Chapter I. -- PROEM: FRIEDRICH'S HISTORY FROM THE DISTANCE WE ARE AT.

Produced by D.R. Thompson

HISTORY OF FRIEDRICH II. OF PRUSSIA

FREDERICK THE GREAT

By Thomas Carlyle

FREDERICK THE GREAT.

Book I. -- BIRTH AND PARENTAGE. -- 1712.

Chapter I. -- PROEM: FRIEDRICH'S HISTORY FROM THE DISTANCE WE ARE AT.

About fourscore years ago, there used to be seen sauntering on the

terraces of Sans Souci, for a short time in the afternoon, or you might

have met him elsewhere at an earlier hour, riding or driving in a rapid

business manner on the open roads or through the scraggy woods

and avenues of that intricate amphibious Potsdam region, a highly

interesting lean little old man, of alert though slightly stooping

figure; whose name among strangers was King FRIEDRICH THE SECOND, or

Frederick the Great of Prussia, and at home among the common people, who

much loved and esteemed him, was VATER FRITZ,--Father Fred,--a name of

familiarity which had not bred contempt in that instance. He is a King

every inch of him, though without the trappings of a King. Presents

himself in a Spartan simplicity of vesture: no crown but an old military

cocked-hat,--generally old, or trampled and kneaded into absolute

SOFTNESS, if new;--no sceptre but one like Agamemnon's, a walking-stick

cut from the woods, which serves also as a riding-stick (with which he

hits the horse "between the ears," say authors);--and for royal robes,

a mere soldier's blue coat with red facings, coat likely to be old, and

sure to have a good deal of Spanish snuff on the breast of it; rest of

the apparel dim, unobtrusive in color or out, ending in high over-knee

military boots, which may be brushed (and, I hope, kept soft with an

underhand suspicion of oil), but are not permitted to be blackened or

varnished; Day and Martin with their soot-pots forbidden to approach.

The man is not of godlike physiognomy, any more than of imposing stature

or costume: close-shut mouth with thin lips, prominent jaws and nose,

receding brow, by no means of Olympian height; head, however, is of

long form, and has superlative gray eyes in it. Not what is called a

beautiful man; nor yet, by all appearance, what is called a happy.

On the contrary, the face bears evidence of many sorrows, as they are

termed, of much hard labor done in this world; and seems to anticipate

nothing but more still coming. Quiet stoicism, capable enough of what

joy there were, but not expecting any worth mention; great unconscious

and some conscious pride, well tempered with a cheery mockery of

humor,--are written on that old face; which carries its chin well

forward, in spite of the slight stoop about the neck; snuffy nose rather

flung into the air, under its old cocked-hat,--like an old snuffy lion

on the watch; and such a pair of eyes as no man or lion or lynx of that

Century bore elsewhere, according to all the testimony we have.

"Those eyes," says Mirabeau, "which, at the bidding of his great soul,

fascinated you with seduction or with terror _(portaient, au gre de son

ame heroique, la seduction ou la terreur)_." [Mirabeau, _Histoire

Secrete de la Cour de Berlin,_ Lettre 28?? (24 September, 1786) p. 128

(in edition of Paris, 1821)]. Most excellent potent brilliant eyes,

swift-darting as the stars, steadfast as the sun; gray, we said, of the

azure-gray color; large enough, not of glaring size; the habitual

expression of them vigilance and penetrating sense, rapidity resting on

depth. Which is an excellent combination; and gives us the notion of a

lambent outer radiance springing from some great inner sea of light and

fire in the man. The voice, if he speak to you, is of similar

physiognomy: clear, melodious and sonorous; all tones are in it, from

that of ingenuous inquiry, graceful sociality, light-flowing banter

(rather prickly for most part), up to definite word of command, up to

desolating word of rebuke and reprobation; a voice "the clearest and

most agreeable in conversation I ever heard," says witty Dr. Moore.

[Moore, View of Society and Manners in France, Switzerland and Germany

(London, 1779), ii. 246.] "He speaks a great deal," continues the

doctor; "yet those who hear him, regret that he does not speak a good

deal more. His observations are always lively, very often just; and few

men possess the talent of repartee in greater perfection."

