[Illustration: PLATE 82.
Gate of the Cathedral called de las Campanillas.]
[Illustration: PLATE 83.
Gate of the Baptist in the Cathedral.]
[Illustration: PLATE 84.
The Gate of the Lizard in the Cathedral.]
[Illustration: PLATE 85.
General View of the Cathedral From the Tribune of the Principal Door.]
[Illustration: PLATE 86.
Principal Sacristy in the Cathedral.]
[Illustration: PLATE 87.
Principal Entrance to the Cathedral.]
[Illustration: PLATE 88.
Interior View of the Principal Sacristy in the Cathedral.]
[Illustration: PLATE 89.
The Gamba Chapel.]
[Illustration: PLATE 90.
The Cathedral.
The Gamba Chapel and Entrance to that of the Antigua.]
[Illustration: PLATE 91.
Chapels of the Conception and the Annunciation in the Cathedral.]
[Illustration: PLATE 92.
The Cathedral.
The Chapel of the Conception.]
[Illustration: PLATE 93.
The Cathedral.
Detail of the High Altar.]
[Illustration: PLATE 94.
The Cathedral.
Retablo, or Altar-piece of the High Altar.]
[Illustration: PLATE 95.
Iron Railings of the Lateral Part of the High Altar.]
[Illustration: PLATE 96.
The Cathedral.
Wrought Iron Screen in the Choir.]
[Illustration: PLATE 97.
The Cathedral.
Wrought Iron Screen of the High Altar.]
[Illustration: PLATE 98.
St Christopher carrying the Child Jesus, by Mateo Perez Alesio, in the
Cathedral.].
[Illustration: PLATE 99.
San Fernando Square.]
[Illustration: PLATE 100.
Gardens of the Alcazar.]
[Illustration: PLATE 101.
General View of the Gardens of the Alcazar.]
[Illustration: PLATE 102.
View of the Gardens of the Alcazar.]
[Illustration: PLATE 103.
General View of the Gardens of the Alcazar.]
[Illustration: PLATE 104.
The Gardens of the Alcazar. Lake and Gallery of Don Pedro I. the
Cruel.]
[Illustration: PLATE 105.
The Gardens of the Alcazar. View of the Gallery of Don Pedro I., the
Cruel.]
[Illustration: PLATE 106.
The Hothouses in the Gardens of the Alcazar.]
[Illustration: PLATE 107.
Calle de las Vedras in the Gardens of the Alcazar.]
[Illustration: PLATE 108.
The Gardens of the Alcazar.
Parterre of Doña Maria de Padilla.]
[Illustration: PLATE 109.
The Alcazar. Baths of Doña Maria de Padilla.]
[Illustration: PLATE 110.
Magnificent Altar in Faience painted in the 15th Century.
In the Oratory of the Catholic Sovereigns in the Alcazar.]
[Illustration: PLATE 111.
Town Hall of Seville.
Details of Doors and Balconies.]
[Illustration: PLATE 112.
Town Hall of Seville. Details.]
[Illustration: PLATE 113.
Parish Church of San Marcos.]
[Illustration: PLATE 114.
Various Towers of Seville.]
[Illustration: PLATE 115.
Details of the Mosaic commonly called El Grande.]
[Illustration: PLATE 116.
Sculpture and Details of Ancient Churches.]
[Illustration: PLATE 117.
Architectural Parts, Bas-reliefs, and Ceramic Objects.]
[Illustration: PLATE 118.
Façade of the Consistorial Houses.]
[Illustration: PLATE 119.
Entrance to the Alcazar, Seville.]
[Illustration: PLATE 120.
Principal Façade of the Alcazar.]
[Illustration: PLATE 121.
Gate of the Principal Entrance, Alcazar.]
[Illustration: PLATE 122.
Interior of the Hall of Ambassadors, Alcazar.]
[Illustration: PLATE 123.
Hall of Ambassadors, Alcazar.]
[Illustration: PLATE 124.
Interior of the Hall of Ambassadors, Alcazar.]
[Illustration: PLATE 125.
Interior of the Hall of Ambassadors, Alcazar.]
[Illustration: PLATE 126.
Hall of Ambassadors, Alcazar.]
[Illustration: PLATE 127.
Hall of Ambassadors, Alcazar.]
[Illustration: PLATE 128.
Hall of Ambassadors, Alcazar.]
[Illustration: PLATE 129.
Upper Part of the Court of the Dolls, Alcazar.]
