THE RELIGIONS OF INDIA
I. _The Vedic Religion_
No contrast could well be greater than that between the German
religion and that of India. In the one case we have a people full of
vigour, but not yet civilised; in the other a people of high
organisation and culture, but deficient in vigour; the former
religion is one of action, the latter one of speculation. From the
original Aryan faith, to which that of the Teutons most closely
approximates, Indian religion is removed by two great steps. First we
have as a variety of Aryan faith the Indo-Iranian religion, that of
the undivided ancestors of Persians and Indians alike, in the dim
period antecedent to the Aryan settlement of India. Of this religion,
the common mother of those of Persia and of India, we shall give some
sketch after we have made acquaintance with the gods of India, at the
beginning of our Persian chapter. Indian religion is a variety of
Indo-Iranian, which is a variety of the Aryan type. Neither its
genealogy nor its character entitles it to be taken as a typical
example of the Aryan religions. In literary chronology it is the
earliest of them, inasmuch as its books are the oldest sacred
literature of Aryan faith; but in point of development it is not an
early but an advanced product. The absorbing interest it offers to
the student of our science is due to the fact that it presents in an
unbroken sequence a growth of religious thought, which, beginning
with simple conceptions and advancing to a great priestly ritual, can
be seen to pass into mysticism and asceticism, and thence to the
rejection of all gods and rites, and a system of salvation by
individual good conduct. Nowhere else can the progress of religion
through what we might call its seven ages of life be seen so clearly,
nor the logical connection of these ages with each other be
recognised so unmistakably. The present chapter deals with the
infancy and lusty youth of the religion as seen in Vedism; the later
stages of Brahmanism and Buddhism will be spoken of in subsequent
chapters.
The Rigveda.--The Vedic religion takes its name from the Rigveda, the
oldest portion of Indian literature, and the earliest literary
document of Aryan religion. Of four vedas or collections of hymns,
the Rigveda is the oldest and most interesting. It contains a set of
hymns which, with much more of their early religious literature, the
Hindus ascribed to direct divine revelation, but which we know to
have been written by men who claimed no special inspiration. Most of
them date from the time when the Aryans, having made good their entry
in India, but without by any means altogether subduing the former
inhabitants, were dwelling in the Punjaub. The religion of the hymns
is a strongly national one. The Aryans appeal to their gods to help
them against the races, afterwards driven to the south and to the sea
coasts, who differ from themselves in colour, in physiognomy, in
language, in manners, and in religion. Nor are these conquerors by
any means an uncultivated people; they had long been using metals;
they built houses,--a number together in a village; they lived
principally by keeping cattle, but also by tillage, and by hunting.
They drank Sura, a kind of brandy, and Soma, a kind of strong ale, of
which we shall hear more. They were, as a rule, monogamous, the wife
occupying a high position in the household, and assisting her husband
in offering the domestic sacrifice. At the head of each state was a
king, as among the Greeks of Homer; he was not, however, an absolute
monarch; his people met in council and controlled him. The king
himself offered sacrifice for his tribe in his own house,--there were
no temples,--but he was frequently assisted by a man or several men
of special learning in such rites.
The hymns of the Rigveda were written for use at sacrifices. The
sacrifice consists of food and drink of which the god who is
addressed is invited to come and partake, or which are conveyed to
the gods seated on their heavenly thrones, by means of fire. Soma,
the intoxicating juice of the soma plant, is an invariable feature of
the banquets in these hymns; the solid part consists of butter, milk,
rice or cakes; but animals were also killed, and the horse-sacrifice
was a specially important one. The hymn also is an essential part of
the rite; the sacrifice would have no virtue without it. It consists
of praise and prayer. The deity is extolled for the exploits he has
done, for his strength, for his beauty, for his wisdom or his
goodness, he is invoked again and again to partake of what has been
provided for him, and in return he is asked to send the worshipper
food or cows, guidance or protection, or whatever the latter is in
want of.
The Vedic Gods.--And who are the gods who receive this worship? They
are parts of nature or celestial phenomena, more or less personified.
Worship is directed now to one divine being, now to another; each has
a story which is dwelt on and a number of functions belonging to him,
for the sake of which he is extolled and sought after; each god, that
is to say, has his myth. In this set of gods the myths are so clear
that we can identify with perfect confidence each of the gods with
that part of Nature from which he arose.
