CHAPTER XXV

WHITE VIOLETS

Bruce McKenzie's letter arriving in due time at the Toy Shop, found

Emily very busy. There were many women to be instructed how to do

things with gauze and muslin and cotton, so she tucked the letter in

her apron pocket. But all day her mind went to it, as a feast to be

deferred until the time came to enjoy it.

In the afternoon Ulrich Stölle arrived, bearing the inevitable tissue

paper parcel.

"Do you know what day it is?" he asked.

"Thursday."

"There are always Thursdays. But this is a special Thursday."

"Is it?"

"And you ask me like that? It is a Thursday for valentines."

"Of course. But how could you expect me to remember? Nobody ever

sends me valentines."

"My father has sent you one." It was a heart-shaped basket of pink

roses; "but mine I couldn't bring. You must come and see it. Will you

dine with us tonight?"

"Oh, I am so busy."

"You are not too busy for that. Let your little Jean take charge."

Jean, all in white with her white veil and red crosses was more than

ever like a little nun. She was remote, too, like a nun, wrapped not

in the contemplation of her religion, but of her love.

She still made toys, and the proceeds of the sale of Lovely Dreams had

been contributed by herself and Emily for Red Cross purposes. There

were rows and rows of the fantastic creatures behind glass doors on the

shelves, and for Valentine's Day Jean had carved and painted pale doves

which carried in their beaks rosy hearts and golden arrows and whose

wings were outspread--.

There were also on the shelves the white plush elephants which Franz

Stölle and his friends had made, and which were, too, being sold to

swell the Red Cross fund.

Thus had the Toy Shop come into its own. "I have enough to live on,"

Emily had said, "at least for a while, and I am taking no more chances

for future living, than the men who give up everything to fight."

So enlisted in this cause of mercy as men had enlisted in the cause of

war, Miss Emily led where others followed, and the old patriarch of all

the white elephants, who had been born in a country of blood and iron,

looked down on women working to heal the wounds which his country had

made.

"Let your little Jean look after things," Ulrich repeated.

"Do you mind, my dear?"

"Mind what, Emily--?"

"If I go with Mr. Stölle--to see his father about the--toys."

"Darling--no;" Jean kissed her. "I don't mind in the least, and the

ride will do you good."

"But you are not going to see my father about toys," Ulrich told her,

twinkling, as he followed her to the back of the shop.

"Do you think I was going to tell her that?"

She put on her coat and hat and off she went with Ulrich, leaving still

unread in the pocket of the big apron the letter which Bruce McKenzie

had written her.

All the way out Ulrich was rather silent. It was not, however, the

silence of moodiness or dullness, it was rather as if he wanted to hear

her speak. It was, indeed, a responsive, stimulating silence, and she

glowed under his glance.

It seemed to her, as she talked, that these adventures with Ulrich

Stölle were in every way the most splendid thing that had happened to

her. They were always unexpected, and they were packed to the brim

with pleasure of a rare quality.

When they reached their destination, Ulrich took her at once to the

hothouses. As they passed down the fragrant aisles, she found that all

the men and gone, their day's work over; only she and Ulrich were under

the great glass roof.

"Anton comes back later," Ulrich explained, "but at this hour the

houses are empty, and dinner will not be ready for as hour. We have it

all to ourselves, Emily."

Her name, spoken with so much ease, without a sign of

self-consciousness, startled her. Her inquiring glance showed her that

he was utterly unaware that he had spoken it. Her breath came quickly.

The birds sang and the stream sang, and suddenly her heart began to

sing.

You see it had been so many years since Emily had known

romance;--indeed, she had never known it--there had always been, in her

mother's time, her sense of the proper thing, and her sense of duty,

and her sense of making the best of things--and now for the first time

in her life there was no make-believe. This was a world of realities,

with Ulrich leading the way, his hands gathering flowers for her.

He stopped at last at the entrance of a sort of grotto where great

ferns towered--at their feet was a bed of white violets.

