THE SPECTACLE

But never mind. The sea scene grew little by little, until presently it

was very imposing. We drew up into the midst of a waiting host of

vessels. Enormous five-masted men-of-war, great turret ships, steam

packets, pleasure yachts--every sort of craft, indeed--the sea was thick

with them; the yards and riggings of the warships loaded with men, the

packets crowded with people, the pleasure ships rainbowed with brilliant

flags all over and over--some with flags strung thick on lines

stretching from bowsprit to foremast, thence to mainmast, thence to

mizzenmast, and thence to stern. All the ships were in motion--gliding

hither and thither, in and out, mingling and parting--a bewildering

whirl of flash and color. Our leader, the vast, black, ugly, but very

formidable _Devastation_, plowed straight through the gay throng, our

Shah-ships following, the lines of big men-of-war saluting, the booming

of the guns drowning the cheering, stately islands of smoke towering

everywhere. And so, in this condition of unspeakable grandeur, we swept

into the harbor of Dover, and saw the English princes and the long ranks

of red-coated soldiers waiting on the pier, civilian multitudes behind

them, the lofty hill front by the castle swarming with spectators, and

there was the crash of cannon and a general hurrah all through the air.

It was rather a contrast to silent Ostend and the unimpressible

Flanders.

Europe and elsewhere · 第 25 / 98 题