Whatever belongs to the authority of God, or to the laws of nature, is

necessarily beyond the province and sphere of human institution and

government. The Roman Catholic, when you disqualify him on the ground of

his religion, may with great justice tell you that you are not his God,

that he cannot mold or fashion his faith by your decrees. You may

inflict penalties, and he may suffer them in silence; but if Parliament

assume the prerogative of Heaven, and enact laws to impose upon the

people a different religion, the people will not obey such laws. If you

pass an act to impose a tax or regulate a duty, the people can go to the

roll to learn what are the provisions of the law. But whenever you take

upon yourselves to legislate for God, though there may be truth in your

enactments, you have no authority to enforce them. In such a case, the

people will not go to the roll of Parliament, but to the Bible, the

testament of God's will, to ascertain his law and their duty. When once

man goes out of his sphere, and says he will legislate for God, he in

fact makes himself God. But this I do not charge upon the Parliament,

because in none of the Penal Acts has the Parliament imposed a

religious creed. It is not to be traced in the qualification oath, nor

in the declaration required. The qualifying oath, as to the great number

of offices and seats in Parliament, scrupulously evades religious

distinctions; a Dissenter of any class may take it, a Deist, an atheist,

may likewise take it. The Catholics are alone excepted; and for what

reason? Certainly not because the internal character of the Catholic

religion is inherently vicious; not because it necessarily incapacitates

those who profess it to make laws for their fellow-citizens. If a Deist

be fit to sit in Parliament, it can hardly be urged that a Christian is

unfit. If an atheist be competent to legislate for his country, surely

this privilege cannot be denied to the believer in the divinity of our

Savior. But let me ask you if you have forgotten what was the faith of

your ancestors, or if you are prepared to assert that the men who

procured your liberties are unfit to make your laws? Or do you forget

the tempests by which the Dissenting classes of the community were at a

former period agitated, or in what manner you fixed the rule of peace

over that wild scene of anarchy and commotion? If we attend to the

present condition and habits of these classes, do we not find their

controversies subsisting in full vigor? and can it be said that their

jarring sentiments and clashing interests are productive of any disorder

in the State; or that the Methodist himself, in all his noisy

familiarity with his Maker, is a dangerous or disloyal subject? Upon

what principle can it be argued that the application of a similar policy

would not conciliate the Catholics, and promote the general interests of

the empire? I can trace the continuance of their incapacities to nothing

else than a political combination; a combination that condemned the

Catholic religion, not as a heresy, but as a symptom of a civil

alienation. By this doctrine, the religion is not so much an evil in

itself as a perpetual token of political disaffection. In the spirit of

this liberal interpretation, you once decreed to take away their arms,

and on another occasion ordered all Papists to be removed from London.

In the whole subsequent course of administration, the religion has

continued to be esteemed the infallible symptom of a propensity to

rebel. Known or suspected Papists were once the objects of the severest

jealousy and the bitterest enactments. Some of these statutes have been

repealed, and the jealousy has since somewhat abated; but the same

suspicions, although in a less degree, pervade your councils. Your

imaginations are still infected with apprehensions of the proneness of

the Catholics to make cause with a foreign foe. A treaty has lately been

made with the King of the Two Sicilies. May I ask: Is his religion the

evidence of the warmth of his attachment to your alliance? Does it enter

into your calculation as one of the motives that must incline him to our

friendship, in preference to the friendship of the State professing his

own faith? A similar treaty has been recently entered into with the

Prince Regent of Portugal, professing the Roman Catholic religion; and

one million granted last year and two millions this session, for the

defense of Portugal. Nay, even in the treaty with the Prince Regent of

Portugal, there is an article which stipulates that we shall not make

peace with France unless Portugal shall be restored to the house of

Braganza. And has the Prince of Brazil's religion been considered

evidence of his connection with the enemy? You have not one ally who is

not Catholic; and will you continue to disqualify Irish Catholics, who

fight with you and your allies, because their religion is evidence of

disaffection?