"You see," he said, "I could not bring it. I came here this morning to

pick the violets--for you--to let them say, 'I love you'--"

Even the birds seemed silent, and the little stream!

"And suddenly they spoke to me, 'Let her see us here, where you have so

often thought of her. Tell her here that you love her--'

"How much I love you," and now she found her hands in his, "I cannot

tell you. It seems to me that the thought of you as my wife is so

exquisite that I cannot believe it will ever come to pass. And I have

so little to offer you. Even my name is hated because it is a German

name, and my old house is German, and my father--

"But my heart's blood is for America. You know that, and so I have

dared to ask it, not that you will love me now, but that you may come

to think of loving me, so that some day you will care a little."

The birds were singing madly, the streams were shouting--Emily was

trembling. Nobody had ever wanted her like this--nobody had ever made

her feel so young and lovely and--wanted--. She had had a proposal or

two, but there had been always the sense that she had been chosen for

certain staid and sensible qualities; there had been nothing in it of

red blood and rapture.

"If you should come to us, to me and my father, you would be a queen on

a throne. If you could love me just a little in return--"

She could not answer, she just stood looking up at him, and suddenly

his arms went around her. "Tell me, beloved."

* * * * * *

An hour later they went in to his father, and after that Emily was

lifted up on the wings of an enthusiasm which left her breathless, but

beatified. "I knew when I first saw you what we desired," said the old

man, "and my son knew. All that I have is yours both now and

afterwards--"

Dinner was a candle-lighted feast, with heart-shaped ices at the end.

"How sure you were," Emily told her lover, smiling.

"I was not sure. But I set the stage for success. It was only thus

that I kept up my courage. There were so many chances that the curtain

might drop on darkness--," his hand went over hers. "If it had been

that way, I should have let the ices melt and the violets die--."

After dinner they went over the house. "Why should we wait," Ulrich

had said, "you and I? There is nothing to wait for. Tell me what you

want changed in this old house, and then come to it, and to my heart."

It was, she found, such a funny old place. It had been furnished by

men, and by German men at that. There was heaviness and stuffiness,

and all the bric-a-brac was fat and puffy, and all the pictures were

highly-colored, with the women in them blonde and buxom, and the men

blond and bold--.

But Ulrich's room was not stuffy or heavy. The windows were wide open,

and the walls were white, and the cover on the canopy bed was white,

and there were two pictures, one of Lincoln and one of Washington, and

that was all.

"And when I have your picture, it will be perfect," he told her.

"Where I can see you when I wake, and pray to you before I go to sleep."

"But why," she probed daringly, "do you want my picture?"

"Because you are so--beautiful--"

It was not to be wondered that such worship went to Miss Emily's head.

She slipped out of the dried sheath of the years which had saddened and

aged her, and emerged lovely as a flower over which the winter has

passed and which blooms again.

"I don't want to change anything," Emily told her lover as they went

downstairs, "at least not very much. I shall keep all of the lovely

old carved things--with the fat cupids."

As she lay awake that night, reviewing it all, she thought suddenly of

Bruce McKenzie's letter in her apron pocket. The apron was in the Toy

Shop, and it was not therefore until the next morning that she read the

letter.

In it Dr. McKenzie asked her to marry him.

"I should like to think that when I come back, you will be waiting for

me, Emily. I am a very lonely man. I want someone who will sympathize

and understand. I want someone who will love Jean, and who will hold

me to the best that is in me, and you can do that, Emily; you have

always done it."

It was a rather touching letter, and she felt its appeal strongly.

Indeed, so stern was her sense of self-sacrifice, that she had an

almost guilty feeling when she thought of Ulrich. If he had not come

into her life at the psychological moment, she might have given herself

to Bruce McKenzie.

But the letter had come too late. Oh, how glad she was that she had

left it in her apron pocket!

She answered it that night.