[Illustration: PLATE 130.
Court of the Dolls from the Room of the Prince, Alcazar.]
[Illustration: PLATE 131.
Court of the Dolls, Alcazar.]
[Illustration: PLATE 132.
Angle in the Court of the Dolls, Alcazar.]
[Illustration: PLATE 133.
Court of the Dolls, Alcazar.]
[Illustration: PLATE 134.
Court of the Dolls, Alcazar.]
[Illustration: PLATE 135.
Court of the Dolls, Alcazar.]
[Illustration: PLATE 136.
Court of the Dolls, Alcazar.]
[Illustration: PLATE 137.
Court of the Dolls, Alcazar.]
[Illustration: PLATE 138.
Court of the Dolls, Alcazar.]
[Illustration: PLATE 139.
Gallery on the Second Storey of the Court of the Dolls, Alcazar.]
[Illustration: PLATE 140.
Upper Part of the Court of the Dolls, Alcazar.]
[Illustration: PLATE 141.
Upper Part of the Court of the Dolls, Alcazar.]
[Illustration: PLATE 142.
Entrance to the Dormitory of the Moorish Kings, Alcazar.]
[Illustration: PLATE 143.
Dormitory of the Moorish Kings, Alcazar.]
[Illustration: PLATE 144.
Front of the Sleeping Saloon of the Moorish Kings, Alcazar.]
[Illustration: PLATE 145.
Sleeping Saloon of the Moorish Kings, Alcazar.]
[Illustration: PLATE 146.
Intercolumniation, where Don Fadrique was Assassinated, Alcazar.
Sultana’s Quarters, Alcazar.]
[Illustration: PLATE 147.
Room in which King St Ferdinand Died, Alcazar.]
[Illustration: PLATE 148.
Interior of the Hall of St Ferdinand, Alcazar.]
[Illustration: PLATE 149.
Front of the Hall of St Ferdinand, Alcazar.]
[Illustration: PLATE 150.
Gate of the Hall of St Ferdinand, Alcazar.]
[Illustration: PLATE 151.
Gallery of the Hall of St Ferdinand, Alcazar.]
[Illustration: PLATE 152.
Throne of Justice, Alcazar.]
[Illustration: PLATE 153.
Court of the Hundred Virgins, Alcazar.]
[Illustration: PLATE 154.
Court of the Virgins, Alcazar.]
[Illustration: PLATE 155.
General View of the Court of the Hundred Virgins, Alcazar.]
[Illustration: PLATE 156.
Court of the Virgins, Alcazar.]
[Illustration: PLATE 157.
Front of the Dormitory of the Moorish Kings and the Court of the
Virgins, Alcazar.]
[Illustration: PLATE 158.
Gallery in the Court of the Virgins, Alcazar.]
[Illustration: Plate 159.
The Court of the Virgins. Capital of the Door of the Hall of
Ambassadors, Alcazar.]
[Illustration: PLATE 160.
The Alcazar.
Court of the Virgins. Capital of the Gate of the Hall of Charles V.]
[Illustration: PLATE 161.
Palace of the Dueñas. Door of the Chapel.]
[Illustration: PLATE 162.
Palace of the Dukes of Alcala, Commonly called Casa de Pilatos.]
[Illustration: PLATE 163.
The Court in the House of Pilate.]
[Illustration: PLATE 164.
Court of the House of Pilate.]
[Illustration: PLATE 165.
Gallery in the Court of the House of Pilate.]
[Illustration: PLATE 166.
House of Pilate.]
[Illustration: PLATE 167.
Gallery in the Court of the House of Pilate.]
[Illustration: PLATE 168.
Angle and Statue in the House of Pilate.]
[Illustration: PLATE 169.
House of Pilate.
Entrance to the Ante-room of the Chapel.]
[Illustration: PLATE 170.
The Staircase in the House of Pilate, by Barrera.]
[Illustration: PLATE 171.
House of Pilate.
Entrance Door of the Oratory.]
[Illustration: PLATE 172.
House of Pilate.
Way out to the Flat Roofs in the High Gallery.]
[Illustration: PLATE 173.
Staircase in the House of Pilate.]
[Illustration: PLATE 174.
House of Pilate. Doors of the Offices in the High Gallery.]
[Illustration: PLATE 175.
House of Pilate.
Window of the Prætor’s Hall leading to the Garden.]
[Illustration: PLATE 176.
House of Pilate.
Barred Window in the Prætor’s Garden.]
