CHAPTER LVII.

DETECTIVE LAMBERT CONTINUES HIS DIARY.

On Monday morning Detective Lambert, as recorded in his diary,

received Joseph Pitou's letter from Milan--this time written in

French, which, being duly translated by Mrs. Lambert, caused the

English detective profound astonishment and delight. It was in keeping

with the literary methods he pursued that he did not insert the letter

in his diary, and gave no intelligible account of its contents.

Neither would it have been in accordance with his methods to have

omitted mysterious reference to it:

"Letter from Joseph Pitou, commencing, 'My Very Dear and Very

Illustrious Compatriot and Brother-in-arms,' which I look upon as

foreign bunkum. I don't object to the 'illustrious,' but we English

would have put it differently.

"If I were not so closely mixed up with the Catchpole Square Mystery I

should regard friend Joseph's letter as being copied out of a romance.

It reads like romance. But it isn't; it is a chapter, or several

chapters, out of real life. It is a feather in one's cap to be

connected with such a character--not friend Joseph, but the game we

are hunting. Big game. The idea of coming face to face with it is

enough to scare a timid man, but that kind of risk doesn't scare an

Englishman. I won't do friend Joseph the injustice to say it might

scare him.

"He sends me the portrait of Louis Lorenz. The mischief of it is that

Lorenz's face is covered with hair--a fine crop which in the present

instance, I do not admire. When a criminal is condemned to death in

Gallicia don't they shave him? A felon loses his rights as a citizen,

and his moustachios and whiskers are the property of the State.

"My man is clean shaven, but the blue shade on his chin and cheeks

show that he has a fine stiff crop of his own. So have hundreds of

thousands of other men. Still it is a link, though not a strong one.

"The point of resemblance is in the forehead and eyes. I took as clear

a view as possible of his face, and I did not fail to observe that,

whether by accident or design, he sat with his back to the light.

True, he did not shift his chair to place himself in that position,

but for all that I decide it was design and not accident. He seldom

raised his eyes; when he did he found me ready for him. Now, if it had

been Applebee who sat opposite him----"

And here, presumably, Lambert broke off to indulge in a laugh.

Near midnight on the same day he continued his diary, but there was no

reference to Joseph Pitou or Louis Lorenz.

"At three o'clock called on Dr. Pye. An old woman opened the door.

'Dr. Pye at home?' I asked. 'Not at home,' she answered. 'Take my card

up to him,' I said. 'Not at home,' she repeated, and jammed my leg in

the door. I remonstrated. 'Take your leg away,' she said. Seeing

that she was determined, and having no authority to enter the house, I

took my leg away, and she slammed the door in my face. Faithful

creature--and well paid for her services, I'll swear. Told the lie

with a face of brass, for a lie it was. Dr. Pye was at home. Where is

my maid from Norfolk? She was seen to leave the house on Saturday

morning. Cab at the door. Small japanned box brought out, containing

her wardrobe. Cab drove off with box on the roof and my Norfolk maid

inside. I ought to have had more than one man on the watch, for then I

should have known where the cab drove to. Most probably to a railway

station, to take my maid to her native village. Norfolk has many

villages. Why was Dr. Pye so anxious to be rid of her? Answer--because

she did not slam the door in my face, as the old woman did.

"With the exception of two visits from Mr. Ezra Lynn (from the

description given of the man there could be no mistake it was he)

there has been nothing discovered. These visits were made on Saturday

night and last night. On each occasion he came at eight o'clock. On

Saturday night he remained two hours, last night he remained three.

Dr. Pye has not been seen to leave the house. From the tradesmen who

call there nothing has been learned. The establishment is carried on

on ready money lines. Everything sent home is paid for at the

servants' entrance. As a ready money customer Dr. Pye bears a good

name in the neighbourhood.

"I was not content with one visit to Dr. Pye to-day. At five o'clock I

presented myself again--on official business. The same old woman

opened the door. 'Dr. Pye at home?' 'Not at home.' 'I must see him.'

'Not at home.' There was no chance of my putting my leg inside; the

door was on the chain. 'I serve this notice upon him,' I said,

thrusting the paper into the old woman's hand. 'It is an order for him

to appear as a witness at the Bishop Street Police Court next Friday

morning, the 22nd of March, at eleven o'clock, to give evidence in the

case of the murder of Samuel Boyd.' The woman took the notice, and

left me alone once more on the wrong side of the door.

"I have treated Mr. Rawdon, the contentious juryman, to a sight of me

on three separate occasions. Not a word have I addressed to him; I

have simply given him to understand in a silent manner that he is

under observation. He does understand it, and does not appear to be

very comfortable.

"Where is Mr. Dick Remington? He has not been seen by any of my people

since Thursday last. Has he been spirited away? Is there any

connection between his disappearance and the disappearance of Abel

Death? To both questions I answer, no. The notice of his absence still

remains on the house in Catchpole Square. Applebee informs me that the

door of that house has not been opened from the day the notice was

posted on it. He is keeping close watch upon the house, and I am

keeping close watch upon him. When he makes a move, or discovers

anything, I shall be at hand. Things can't remain in this quiet state

much longer. Some time this week there will be a flare up. Don't you

think so?"

Samuel Boyd of Catchpole Square: A Mystery · 第 57 / 66 章