NOTE.

The following lists make no claim to absolute completeness, but no

genuine work by the painters mentioned, found in the better known public

or private collections, has been omitted. With the exception of three or

four pictures, which he knows only in the photographs, the author has

seen and carefully studied every picture indicated, and is alone

responsible for the attributions, although he is happy to acknowledge

his indebtedness to the writings of Signor Cavalcaselle, of the late

Giovanni Morelli, of Signor Gustavo Frizzoni, and of Dr. J. P. Richter.

For the convenience of students, lists of the sculptures, but the more

important only, have been appended to the lists of pictures by those

artists who have left sculptures as well as paintings.

Public galleries are mentioned first, then private collections, and

churches last. The principal public gallery is always understood after

the simple mention of a city or town. Thus, Paris means Paris, Louvre,

London means London, National Gallery, etc.

An interrogation point after the title of a picture indicates that its

attribution to the given painter is doubtful. Distinctly early or late

works are marked E. or L.

It need scarcely be said that the attributions here given are not based

on official catalogues, and are often at variance with them.

The Florentine Painters of the Renaissance With An Index To Their Works · 第 25 / 71 题