[Illustration: PLATE 177.
House of Pilate. Bolt on the Prætor’s Gate.]
[Illustration: PLATE 178.
House of Pilate.
Window in the Ante-room of the Chapel.]
[Illustration: PLATE 179.
House of Pilate.
Section of the Ceiling in the Prætor’s Hall.]
[Illustration: PLATE 180.
Palace of the Dueñas in Seville.]
[Illustration: PLATE 181.
House of Pilate.
Mosaics in the Hall of the Fountain.]
[Illustration: PLATE 182.
Palace of the Dueñas in Seville.
Glazed Tiles in the Socles of the Chapel and Arches.]
[Illustration: PLATE 183.
Mosaic of the Peristyle in the Palace.]
[Illustration: PLATE 184.
House of Pilate.
Mosaic in the Hall of the Fountain.]
[Illustration: PLATE 185.
Mosaic in the Court of the House of Pilate.]
[Illustration: PLATE 186.
Mosaic in the Court of the House of Pilate.]
[Illustration: PLATE 187.
Mosaic in the Court of the House of Pilate.]
[Illustration: PLATE 188.
House of Pilate.
Mosaic in the Chapel.]
[Illustration: PLATE 189.
Bartolomé Esteban Murillo.
BORN IN SEVILLE, 1617.]
[Illustration: PLATE 190.
Altar-screen of the La Gamba, by Luis de Vargas.
SEVILLE CATHEDRAL.]
[Illustration: PLATE 191.
Descent from the Cross, by Pedro Campaña.
SEVILLE CATHEDRAL.]
[Illustration: PLATE 192.
St Anthony of Padua visited by the Infant Saviour while kneeling at his
Prayers, by Murillo.
SEVILLE CATHEDRAL.]
[Illustration: PLATE 193.
Our Lord Baptized by St John Baptist, by Murillo.
SEVILLE CATHEDRAL.]
[Illustration: PLATE 194.
The Guardian Angel, by Murillo.
SEVILLE CATHEDRAL.]
[Illustration: PLATE 195.
St Leander, by Murillo.
SEVILLE CATHEDRAL.]
[Illustration: PLATE 196.
St Isidore, by Murillo.
SEVILLE CATHEDRAL.]
[Illustration: PLATE 197.
St Ferdinand, Crowned and Robed, by Murillo.
SEVILLE CATHEDRAL.]
[Illustration: PLATE 198.
Madre Francisca Dorotea Villalda, by Murillo.
SEVILLE CATHEDRAL.]
[Illustration: PLATE 199.
St Anthony with the Infant Saviour, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 200.
Our Lady of the Immaculate Conception, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 201.
Our Lady of the Immaculate Conception, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 202.
Our Lady of the Immaculate Conception, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 203.
Our Lady of the Immaculate Conception, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 204.
St Justa and St Rufina, Patron Saints of Seville, holding between them
the Giralda Tower, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 205.
St Bonaventure and St Leander, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 206.
St Thomas of Villanueva giving Alms at the Door of his Cathedral, by
Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 207.
The Annunciation of our Lady, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 208.
St Felix of Cantalisi restoring to Our Lady the Infant Saviour, whom
she had placed in his Arms, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 209.
Adoration of the Shepherds of Bethlehem, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 210.
St Peter Nolasco kneeling before Our Lady of Mercy, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 211.
The Deposition--St Francis of Assisi supporting the Body of Our Lord
nailed by the Left Hand to the Cross, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 212.
St Joseph and the Infant Saviour, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 213.
St John the Baptist in the Desert leaning against a Rock, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 214.
St Augustine and the Flaming Heart, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 215.
St Felix of Cantalisi and the Infant Jesus, known as, “San Felix de Las
Arrugas,” by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 216.
St Anthony with the Infant Saviour, by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 217.
Deposition from the Cross, by Murillo.
SEVILLE MUSEUM..]
[Illustration: PLATE 218.
Our Lady with the Infant Saviour in her Arms, by Murillo.
(AN EARLY PICTURE.)
SEVILLE MUSEUM.]
[Illustration: PLATE 219.
Our Lady and the Infant Saviour, known as “La Virgen de la Servilleta,”
by Murillo.
SEVILLE MUSEUM.]
[Illustration: PLATE 220.
Our Lady seated, with the Infant Saviour in her Lap, by Murillo.
(AN EARLY PICTURE.)
SEVILLE MUSEUM.]
[Illustration: PLATE 221.
