A PARTING OF WAYS

"Was the child born dead?"

"Worse than dead!"

Somehow, somewhere, Mary Cresswell had heard these words; long, long,

ago, down there in the great pain-swept shadows of utter agony, where

Earth seemed slipping its moorings; and now, today, she lay repeating

them mechanically, grasping vaguely at their meaning. Long she had

wrestled with them as they twisted and turned and knotted themselves,

and she worked and toiled so hard as she lay there to make the thing

clear--to understand.

"Was the child born dead?"

"Worse than dead!"

Then faint and fainter whisperings: what could be worse than death? She

had tried to ask the grey old doctor, but he soothed her like a child

each day and left her lying there. Today she was stronger, and for the

first time sitting up, looking listlessly out across the world--a queer

world. Why had they not let her see the child--just one look at its

little dead face? That would have been something. And again, as the

doctor cheerily turned to go, she sought to repeat the old question. He

looked at her sharply, then interrupted, saying kindly:

"There, now; you've been dreaming. You must rest quietly now." And with

a nod he passed into the other room to talk with her husband.

She was not satisfied. She had not been dreaming. She would tell Harry

to ask him--she did not often see her husband, but she must ask him now

and she arose unsteadily and swayed noiselessly across the floor. A

moment she leaned against the door, then opened it slightly. From the

other side the words came distinctly and clearly:

"--other children, doctor?"

"You must have no other children, Mr. Cresswell."

"Why?"

"Because the sins of the fathers are visited upon the children unto the

third and fourth generation."

Slowly, softly, she crept away. Her mind seemed very clear. And she

began a long journey to reach her window and chair--a long, long

journey; but at last she sank into the chair again and sat dry-eyed,

wondering who had conceived this world and made it, and why.

A long time afterward she found herself lying in bed, awake, conscious,

clear-minded. Yet she thought as little as possible, for that was pain;

but she listened gladly, for without she heard the solemn beating of the

sea, the mighty rhythmic beating of the sea. Long days she lay, and sat

and walked beside those vast and speaking waters, till at last she knew

their voice and they spoke to her and the sea-calm soothed her soul.

For one brief moment of her life she saw herself clearly: a well-meaning

woman, ambitious, but curiously narrow; not willing to work long for

the Vision, but leaping at it rashly, blindly, with a deep-seated sense

of duty which she made a source of offence by preening and parading it,

and forcing it to ill-timed notice. She saw that she had looked on her

husband as a means not an end. She had wished to absorb him and his work

for her own glory. She had idealized for her own uses a very human man

whose life had been full of sin and fault. She must atone.

No sooner, in this brief moment, did she see herself honestly than her

old habits swept her on tumultuously. No ordinary atonement would do.

The sacrifice must be vast; the world must stand in wonder before this

clever woman sinking her soul in another and raising him by sheer will

to the highest.

So after six endless months Mary Cresswell walked into her Washington

home again. She knew she had changed in appearance, but she had

forgotten to note how much until she saw the stare--almost the

recoil--of her husband, the muttered exclamation, the studied, almost

overdone welcome. Then she went up to her mirror and looked long, and

knew.

She was strong; she felt well; but she was slight, almost scrawny, and

her beauty was gone forever. It had been of that blonde white-and-pink

type that fades in a flash, and its going left her body flattened and

angular, her skin drawn and dead white, her eyes sunken. From the

radiant girl whom Cresswell had met three years earlier the change was

startling, and yet the contrast seemed even greater than it was, for her

glory then had been her abundant and almost golden hair. Now that hair

was faded, and falling so fast that at last the doctor advised her to

cut it short. This left her ill-shaped head exposed and emphasized the

sunken hollows of her face. She knew that she was changed but she did

not quite realize how changed, until now as she stood and gazed.

Yet she did not hesitate but from that moment set herself to her new

life task. Characteristically, she started dramatically and largely. She

was to make her life an endless sacrifice; she was to revivify the

manhood in Harry Cresswell, and all this for no return, no partnership

of soul--all was to be complete sacrifice and sinking soul in soul.

If Mary Cresswell had attempted less she would have accomplished more.