Just about threescore and ten years ago, [A.D. 1856,--17th August, 1786]

his speakings and his workings came to finis in this World of Time; and

he vanished from all eyes into other worlds, leaving much inquiry about

him in the minds of men;--which, as my readers and I may feel too well,

is yet by no means satisfied. As to his speech, indeed, though it had

the worth just ascribed to it and more, and though masses of it were

deliberately put on paper by himself, in prose and verse, and continue

to be printed and kept legible, what he spoke has pretty much vanished

into the inane; and except as record or document of what he did, hardly

now concerns mankind. But the things he did were extremely remarkable;

and cannot be forgotten by mankind. Indeed, they bear such fruit to the

present hour as all the Newspapers are obliged to be taking note of,

sometimes to an unpleasant degree. Editors vaguely account this man the

"Creator of the Prussian Monarchy;" which has since grown so large

in the world, and troublesome to the Editorial mind in this and other

countries. He was indeed the first who, in a highly public manner,

notified its creation; announced to all men that it was, in very deed,

created; standing on its feet there, and would go a great way, on the

impulse it had got from him and others. As it has accordingly done; and

may still keep doing to lengths little dreamt of by the British Editor

in our time; whose prophesyings upon Prussia, and insights into Prussia,

in its past, or present or future, are truly as yet inconsiderable, in

proportion to the noise he makes with them! The more is the pity for

him,--and for myself too in the Enterprise now on hand.

It is of this Figure, whom we see by the mind's eye in those Potsdam

regions, visible for the last time seventy years ago, that we are now to

treat, in the way of solacing ingenuous human curiosity. We are to try

for some Historical Conception of this Man and King; some answer to the

questions, "What was he, then? Whence, how? And what did he achieve and

suffer in the world?"--such answer as may prove admissible to ingenuous

mankind, especially such as may correspond to the Fact (which stands

there, abstruse indeed, but actual and unalterable), and so be sure of

admissibility one day.

An Enterprise which turns out to be, the longer one looks at it, the

more of a formidable, not to say unmanageable nature! Concerning which,

on one or two points, it were good, if conveniently possible, to come

to some preliminary understanding with the reader. Here, flying on loose

leaves, are certain incidental utterances, of various date: these, as

the topic is difficult, I will merely label and insert, instead of

a formal Discourse, which were too apt to slide into something of a

Lamentation, or otherwise take an unpleasant turn.

1. FRIEDRICH THEN, AND FRIEDRICH NOW.

This was a man of infinite mark to his contemporaries; who had witnessed

surprising feats from him in the world; very questionable notions and

ways, which he had contrived to maintain against the world and its

criticisms. As an original man has always to do; much more an original

ruler of men. The world, in fact, had tried hard to put him down, as it

does, unconsciously or, consciously, with all such; and after the

most conscious exertions, and at one time a dead-lift spasm of all its

energies for Seven Years, had not been able. Principalities and powers,

Imperial, Royal, Czarish, Papal, enemies innumerable as the seasand,

had risen against him, only one helper left among the world's Potentates

(and that one only while there should be help rendered in return); and

he led them all such a dance as had astonished mankind and them.

No wonder they thought him worthy of notice. Every original man of any

magnitude is;--nay, in the long-run, who or what else is? But how much

more if your original man was a king over men; whose movements were

polar, and carried from day to day those of the world along with them.

The Samson Agonistes,--were his life passed like that of Samuel Johnson

in dirty garrets, and the produce of it only some bits of written

paper,--the Agonistes, and how he will comport himself in the Philistine

mill; this is always a spectacle of truly epic and tragic nature. The

rather, if your Samson, royal or other, is not yet blinded or subdued

to the wheel; much more if he vanquish his enemies, not by suicidal

methods, but march out at last flourishing his miraculous fighting

implement, and leaving their mill and them in quite ruinous

circumstances. As this King Friedrich fairly managed to do.

For he left the world all bankrupt, we may say; fallen into bottomless

abysses of destruction; he still in a paying condition, and with

footing capable to carry his affairs and him. When he died, in 1786, the

enormous Phenomenon since called FRENCH REVOLUTION was already growling

audibly in the depths of the world; meteoric-electric coruscations

heralding it, all round the horizon. Strange enough to note, one

of Friedrich's last visitors was Gabriel Honore Riquetti, Comte de

Mirabeau. These two saw one another; twice, for half an hour each time.