St Thomas of Aquin, by, Zurbarán.
SEVILLE MUSEUM.]
[Illustration: PLATE 222.
The Virgin of the Grotto, by Zurbarán.
SEVILLE MUSEUM.]
[Illustration: PLATE 223.
St Bruno talking to the Pope, by Zurbarán.
SEVILLE MUSEUM.]
[Illustration: PLATE 224.
The Day of Judgment, by Martin de Vos.
SEVILLE MUSEUM.]
[Illustration: PLATE 225.
Our Lady of the Immaculate Conception, by J. Valdes Leal.
SEVILLE MUSEUM.]
[Illustration: PLATE 226.
Jesus crowning St Joseph, by Zurbarán.
SEVILLE MUSEUM.]
[Illustration: PLATE 227.
The Devout Punyon, by Zurbarán.
SEVILLE MUSEUM.]
[Illustration: PLATE 228.
Our Lady of the Immaculate Conception. The Virgin surrounded by
Cherubim. By Fr. Pacheco.
SEVILLE MUSEUM.]
[Illustration: PLATE 229.
Our Lord’s Miracle of the Loaves and Fishes, by Murillo.
SEVILLE HOSPITAL.]
[Illustration: PLATE 230.
Moses striking the Rock in Horeb, by Murillo.
LA CARIDAD, SEVILLE.]
[Illustration: PLATE 231.
St John of God, sinking under the Weight of a Sick Man, assisted by an
Angel, by Murillo.
LA CARIDAD, SEVILLE.]
[Illustration: PLATE 232.
The Death of St Hermenigild, by J. de las Roelas.
HOSPITAL DE LA SANGRE, SEVILLE.]
[Illustration: PLATE 233.
The Apostleship, by Juan de las Roelas.
HOSPITAL DE LA SANGRE, SEVILLE.]
[Illustration: PLATE 234.
The End of this World’s Glories, by Valdes Leal.
LA CARIDAD, SEVILLE.]
[Illustration: PLATE 235.
The Pietà, or the Virgin supporting the Dead Body of her Divine Son,
Altar-screen, by Luis de Vargas.
SANTA MARIA DE LA BLANCA, SEVILLE.]
[Illustration: PLATE 236.
St Joseph holding the Infant Saviour in His Arms, by Murillo.
SAN TELMO, SEVILLE.]
[Illustration: PLATE 237.
Our Lady of the Girdle, by Murillo.
SAN TELMO, SEVILLE.]
[Illustration: PLATE 238.
Portrait of Ferdinand VII., by Goya.
SAN TELMO, SEVILLE.]
[Illustration: PLATE 239.
Portrait of Charles IV., by Goya.
SAN TELMO, SEVILLE.]
[Illustration: PLATE 240.
The Annunciation, by F. Zurbarán.
SAN TELMO, SEVILLE.]
[Illustration: PLATE 241.
The Death of Laocoön and his Sons at the Siege of Troy, by El Greco.
SAN TELMO, SEVILLE.]
[Illustration: PLATE 242.
Caton of Utique tearing open his wounds, by Josef Ribera.
SAN TELMO, SEVILLE.]
[Illustration: PLATE 243.
Pietà. The Virgin holding the Dead Saviour in her Arms, by Morales.
SAN TELMO, SEVILLE.]
[Illustration: PLATE 244.
Portrait of El Greco, by Himself.
GALLERY OF SAN TELMO, SEVILLE.]
[Illustration: PLATE 245.
The Miracle of St Vœu. St Hugo in the Refectory with several Chartreux,
by Zurbarán.
SEVILLE MUSEUM.]
[Illustration: PLATE 246.
The Martyrdom of St Andrew, by J. de las Roelas.
SEVILLE MUSEUM.]
[Illustration: PLATE 247.
The Last Supper, by P. de Cespedes.
SEVILLE MUSEUM.]
[Illustration: PLATE 248.
Christ on the Cross, by Zurbarán.
SEVILLE MUSEUM.]
[Illustration: PLATE 249.
Portrait of the Figure in Pacheco’s Picture at Seville, supposed to
represent Cervantes.]
[Illustration: PLATE 250.
The Virgin and the Child Jesus, by Alonso Cano.
SEVILLE CATHEDRAL.]
[Illustration: PLATE 251.
The Descent from the Cross, by Alejo Fernandez.
SEVILLE CATHEDRAL.]
[Illustration: PLATE 252.
The Cathedral.]
[Illustration: PLATE 253.
The Giralda.]