As it was, she began well; she went to work tactfully, seeming to note

no change in his manner toward her; but his manner had changed. He was

studiously, scrupulously polite in private, and in public devoted; but

there was no feeling, no passion, no love. The polished shell of his

clan reflected conventional light even more carefully than formerly

because the shell was cold and empty. There were no little flashes of

anger now, no poutings nor sweet reconciliations. Life ran very smoothly

and courteously; and while she did not try to regain the affection, she

strove to enthrall his intellect. She supplied a sub-committee upon

which he was serving--not directly, but through him--with figures, with

reports, books, and papers, so that he received special commendations; a

praise that piqued as well as pleased him, because it implied a certain

surprise that he was able to do it.

"The damned Yankees!" he sneered. "They think they've got the brains of

the nation."

"Why not make a speech on the subject?" she suggested.

He laughed. The matter under discussion was the cotton-goods schedule of

the new tariff bill, about which really he knew a little; his wife

placed every temptation to knowledge before him, even inspiring Senator

Smith to ask him to defend that schedule against the low-tariff

advocate. Mary Cresswell worked with redoubled energy, and for nearly a

week Harry staid at home nights and studied. Thanks to his wife the

speech was unusually informing and well put, and the fact that a

prominent free-trader spoke the same afternoon gave it publicity, while

Mr. Easterly saw to the press despatches.

Cresswell subscribed to a clipping-bureau and tasted the sweets of

dawning notoriety, and Mrs. Cresswell arranged a select dinner-party

which included a cabinet officer, a foreign ambassador, two

millionaires, and the leading Southern Congressmen. The talk came

around to the failure of the Senate to confirm Mr. Vanderpool, and it

was generally assumed that the President would not force the issue.

Who, then, should be nominated? There were several suggestions, but the

knot of Southern Congressmen about Mrs. Cresswell declared emphatically

that it must be a Southerner. Not since the war had a prominent

Southerner represented America at a first-class foreign court; it was

shameful; the time was ripe for change. But who? Here opinions differed

widely. Nearly every one mentioned a candidate, and those who did not

seemed to refrain from motives of personal modesty.

Mary Cresswell sped her departing guests with a distinct purpose in

mind. She must make herself leader of the Southern set in Washington and

concentrate its whole force on the appointment of Harry Cresswell as

ambassador to France. Quick reward and promotion were essential to

Harry's success. He was not one to keep up the strain of effort a long

time. Unless, then, tangible results came and came quickly, he was

liable to relapse into old habits. Therefore he must succeed and succeed

at once. She would have preferred a less ornamental position than the

ambassadorship, but there were no other openings. The Alabama senators

were firmly seated for at least four years and the Governorship had been

carefully arranged for. A term of four years abroad, however, might

bring Harry Cresswell back in time for greater advancement. At any rate,

it was the only tangible offering, and Mary Cresswell silently

determined to work for it.

Here it was that she made her mistake. It was one thing for her to be a

tactful hostess, pleasing her husband and his guests; it was another for

her to aim openly at social leadership and political influence. She had

at first all the insignia of success. Her dinners became of real

political significance and her husband figured more and more as a

leading Southerner. The result was two-fold. Cresswell, on the one hand,

with his usual selfishness, took his rising popularity as a matter of

course and as the fruits of his own work; he was rising, he was making

valuable speeches, he was becoming a social power, and his only handicap

was his plain and over-ambitious wife. But on the other hand Mrs.

Cresswell forgot two pitfalls: the cleft between the old Southern

aristocracy and the pushing new Southerners; and above all, her own

Northern birth and presumably pro-Negro sympathies.

What Mrs. Cresswell forgot Mrs. Vanderpool sensed unerringly. She had

heard with uneasiness of Cresswell's renewed candidacy for the Paris

ambassadorship, and she set herself to block it. She had worked hard.

The President stood ready to send her husband's appointment again to the

Senate whenever Easterly could assure him of favorable action. Easterly

had long and satisfactory interviews with several senators, while the

Todd insurgents were losing heart at the prospect of choosing between

Vanderpool and Cresswell. At present four Southern votes were needed to

confirm Vanderpool; but if they could not be had, Easterly declared it

would be good politics to nominate Cresswell and give him Republican

support. Manifestly, then, Mrs. Vanderpool's task was to discredit the

Cresswells with the Southerners. It was not a work to her liking, but

the die was cast and she refused to contemplate defeat.