M. Barth classifies the Vedic gods according to the degree in which
they have become detached from their natural basis. There are two
which are not so detached at all. Agni, who is one of the chief
deities of the Rigveda, is fire, and Soma, the deity to whom all the
hymns of the ninth book are addressed, is simply the juice of the
soma plant, the liquid part of every sacrifice. Agni is not any
particular fire, but fire as a cosmic principle, born in heaven, born
also daily at the sacrifice by the rubbing together of two pieces of
wood, his parents whom he consumes. He is a priest carrying the
offerings of men up to the gods, but he was a priest at the first
sacrifice, the primeval heavenly sacrifice, before he had come down
to men. He is also the guest and household friend of man, a kindly
and familiar being. But he pervades all nature, and all growth and
energy are due to him. Soma, also inseparably connected with all
sacrifice, who strengthens the gods and makes them immortal, is
likewise a universal principle; he too came at first from heaven, and
he too is at work all through the world. There are stories of his
first production among the gods, and of the first effects of his
appearance; he is the nourisher of plants, he gives inspiration to
the poet and fervour to prayer. Along with Agni he kindled the sun
and the stars.
In other gods there is a nearer approach to a human figure, and the
physical side is not so obtrusive. Indra is most frequently invoked
of all the gods, and may be called the national god of this period.
He is described as a chieftain standing in a chariot drawn by two
horses. He waged a great battle, but still wages it constantly,
against the monsters of heat and drought, Vrittra, the coverer, and
Ahi the dragon, for the deliverance of the cows, the heavenly waters,
kept by them in captivity. The contest between the god and the demon
goes on for ever. Indra is also the giver of good things of every
kind, he keeps the heavenly bodies in their places, he is the author
and preserver of all life, the inspirer of all noble thoughts and the
answerer of pious prayers, the rewarder of all who trust in him, and
the forgiver of the penitent. It is good to sacrifice to him and to
offer him soma in abundance; for it strengthens him to take up afresh
his conflicts and labours as the champion of man. Indra is surrounded
by the Maruts, the storm-gods, who are separately invoked in many
hymns. They drive through the sky with splendour and with mighty
music, and bring rain to the parched earth. Their father is Rudra,
also a god of storms, the handsomest of all the gods, and, in spite
of his thunderbolts, a helpful and kindly being. Wherever he sees
evil done, he hurls his spear to smite the evildoer, but he is also a
healer of both physical and moral evils, and the best of all
physicians. Of the same order of deities are Vata or Vayu, the wind,
and Parjanya, the rain-storm. But the loftiest of all the Vedic gods
is Varuna, the great serene luminous heaven. The hymns addressed to
him are comparatively few, but among them are those which rise to the
highest moral and religious level. In language recalling that of the
psalmists and prophets of the Bible, they exalt Varuna as the creator
of the world and of heaven and the stars, as the omniscient defender
of the good and avenger of all evil, as just and holy, and yet full
of compassion, so that the conscience-stricken suppliant is
encouraged to turn to him.
We here give a few extracts from hymns addressed to some of the gods
we have spoken of. The versions are those of the late Dr. John Muir.
A metrical version can scarcely represent the hymns with the accuracy
the scholar would desire, but, on the other hand, a literal
translation, such as that of Professor Max Mueller in vol. xxxii. of
the Sacred Books of the East, gives a less true idea of the spirit of
the pieces, and is less fitted at least for a work like this.
TO INDRA
Thou, Indra, oft of old hast quaffed
With keen delight, our Soma draught.
All gods delicious Soma love;
But thou, all other gods above.
Thy mother knew how well this juice
Was fitted for her infant's use,
Into a cup she crushed the sap
Which thou didst sip upon her lap;
Yes, Indra, on thy natal morn,
The very hour that thou wast born,
Thou didst those jovial tastes display,
Which still survive in strength to-day.
And once, thou prince of genial souls,
Men say thou drained'st thirty bowls.
To thee the Soma draughts proceed,
As streamlets to the lake they feed,
Or rivers to the ocean speed.
Our cup is foaming to the brim
With Soma pressed to sound of hymn.
Come, drink, thy utmost craving slake,
Like thirsty stag in forest lake,
Or bull that roams in arid waste,
And burns the cooling brook to taste.
Indulge thy taste, and quaff at will;
Drink, drink again, profusely swill!
ANOTHER TO INDRA
And thou dost view with special grace,
The fair complexioned Aryan race,
Who own the gods, their laws obey,
And pious homage duly pay.