The last of the old Gods and the first of the modern Titans;--before

Pelion leapt on Ossa; and the foul Earth taking fire at last, its vile

mephitic elements went up in volcanic thunder. This also is one of the

peculiarities of Friedrich, that he is hitherto the last of the

Kings; that he ushers in the French Revolution, and closes an Epoch of

World-History. Finishing off forever the trade of King, think many; who

have grown profoundly dark as to Kingship and him.

The French Revolution may be said to have, for about half a century,

quite submerged Friedrich, abolished him from the memories of men;

and now on coming to light again, he is found defaced under strange

mud-incrustations, and the eyes of mankind look at him from a singularly

changed, what we must call oblique and perverse point of vision. This is

one of the difficulties in dealing with his History;--especially if you

happen to believe both in the French Revolution and in him; that is to

say, both that Real Kingship is eternally indispensable, and also that

the destruction of Sham Kingship (a frightful process) is occasionally

so. On the breaking-out of that formidable Explosion, and Suicide of his

Century, Friedrich sank into comparative obscurity; eclipsed amid the

ruins of that universal earthquake, the very dust of which darkened all

the air, and made of day a disastrous midnight. Black midnight,

broken only by the blaze of conflagrations;--wherein, to our terrified

imaginations, were seen, not men, French and other, but ghastly

portents, stalking wrathful, and shapes of avenging gods. It must be

owned the figure of Napoleon was titanic; especially to the generation

that looked on him, and that waited shuddering to be devoured by him.

In general, in that French Revolution, all was on a huge scale; if not

greater than anything in human experience, at least more grandiose. All

was recorded in bulletins, too, addressed to the shilling-gallery; and

there were fellows on the stage with such a breadth of sabre, extent of

whiskerage, strength of windpipe, and command of men and gunpowder, as

had never been seen before. How they bellowed, stalked and flourished

about; counterfeiting Jove's thunder to an amazing degree! Terrific

Drawcansir figures, of enormous whiskerage, unlimited command of

gunpowder; not without sufficient ferocity, and even a certain heroism,

stage-heroism, in them; compared with whom, to the shilling-gallery, and

frightened excited theatre at large, it seemed as if there had been

no generals or sovereigns before; as if Friedrich, Gustavus, Cromwell,

William Conqueror and Alexander the Great were not worth speaking of

henceforth.

All this, however, in half a century is considerably altered. The

Drawcansir equipments getting gradually torn off, the natural size is

seen better; translated from the bulletin style into that of fact and

history, miracles, even to the shilling-gallery, are not so miraculous.

It begins to be apparent that there lived great men before the era

of bulletins and Agamemnon. Austerlitz and Wagram shot away more

gunpowder,--gunpowder probably in the proportion of ten to one, or a

hundred to one; but neither of them was tenth-part such a beating to

your enemy as that of Rossbach, brought about by strategic art, human

ingenuity and intrepidity, and the loss of 165 men. Leuthen, too, the

battle of Leuthen (though so few English readers ever heard of it) may

very well hold up its head beside any victory gained by Napoleon or

another. For the odds were not far from three to one; the soldiers were

of not far from equal quality; and only the General was consummately

superior, and the defeat a destruction. Napoleon did indeed, by immense

expenditure of men, and gunpowder, overrun Europe for a time: but

Napoleon never, by husbanding and wisely expending his men and

gunpowder, defended a little Prussia against all Europe, year after year

for seven years long, till Europe had enough, and gave up the enterprise

as one it could not manage. So soon as the Drawcansir equipments are

well torn off, and the shilling-gallery got to silence, it will be found

that there were great kings before Napoleon,--and likewise an Art

of War, grounded on veracity and human courage and insight, not upon

Drawcansir rodomontade, grandiose Dick-Turpinism, revolutionary madness,

and unlimited expenditure of men and gunpowder. "You may paint with a

very big brush, and yet not be a great painter," says a satirical friend

of mine! This is becoming more and more apparent, as the dust-whirlwind,

and huge uproar of the last generation, gradually dies away again.

2. EIGHTEENTH CENTURY.

One of the grand difficulties in a History of Friedrich is, all along,

this same, That he lived in a Century which has no History and can have

little or none. A Century so opulent in accumulated falsities,--sad

opulence descending on it by inheritance, always at compound interest,

and always largely increased by fresh acquirement on such immensity of

standing capital;--opulent in that bad way as never Century before was!