The result was that while Mrs. Cresswell was giving large and brilliant

parties to the whole Southern contingent, Mrs. Vanderpool was

engineering exclusive dinners where old New York met stately Charleston

and gossiped interestingly. On such occasions it was hinted not once,

but many times, that the Cresswells were well enough, but who was that

upstart wife who presumed to take social precedence?

It was not, however, until Mrs. Cresswell's plan for an all-Southern art

exhibit in Washington that Mrs. Vanderpool, in a flash of inspiration,

saw her chance. In the annual exhibit of the Corcoran Art Gallery, a

Southern girl had nearly won first prize over a Western man. The

concensus of Southern opinion was that the judgment had been unfair, and

Mrs. Cresswell was convinced of this. With quick intuition she

suggested a Southern exhibit with such social prestige back of it as to

impress the country.

The proposal caught the imagination of the Southern set. None suspected

a possible intrusion of the eternal race issue for no Negroes were

allowed in the Corcoran exhibit or school. This Mrs. Vanderpool easily

ascertained and a certain sense of justice combined in a curious way

with her political intrigue to bring about the undoing of Mary

Cresswell.

Mrs. Vanderpool's very first cautious inquiries by way of the back

stairs brought gratifying response--for did not all black Washington

know well of the work in sculpture done by Mrs. Samuel Stillings, _nee_

Wynn? Mrs. Vanderpool remembered Mrs. Stillings perfectly, and she

walked, that evening, through unobtrusive thoroughfares and called on

Mrs. Stillings. Had Mrs. Stillings heard of the new art movement? Did

she intend to exhibit? Mrs. Stillings did not intend to exhibit as she

was sure she would not be welcome. She had had a bust accepted by the

Corcoran Art Gallery once, and when they found she was colored they

returned it. But if she were especially invited? That would make a

difference, although even then the line would be drawn somehow.

"Would it not be worth a fight?" suggested Mrs. Vanderpool with a little

heightening of color in her pale cheek.

"Perhaps," said Mrs. Stillings, as she brought out some specimens of her

work.

Mrs. Vanderpool was both ashamed and grateful. With money and leisure

Mrs. Stillings had been able to get in New York and Boston the training

she had been denied in Washington on account of her color. The things

she exhibited really had merit and one curiously original group appealed

to Mrs. Vanderpool tremendously.

"Send it," she counseled with strangely contradictory feelings of

enthusiasm, and added: "Enter it under the name of Wynn."

In addition to the general invitations to the art exhibit numbers of

special ones were issued to promising Southern amateurs who had never

exhibited. For these a prize of a long-term scholarship and other

smaller prizes were offered. When Mrs. Vanderpool suggested the name of

"Miss Wynn" to Mrs. Cresswell among a dozen others, for special

invitation, there was nothing in its sound to distinguish it from the

rest of the names, and the invitation went duly. As a result there came

to the exhibit a little group called "The Outcasts," which was really a

masterly thing and sent the director, Signor Alberni, into hysterical

commendation.

In the private view and award of prizes which preceded the larger social

function the jury hesitated long between "The Outcasts" and a painting

from Georgia. Mrs. Cresswell was enthusiastic and voluble for the bit of

sculpture, and it finally won the vote for the first prize.

All was ready for the great day. The President was coming and most of

the diplomatic corps, high officers of the army, and all the social

leaders. Congress would be well represented, and the boom for Cresswell

as ambassador to France was almost visible in the air.

Mary Cresswell paused a moment in triumph looking back at the darkened

hall, when a little woman fluttered up to her and whispered:

"Mrs. Cresswell, have you heard the gossip?"

"No--what?"

"That Wynn woman they say is a nigger. Some are whispering that you

brought her in purposely to force social equality. They say you used to

teach darkies. Of course, I don't believe all their talk, but I thought

you ought to know." She talked a while longer, then fluttered furtively

away.

Mrs. Cresswell sat down limply. She saw ruin ahead--to think of a black

girl taking a prize at an all-Southern art exhibit! But there was still

a chance, and she leaped to action. This colored woman was doubtless

some poor deserving creature. She would call on her immediately, and by

an offer of abundant help induce her to withdraw quietly.

Entering her motor, she drove near the address and then proceeded on

foot. The street was a prominent one, the block one of the best, the

house almost pretentious. She glanced at her memorandum again to see if

she was mistaken. Perhaps the woman was a domestic; probably she was,

for the name on the door was Stillings. It occurred to her that she had

heard that name before--but where? She looked again at her memorandum

and at the house.