But if the Catholic religion be this evidence of repugnance, is

Protestantism the proof of affection to the Crown and government of

England? For an answer, let us look at America. In vain did you send

your armies there; in vain did you appeal to the ties of common origin

and common religion. America joined with France, and adopted a

connection with a Catholic government. Turn to Prussia, and behold

whether her religion has had any effect on her political character. Did

the faith of Denmark prevent the attack on Copenhagen? It is admitted on

all sides that the Catholics have demonstrated their allegiance in as

strong a manner as the willing expenditure of blood and treasure can

evince. And remember that the French go not near so far in their defense

of Catholicism, as you in your hatred of it in your own subjects and

your reverence for it in your allies. They have not scrupled to pull

down the ancient fabrics of superstition in the countries subjected to

their arms. Upon a review of these facts, I am justified in assuming

that there is nothing inherent in Catholicism which either proves

disaffection, or disqualifies for public trusts. The immediate inference

is that they have as much right as any dissentient sect to the enjoyment

of civil privileges and a participation of equal rights; that they are

as fit morally and politically to hold offices in the State or seats in

Parliament. Those who dispute the conclusion will find it their duty to

controvert the reasoning on which it is founded. I do not believe the

Church is in any danger; but if it is, I am sure that we are in a wrong

way to secure it. If our laws will battle against Providence, there can

be no doubt of the issue of the conflict between the ordinances of God

and the decrees of man: transient must be the struggle, rapid the event.

Let us suppose an extreme case, but applicable to the present point:

Suppose the Thames were to inundate its banks, and suddenly swelling,

enter this House during our deliberations (an event which I greatly

deprecate, from my private friendship with many members who might happen

to be present, and my sense of the great exertions which many of them

have made for the public interest), and a motion of adjournment being

made, should be opposed, and an address to Providence moved that it

would be graciously pleased to turn back the overflow and direct the

waters into another channel. This, it will be said, would be absurd; but

consider whether you are acting upon a principle of greater intrinsic

wisdom, when after provoking the resentments you arm and martialize the

ambition of men, under the vain assurance that Providence will work a

miracle in the constitution of human nature, and dispose it to pay

injustice with affection, oppression with cordial support. This is in

fact the true character of your expectations; nothing less than that the

Author of the Universe should subvert his laws to ratify your statutes,

and disturb the settled course of nature to confirm the weak, the base

expedients of man. What says the Decalogue? Honor thy father. What says

the penal law? Take away his estate! Again, says the Decalogue, Do not

steal. The law, on the contrary, proclaims, You may rob a Catholic!

