association

(1862) on the _Progress of Dynamics_ should be consulted. Modern

authors will be found cited in Klein and Sommerfeld, _Theorie des

Kreisels_ (1897), and in the _Encyclopadie der mathematischen

Wissenschaften_. (G. G.)

GYTHIUM, the harbour and arsenal of Sparta, from which it was some 30 m.

distant. The town lay at the N.W. extremity of the Laconian Gulf, in a

small but fertile plain at the mouth of the Gythius. Its reputed

founders were Heracles and Apollo, who frequently appear on its coins:

the former of these names may point to the influence of Phoenician

traders, who, we know, visited the Laconian shores at a very early

period. In classical times it was a community of _perioeci_, politically

dependent on Sparta, though doubtless with a municipal life of its own.

In 455 B.C., during the first Peloponnesian War, it was burned by the

Athenian admiral Tolmides. In 370 B.C. Epaminondas besieged it

unsuccessfully for three days. Its fortifications were strengthened by

the tyrant Nabis, but in 195 B.C. it was invested and taken by Titus and

Lucius Quintius Flamininus, and, though recovered by Nabis two or three

years later, was recaptured immediately after his murder (192 B.C.) by

Philopoemen and Aulus Atilius and remained in the Achaean League until

its dissolution in 146 B.C. Subsequently it formed the most important of

the Eleutherolaconian towns, a group of twenty-four, later eighteen,

communities leagued together to maintain their autonomy against Sparta

and declared free by Augustus. The highest officer of the confederacy

was the general ([Greek: strategos]), who was assisted by a treasurer

([Greek: tamias]), while the chief magistrates of the several

communities bore the title of ephors ([Greek: ephoroi]).

Pausanias (iii. 21 f.) has left us a description of the town as it

existed in the reign of Marcus Aurelius, the agora, the Acropolis, the

island of Cranae (Marathonisi) where Paris celebrated his nuptials with

Helen, the Migonium or precinct of Aphrodite Migonitis (occupied by the

modern town of Marathonisi or Gythium), and the hill Larysium (Koumaro)

rising above it. The numerous remains extant, of which the theatre and

the buildings partially submerged by the sea are the most noteworthy,

all belong to the Roman period.

The modern town is a busy and flourishing port with a good harbour

protected by Cranae, now connected by a mole with the mainland: it is

the capital of the prefecture ([Greek: nomos]) of [Greek: Lakonike] with

a population in 1907 of 61,522.

See G. Weber, _De Gytheo et Lacedaemoniorum rebus navalibus_

(Heidelberg, 1833); W. M. Leake, _Travels in the Morea_, i. 244 foll.;

E. Curtius, _Peloponnesos_, ii. 267 foll. Inscriptions: Le

Bas-Foucart, _Voyage archeologique_, ii. Nos. 238-248 f.;

Collitz-Bechtel, _Sammlung d. griech. Dialekt-Inschriften_, iii. Nos.

4562-4573; _British School Annual_, x. 179 foll. Excavations: [Greek:

A. Skias, Praktika tes Arch. Hetaireias], 1891, 69 foll. (M. N. T.)

GYULA-FEHERVAR (Ger. _Karlsburg_), a town of Hungary, in Transylvania,

in the county of Also-Felier, 73 m. S. of Kolozsvar by rail. Pop. (1900)

11,507. It is situated on the right bank of the Maros, on the outskirts

of the Transylvanian Erzgebirge or Ore Mountains, and consists of the

upper town, or citadel, and the lower town. Gyula-Fehervar is the seat

of a Roman Catholic bishop, and has a fine Roman Catholic cathedral,

built in the 11th century in Romanesque style, and rebuilt in 1443 by

John Hunyady in Gothic style. It contains among other tombs that of John

Hunyady. Near the cathedral is the episcopal palace, and in the same

part of the town is the Batthyaneum, founded by Bishop Count Batthyany

in 1794. It contains a valuable library with many incunabula and old

manuscripts, amongst which is one of the _Nibelungenlied_, an

astronomical observatory, a collection of antiquities, and a mineral

collection. Gyula-Fehervar carries on an active trade in cereals, wine

and cattle.

Gyula-Fehervar occupies the site of the Roman colony _Apulum_. Many

Roman relics found here, and in the vicinity, are preserved in the

museum of the town. The bishopric was founded in the 11th century by

King Ladislaus I. (1078-1095). In the 16th century, when Transylvania

separated from Hungary, the town became the residence of the

Transylvanian princes. From this period dates the castle, and also the

buildings of the university, founded by Gabriel Bethlen, and now used as

barracks. After the reversion of Transylvania in 1713 to the Habsburg

monarchy the actual strong fortress was built in 1716-1735 by the

emperor Charles VI., whence the German name of the town.

