MY DEAR DUKE OF DEVONSHIRE,

From this place where I am writing my way through the summer, in the

midst of rosy gardens and sea airs, I cannot forbear writing to tell you

with what uncommon pleasure I received your interesting letter, and how

sensible I always am of your kindness and generosity. You were always in

the mind of my household during your illness; and to have so beautiful,

and fresh, and manly an assurance of your recovery from it, under your

own hand, is a privilege and delight that I will say no more of.

I am so glad you like Flora. It came into my head one day that we have

all had our Floras, and that it was a half-serious, half-ridiculous

truth which had never been told. It is a wonderful gratification to me

to find that everybody knows her. Indeed, some people seem to think I

have done them a personal injury, and that their individual Floras (God

knows where they are, or who!) are each and all Little Dorrit's.

We were all grievously disappointed that you were ill when we played Mr.

Collins's "Lighthouse" at my house. If you had been well, I should have

waited upon you with my humble petition that you would come and see it;

and if you had come I think you would have cried, which would have

charmed me. I hope to produce another play at home next Christmas, and

if I can only persuade you to see it from a special arm-chair, and can

only make you wretched, my satisfaction will be intense. May I tell you,

to beguile a moment, of a little "Tag," or end of a piece, I saw in

Paris this last winter, which struck me as the prettiest I had ever met

with? The piece was not a new one, but a revival at the Vaudeville--"Les

Memoires du Diable." Admirably constructed, very interesting, and

extremely well played. The plot is, that a certain M. Robin has come

into possession of the papers of a deceased lawyer, and finds some

relating to the wrongful withholding of an estate from a certain

baroness, and to certain other frauds (involving even the denial of the

marriage to the deceased baron, and the tarnishing of his good name)

which are so very wicked that he binds them up in a book and labels them

"Memoires du Diable." Armed with this knowledge he goes down to the

desolate old chateau in the country--part of the wrested-away

estate--from which the baroness and her daughter are going to be

ejected. He informs the mother that he can right her and restore the

property, but must have, as his reward, her daughter's hand in marriage.

She replies: "I cannot promise my daughter to a man of whom I know

nothing. The gain would be an unspeakable happiness, but I resolutely

decline the bargain." The daughter, however, has observed all, and she

comes forward and says: "Do what you have promised my mother you can do,

and I am yours." Then the piece goes on to its development, in an

admirable way, through the unmasking of all the hypocrites. Now, M.

Robin, partly through his knowledge of the secret ways of the old

chateau (derived from the lawyer's papers), and partly through his going

to a masquerade as the devil--the better to explode what he knows on the

hypocrites--is supposed by the servants at the chateau really to be the

devil. At the opening of the last act he suddenly appears there before

the young lady, and she screams, but, recovering and laughing, says:

"You are not really the ----?" "Oh dear no!" he replies, "have no

connection with him. But these people down here are so frightened and

absurd! See this little toy on the table; I open it; here's a little

bell. They have a notion that whenever this bell rings I shall appear.

Very ignorant, is it not?" "Very, indeed," says she. "Well," says M.

Robin, "if you should want me very much to appear, try the bell, if only

for a jest. Will you promise?" Yes, she promises, and the play goes on.

At last he has righted the baroness completely, and has only to hand

her the last document, which proves her marriage and restores her good

name. Then he says: "Madame, in the progress of these endeavours I have

learnt the happiness of doing good for its own sake. I made a necessary

bargain with you; I release you from it. I have done what I undertook to

do. I wish you and your amiable daughter all happiness. Adieu! I take my

leave." Bows himself out. People on the stage astonished. Audience

astonished--incensed. The daughter is going to cry, when she looks at

the box on the table, remembers the bell, runs to it and rings it, and

he rushes back and takes her to his heart; upon which we all cry with

pleasure, and then laugh heartily.

This looks dreadfully long, and perhaps you know it already. If so, I

will endeavour to make amends with Flora in future numbers.

Mrs. Dickens and her sister beg to present their remembrances to your

Grace, and their congratulations on your recovery. I saw Paxton now and

then when you were ill, and always received from him most encouraging

accounts. I don't know how heavy he is going to be (I mean in the

scale), but I begin to think Daniel Lambert must have been in his

family.

Ever your Grace's faithful and obliged.

[Sidenote: Mr. W. C. Macready.]

VILLA DES MOULINEAUX, BOULOGNE,

_Tuesday, July 8th, 1856._

The Letters of Charles Dickens. Vol. 1, 1833-1856 · 第 730 / 770 题