ON THE DOWNFALL OF BONAPARTE

From the Speech of May 25th, 1815

The French government is war; it is a stratocracy, elective, aggressive,

and predatory; her armies live to fight, and fight to live; their

constitution is essentially war, and the object of that war the conquest

of Europe. What such a person as Bonaparte at the head of such a

constitution will do, you may judge by what he has done: and first he

took possession of a greater part of Europe; he made his son King of

Rome; he made his son-in-law Viceroy of Italy; he made his brother King

of Holland; he made his brother-in-law King of Naples; he imprisoned the

King of Spain; he banished the Regent of Portugal, and formed his plan

to take possession of the Crown of England. England had checked his

designs; her trident had stirred up his empire from its foundation. He

complained of her tyranny at sea; but it was her power at sea which

arrested his tyranny on land,--the navy of England saved Europe. Knowing

this, he knew the conquest of England became necessary for the

accomplishment of the conquest of Europe, and the destruction of her

marine necessary for the conquest of England. Accordingly, besides

raising an army of 60,000 men for the invasion of England, he applied

himself to the destruction of her commerce, the foundation of her naval

power. In pursuit of this object and on his plan of a Western empire, he

conceived and in part executed the design of consigning to plunder and

destruction the vast regions of Russia. He quits the genial clime of the

temperate zone; he bursts through the narrow limits of an immense

empire; he abandons comfort and security, and he hurries to the Pole to

hazard them all, and with them the companions of his victories and the

fame and fruits of his crimes and his talents, on speculation of leaving

in Europe, throughout the whole of its extent, no one free or

independent nation. To oppose this huge conception of mischief and

despotism, the great potentate of the north from his gloomy recesses

advances to defend himself against the voracity of ambition, amid the

sterility of his empire. Ambition is omnivorous; it feasts on famine and

sheds tons of blood, that it may starve in ice in order to commit a

robbery on desolation. The power of the north, I say, joins another

prince, whom Bonaparte had deprived of almost the whole of his

authority,--the King of Prussia; and then another potentate, whom

Bonaparte had deprived of the principal part of his dominions,--the

Emperor of Austria. These three powers, physical causes, final justice,

the influence of your victories in Spain and Portugal, and the spirit

given to Europe by the achievements and renown of your great commander

[the Duke of Wellington], together with the precipitation of his own

ambition, combine to accomplish his destruction; Bonaparte is conquered.

He who said, "I will be like the Most High," he who smote the nations

with a continual stroke,--this short-lived son of the morning,

Lucifer,--falls, and the earth is at rest; the phantom of royalty

passes on to nothing, and the three kings to the gates of Paris: there

they stand, the late victims of his ambition, and now the disposers of

his destiny and the masters of his empire. Without provocation he had

gone to their countries with fire and sword; with the greatest

provocation they came to his country with life and liberty: they do an

act unparalleled in the annals of history, such as nor envy, nor time,

nor malice, nor prejudice, nor ingratitude can efface; they give to his

subjects liberty, and to himself life and royalty. This is greater than

conquest! The present race must confess their virtues, and ages to come

must crown their monuments, and place them above heroes and kings in

glory everlasting....

Do you wish to confirm this military tyranny in the heart of Europe,--a

tyranny founded on the triumph of the army over the principles of civil

government, tending to universalize throughout Europe the domination of

the sword,--and to reduce to paper and parchment, Magna Charta and all

our civil constitutions? An experiment such as no country ever made and

no good country would ever permit: to relax the moral and religious

influences; to set heaven and earth adrift from one another, and make

God Almighty a tolerated alien in his own creation; an insurrectionary

hope to every bad man in the community, and a frightful lesson to profit

and power, vested in those who have pandered their allegiance from king

to emperor, and now found their pretensions to domination on the merit

of breaking their oaths and deposing their sovereign. Should you do

anything so monstrous as to leave your allies in order to confirm such a

system; should you forget your name, forget your ancestors, and the

inheritance they have left you of morality and renown; should you

astonish Europe by quitting your allies to render immortal such a

composition, would not the nations exclaim: "You have very providently

watched over our interests, and very generously have you contributed to

our service,--and do you falter now? In vain have you stopped in your

own person the flying fortunes of Europe; in vain have you taken the

eagle of Napoleon and snatched _invincibility_ from his standard, if

now, when confederated Europe is ready to march, you take the lead in

the desertion and preach the penitence of Bonaparte and the poverty of

England."

[Illustration: THOMAS GRAY.]

THOMAS GRAY

(1716-1771)

BY GEORGE PARSONS LATHROP

The fame of Thomas Gray is unique among English poets, in that, although

world-wide and luminous, it springs from a single poem, a flawless

masterpiece,--the 'Elegy Written in a Country Church-Yard.' This is the

one production by which he is known to the great mass of readers and

will continue to be known to coming generations; yet in his own time his

other poems were important factors, in establishing the high repute

accorded to him then and still maintained in the esteem of critics.

Nevertheless, living to be nearly fifty-five and giving himself

exclusively to letters, the whole of the work that he left behind him

amounted only to some fourteen hundred lines.

His value to literature and to posterity, therefore, is to be measured

not by the quantity of his literary contributions or by any special

variety in their scope, but by a certain wholesome and independent

influence which he exerted upon the language of poetry, and by a rare

quality of intense yet seemingly calm and almost repressed genius, which

no one among his commentators has been able to define clearly. The most

comprehensive thing ever written about him--wise, just, witty, yet

sympathetic and penetrating--is the essay by James Russell Lowell in his

final volume of criticism.