H The eighth symbol in the Phoenician alphabet, as in its descendants,

has altered less in the course of ages than most alphabetic symbols.

From the beginning of Phoenician records it has consisted of two

uprights connected by transverse bars, at first either two or three in

number. The uprights are rarely perpendicular and the cross bars are not

so precisely arranged as they are in early Greek and Latin inscriptions.

In these the symbol takes the form of two rectangles [symbol] out of

which the ordinary H develops by the omission of the cross bars at top

and bottom. It is very exceptional for this letter to have more than

three cross bars, though as many as five are occasionally found in N.W.

Greece. Within the same inscription the appearance of the letter often

varies considerably as regards the space between and the length of the

uprights. When only one bar is found it regularly crosses the uprights

about the middle. In a few cases the rectangle is closed at top and

bottom but has no middle cross bar [symbol]. The Phoenician name for the

letter was Heth (Het). According to Semitic scholars it had two values,

(1) a glottal spirant, a very strong _h_, (2) an unvoiced velar spirant

like the German _ch_ in _ach_. The Greeks borrowed it with the value of

the ordinary aspirate and with the name [Greek: eta]. Very early in

their history, however, most of the Greeks of Asia Minor lost the

aspirate altogether, and having then no further use for the symbol with

this value they adopted it to represent the long _e_-sound, which was

not originally distinguished by a different symbol from the short sound

(see E). With this value its name has always been [Greek: eta] in Greek.

The alphabet of the Asiatic Greeks was gradually adopted elsewhere. In

official documents at Athens H represented the rough breathing or

aspirate ' till 403 B.C.; henceforth it was used for [eta]. The Western

Greeks, however, from whom the Romans obtained their alphabet, retained

their aspirate longer than those of Asia Minor, and hence the symbol

came to the Romans with the value not of a long vowel but of the

aspirate, which it still preserves. The Greek aspirate was itself the

first or left-hand half of this letter |-, while the smooth breathing '

was the right-hand portion -|. At Tarentum |- is found for H in

inscriptions. The Roman aspirate was, however, a very slight sound which

in some words where it was etymologically correct disappeared at an

early date. Thus the cognate words of kindred languages show that the

Lat. _anser_ "goose" ought to begin with _h_, but nowhere is it so

found. In none of the Romance languages is there any trace of initial or

medial _h_, which shows that vulgar Latin had ceased to have the

aspirate by 240 B.C. The Roman grammarians were guided to its presence

by the Sabine forms where _f_ occurred; as the Sabines said _fasena_

(sand), it was recognised that the Roman form ought to be _harena_, and

so for _haedus_ (goat), _hordeum_ (barley), &c. Between vowels _h_ was

lost very early, for _ne-hemo_ (no man) is throughout the literature

_nemo_, _bi-himus_ (two winters old) _bimus_. In the Ciceronian age

greater attention was paid to reproducing the Greek aspirates in

borrowed words, and this led to absurd mistakes in Latin words, mistakes

which were satirized by Catullus in his epigram (84) upon Arrius, who

said _chommoda_ for _commoda_ and _hinsidias_ for _insidias_. In Umbrian

_h_ was often lost, and also used without etymological value to mark

length, as in _comohota_ (= Lat. _commota_), a practice to which there

are some doubtful parallels in Latin.

In English the history of _h_ is very similar to that in Latin. While

the parts above the glottis are in position to produce a vowel, an

aspirate is produced without vibration of the vocal chords, sometimes,

like the pronunciation of Arrius, with considerable effort as a reaction

against the tendency to "drop the h's." Though _h_ survives in Scotland,

Ireland and America as well as in the speech of cultivated persons, the

sound in most of the vulgar dialects is entirely lost. Where it is not

ordinarily lost, it disappears in unaccented syllables, as "_Give it

'im_" and the like. Where it is lost, conscious attempts to restore it

on the part of uneducated speakers lead to absurd misplacements of _h_

and to its restoration in Romance words when it never was pronounced, as

_humble_ (now recognized as standard English), _humour_ and even

_honour_. (P. Gi.)

HAAG, CARL (1820- ), a naturalized British painter, court painter to

the duke of Saxe-Coburg and Gotha, was born in Bavaria, and was trained

in the academies at Nuremburg and Munich. He practised first as an

illustrator and as a painter, in oil, of portraits and architectural

subjects; but after he settled in England, in 1847, he devoted himself

to water colours, and was elected associate of the Royal Society of

Painters in Water Colours in 1850 and member in 1853. He travelled much,

especially in the East, and made a considerable reputation by his firmly

drawn and carefully elaborated paintings of Eastern subjects. Towards

the end of his professional career Carl Haag quitted England and

returned to Germany.

See _A History of the "Old Water-Colour" Society, now the Royal

Society of Painters in Water Colours_, by John Lewis Roget (2 vols.,

London, 1891).