Which had no longer the consciousness of being false, so false had it

grown; and was so steeped in falsity, and impregnated with it to the

very bone, that--in fact the measure of the thing was full, and a French

Revolution had to end it. To maintain much veracity in such an element,

especially for a king, was no doubt doubly remarkable. But now, how

extricate the man from his Century? How show the man, who is a Reality

worthy of being seen, and yet keep his Century, as a Hypocrisy worthy of

being hidden and forgotten, in the due abeyance?

To resuscitate the Eighteenth Century, or call into men's view, beyond

what is necessary, the poor and sordid personages and transactions of an

epoch so related to us, can be no purpose of mine on this occasion. The

Eighteenth Century, it is well known, does not figure to me as a lovely

one; needing to be kept in mind, or spoken of unnecessarily. To me the

Eighteenth Century has nothing grand in it, except that grand universal

Suicide, named French Revolution, by which it terminated its otherwise

most worthless existence with at least one worthy act;--setting fire to

its old home and self; and going up in flames and volcanic explosions,

in a truly memorable and important manner. A very fit termination, as

I thankfully feel, for such a Century. Century spendthrift,

fraudulent-bankrupt; gone at length utterly insolvent, without real

MONEY of performance in its pocket, and the shops declining to take

hypocrisies and speciosities any farther:--what could the poor Century

do, but at length admit, "Well, it is so. I am a swindler-century,

and have long been,--having learned the trick of it from my father and

grandfather; knowing hardly any trade but that in false bills, which I

thought foolishly might last forever, and still bring at least beef

and pudding to the favored of mankind. And behold it ends; and I am a

detected swindler, and have nothing even to eat. What remains but that

I blow my brains out, and do at length one true action?" Which the poor

Century did; many thanks to it, in the circumstances.

For there was need once more of a Divine Revelation to the torpid

frivolous children of men, if they were not to sink altogether into

the ape condition. And in that whirlwind of the Universe,--lights

obliterated, and the torn wrecks of Earth and Hell hurled aloft into the

Empyrean; black whirlwind, which made even apes serious, and drove most

of them mad,--there was, to men, a voice audible; voice from the heart

of things once more, as if to say: "Lying is not permitted in this

Universe. The wages of lying, you behold, are death. Lying means

damnation in this Universe; and Beelzebub, never so elaborately decked

in crowns and mitres, is NOT God!" This was a revelation truly to be

named of the Eternal, in our poor Eighteenth Century; and has greatly

altered the complexion of said Century to the Historian ever since.

Whereby, in short, that Century is quite confiscate, fallen bankrupt,

given up to the auctioneers;--Jew-brokers sorting out of it at this

moment, in a confused distressing manner, what is still valuable or

salable. And, in fact, it lies massed up in our minds as a disastrous

wrecked inanity, not useful to dwell upon; a kind of dusky chaotic

background, on which the figures that had some veracity in them--a small

company, and ever growing smaller as our demands rise in strictness--are

delineated for us.--"And yet it is the Century of our own Grandfathers?"

cries the reader. Yes, reader! truly. It is the ground out of which we

ourselves have sprung; whereon now we have our immediate footing, and

first of all strike down our roots for nourishment;--and, alas, in large

sections of the practical world, it (what we specially mean by IT)

still continues flourishing all round us! To forget it quite is not yet

possible, nor would be profitable. What to do with it, and its forgotten

fooleries and "Histories," worthy only of forgetting?--Well; so much of

it as by nature ADHERES; what of it cannot be disengaged from our Hero

and his operations: approximately so much, and no more! Let that be our

bargain in regard to it.

3. ENGLISH PREPOSSESSIONS.

With such wagon-loads of Books and Printed Records as exist on the

subject of Friedrich, it has always seemed possible, even for

a stranger, to acquire some real understanding of him;--though

practically, here and now, I have to own, it proves difficult beyond

conception. Alas, the Books are not cosmic, they are chaotic; and turn

out unexpectedly void of instruction to us. Small use in a talent of

writing, if there be not first of all the talent of discerning, of

loyally recognizing; of discriminating what is to be written! Books born

mostly of Chaos--which want all things, even an INDEX--are a painful

object. In sorrow and disgust, you wander over those multitudinous

Books: you dwell in endless regions of the superficial, of the nugatory:

to your bewildered sense it is as if no insight into the real heart

of Friedrich and his affairs were anywhere to be had. Truth is, the

Prussian Dryasdust, otherwise an honest fellow, and not afraid of labor,

excels all other Dryasdusts yet known; I have often sorrowfully felt

as if there were not in Nature, for darkness, dreariness, immethodic

platitude, anything comparable to him. He writes big Books wanting in

almost every quality; and does not even give an INDEX to them. He has

made of Friedrich's History a wide-spread, inorganic, trackless

matter; dismal to your mind, and barren as a continent of Brandenburg

sand!--Enough, he could do no other: I have striven to forgive him.

