CHAPTER XXV

A POTENTIAL POET

The stable of an Irish country house has always, or nearly always, a

certain number of volunteer and unpaid on-hangers. At any hour of the

day you might have seen in the stable-yard of Glen Druid Billy the Buck

chewing a straw, Shan Finucane with his hands in his pockets, and his

back against the harness room door, Moriarty, the rat-catcher from

Castle Connell, colloguing, rat cage in hand, with the scullery-maid, or

Micky Mooney sitting on a corn-bin, whistling and kicking his heels.

Micky was “soft.” He lived with his mother in the village of Castle

Knock; and every morning early she would turn him out of her cabin, just

as a person turns a donkey out to graze.

He was almost entirely self-supporting. In summer he would disappear for

days amidst the hills, communing with nature and existing on roots and

whortle berries and wild strawberries. If Micky sat down in a field full

of rabbits, the rabbits would play about him within arm’s reach; birds

knew him for their friend, cows let him milk them into his hat without

protest or lamentation, and hens gave up their eggs without complaint,

when raised from their nests by his deft fingers.

He was of all mad creatures the most harmless and the most natural—a

really beautiful character; one of that rare type wherein lunacy is the

outcome of innocence carried to an extreme. Farmers threatened to shoot

him, it is true, and he had actually been fired at, and peppered with

small shot when engaged in stealing eggs, but this was not done from any

particular ill-will. The farmer had acted just as he acted towards the

thrushes and blackbirds that pilfered his crops.

Micky was, in fact, regarded by the general public as being on a level

with the birds and the rabbits, and, though no one would have hurt him

for any consideration, still, had some outraged farmer shot him with a

bullet in earnest, I doubt if there would have been much of an inquest.

This personage who had hunted the moon on many a summer’s night, had

amongst other attributes the power of seeing fairies; nor was he in the

least afraid of them. You would see him lifting up dock-leaves, and

conversing with the people who lived below. He could tell half-connected

tales of his doings with these folk, talking with his face half turned

from you, and tracing with his thumb nail the extent of a crack in the

fence he was leaning against, or the pattern of the door panel he was

near; and he would tell you this and that, and the other thing, till all

of a sudden his imagination would become too much for him, and with a

whoop! off he would go vaulting the fence, and away across country like

an india-rubber ball or a bounding kangaroo, to tell the rest of his

tale to the rabbits.

Just a grain more phosphorous, just a grain more ballast, and Micky

Mooney might have been a poet of the Celtic school, and led a revival

and written books.

As it was, he had some of the poetic influence that makes for better

things; in his company men tended to forget horses, dogs, rat-catching,

whisky and girls, and turn their conversation to banshees, cluricaunes,

cats with horns on their heads, and other topics of a similar nature.

When Mr Fanshawe had parted from Patsy at the front door, the latter,

turning his steps to the stable-yard, had found Micky Mooney seated on

the bottom of a bucket, listening with open mouth to Moriarty, the

rat-catcher, who was discoursing on psychical subjects, whilst Larry

Lyburn stood by the harness room door cleaning a stirrup, listening

also, or seeming to listen.

All the time Moriarty had been talking, Micky Mooney had been working

himself up, clapping the palms of his hands on his knees, twisting his

mouth about and flinging his head from side to side. No sooner had

Moriarty finished than he burst forth.

“I know a lady aal dressed in white—I know a lady aal dressed in white,”

began Micky, rocking himself on the bucket and staring with his big eyes

through Patsy and a hundred miles beyond—“aal dressed in white, wid a

crown of gowld; and it’s ‘Micky, come afther me,’ she says, whin I meets

her in the woods, ‘and it’s crocks and crates of gowld I’ll be showin’

you,’ she says. And it’s to-night I’m to meet her down in the woods be

the Druids’ althar—aal dressed in white, wid a——”

“Arra! shut your head and get off the bucket,” said Mr Lyburn, who had

finished cleaning the stirrup, and was now proceeding to water the

horses, punctuating his remark with the toe of his boot on that part of

Micky’s anatomy that was closest to the bucket.

Mr Lyburn was not a poet.

“Micky,” said Patsy, into whose arms the moon-struck one had been shot,

“stop your nise and hould your bellowin’, and come afther me, for I’ve

got a job for you.”

He led the seer of visions by the left hand (the right was applied to

the punctuation mark) round the angle of the stable wall to a quiet spot

near the potato room window.

“Hould your nise,” said Patsy, “and be listenin’ to me; I’ve got a job

for you.”

“Is it a saft job?” blubbered Micky, who with a grain more brass and a

grain more ballast in his composition would have shone perhaps as a

Labour Member or a Labour Leader.

“Saft as a feather-bed,” replied Patsy.

Then the two began to converse together in a low tone.

Now Patsy’s hatred of Mr Boxall had roots far beyond the present, roots

from the time when some men played on harps and other men painted

themselves with woad.

The spirit of Puck that dwelt in the breast of Patsy had been brooding

on the form of Micky Mooney all the time that Moriarty had been telling

of the cluricaune. Micky’s statement about the lady in white had given

the tricky spirit an idea.

Patsy did not require Mr Fanshawe’s word to know that Mr Boxall was

“gone” on Miss Lestrange, and this knowledge was part parent of the

idea.

“And what will you be givin’ me if I be afther doin’ as you tells me?”

queried Micky, plucking at the moss in the cracks of the wall.

“I’ll give you the first silver sixpence with a hole in it I finds on a

Tuesday.”

“Which Cheusday?” asked Micky cautiously, with a side look at his

employer.

“I’ll be tellin’ you that to-morra. Will you be doin’ what I say?”

“I will,” said Micky.

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