HAAKON (Old Norse _Hakon_), the name of several kings of Norway, of whom

the most important are the following:--

HAAKON I., surnamed "the Good" (d. 961), was the youngest son of Harald

Haarfager. He was fostered by King Aethelstan of England, who brought

him up in the Christian religion, and on the news of his father's death

in 933 provided him with ships and men for an expedition against his

half-brother Erik, who had been proclaimed king. On his arrival in

Norway Haakon gained the support of the landowners by promising to give

up the rights of taxation claimed by his father over inherited real

property. Erik fled, and was killed a few years later in England. His

sons allied themselves with the Danes, but were invariably defeated by

Haakon, who was successful in everything he undertook except in his

attempt to introduce Christianity, which aroused an opposition he did

not feel strong enough to face. He was killed at the battle of Fitje in

961, after a final victory over Erik's sons. So entirely did even his

immediate circle ignore his religion that a court skald composed a poem

on his death representing his welcome by the heathen gods into Valhalla.

HAAKON IV., surnamed "the Old" (1204-1263), was declared to be the son

of Haakon III., who died shortly before the former's birth in 1204. A

year later the child was placed under the protection of King Inge, after

whose death in 1217 he was chosen king; though until 1223 the church

refused to recognize him, on the ground of illegitimacy, and the Pope's

dispensation for his coronation was not gained until much later. In the

earlier part of his reign much of the royal power was in the hands of

Earl Skule, who intrigued against the king until 1239, when he proceeded

to open hostility and was put to death. From this time onward Haakon's

reign was marked by more peace and prosperity than Norway had known for

many years, until in 1263 a dispute with the Scottish king concerning

the Hebrides, a Norwegian possession, induced Haakon to undertake an

expedition to the west of Scotland. A division of his army seems to have

repulsed a large Scottish force at Largs (though the later Scottish

accounts claim this battle as a victory), and, having won back the

Norwegian possessions in Scotland, Haakon was wintering in the Orkneys,

when he was taken ill and died on the 15th of December 1263. A great

part of his fleet had been scattered and destroyed by storms. The most

important event in his reign was the voluntary submission of the

Icelandic commonwealth. Worn out by internal strife fostered by Haakon's

emissaries, the Icelandic chiefs acknowledged the Norwegian king as

overlord in 1262. Their example was followed by the colony of Greenland.

HAAKON VII. (1872- ), the second son of Frederick VIII., king of

Denmark, was born on the 3rd of August 1872, and was usually known as

Prince Charles of Denmark. When in 1905 Norway decided to separate

herself from Sweden the Norwegians offered their crown to Charles, who

accepted it and took the name of Haakon VII., being crowned at Trondhjem

in June 1906. The king married Maud, youngest daughter of Edward VII.,

king of Great Britain, their son, Prince Olav, being born in 1903.

HAARLEM, a town of Holland in the province of North Holland, on the

Spaarne, having a junction station 11 m. by rail W. of Amsterdam. It is

connected by electric and steam tramways with Zandvoort, Leiden,

Amsterdam and Alkmaar. Pop. (1900) 65,189. Haarlem is the seat of the

governor of the province of North Holland, and of a Roman Catholic and a

Jansenist bishopric. In appearance it is a typical Dutch town, with

numerous narrow canals and quaintly gabled houses. Of the ancient city

gates the Spaarnewouder or Amsterdam gate alone remains. Gardens and

promenades have taken the place of the old ramparts, and on the south

the city is bounded by the Frederiks and the Flora parks, between which

runs the fine avenue called the Dreef, leading to the Haarlemmer Hout or

wood. In the Frederiks Park is a pump-room supplied with a powerful

chalybeate water from a spring, the Wilhelminabron, in the Haarlemmer

Polder not far distant, and in connexion with this there is an

orthopaedic institution adjoining. In the great market place in the

centre of the city are gathered together the larger number of the most

interesting buildings, including the quaint old Fleshers' Hall, built by

Lieven de Key in 1603, and now containing the archives; the town hall;

the old Stadsdoelen, where the burgesses met in arms; the Groote Kerk,

or Great Church; and the statue erected in 1856 to Laurenz Janszoon

Koster, the printer. The Great Church, dedicated to St Bavo, with a

lofty tower (255 ft.), is one of the most famous in Holland, and dates

from the end of the 15th and the beginning of the 16th centuries. Its

great length (460 ft.) and the height and steepness of its vaulted

cedar-wood roof (1538) are very impressive. The choir-stalls and screen

(1510) are finely carved, and of further interest are the ancient pulpit

sounding-board (1432), some old stained glass, and the small models of

ships, copies dating from 1638 of yet earlier models originally

presented by the Dutch-Swedish Trading Company. The church organ was

long considered the largest and finest in existence. It was constructed

by Christian Muller in 1738, and has 4 keyboards, 64 registers and 5000

pipes, the largest of which is 15 in. in diameter and 32 ft. long. Among

the monuments in the church are those of the poet Willem Bilderdyk (d.