Let the reader now forgive me; and think sometimes what probably my

raw-material was!--

Curious enough, Friedrich lived in the Writing Era,--morning of that

strange Era which has grown to such a noon for us;--and his favorite

society, all his reign, was with the literary or writing sort. Nor have

they failed to write about him, they among the others, about him and

about him; and it is notable how little real light, on any point of his

existence or environment, they have managed to communicate. Dim indeed,

for most part a mere epigrammatic sputter of darkness visible, is the

"picture" they have fashioned to themselves of Friedrich and his Country

and his Century. Men not "of genius," apparently? Alas, no; men fatally

destitute of true eyesight, and of loyal heart first of all. So far as

I have noticed, there was not, with the single exception of Mirabeau for

one hour, any man to be called of genius, or with an adequate power of

human discernment, that ever personally looked on Friedrich. Had many

such men looked successively on his History and him, we had not found it

now in such a condition. Still altogether chaotic as a History; fatally

destitute even of the Indexes and mechanical appliances: Friedrich's

self, and his Country, and his Century, still undeciphered; very dark

phenomena, all three, to the intelligent part of mankind.

In Prussia there has long been a certain stubborn though planless

diligence in digging for the outward details of Friedrich's

Life-History; though as to organizing them, assorting them, or even

putting labels on them; much more as to the least interpretation or

human delineation of the man and his affairs,--you need not inquire

in Prussia. In France, in England, it is still worse. There an immense

ignorance prevails even as to the outward facts and phenomena of

Friedrich's life; and instead of the Prussian no-interpretation, you

find, in these vacant circumstances, a great promptitude to interpret.

Whereby judgments and prepossessions exist among us on that subject,

especially on Friedrich's character, which are very ignorant indeed.

To Englishmen, the sources of knowledge or conviction about Friedrich, I

have observed, are mainly these two. FIRST, for his Public Character: it

was an all-important fact, not to IT, but to this country in regard to

it, That George II., seeing good to plunge head-foremost into German

Politics, and to take Maria Theresa's side in the Austrian-Succession

War of 1740-1748, needed to begin by assuring his Parliament and

Newspapers, profoundly dark on the matter, that Friedrich was a robber

and villain for taking the other side. Which assurance, resting on

what basis we shall see by and by, George's Parliament and Newspapers

cheerfully accepted; nothing doubting. And they have re-echoed and

reverberated it, they and the rest of us, ever since, to all lengths,

down to the present day; as a fact quite agreed upon, and the

preliminary item in Friedrich's character. Robber and villain to begin

with; that was one settled point.

Afterwards when George and Friedrich came to be allies, and the grand

fightings of the Seven-Years War took place, George's Parliament and

Newspapers settled a second point, in regard to Friedrich: "One of the

greatest soldiers ever born." This second item the British Writer fully

admits ever since: but he still adds to it the quality of robber, in a

loose way;--and images to himself a royal Dick Turpin, of the kind known

in Review-Articles, and disquisitions on Progress of the Species, and

labels it FREDERICK; very anxious to collect new babblement of lying

Anecdotes, false Criticisms, hungry French Memoirs, which will confirm

him in that impossible idea. Had such proved, on survey, to be the

character of Friedrich, there is one British Writer whose curiosity

concerning him would pretty soon have died away; nor could any amount of

unwise desire to satisfy that feeling in fellow-creatures less seriously

disposed have sustained him alive, in those baleful Historic Acherons

and Stygian Fens, where he has had to dig and to fish so long, far away

from the upper light!--Let me request all readers to blow that sorry

chaff entirely out of their minds; and to believe nothing on the subject

except what they get some evidence for.