[Illustration: PLATE 254.
The Giralda.]
[Illustration: PLATE 255.
Cathedral. The Gate of Pardon.]
[Illustration: PLATE 256.
Cathedral. Puerta de los Palos.]
[Illustration: PLATE 257.
SEVILLE CATHEDRAL
_Specially drawn for The Spanish Series_]
[Illustration: PLATE 258.
Cathedral. View of an Organ.]
[Illustration: PLATE 259.
Cathedral. Monument to Columbus.]
[Illustration: PLATE 260.
Cathedral. Silver Tabernacle (weighing 45 arrobas).]
[Illustration: PLATE 261.
Alcazar Gardens.]
[Illustration: PLATE 262.
Alcazar Gardens.]
[Illustration: PLATE 263.
Alcazar Gardens.]
[Illustration: PLATE 264.
House of Pilate. The Goddess Ceres.]
[Illustration: PLATE 265.
House of Pilate. The Goddess Pallas Pacifer.]
[Illustration: PLATE 266.
Italica.]
[Illustration: PLATE 267.
Roman Walls.]
[Illustration: PLATE 268.
Patio de Banderas and the Giralda.]
[Illustration: PLATE 269.
Plaza de San Francisco.]
[Illustration: PLATE 270.
St Mark’s Church.]
[Illustration: PLATE 271.
Plaza de San Fernando.]
[Illustration: PLATE 272.
The Town Hall. Details of the Old Part.]
[Illustration: PLATE 273.
Façade of the Palace of San Telmo.]
[Illustration: PLATE 274.
Statue of Velaquez.]
[Illustration: PLATE 275.
Plaza de la Constitución.]
[Illustration: PLATE 276.
Plaza de la Constitución.]
[Illustration: PLATE 277.
Calle de Sierpes.]
[Illustration: PLATE 278.
Calle de Sierpes.]
[Illustration: PLATE 279.
A Street in Seville.]
[Illustration: PLATE 280.
Hercules Avenue.]
[Illustration: PLATE 281.
The Pasadera.]
[Illustration: PLATE 282.
Courtyard of La Caridad.]
[Illustration: PLATE 283.
Plaza de San Fernando.]
[Illustration: PLATE 284.
Plaza de Gavidia.]
[Illustration: PLATE 285.
View from the Pasadera.]
[Illustration: PLATE 286.
The Drive.]
[Illustration: PLATE 287.
Paseo de las Delicias.]
[Illustration: PLATE 288.
The Quay.]
[Illustration: PLATE 289.
Partial View of Seville.]
[Illustration: PLATE 290.
Plaza de Toros.]
[Illustration: PLATE 291.
Fields of San Sebastian.]
[Illustration: PLATE 292.
Park of Maria Luisa.]
[Illustration: PLATE 293.
Railway Station of M.Z.A. Principal Façade.]
[Illustration: PLATE 294.
Railway Station of M.Z.A. General View.]
[Illustration: PLATE 295.
Triana Bridge.]
[Illustration: PLATE 296.
View from Triana Bridge.]
[Illustration: PLATE 297.
View from Triana.]
[Illustration: PLATE 298.
San Telmo from Triana.]
[Illustration: PLATE 299.
The Cathedral. Our Lord Crucified. Sculpture in the Sacristy.]
[Illustration: PLATE 300.
SEVILLE
_Specially drawn for The Spanish Series_]
FOOTNOTES:
[A] There is one picture only by Roelas in the Prado. His work is
hardly known outside Seville. In England we have at least one of his
pictures, a fine example, in a private collection.
[B] There is a picture by El Greco, the wonderful portrait of himself,
in the Museum. It came quite recently from the Palace of San Telmo,
where also was once the really grand picture, “The Death of Laocoön
and his Sons at the Siege of Troy.” The remarkable and interesting
“Trinity” in the Cathedral, attributed to El Greco, is the work of
his pupil Luis Tristan, a painter neglected too long. Seville has
no picture by Navarrete; the one work of Morales, the triptych in
the Sacristiá de los Calices of the Cathedral, is not typical of his
strange power.
[C] The most important is the “Adoration of the Shepherds,” until
recently in the Palace of San Telmo; but this work has been removed
with other pictures in the collection of the Infanta Maria Luisa
Fernanda de Bourbon. The really fine picture on the same subject in our
National Gallery is now attributed to Zurbarán; probably to him, too,
belongs the “Dead Warrior,” now assigned to Velazquez.