She rang the bell, asking the trim black maid: "Is there a person named

Caroline Wynn living in this house?"

The girl smiled and hesitated.

"Yes, ma'am," she finally replied. "Won't you come in?" She was shown

into the parlor, where she sat down. The room was most interesting,

furnished in unimpeachable taste. A few good pictures were on the walls,

and Mrs. Cresswell was examining one when she heard the swish of silken

skirts. A lady with gold brown face and straight hair stood before her

with pleasant smile. Where had Mrs. Cresswell seen her before? She tried

to remember, but could not.

"You wished to see--Caroline Wynn?"

"Yes."

"What can I do for you?"

Mrs. Cresswell groped for her proper cue, but the brown lady merely

offered a chair and sat down silently. Mrs. Cresswell's perplexity

increased. She had been planning to descend graciously but

authoritatively upon some shrinking girl, but this woman not only seemed

to assume equality but actually looked it. From a rapid survey, Mrs.

Cresswell saw a black silk stocking, a bit of lace, a tailor-made gown,

and a head with two full black eyes that waited in calmly polite

expectancy.

Something had to be said.

"I--er--came; that is, I believe you sent a group to the art exhibit?"

"Yes."

"It was good--very good."

Miss Wynn said nothing, but sat calmly looking at her visitor. Mrs.

Cresswell felt irritated.

"Of course," she managed to continue, "we are very sorry that we cannot

receive it."

"Indeed? I understood it had taken the first prize."

Mrs. Cresswell was aghast. Who had rushed the news to this woman? She

realized that there were depths to this matter that she did not

understand and her irritation increased.

"You know that we could not give the prize to a--Negro."

"Why not?"

"That is quite immaterial. Social equality cannot be forced. At the same

time I recognize the injustice, and I have come to say that if you will

withdraw your exhibit you will be given a scholarship in a Boston

school."

"I do not wish it."

"Well, what do you want?"

"I was not aware that I had asked for anything."

Mrs. Cresswell felt herself getting angry.

"Why did you send your exhibit when you knew it was not wanted?"

"Because you asked me to."

"We did not ask for colored people."

"You asked all Southern-born persons. I am a person and I am Southern

born. Moreover, you sent me a personal letter."

Mrs. Cresswell was sure that this was a lie and was thoroughly incensed.

"You cannot have the prize," she almost snapped. "If you will withdraw I

will pay you any reasonable sum."

"Thank you. I do not want money; I want justice."

Mrs. Cresswell arose and her face was white.

"That is the trouble with you Negroes: you wish to get above your places

and force yourselves where you are not wanted. It does no good, it only

makes trouble and enemies." Mrs. Cresswell stopped, for the colored

woman had gone quietly out of the room and in a moment the maid entered

and stood ready. Mrs. Cresswell walked slowly to the door and stepped

out. Then she turned.

"What does Miss Wynn do for a living?"

The girl tittered.

"She used to teach school but she don't do nothing now. She's just

married; her husband is Mr. Stillings, Register of the Treasury."

Mrs. Cresswell saw light as she turned to go down the steps. There was

but one resource--she must keep the matter out of the newspapers, and

see Stillings, whom she now remembered well.

"I beg pardon, does the Miss Wynn live here who got the prize in the art

exhibition?"

Mrs. Cresswell turned in amazement. It was evidently a reporter, and the

maid was admitting him. The news would reach the papers and be blazoned

to-morrow. Slowly she caught her motor and fell wearily back on its

cushions.

"Where to, Madame?" asked the chauffeur.

"I don't care," returned Madame; so the chauffeur took her home.

She walked slowly up the stairs. All her carefully laid plans seemed

about to be thwarted and her castles were leaning toward ruin.

Yet all was not lost, if her husband continued to believe in her. If, as

she feared, he should suspect her on account of this Negro woman, and

quarrel with her--

But he must not. This very night, before the morning papers came out,

she must explain. He must see; he must appreciate her efforts.

She rushed into her dressing-room and called her maid. Contrary to her

Puritan notions, she frankly sought to beautify herself. She remembered

that it was the anniversary of her coming to this house. She got out her

wedding-dress, and although it hung loosely, the maid draped the Silver

Fleece beautifully about her.