SECOND English source relates to the Private Character. Friedrich's

Biography or Private Character, the English, like the French, have

gathered chiefly from a scandalous libel by Voltaire, which used to

be called _ Vie Privee du Roi de Prusse _ (Private Life of the King

of Prussia) [First printed, from a stolen copy, at Geneva, 1784; first

proved to be Voltaire's (which some of his admirers had striven to

doubt), Paris, 1788; stands avowed ever since, in all the Editions of

his Works (ii. 9-113 of the Edition by Bandouin Freres, 97 vols.,

Paris, 1825-1834), under the title _ Memoires pour servir a Vie de M. de

Voltaire, _--with patches of repetition in the thing called _Commentaire

Historique,_ which follows ibid. at great length.] libel undoubtedly

written by Voltaire, in a kind of fury; but not intended to be published

by him; nay burnt and annihilated, as he afterwards imagined; No line of

which, that cannot be otherwise proved, has a right to be believed;

and large portions of which can be proved to be wild exaggerations and

perversions, or even downright lies,--written in a mood analogous to

the Frenzy of John Dennis. This serves for the Biography or Private

Character of Friedrich; imputing all crimes to him, natural and

unnatural;--offering indeed, if combined with facts otherwise known, or

even if well considered by itself, a thoroughly flimsy, incredible

and impossible image. Like that of some flaming Devil's Head, done in

phosphorus on the walls of the black-hole, by an Artist whom you had

locked up there (not quite without reason) overnight.

Poor Voltaire wrote that _ Vie Privee _ in a state little inferior to

the Frenzy of John Dennis,--how brought about we shall see by and by.

And this is the Document which English readers are surest to have read,

and tried to credit as far as possible. Our counsel is, Out of window

with it, he that would know Friedrich of Prussia! Keep it awhile, he

that would know Francois Arouet de Voltaire, and a certain numerous

unfortunate class of mortals, whom Voltaire is sometimes capable of

sinking to be spokesman for, in this world!--Alas, go where you will,

especially in these irreverent ages, the noteworthy Dead is sure to be

found lying under infinite dung, no end of calumnies and stupidities

accumulated upon him. For the class we speak of, class of "flunkies

doing _ saturnalia _ below stairs," is numerous, is innumerable; and can

well remunerate a "vocal flunky" that will serve their purposes on such

an occasion!--

Friedrich is by no means one of the perfect demigods; and there are

various things to be said against him with good ground. To the last,

a questionable hero; with much in him which one could have wished not

there, and much wanting which one could have wished. But there is one

feature which strikes you at an early period of the inquiry, That in his

way he is a Reality; that he always means what he speaks; grounds his

actions, too, on what he recognizes for the truth; and, in short, has

nothing whatever of the Hypocrite or Phantasm. Which some readers will

admit to be an extremely rare phenomenon. We perceive that this man was

far indeed from trying to deal swindler-like with the facts around

him; that he honestly recognized said facts wherever they disclosed

themselves, and was very anxious also to ascertain their existence where

still hidden or dubious. For he knew well, to a quite uncommon degree,

and with a merit all the higher as it was an unconscious one, how

entirely inexorable is the nature of facts, whether recognized or not,

ascertained or not; how vain all cunning of diplomacy, management and

sophistry, to save any mortal who does not stand on the truth of things,

from sinking, in the long-run. Sinking to the very mud-gods, with all

his diplomacies, possessions, achievements; and becoming an unnamable

object, hidden deep in the Cesspools of the Universe. This I hope

to make manifest; this which I long ago discerned for myself, with

pleasure, in the physiognomy of Friedrich and his life. Which indeed

was the first real sanction, and has all along been my inducement and

encouragement, to study his life and him. How this man, officially a

King withal, comported himself in the Eighteenth Century, and managed

not to be a Liar and Charlatan as his Century was, deserves to be seen a

little by men and kings, and may silently have didactic meanings in it.

He that was honest with his existence has always meaning for us, be he

king or peasant. He that merely shammed and grimaced with it, however

much, and with whatever noise and trumpet-blowing, he may have cooked

and eaten in this world, cannot long have any. Some men do COOK

enormously (let us call it COOKING, what a man does in obedience to

his HUNGER merely, to his desires and passions merely),--roasting

whole continents and populations, in the flames of war or other

discord;--witness the Napoleon above spoken of. For the appetite of man

in that respect is unlimited; in truth, infinite; and the smallest of

us could eat the entire Solar System, had we the chance given, and then

cry, like Alexander of Macedon, because we had no more Solar Systems to

cook and eat. It is not the extent of the man's cookery that can much

attach me to him; but only the man himself, and what of strength he had

to wrestle with the mud-elements, and what of victory he got for his own

benefit and mine.