"It is the rarest thing," says Lowell, "to find genius and

dilettantism united in the same person (as for a time they

were in Goethe): for genius implies always a certain

fanaticism of temperament, which, if sometimes it seem

fitful, is yet capable of intense energy on occasion; while

the main characteristic of the dilettante is that sort of

impartiality which springs from inertia of mind, admirable

for observation, incapable of turning it to practical

account. Yet we have, I think, an example of this rare

combination of qualities in Gray; and it accounts both for

the kind of excellence to which he attained, and for the way

in which he disappointed expectation.... He is especially

interesting as an artist in words and phrases, a literary

type far less common among writers of English than it is in

France or Italy, where perhaps the traditions of Latin

culture were never wholly lost.... When so many have written

so much, we shall the more readily pardon the man who has

written too little or just enough."

He was born in London, December 26th, 1716, the son of a money scrivener

who had dissipated most of his inherited property, but was skilled in

music, and perhaps transmitted to the son that musical element which

gives beauty and strength to his poetry. Gray's mother was a woman of

character, who with his aunt set up an India warehouse and supported

herself; also sending the young man to St. Peter's College, Cambridge,

after his studies at Eton. Leaving college without a degree, he traveled

on the Continent of Europe with Horace Walpole in 1739; then returned to

Cambridge and passed the remainder of his life in the university, as a

bachelor of civil law nominally,--not practicing, but devoting himself

to study and to excursions through rural England. He had a profound and

passionate love for nature, a kind of religious exaltation in the

contemplation of it and in mountain worship, which was at variance with

the prevailing eighteenth-century literary mood and prefigured the

feeling of Wordsworth. His mother having retired to Stoke Poges,

Buckinghamshire, he often made visits there; and the church-yard of his

deathless 'Elegy' is generally believed to be that of the parish church

at Stoke Poges. It was here that he was laid to rest in the same tomb

with his mother and his aunt, after his death, July 24th, 1771.

The 'Elegy' was finished in 1749. He had begun writing it seven years

before. This has sometimes been alluded to as an instance in point of

Horace's advice, that a poem should be matured for seven years. The

length of time given to the 'Elegy,' however, may be accounted for

partly by Gray's dilatory habits of writing, and partly by the parallel

of Tennyson's long delay in perfecting the utterance of his meditations

on the death of his friend Hallam through 'In Memoriam.' Gray's dearest

friend, Richard West, died in 1742; and it was apparently under the

stress of that sorrow that he began the 'Elegy,' which was completed

only in 1749. Two years later it was published. It won the popular heart

immediately, and passed through four editions in the first twelvemonth.

Of Gray's other poems, those which have left the deepest impression are

his 'Ode on a Distant Prospect of Eton College,' 'The Progress of

Poesy,' and 'The Bard.' The last two are somewhat Pindaric in style, but

also suggest the influence of the Italian canzone. In the Eton College

ode, his first published piece, occurs the phrase since grown

proverbial, "Where ignorance is bliss, 'tis folly to be wise." It is a

curious fact that while most readers know Gray only as the author of the

'Elegy,' every one is familiar with certain lines coined by him, but

unaware of their source. For instance, in 'The Progress of Poesy,' he

speaks of

"The unconquerable mind, and freedom's holy flame."

It is in the same place that he describes Milton as "blasted with excess

of light," and in alluding to Dryden, evolves the image of

"Thoughts that breathe, and words that burn."

His, too, in 'The Bard,' is the now well-known line--

"Youth on the prow, and Pleasure at the helm."

Many of his finest expressions are in part derived from classic or other

poets; but he showed undeniable genius in his adaptation,

transformation, or new creation from these suggestive passages.

Gray was small and delicate in person, handsome and refined, fond of

fashionable dress, and preferred to be known as a "gentleman" rather

than a poet. He was very reticent, somewhat melancholy, and an invalid;

a man also of vast erudition, being learned not only in literature but

in botany, zoology, antiquities, architecture, art, history, and

philosophy as well. He enjoyed the distinction of refusing the post of

poet laureate, after the death of Cibber. On the other hand, he coveted

the place of professor of modern literature and languages at Cambridge

University, to which he was appointed in 1769; but he never performed

any of the duties of his professorship beyond that of drawing the

salary.