She heard her husband enter and come up-stairs. Quickly finishing her

toilet, she hurried down to arrange the flowers, for they were alone

that night. The telephone rang. She knew it would ring up-stairs in his

room, but she usually answered it for he disliked to. She raised the

receiver and started to speak when she realized that she had broken into

the midst of a conversation.

"--committee won't meet tonight, Harry."

"So? All right. Anything on?"

"Yes--big spree at Nell's. Will you go?"

"Sure thing; you know me! What time?"

"Meet us at the Willard by nine. S'long."

"Good-bye."

She slowly, half guiltily, replaced the receiver. She had not meant to

listen, but now to her desperate longing to keep him home was added a

new motive. Where was "Nell's"? What was "Nell's"? What was--and there

was fear in her heart. At dinner she tried all her powers on him. She

had his favorite dishes; she mixed his salad and selected his wine; she

talked interestingly, and listened sympathetically, to him. He looked at

her with more attention. Her cheeks were more brilliant, for she had

touched them with rouge. Her eyes flashed; but he glanced furtively at

her short hair. She saw the act; but still she strove until he was

content and laughing; then coming round back of his chair, she placed

her arms about his neck.

"Harry, will you do me a favor?"

"Why, yes--if--"

"It is something I want very, very much."

"Well, all right, if--"

"Harry, I feel a little--hysterical, tonight, and--you will not refuse

me, will you, Harry?"

Standing there, she saw the tableau in her own mind, and it looked

strange. She was afraid of herself. She knew that she would do something

foolish if she did not win this battle. She felt that overpowering

fanaticism back within her raging restlessly. If she was not careful--

"But what is it you want?" asked her husband.

"I don't want you to go out tonight."

He laughed awkwardly.

"Nonsense, girl! The sub-committee on the cotton schedule meets

tonight--very important; otherwise--"

She shuddered at the smooth lie and clasped him closer, putting her

cheek to his.

"Harry," she pleaded, "just this once--for me."

He disengaged himself, half impatiently, and rose, glancing at the

clock. It was nearly nine. A feeling of desperation came over her.

"Harry," she asked again as he slipped on his coat.

"Don't be foolish," he growled.

"Just this once--Harry--I--" But the door banged to, and he was gone.

She stood looking at the closed door a moment. Something in her head was

ready to snap. She went to the rack and taking his long heavy overcoat

slipped it on. It nearly touched the floor. She seized a soft

broad-brimmed hat and umbrella and walked out. Just what she meant to do

she did not know, but somehow she must save her husband and herself from

evil. She hurried to the Willard Hotel and watched, walking up and down

the opposite sidewalk. A woman brushed by her and looked her in the

face.

"Hell! I thought you was a man," she said. "Is this a new gag?"

Mrs. Cresswell looked down at herself involuntarily and smiled wanly.

She did look like a man, with her hat and coat and short hair. The woman

peered at her doubtingly. She was, as Mrs. Cresswell noticed, a young

woman, once pretty, perhaps, and a little over-dressed.

"Are you walking?" she asked.

"What do you mean?" asked Mrs. Cresswell, and then in a moment it

flashed upon her. She took the woman's arm and walked with her. Suddenly

she stopped.

"Where's--Nell's?"

The woman frowned. "Oh, that's a swell place," she said. "Senators and

millionaires. Too high for us to fly."

Mrs. Cresswell winced. "But where is it?" she asked.

"We'll walk by it if you want to."

And Mary Cresswell walked in another world. Up from the ground of the

drowsy city rose pale gray forms; pale, flushed, and brilliant, in

silken rags. Up and down they passed, to and fro, looking and gliding

like sheeted ghosts; now dodging policemen, now accosting them

familiarly.

"Hello, Elise," growled one big blue-coat.

"Hello, Jack."

"What's this?" and he peered at Mrs. Cresswell, who shrank back.

"Friend of mine. All right."

A horror crept over Mary Cresswell: where had she lived that she had

seen so little before? What was Washington, and what was this fine,

tall, quiet residence? Was this--"Nell's"?

"Yes, this is it--good-bye--I must--"

"Wait--what is your name?"

"I haven't any name," answered the woman suspiciously.

"Well--pardon me! Here!" and she thrust a bill into the woman's hand.

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