Thou giv'st us horses, cattle, gold,
As thou didst give our sires of old.
Thou sweep'st away the dark-skinned brood,
Inhuman, lawless, senseless, rude,
Who know not Indra, hate his friends,
And spoil the race which he defends.
Chase far away, the robbers, chase,
Slay those barbarians black and base.
And save us, Indra, from the spite
Of sprites that haunt us in the night,
Our rites disturb by contact vile,
Our hallowed offerings defile.
Preserve us, friend, dispel our fears,
And let us live a hundred years.
And when our earthly course we've run,
And gained the region of the Sun,
Then let us live in ceaseless glee,
Sweet Soma quaffing there with thee.
TO AGNI
Great Agni, though thine essence be but one,
Thy forms are three; as fire thou blazest here,
As lightning flashest in the atmosphere,
In heaven thou flamest as the golden sun.
It was in heaven thou hadst thy primal birth,
But thence of yore a holy sage benign,
Conveyed thee down on human hearths to shine,
And thou abid'st a denizen of earth.
Sprung from the mystic pair by priestly hands,
In wedlock joined, forth flashes Agni bright;
But--O ye heaven and earth I tell you right--
The unnatural child devours the parent brands.
TO VARUNA
The mighty lord on high our deeds, as if at hand, espies;
The gods know all men do, though men would fain their acts disguise.
Whoever stands, whoever moves, or steals from place to place,
Or hides him in his secret cell,--the gods his movements trace.
Wherever two together plot, and deem they are alone
King Varuna is there, a third, and all their schemes are known.
This earth is his, to him belong those vast and boundless skies;
Both seas within him rest, and yet in that small pool he lies.
Whoever far beyond the sky should think his way to wing,
He could not there elude the grasp of Varuna the king.
His spies, descending from the skies, glide all this world around,
Their thousand eyes all-scanning sweep to earth's remotest bound.
Whate'er exists in heaven and earth, whate'er beyond the skies,
Before the eyes of Varuna, the king, unfolded lies.
The ceaseless winkings all he counts of every mortal's eyes,
He wields this universal frame as gamester throws his dice.
Those knotted nooses which thou fling'st, O God, the bad to snare,
All liars let them overtake, but all the truthful spare.
Varuna, the all-embracing sky, is also in many hymns a solar deity.
There are also other solar deities; Mitra who is frequently invoked
along with Varuna; Surya, Savitri, Vishnu, and Pushan, are all gods
of this class. Each of these has some attributes or some story of his
own. Surya keeps his eye on men and reports their failings to Varuna
and Mitra. Savitri, the quickener, raises all things from sleep in
the morning with his long arms of gold, and covers them with sleep in
the evening. Vishnu, the active, traverses the universe with three
strides. Pushan is a shepherd who loses none of his flock; a guide
also, both in the journeys of this world and in the last journey. A
number of the principal gods have the common title of Adityas or
children of Aditi, immensity, a being too vast and undetermined to be
clearly represented. We should also mention Ushas, the dawn, a
goddess whom the sun-god is daily chasing; the Asvins or two heavenly
charioteers, who daily make the circuit of the heavens; Tvashtri, the
smith who made the thunderbolt of Indra; the Ribhus, artificers who
were once men and have been admitted to the society of the gods. Yama
is the god of the dead, he first traversed the road to the country
beyond, and now he rules over it, and comforts with substantial joys
the spirits guided there by Agni (this points to cremation which was
frequent but not universal) or by Pushan. There the Pitris or fathers
sit at the same tables with the gods, and are eternally happy.
Brahmanaspati, lord of prayer, is a god of another type, a
personification of the act of ritual, and his presence in the Vedas,
beside the elemental deities, shows how early speculation had begun.
To what Stage does this Religion belong?--Our sketch of this system
is necessarily brief; we have now to inquire as to the place it
occupies in the religious growth of India. It is held, on the one
hand, that it is a primitive religious product, that it shows us some
of the very first efforts men made to have a religion; while on the
other hand it is held that the Vedic hymns and the Vedic system are
sacerdotal, and are due to an advanced organisation of worship and to
a special set of men who were much in advance of their age.