He brought forth nothing in the special kinds of knowledge which he had

acquired in such large measure; and the actual ideas conveyed in his

poetry were not original, but savored rather of the commonplace. Lowell

says of the 'Elegy' that it won its popularity "not through any

originality of thought, but far more through originality of sound."

There must, however, be some deeper reason than this for the grasp which

it has upon the minds and hearts of all classes. Two elements of power

and popularity it certainly possessed in the highest degree. One is the

singular simplicity of its language (a result of consummate art), which

makes it understandable by everybody. The other is the depth and the

sincerity of the emotion with which it imbues thoughts, sentiments, and

reflections that are common to the whole of mankind. The very

unproductiveness of Gray's mind in other directions probably helped this

one product. The quintessence of all his learning, his perceptive

faculty, and his meditations was infused into the life-blood of this

immortal poem.

[Signature: George Parsons Lathrop]

[Illustration: _STOKE POGES CHURCH AND CHURCHYARD._

The burial-place of Thomas Gray and the scene of his famous Elegy.

Photogravure from a Photograph.]

ELEGY WRITTEN IN A COUNTRY CHURCH-YARD

The curfew tolls the knell of parting day;

The lowing herd winds slowly o'er the lea;

The plowman homeward plods his weary way,

And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight,

And all the air a solemn stillness holds,

Save where the beetle wheels his droning flight,

And drowsy tinklings lull the distant folds:

Save that, from yonder ivy-mantled tower,

The moping owl does to the moon complain

Of such as, wandering near her secret bower,

Molest her ancient, solitary reign.

Beneath those rugged elms, that yew-tree's shade,

Where heaves the turf in many a moldering heap,

Each in his narrow cell forever laid,

The rude forefathers of the hamlet sleep.

The breezy call of incense-breathing morn,

The swallow twittering from the straw-built shed,

The cock's shrill clarion, or the echoing horn,

No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn,

Or busy housewife ply her evening care;

No children run to lisp their sire's return,

Or climb his knees the envied kiss to share

Oft did the harvest to their sickle yield;

Their furrow oft the stubborn glebe has broke;

How jocund did they drive their team afield!

How bowed the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,

Their homely joys, and destiny obscure;

Nor Grandeur hear with a disdainful smile

The short and simple annals of the poor.

The boast of Heraldry, the pomp of Power,

And all that beauty, all that wealth e'er gave,

Await alike th' inevitable hour:

The paths of glory lead but to the grave.

Nor you, ye proud, impute to these the fault,

If Memory o'er their tomb no trophies raise,

Where, through the long-drawn aisle and fretted vault,

The pealing anthem swells the note of praise.

Can storied urn or animated bust

Back to its mansion call the fleeting breath?

Can Honor's voice provoke the silent dust,

Or Flattery soothe the dull, cold ear of Death?

Perhaps in this neglected spot is laid

Some heart once pregnant with celestial fire;

Hands that the rod of empire might have swayed,

Or waked to ecstasy the living lyre.

But Knowledge to their eyes her ample page,

Rich with the spoils of time, did ne'er unroll;

Chill Penury repressed their noble rage,

And froze the genial current of the soul.

Full many a gem of purest ray serene

The dark, unfathomed caves of ocean bear;

Full many a flower is born to blush unseen,

And waste its sweetness on the desert air.

Some village Hampden, that with dauntless breast

The little tyrant of his fields withstood;

Some mute, inglorious Milton here may rest;

Some Cromwell, guiltless of his country's blood.

Th' applause of listening senates to command,

The threats of Pain and Ruin to despise,

To scatter plenty o'er a smiling land,

And read their history in a nation's eyes,--

Their lot forbade; nor circumscribed alone

Their growing virtues, but their crimes confined;

Forbade to wade through slaughter to a throne,

And shut the gates of mercy on mankind;

The struggling pangs of conscious Truth to hide,

To quench the blushes of ingenuous Shame,

Or heap the shrine of Luxury and Pride

With incense kindled at the Muse's flame.