1831) and the engineer Frederik Willem Conrad (d. 1808), who designed

the sea-sluices at Katwyk. In the belfry are the _damiaatjes_, small

bells presented to the town, according to tradition, by William I.,

count of Holland (d. 1222), the crusader. The town hall was originally a

palace of the counts of Holland, begun in the 12th century, and some old

13th-century beams still remain; but the building was remodelled in the

beginning of the 17th century. It contains a collection of antiquities

(including some beautiful goblets) and a picture gallery which, though

small, is celebrated for its fine collection of paintings by Frans Hals.

The town library contains several _incunabula_ and an interesting

collection of early Dutch literature. At the head of the scientific

institutions of Haarlem may be placed the Dutch Society of Sciences

(_Hollandsche Maatschappij van Wetenschappen_), founded in 1752, which

possesses valuable collections in botany, natural history and geology.

Teyler's Stichting (i.e. foundation), enlarged in modern times, was

instituted by the will of Pieter Teyler van der Hulst (d. 1778), a

wealthy merchant, for the study of theology, natural science and art,

and has lecture-theatres, a large library, and a museum containing a

physical and a geological cabinet, as well as a collection of paintings,

including many modern pictures, and a valuable collection of drawings

and engravings by old masters. The Dutch Society for the Promotion of

Industry (_Nederlaandsche Maatschappij ter Bevordering van Nijverheid_),

founded in 1777, has its seat in the Pavilion Welgelegen, a villa on the

south side of the Frederiks Park, built by the Amsterdam banker John

Hope in 1778, and afterwards acquired by Louis Bonaparte, king of

Holland. The colonial museum and the museum of industrial art were

established in this villa by the society in 1871 and 1877 respectively.

Besides these there are a museum of ecclesiastical antiquities, chiefly

relating to the bishopric of Haarlem; the old weigh-house (1598) and the

orphanage for girls (1608), originally an almshouse for old men, both

built by the architect Lieven de Key of Ghent.

The staple industries of Haarlem have been greatly modified in the

course of time. Cloth weaving and brewing, which once flourished

exceedingly, declined in the beginning of the 16th century. A century

later, silk, lace and damask weaving were introduced by French refugees,

and became very important industries. But about the close of the 18th

century this remarkable prosperity had also come to an end, and it was

not till after the Belgian revolution of 1830-1831 that Haarlem began to

develop the manufactures in which it is now chiefly engaged. Cotton

manufacture, dyeing, printing, bleaching, brewing, type-founding, and

the manufacture of tram and railway carriages are among the more

important of its industries. One of the printing establishments has the

reputation of being the oldest in the Netherlands, and publishes the

oldest Dutch paper, _De Opragte Haarlemmer Courant_. Market-gardening,

especially horticulture, is extensively practised in the vicinity, so

that Haarlem is the seat of a large trade in Dutch bulbs, especially

hyacinths, tulips, fritillaries, spiraeas and japonicas.

Haarlem, which was a prosperous place in the middle of the 12th century,

received its first town charter from William II., count of Holland and

king of the Romans, in 1245. It played a considerable part in the wars

of Holland with the Frisians. In 1492 it was captured by the insurgent

peasants of North Holland, was re-taken by the duke of Saxony, the

imperial stadholder, and deprived of its privileges. In 1572 Haarlem

joined the revolt of the Netherlands against Spain, but on the 13th of

July 1573, after a seven months' siege, was forced to surrender to

Alva's son Frederick, who exacted terrible vengeance. In 1577 it was

again captured by William of Orange and permanently incorporated in the

United Netherlands.

See Karl Hegel, _Stadte und Gilden_ (Leipzig, 1891); Allan,

_Geschiedenis en beschrijving van Haarlem_ (Haarlem, 1871-1888).