4. ENCOURAGEMENTS, DISCOURAGEMENTS.

French Revolution having spent itself, or sunk in France and elsewhere

to what we see, a certain curiosity reawakens as to what of great

or manful we can discover on the other side of that still troubled

atmosphere of the Present and immediate Past. Curiosity quickened, or

which should be quickened, by the great and all-absorbing question, How

is that same exploded Past ever to settle down again? Not lost forever,

it would appear: the New Era has not annihilated the old eras: New Era

could by no means manage that;--never meant that, had it known its own

mind (which it did not): its meaning was and is, to get its own well out

of them; to readapt, in a purified shape, the old eras, and appropriate

whatever was true and NOT combustible in them: that was the poor New

Era's meaning, in the frightful explosion it made of itself and its

possessions, to begin with!

And the question of questions now is: What part of that exploded Past,

the ruins and dust of which still darken all the air, will continually

gravitate back to us; be reshaped, transformed, readapted, that so, in

new figures, under new conditions, it may enrich and nourish us again?

What part of it, not being incombustible, has actually gone to flame and

gas in the huge world-conflagration, and is now GASEOUS, mounting aloft;

and will know no beneficence of gravitation, but mount, and roam

upon the waste winds forever,--Nature so ordering it, in spite of any

industry of Art? This is the universal question of afflicted mankind at

present; and sure enough it will be long to settle.

On one point we can answer: Only what of the Past was TRUE will come

back to us. That is the one ASBESTOS which survives all fire, and comes

out purified; that is still ours, blessed be Heaven, and only that. By

the law of Nature nothing more than that; and also, by the same

law, nothing less than that. Let Art, struggle how it may, for or

against,--as foolish Art is seen extensively doing in our time,--there

is where the limits of it will be. In which point of view, may not

Friedrich, if he was a true man and King, justly excite some curiosity

again; nay some quite peculiar curiosity, as the lost Crowned Reality

there was antecedent to that general outbreak and abolition? To many

it appears certain there are to be no Kings of any sort, no Government

more; less and less need of them henceforth, New Era having come.

Which is a very wonderful notion; important if true; perhaps still more

important, just at present, if untrue! My hopes of presenting, in this

Last of the Kings, an exemplar to my contemporaries, I confess, are not

high.

On the whole, it is evident the difficulties to a History of Friedrich

are great and many: and the sad certainty is at last forced upon me that

no good Book can, at this time, especially in this country, be written

on the subject. Wherefore let the reader put up with an indifferent

or bad one; he little knows how much worse it could easily have

been!--Alas, the Ideal of history, as my friend Sauerteig knows, is very

high; and it is not one serious man, but many successions of such, and

whole serious generations of such, that can ever again build up History

towards its old dignity. We must renounce ideals. We must sadly take up

with the mournfulest barren realities;--dismal continents of Brandenburg

sand, as in this instance; mere tumbled mountains of marine-stores,

without so much as an Index to them!

Has the reader heard of Sauerteig's last batch of _ Springwurzeln, _ a

rather curious valedictory Piece? "All History is an imprisoned Epic,

nay an imprisoned Psalm and Prophecy," says Sauerteig there. I wish,

from my soul, he had DISimprisoned it in this instance! But he

only says, in magniloquent language, how grand it would be if

disimprisoned;--and hurls out, accidentally striking on this subject,

the following rough sentences, suggestive though unpractical, with which

I shall conclude:--

"Schiller, it appears, at one time thought of writing an _ Epic Poem

upon Friedrich the Great, _ 'upon some action of Friedrich's,' Schiller

says. Happily Schiller did not do it. By oversetting fact, disregarding

reality, and tumbling time and space topsy-turvy, Schiller with his fine

gifts might no doubt have written a temporary 'epic poem,' of the kind

read an admired by many simple persons. But that would have helped

little, and could not have lasted long. It is not the untrue imaginary

Picture of a man and his life that I want from my Schiller, but the

actual natural Likeness, true as the face itself, nay TRUER, in a sense.