[The thoughtless world to Majesty may bow,

Exalt the brave, and idolize success;

But more to Innocence their safety owe,

Than Power and Genius e'er conspired to bless.]

[Hark, how the sacred calm that broods around

Bids every fierce tumultuous passion cease,

In still, small accents whispering from the ground

A grateful earnest of eternal peace.]

Far from the madding crowd's ignoble strife,

Their sober wishes never learned to stray;

Along the cool, sequestered vale of life

They kept the noiseless tenor of their way.

Yet even these bones from insult to protect,

Some frail memorial, still erected nigh,

With uncouth rhymes and shapeless sculpture decked,

Implores the passing tribute of a sigh.

Their names, their years, spelt by th' unlettered Muse,

The place of fame and elegy supply;

And many a holy text around she strews,

That teach the rustic moralist to die.

For who, to dumb forgetfulness a prey,

This pleasing, anxious being e'er resigned,

Left the warm precincts of the cheerful day,

Nor cast one longing, lingering look behind?

On some fond breast the parting soul relies;

Some pious drops the closing eye requires:

E'en from the tomb the voice of Nature cries;

E'en in our ashes live their wonted fires.

For thee who, mindful of th' unhonored dead,

Dost in these lines their artless tale relate;

If, chance, by lonely Contemplation led,

Some kindred spirit shall inquire thy fate,

Haply some hoary-headed swain may say:--

"Oft have we seen him at the peep of dawn

Brushing with hasty steps the dews away,

To meet the sun upon the upland lawn.

"There at the foot of yonder nodding beech

That wreathes its old fantastic roots so high,

His listless length at noontide would he stretch,

And pore upon the brook that babbles by.

"Hard by yon wood, now smiling as in scorn,

Muttering his wayward fancies, he would rove;

Now drooping, woeful-wan, like one forlorn,

Or crazed with care, or crossed in hopeless love.

"One morn I missed him on the 'customed hill,

Along the heath, and near his favorite tree:

Another came; nor yet beside the rill,

Nor up the lawn, nor at the wood, was he:

"The next, with dirges due in sad array,

Slow through the church-way path we saw him borne;--

Approach and read (for thou canst read) the lay

Graved on the stone beneath yon aged thorn."

["There scattered oft, the earliest of the year,

By hands unseen, are showers of violets found;

The redbreast loves to build and warble there,

And little footsteps lightly print the ground."]

THE EPITAPH

Here rests his head upon the lap of Earth,

A Youth to Fortune and to Fame unknown;

Fair Science frowned not on his humble birth,

And Melancholy marked him for her own.

Large was his bounty, and his soul sincere;

Heaven did a recompense as largely send:

He gave to Misery all he had,--a tear;

He gained from Heaven ('twas all he wished) a friend.

No farther seek his merits to disclose,

Or draw his frailties from their dread abode,

(There they alike in trembling hope repose,)--

The Bosom of his Father and his God.

[The stanzas included in brackets were omitted by Gray in the

first edition of the 'Elegy,' and as sanctioned by him or by

later editors are (except as to the third one) of infrequent

appearance in the poem.]

ODE ON THE SPRING

Lo! Where the rosy-bosomed Hours,

Fair Venus's train, appear,

Disclose the long-expecting flowers,

And wake the purple year!

The Attic warbler pours her throat,

Responsive to the cuckoo's note,

The untaught harmony of spring;

While, whispering pleasure as they fly,

Cool zephyrs through the clear blue sky

Their gathered fragrance fling.

Where'er the oak's thick branches stretch

A broader, browner shade,

Where'er the rude and moss-grown beech

O'er-canopies the glade,

Beside some water's rushy brink

With me the Muse shall sit, and think

(At ease reclined in rustic state)

How vain the ardor of the crowd,

How low, how little are the proud,

How indigent the great!

Library of the World's Best Literature, Ancient and Modern — Volume 16 · 第 33 / 35 段