HAARLEM LAKE (Dutch _Harlemmer Meer_), a commune of the province of

North Holland, constituted by the law of the 16th of July 1855. It has

an area of about 46,000 acres, and its population increased from 7237 in

1860 to 16,621 in 1900. As its name indicates, the commune was formerly

a lake, which is said to have been a relic of a northern arm of the

Rhine which passed through the district in the time of the Romans. In

1531 the Haarlemmer Meer had an area of 6430 acres, and in its vicinity

were three smaller sheets of water--the Leidsche Meer or Leiden Lake,

the Spiering Meer, and the Oude Meer or Old Lake, with a united area of

about 7600 acres. The four lakes were formed into one by successive

inundations, whole villages disappearing in the process, and by 1647 the

new Haarlem Lake had an area of about 37,000 acres, which a century

later had increased to over 42,000 acres. As early as 1643 Jan

Adriaanszoon Leeghwater proposed to endike and drain the lake; and

similar schemes, among which those of Nikolaas Samuel Cruquius in 1742

and of Baron van Lijnden van Hemmen in 1820 are worthy of special

mention, were brought forward from time to time. But it was not till a

furious hurricane in November 1836 drove the waters as far as the gates

of Amsterdam, and another on Christmas Day sent them in the opposite

direction to submerge the streets of Leiden, that the mind of the nation

was seriously turned to the matter. In August 1837 the king appointed a

royal commission of inquiry; the scheme proposed by the commission

received the sanction of the Second Chamber in March 1839, and in the

following May the work was begun. A canal was first dug round the lake

for the reception of the water and the accommodation of the great

traffic which had previously been carried on. This canal was 38 m. in

length, 123-146 ft. wide, and 8 ft. deep, and the earth which was taken

out of it was used to build a dike from 30 to 54 yds. broad containing

the lake. The area enclosed by the canal was rather more than 70 sq. m.,

and the average depth of the lake 13 ft. 1-1/2 in., and as the water had

no natural outfall it was calculated that probably 1000 million tons

would have to be raised by mechanical means. This amount was 200

million tons in excess of that actually discharged. Pumping by

steam-engines began in 1848, and the lake was dry by the 1st of July

1852. At the first sale of the highest lands along the banks on the 16th

of August 1853, about L28 per acre was paid; but the average price

afterwards was less. The whole area of 42,096 acres recovered from the

waters brought in 9,400,000 florins, or about L780,000, exactly covering

the cost of the enterprise; so that the actual cost to the nation was

only the amount of the interest on the capital, or about L368,000. The

soil is of various kinds, loam, clay, sand and peat; most of it is

sufficiently fertile, though in the lower portions there are barren

patches where the scanty vegetation is covered with an ochreous deposit.

Mineral springs occur containing a very high percentage (3.245 grams per

litre) of common salt; and in 1893 a company was formed for working

them. Corn, seeds, cattle, butter and cheese are the principal produce.

The roads which traverse the commune are bordered by pleasant-looking

farm-houses built after the various styles of Holland, Friesland or

Brabant. Hoofddorp, Venneperdorp or Nieuw Vennep, Abbenes and the

vicinities of the pumping-stations are the spots where the population

has clustered most thickly. The first church was built in 1855; in 1877

there were seven. In 1854 the city of Leiden laid claim to the

possession of the new territory, but the courts decided in favour of the

nation.

HAASE, FRIEDRICH (1827- ), German actor, was born on the 1st of

November 1827, in Berlin, the son of a valet to King Frederick William

IV., who became his godfather. He was educated for the stage under

Ludwig Tieck and made his first appearance in 1846 in Weimar, afterwards

acting at Prague (1849-1851) and Karlsruhe (1852-1855). From 1860 to

1866 he played in St Petersburg, then was manager of the court theatre

in Coburg, and in 1869 (and again in 1882-1883) visited the United

States. He was manager of the Stadt Theater in Leipzig from 1870 to

1876, when he removed to Berlin, where he devoted his energies to the

foundation and management of the Deutsches Theater. He finally retired

from the stage in 1898. Haase's aristocratic appearance and elegant

manner fitted him specially to play high comedy parts. His chief roles

were those of Rocheferrier in the _Partie Piquet_; Richelieu; Savigny in

_Der feiner Diplomat_, and der Furst in _Der geheime Agent_. He is the

author of _Ungeschminkte Briefe and Was ich erlebte 1846-1898_ (Berlin,

1898).

See Simon, _Friedrich Haase_ (Berlin, 1898).

HAASE, FRIEDRICH GOTTLOB (1808-1867), German classical scholar, was born

at Magdeburg on the 4th of January 1808. Having studied at Halle,

Greifswald and Berlin, he obtained in 1834 an appointment at

Schulpforta, from which he was suspended and sentenced to six years'

imprisonment for identifying himself with the _Burschenschaften_

(students' associations). Having been released after serving one year of

his sentence, he visited Paris, and on his return in 1840 he was

appointed professor at Breslau, where he remained till his death on the

16th of August 1867. He was undoubtedly one of the most successful

teachers of his day in Germany, and exercised great influence upon all

his pupils.

He edited several classic authors: Xenophon ([Greek: Lakedaimonion

politeia], 1833); Thucydides (1840); Velleius Paterculus (1858);

Seneca the philosopher (2nd ed., 1872, not yet superseded); and

Tacitus (1855), the introduction to which is a masterpiece of

Latinity. His _Vorlesungen uber lateinische Sprachwissenschaft_ was

published after his death by F. A. Eckstein and H. Peter (1874-1880).