Which the Artist, if there is one, might help to give, and the Botcher _

(Pfuscher)_ never can! Alas, and the Artist does not even try it; leaves

it altogether to the Botcher, being busy otherwise!--

"Men surely will at length discover again, emerging from these dismal

bewilderments in which the modern Ages reel and stagger this long while,

that to them also, as to the most ancient men, all Pictures that cannot

be credited are--Pictures of an idle nature; to be mostly swept out of

doors. Such veritably, were it never so forgotten, is the law! Mistakes

enough, lies enough will insinuate themselves into our most earnest

portrayings of the True: but that we should, deliberately and of

forethought, rake together what we know to be not true, and introduce

that in the hope of doing good with it? I tell you, such practice was

unknown in the ancient earnest times; and ought again to become unknown

except to the more foolish classes!" That is Sauerteig's strange notion,

not now of yesterday, as readers know:--and he goes then into "Homer's

Iliad," the "Hebrew Bible," "terrible Hebrew VERACITY of every line of

it;" discovers an alarming "kinship of Fiction to lying;" and asks,

If anybody can compute "the damage we poor moderns have got from our

practices of fiction in Literature itself, not to speak of awfully

higher provinces? Men will either see into all this by and by,"

continues he; "or plunge head foremost, in neglect of all this, whither

they little dream as yet!--

"But I think all real Poets, to this hour, are Psalmists and Iliadists

after their sort; and have in them a divine impatience of lies, a divine

incapacity of living among lies. Likewise, which is a corollary, that

the highest Shakspeare producible is properly the fittest Historian

producible;--and that it is frightful to see the _ Gelehrte Dummkopf _

[what we here may translate, DRYASDUST] doing the function of History,

and the Shakspeare and the Goethe neglecting it. 'Interpreting events;'

interpreting the universally visible, entirely INdubitable Revelation

of the Author of this Universe: how can Dryasdust interpret such things,

the dark chaotic dullard, who knows the meaning of nothing cosmic or

noble, nor ever will know? Poor wretch, one sees what kind of meaning

HE educes from Man's History, this long while past, and has got all the

world to believe of it along with him. Unhappy Dryasdust, thrice-unhappy

world that takes Dryasdust's reading of the ways of God! But what

else was possible? They that could have taught better were engaged

in fiddling; for which there are good wages going. And our damage

therefrom, our DAMAGE,--yes, if thou be still human and not

cormorant,--perhaps it will transcend all Californias, English National

Debts, and show itself incomputable in continents of Bullion!--

"Believing that mankind are not doomed wholly to dog-like annihilation,

I believe that much of this will mend. I believe that the world will not

always waste its inspired men in mere fiddling to it. That the man

of rhythmic nature will feel more and more his vocation towards the

Interpretation of Fact; since only in the vital centre of that, could

we once get thither, lies all real melody; and that he will become, he,

once again the Historian of Events,--bewildered Dryasdust having at last

the happiness to be his servant, and to have some guidance from him.

Which will be blessed indeed. For the present, Dryasdust strikes me

like a hapless Nigger gone masterless: Nigger totally unfit for

self-guidance; yet without master good or bad; and whose feats in that

capacity no god or man can rejoice in.

"History, with faithful Genius at the top and faithful Industry at

the bottom, will then be capable of being written. History will then

actually BE written,--the inspired gift of God employing itself to

illuminate the dark ways of God. A thing thrice-pressingly needful to

be done!--Whereby the modern Nations may again become a little less

godless, and again have their 'epics' (of a different from the Schiller

sort), and again have several things they are still more fatally in want

of at present!"--

So that, it would seem, there WILL gradually among mankind, if Friedrich

last some centuries, be a real Epic made of his History? That is to

say (presumably), it will become a perfected Melodious Truth, and duly

significant and duly beautiful bit of Belief, to mankind; the essence of

it fairly evolved from all the chaff, the portrait of it actually given,

and its real harmonies with the laws of this Universe brought out,

in bright and dark, according to the God's Fact as it was; which poor

Dryasdust and the Newspapers never could get sight of, but were always

far from!--

Well, if so,--and even if not quite so,--it is a comfort to reflect that

every true worker (who has blown away chaff &c.), were his contribution

no bigger than my own, may have brought the good result NEARER by a

hand-breadth or two. And so we will end these preludings, and proceed

upon our Problem, courteous reader.

History of Friedrich II of Prussia — Volume 01 · 第 1 / 5 章