1. It is Primitive.--Mr. Max Mueller[1] says that "the sacred books of
India offer the same advantages ... for the study of the origin and
growth of religion ... which Sanscrit has offered for the study of
the origin and growth of human speech." Dr. Muir[2] claims that the
Vedic hymns illustrate the natural workings of the human mind in the
period of its infancy. In the Vedas, these writers consider, we are
able to watch the process by which the earliest men rose to the
belief in gods, and the naive and simple methods by which man's first
intercourse with gods was carried on. The undoubted antiquity of
these pieces favours this view; the Rigveda is admitted on all hands
to be the earliest part of Indian literature, and many of the hymns
were written about 1500 B.C.[3] The pure and simple nature of the
Vedic religion may also appear to favour this view. It is a religion
singularly free from the lower elements of man's early faith. Savage
legends and especially immoral stories of the gods are markedly
absent from the hymns; they are also free from the element of magic
and fetishism; the gods are great beings, and religion consists in
intercourse with these great beings. Now the later religious
literature of India, the brahmanas or commentaries on the Rigveda and
the other later Vedas, contain a variety of legends and a religion by
no means free from magic. It may be maintained therefore that the
pure religion of the Aryans afterwards became contaminated by contact
with the lower religion of the tribes the Aryans had conquered. It
was from the Dravidian and Kolarian aborigines, we are told, that
Indian religion took its later corruptions. The Vedic religion has no
idols, it has no dark descriptions of hell, the caste system on which
later Brahmanism was based is absent from it, it has no demons to be
guarded against, and no bad deities. The doctrine of metempsychosis
is not found here, except perhaps in germ. The immolation of the
widow on the funeral pile of her husband is not sanctioned by the
Vedas, and of ancestor-worship only a few traces are found. All
these, it may be held, are later corruptions. The Vedic religion is a
bright and happy system, and the primitive beliefs of mankind, less
changed by the Indians than they were elsewhere, are here to be seen;
the hymns show the kind of faith to which a strong and happy race of
men naturally came, as their minds began to open to the wonders of
the world they lived in, the faith of "primitive shepherds praising
their gods as they lead their flocks to the pasture." The Indians had
preserved, longer than other peoples, the gift of recognising deity
in nature; and the primitive beliefs of mankind survive here in
something like their first integrity, while elsewhere they were
broken up and confused.
[Footnote 1: _Origin of Religion_, p. 135.]
[Footnote 2: _Sanscrit Texts_, vol. v. p. 4.]
[Footnote 3: According to Mr. Max Mueller the Mantra or hymn period is
to be placed 1000-800 B.C.; but other scholars place it earlier.]
2. It is Advanced.--On the other hand, it is urged that the society
in which the hymns arose was not a primitive one, but one
considerably advanced both in arts and institutions. The Rishis
(seers), who composed them, belonged to families who cultivated such
an art; and the hymns were no artless outpourings of childlike
emotion, but were written on an elaborate metrical system for a
definite purpose, namely, to form part of great acts of worship. As
for the absence from them of savage myths and of immoral stories of
the gods, this fact does not prove that such things were not known to
the people at the time, but only that the poets did not put them in
their hymns. Mr. Lang has collected the savage myths, similar to
those of other peoples in various parts of the world, which are found
in Indian literature of a later date, and has also shown that the
hymns themselves were not quite ignorant of some of them. The Indians
knew the myth of the marriage of heaven and earth, with the
consequent birth of the gods. They had the story of the deluge. They
had the still more primitive story of the raising up of the earth
from the bottom of the sea. They had various myths of old conflicts
of the gods, and of the production of the earth and all the men in it
from the dissection of an immense prototypal human monster. Men were
of different castes, they held, because they came from different
portions of Purusha's body when it was cut up. Many stories are to be
found in Indian literature which when found elsewhere are judged to
be products of savage imagination, and the fact that the Rigveda
ignores some of them and refines others, simply shows that the
authors of that collection were on a higher level than their people
in point of cultivation and of piety, as the psalmists and the
prophets of Israel were in advance of theirs. We are led,
accordingly, towards the conclusion that during the period when the
hymns were written those who took charge of the development of
worship in India were seeking to draw away attention from the more
superstitious and childish elements of religion, and to bring to the
front the pure and lofty intercourse man could have with the good
gods. Bad gods are not cultivated; if there are foolish stories about
the gods, they are not repeated, everything dark and terrible, as
well as everything irrational, is removed from the working religion.