See C Bursian, _Geschichte der klassischen Philologie in Deutschland_

(1883); G. Fickert, _Friderici Haasii memoria_ (1868), with a list of

works; T. Oelsner in _Rubezahl (Schlesische Provinzialblatter)_, vii.

Heft 3 (Breslau, 1868).

HAAST, SIR JOHANN FRANZ JULIUS VON (1824-1887), German and British

geologist, was born at Bonn on the 1st of May 1824. He received his

early education partly in that town and partly in Cologne, and then

entered the university at Bonn, where he made a special study of geology

and mineralogy. In 1858 he started for New Zealand to report on the

suitability of the colony for German emigrants. He then became

acquainted with Dr von Hochstetter, and rendered assistance to him in

the preliminary geological survey which von Hochstetter had undertaken.

Afterwards Dr Haast accepted offers from the governments of Nelson and

Canterbury to investigate the geology of those districts, and the

results of his detailed labours greatly enriched our knowledge with

regard to the rocky structure, the glacial phenomena and the economic

products. He discovered gold and coal in Nelson, and he carried on

important researches with reference to the occurrence of _Dinornis_ and

other extinct wingless birds (Moas). His _Geology of the Provinces of

Canterbury and Westland, N.Z._, was published in 1879. He was the

founder of the Canterbury museum at Christchurch, of which he became

director, and which he endeavoured to render the finest collection in

the southern hemisphere. He was surveyor-general of Canterbury from 1861

to 1871, and professor of geology at Canterbury College. He was elected

F.R.S. in 1867; and he was knighted for his services at the time of the

colonial exhibition in London in 1887. He died at Wellington, N.Z., on

the 15th of August 1887.

HABABS (AZ-HIBBEHS), a nomadic pastoral people of Hamitic stock, living

in the coast region north-west of Massawa. Physically they are Beja, by

language and traditions Abyssinians. They were Christians until the 19th

century, but are now Mahommedans. Their sole wealth consists in cattle.

HABAKKUK, the name borne by the eighth book of the Old Testament "Minor

Prophets." It occurs twice in the book itself (i. 1, iii. 1) in titles,

but nowhere else in the Old Testament. The meaning of the name is

uncertain. If Hebrew, it might be derived from the root [Hebrew: habak]

(to embrace) as an intensive term of affection. It has also been

connected more plausibly with an Assyrian plant name, _[h)]ambakuku_

(Delitzsch, _Assyrisches Handworterbuch_, p. 281). The Septuagint has

[Greek: Ambakoum]. Of the person designated, no more is known than may

be inferred from the writing which bears his name. Various legends are

connected with him, of which the best known is given in the Apocryphal

story of "Bel and the Dragon" (v. 33-39); but none of these has any

historic value.[1]

The book itself falls into three obvious parts, viz. (1) a dialogue

between the prophet and God (i. 2-ii. 4); (2) a series of five woes

pronounced on wickedness (ii. 5-ii. 20); (3) a poem describing the

triumphant manifestation of God (iii.). There is considerable difficulty

in regard to the interpretation of (1), on which that of (2) will turn;

while (3) forms an independent section, to be considered separately.

In the dialogue, the prophet cries to God against continued violence and

injustice, though it is not clear whether this is done _within_ or _to_

Israel (i. 2-4). The divine answer declares that God raises up the

Chaldaeans, whose formidable resources are invincible (i. 5-11). The

prophet thereupon calls God's attention to the tyranny which He

apparently allows to triumph, and declares his purpose to wait till an

answer is given to his complaint (i. 12-ii. 2). God answers by demanding

patience, and by declaring that the righteous shall live by his

faithfulness (ii. 3-4).

The interpretation of this dialogue which first suggests itself is that

the prophet is referring to wickedness _within_ the nation, which is to

be punished by the Chaldaeans as a divine instrument; in the process,

the tyranny of the instrument itself calls for punishment, which the

prophet is bidden to await in patient fidelity. On this view of the

dialogue, the subsequent woes will be pronounced against the Chaldaeans,

and the date assigned to the prophecy will be about 600 B.C., i.e. soon

after the battle of Carchemish (605 B.C.), when the Chaldaean victory

over Egypt inaugurated a period of Chaldaean supremacy which lasted till

the Chaldaeans themselves were overthrown by Cyrus in 538 B.C. Grave

objections, however, confront this interpretation, as is admitted even

by such recent defenders of it as Davidson and Driver. Is it likely that

a prophet would begin a complaint against Chaldaean tyranny (admittedly

central in the prophecy) by complaining of that wickedness of his

fellow-countrymen which seems partly to justify it? Are not the terms of

reference in i. 2 f. and 1. 12 f. too similar for the supposition that

two distinct, even contradictory, complaints are being made (cf.