"I am going to be very frank with you, Bruce, because in being frank

with you I shall be frank with myself. If Ulrich Stölle had not come

into my life, I should probably have thought I cared for you. Even now

when I am saying 'no,' I realize that your charm has always held me,

and that the prospect of a future by your pleasant fireside holds many

attractions. But since you left Washington, something has happened

which I never expected, and all of my preconceived ideas of myself have

been overturned. Bruce, I am no longer the Emily you have known--a

little staid, gray-haired, with pretty hands, but with nothing else

very pretty about her; a lady who would, perhaps, fill gracefully, a

position for which her aristocratic nose fits her. I am no longer the

Emily of the Toy Shop, wearing spectacles on a black ribbon, eating her

lunches wherever she can get them. No, I am an Emily who is young and

beautiful, a sort of fairy-tale Princess, an Emily who, if she wishes,

shall sit on a cushion and sew a fine seam, but who doesn't wish it

because she hates to sew, and would much rather work in her

silver-bell-and-cockle shell garden--oh, such a wonderful garden as it

is!

"And I am all this, Bruce, I am young and beautiful and all the rest,

because I am seeing myself through the eyes of my lover.

"He is Ulrich Stölle, as I have said, and you mustn't think because his

name is German that he is to be cast into outer darkness. He is as

American as you with your Scotch blood, or as I with my English blood.

And he is as loyal as any of us. He is too old to be accepted for

service, but he is giving time and money to the cause.

"And he loves me rapturously, radiantly, romantically. He doesn't want

me as a cushion for his tired head, he doesn't want me because he

thinks it would be an act of altruism to provide a haven for me in my

old age, he wants me because he thinks I am the most remarkable woman

in the whole wide world, and that he is the most fortunate man to have

won me.

"And you don't feel that way about it, Bruce. You know that I am not

beautiful, there is no glamour in your love for me. You know that I am

not wonderful, or a fairy Princess--. And you are right and he is

wrong. But it is his wrongness which makes me love him. Because every

woman wants to be beautiful to her lover, and to feel that she is much

desired.

"You will ask why I am telling you all this. Well, there was one

sentence in your letter which called it forth. You say that you want

me because I will hold you to the best that is in you.

"Oh, Bruce, what would you gain if I held you? Wouldn't there be

moments when in spite of me you would swing back to women like Hilda?

You are big and fine, but you are spoiled by feminine worship--it is a

temptation which assails clergymen and doctors--who have, as it were,

many women at their feet.

"Does that sound harsh? I don't mean it that way. I only want you to

come into your own. And if you ever marry I want you to find some

woman you can love as you loved your wife, someone who will touch your

imagination, set you on fire with dreams, and I could never do it.

"Yet even as I finish this letter, I am tempted to tear it up and tell

you only of my real appreciation of the honor you have conferred upon

me in asking me to be your wife. I know that you are offering me more

in many ways than Ulrich Stölle. I don't like his name, because

something rises up in me against Teuton blood and Teuton nomenclature.

But he loves me, and you do not, and because of his love for me and

mine for him, everything else seems too small to consider.

"Oh, you'd laugh at his house, Bruce, but I love even the fat angels

that are carved on everything from the mahogany chests to the soup

tureens. It is all like some old fairy-tale. I shall make few

changes; it seems such a perfect setting for Ulrich and his busy old

gnome of a father.

"When you get this, pray for my happiness. Oh, I do want to be happy.

I have made the best of things, but there has been much more of gray

than rose-color, and now as I turn my face to the setting sun, I am

seeing---loveliness and light--"

She read it over and sealed it and sent it away. It was several weeks

before it reached Doctor McKenzie. He was very busy, for the spring

drive of the Germans had begun, and shattered men were coming to him

faster than he could handle them. But he found time at last to read

it, and when he laid it down he sat quite still from the shock of it.

And the next time he saw Drusilla he said to her, "Emily Bridges is

going to be married, and she is not going to marry me."

"I am glad of it," Drusilla told him.

"My dear girl, why?"

"Because you don't love her, and you never did."

The Tin Soldier · 第 25 / 29 章