Ancestor-worship is not encouraged; family rites continued, but the
worship was wider than the family, and was not restricted to
particular places. The ideas connected with sacrifice are not indeed
very lofty. Sacrifice is, in the first place, barter. Gifts are
provided for the gods, that they may give in their turn. In the
second place it is a social function in which the god and the
worshipper both take part. The food, and especially the soma,
strengthens the god, and man and god are thereby drawn into close
sympathy. But in the third place sacrifice was a piece of magic. The
mere accurate performance of the rite had a mystic efficacy. It was
believed to help to uphold the order of the world; without it the
gods would grow weak, the ordinances of nature would fail, and man
would relapse to the state of savagery. The gods themselves first
sacrificed; from sacrifice they themselves were born, so that
sacrifice is an essential principle of the universe, was so in the
beginning, and must always be so. The Vedic leaders of religion,
therefore, were not merely champions of enlightenment in religion;
they were also ritualists, the rite was to them an end in itself; the
proper performance of sacrifice was their principal object. This side
of their work had, as we shall see, grave consequences. But the
Rigveda did a great work for India in cultivating gods who were
moral, and to whom man was drawn by higher than selfish motives. Gods
who are just and who watch man's conduct, and do not fail to reward
him according to his deeds, must quicken the conscience of those who
believe in them, and gods who are able to help the weak and to
forgive the penitent must make their people also merciful. In all the
aberrations of Indian religion the high moral standard set by the
Vedic gods is never lost sight of.
Where a plurality of gods is believed in, these gods must stand in
some relation to each other; and it is of importance to notice how
the gods of the Veda are arranged. We can see here very clearly how
unstable a thing polytheism is. The position of the gods is
constantly changing with reference to each other. We find Agni
addressed as if he were undoubtedly supreme; he dwells in the highest
heavens, he generates the gods, he ordains the order of the universe;
but then we find Indra spoken of in the same way, and Varuna, and
Mitra, and others. Then we find pairs of gods addressed together.
Indra and Agni are frequently so treated; so are Varuna and Mitra.
There is no supreme god, or rather, each god is supreme in turn; the
poet wants a god capable of being exalted in every way, and does so
exalt the god he has before him. In this way a Monotheism is reached;
the mind recognises a god to whom unlimited adoration can be paid.
But it is a monotheism, as M. Barth well puts it, the titular god of
which is always changing; and Mr. Max Mueller gives to this partial
monotheism the name of Kathenotheism; that is, the worship of one god
at a time without any denial that other gods exist and are worthy of
adoration. Now this form of religion, in which several gods are
worshipped, each of whom in turn is regarded as supreme, is not
peculiar to India; we have met with it already, we shall meet with it
again. But in India a peculiar way was found out of the difficulty.
The Indian gods were too little defined, too little personal, too
much alike, to maintain their separate personalities with great
tenacity; nor did they lend themselves to a monarchical form of
pantheon; no one of them was sufficiently marked out from the rest or
above the rest, to rule permanently over them. Yet the sense of unity
in Indian religion is very strong; from the first the Indian mind is
seeking a way to adjust the claims of the various gods, and view them
all as one. An early idea which makes in this direction is that of
Rita, the order, not specially connected with any one god, which
rules both in the physical and the moral world, and with which all
beings have to reckon. Philosophy is busy from the first with the
Vedic gods; the impulse to good conduct and that to mysticism are
equally innate in this religion. We can see, even in the Rigveda,
that India is to solve the problem of its many gods not in the way of
Monotheism, by making one god rule over the others, but in the way of
Pantheism, by making all the gods modes or manifestations of one
being. "Agni is all the Gods" we read here. And a religion which
arranges its objects of worship in this way will not be a religion of
action, but of speculation and of resignation.
BOOKS RECOMMENDED
_S. B. E._ vol. xxxii. Vedic Hymns. xlvi. Hymns to Agni.
Muir's _Sanscrit Texts_.
M. Mueller's _Hibbert Lectures_.
Monier Williams, _Indian Wisdom; Hinduism_ in "Non-Christian
Religious Systems" (S.P.C.K.).
Kaegi, _The Rigveda, the oldest literature of the Indians_, 1886.
Barth, _The Religions of India_, in Truebner's Oriental Series.
Herrmann Oldenberg, _Die Religion der Veda_, 1894.
Bergaigne, _La Religion Vedique_, 3 vols., 1878-83.
E. Hardy, _Die Vedisch Brahmanische Periode der Religion des alten
Indiens_.
Lehmann, in De la Saussaye.
Rhys Davids, _Oxford Proceedings_, vol. i. p. 1, _sqq._