"wicked" and "righteous" in i. 4 and i. 13, interchanged in regard to

Israel, on above theory)? And if i. 5-11 is a genuine _prophecy_ of the

raising up of the Chaldaeans, whence comes that long experience of their

rule required to explain the _detailed_ denunciation of their tyranny?

To meet the last objection, Davidson supposes i. 5-11 to be really a

reference to the past, prophetic in form only, and brings down the whole

section to a later period of Chaldaean rule, "hardly, one would think,

before the deportation of the people under Jehoiachin in 597" (p. 49).

Driver prefers to bisect the dialogue by supposing i. 2-11 to be written

at an earlier period than i. 12 f. (p. 57). The other objections,

however, remain, and have provoked a variety of theories from Old

Testament scholars, of which three call for special notice. (1) The

first of these, represented by Giesebrecht,[2] Nowack and Wellhausen,

refers i. 2-4 to Chaldaean oppression of Israel, the same subject being

continued in i. 12 f. Obviously, the reference to the Chaldaeans as a

divine instrument could not then stand in its present place, and it is

accordingly regarded as a misplaced earlier prophecy. This is the

minimum of critical procedure required to do justice to the facts. (2)

Budde, followed by Cornill, also regards i. 2-4 as referring to the

oppression of Israel by a foreign tyrant, whom, however, he holds to be

Assyria. He also removes i. 5-11 from its present place, but makes it

part of the divine answer, following ii. 4. On this view, the Chaldaeans

are the divine instrument for punishing the tyranny of the Assyrians, to

whom the following woes will therefore refer. The date would fall

between Josiah's reformation (621) and his death (609). This is a

plausible and even attractive theory; its weakness seems to lie in the

absence of any positive evidence in the prophecy itself, as is

illustrated by the fact that even G. A. Smith, who follows it, suggests

"Egypt from 608-605" as an alternative to Assyria (p. 124). (3) Marti

(1904) abandons the attempt to explain the prophecy as a unity, and

analyses it into three elements, viz. (a) The original prophecy by

Habakkuk, consisting of i. 5-10, 14 f., belonging to the year 605, and

representing the emergent power of the Chaldaeans as a divine scourge of

the faithless people; (b) Woes against the Chaldaeans, presupposing not

only tyrannous rule over many peoples, but the beginning of their

decline and fall, and therefore of date about 540 B.C. (ii. 5-19); (c) A

psalm of post-exilic origin, whose fragments, i. 2-4, 12 a, 13, ii. 1-4,

have been incorporated into the present text from the margins on which

they were written, its subject being the suffering of the righteous.

Each of these three theories[3] encounters difficulties of detail; none

can be said to have secured a dominant position. The great variety of

views amongst competent critics is significant of the difficulty of the

problem, which can hardly be regarded as yet solved; this divergence of

opinion perhaps points to the impossibility of maintaining the unity of

chs. i. and ii., and throws the balance of probability towards some such

analysis as that of Marti, which is therefore accepted in the present

article.

In regard to the poem which forms the third and closing chapter of the

present book of Habakkuk, there is much more general agreement. Its most

striking characteristic lies in the superscription ("A prayer of

Habakkuk the prophet, set to Shigionoth"), the subscription ("For the

chief musician, on my stringed instruments"), and the insertion of the

musical term "Selah" in three places (v. 3, 9, 13). These liturgical

notes make extremely probable the supposition that the poem has been

taken from some collection like that of our present book of Psalms,

probably on the ground of the authorship asserted by the superscription

there attached to it. It cannot, however, be said that the poem itself

supports this assertion, which carries no more intrinsic weight than

the Davidic titles of the Psalms. The poem begins with a prayer that God

will renew the historic manifestation of the exodus, which inaugurated

the national history and faith; a thunderstorm moving up from the south

is then described, in which God is revealed (3-7); it is asked whether

this manifestation, whose course is further described, is against nature

only (8-11); the answer is given that it is for the salvation of Israel

against its wicked foes (12-15); the poet describes the effect in terror

upon himself (16) and declares his confidence in God, even in utter

agricultural adversity (17-19). As Wellhausen says (p. 171): "The poet

appears to believe that in the very act of describing enthusiastically

the ancient deed of deliverance, he brings home to us the new; we are

left sometimes in doubt whether he speaks of the past to suggest the new

by analogy, or whether he is concerned directly with the future, and

simply paints it with the colours of the past." In any case, there is

nothing in this fine poem to connect it with the conception of the

Chaldaeans as a divine instrument. It is the nation that speaks through

the poet (cf. v. 14), but at what period of its post-exilic history we

have no means of inferring.

Our estimate of the theological teaching of this book will naturally be

influenced by the particular critical theory which is adopted. The

reduction of the book to four originally independent sections requires

that the point of each be stated separately. When this is done, it will,

however, be found that there is a broad unity of subject, and of natural

development in its treatment, such as to some extent justifies the

instinct or the judgment of those who were instrumental in effecting the

combination of the separate parts. (1) The poem (iii.), though possibly

latest in date,[4] claims first consideration, because it avowedly moves

in the circle of primitive ideas, and supplicates a divine intervention,

a direct and immediate manifestation of the transcendent God. He is

conceived as controlling or overcoming the forces of nature; and though

an earlier mythology has supplied some of the ideas, yet, as with the

opening chapters of Genesis, they are transfigured by the moral purpose

which animates them, the purpose to subdue all things that could

frustrate the destiny of God's anointed (v. 13). The closing verses

strike that deep note of absolute dependence on God, which is the glory

of the religion of the Old Testament and its chief contribution to the

spirit of the Gospels. (2) The prophecy of the Chaldaeans as the

instruments of the divine purpose involves a different, yet related,

conception of the divine providence. The philosophy of history, by which

Hebrew prophets could read a deep moral significance into national

disaster and turn the flank of resistless attack, became one of the most

important elements in the nation's faith. If the world-powers were hard

as flint in their dealings with Israel, the people of God were steeled

to such moral endurance that each clash of their successive onsets

kindled some new flame of devotion. Through the Chaldaeans God worked a

work which required centuries of life and literature to disclose its

fulness (i. 5). (3) When we turn from this view of the Chaldaeans to the

denunciation of their tyranny in "taunt songs" (ii. 5-20), we have

simply a practical application of the doctrine of divine government. God

being what He is, at once moral and all-powerful, the immoral life is

doomed to overthrow, whether the immorality consist in grasping

rapacity, proud self-aggrandizement, cruel exaction, exulting triumph or

senseless idolatry. (4) Yet, because the doom so often tarries, there

arises the problem of the suffering of the innocent and the upright. How

can God look down with tolerance that seems favour on so much that

conflicts with His declared will and character? This is the great

problem of Israel, finding its supreme expression for all time in the

book of Job (q.v.). In that book the solution of the problem of innocent

suffering lies hidden from the sufferer, even to the end, for he is not

admitted with the reader to the secret of the prologue; it is the

practical solution of faithfulness resting on faith which is offered to

us. So here, with the principle of ii. 4, "the righteous shall live by

his faithfulness." The different application of these words in the New

Testament to "faith" is well known (Rom. i. 17; Gal. iii. 11; Heb. x.

38) though the difference is apt to be exaggerated by those who forget

how much of the element of [Hebrew: emuna]: lies in Paul's conception of

[Greek: pistis]. In G. A. Smith's words, "as Paul's adaptation, 'the

just shall live by faith,' has become the motto of evangelical

Christianity, so we may say that Habakkuk's original of it has been the

motto and the fame of Judaism: 'the righteous shall live by his

faithfulness.'"

The Hebrew text of this impressive and varied book is unfortunately

corrupt in many places; even so cautious a critic as Driver accepts or

favourably notices eighteen textual emendations in the three chapters,

and suspects the text in at least seven other cases. For the

interpretation of the book in detail, the English reader will find

Driver's commentary (1906) the most useful.

References to earlier literature will be found in the following

noteworthy studies of recent date: Davidson, "Nahum, Habakkuk and

Zephaniah," in _Cambridge Bible_ (1896); Nowack, _Die kleinen

Propheten_ (Hdkr.) (1897); Wellhausen, _Die kleinen Propheten_^3

(1898); G. A. Smith, "The Book of the Twelve Prophets," in _The

Expositor's Bible_, vol. ii. (1898); Driver, article "Habakkuk" in

Hastings' _Dictionary of the Bible_, vol. ii. pp. 269-272 (1900);

Budde, article "Habakkuk" in _Ency. Biblica_, vol. ii., c. 1921-1928

(1901); Stevenson, "The Interpretation of Habakkuk," in _The

Expositor_ (1902), pp. 388-401; Peake, _The Problem of Suffering in

the Old Testament_ (1904), pp. 4-11 and app. A, "Recent Criticism of

Habakkuk"; Marti, _Dodekapropheton_ (K. H. C.) (1904); Driver, "Minor

Prophets," vol. ii., in _Century Bible_ (1906); Duhm, _Das Buch

Habakkuk_ (Text, Ubersetzung und Efklarung), 1906 (regards the book as

a unity belonging to the time of Alexander the Great). Max L. Margolis

discusses the anonymous Greek version of Habakkuk iii. in a volume of

_Old Test. and Semitic Studies: in Memory of William Rainey Harper_

(Chicago, 1908). (H. W. R.*)

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