F.R.

It was still early in October when Katrine returned to New York and to

Nora, who was waiting for her in an old-fashioned apartment just off

Washington Square. The Irishwoman had driven a thrifty bargain for the

place, and in a well-contented spirit was setting up the household

goods.

There was a great porch at the rear of the rooms, with locust-trees in

the yard below, and Nora had already put flowers in pots about it, to

make a "nearly garden," she explained. Here, for over a month, Katrine

enjoyed the homemaking; the arranging of her Paris belongings; the

transformation of the shabby surroundings into a delightful spot of

restful color and peace.

The day after her arrival from the Van Rensselaer's, Nora announced,

with a twinkle in her eye, that there was a gentleman below whom she had

told to come right up, and Barney O'Grady entered before his mother had

ceased speaking.

Katrine greeted him with affectionate remembrance, smiling as she did

so at the change in this boy whom she had helped to New York. He was

flashily dressed, after the style of a college freshman, and conversed,

as she discovered, in a language known only to the New York newspaper

man, who, as some one told her later, has a "slanguage" all his own.

No one could have been more helpful than he, in their present situation,

however, and Katrine learned anew day by day the gratitude he cherished

toward her for the help given so long before.

Slender and tall, with red face and high cheek-bones, thin nose turned

upward, showing the inside of the nostril, and the lines like a

parenthesis mark on either side of the mouth, he scanned the world

alertly with his pale-blue eyes, scenting news like a human hunter-dog.

But he had many of the faults of his race, for with fine insight and

ability to forecast events, he fell short in the execution of his brave

schemes; failed to keep the respect of others after he had won it;

accepted insufficient proof on all subjects, relying dangerously on a

much-vaunted intuition, a fault in him which changed Katrine's whole

life. In a way, he had become a power in the newspaper world, and had,

as she discovered, a knowledge of the private affairs of prominent

people which seemed supernatural; and it was a habit of his to look over

the names in a newspaper, remarking cheerfully at intervals:

"There's another man that I could put in jail."

But there was an unworded matter which gave Katrine a kinder feeling

toward Barney than either her love for Nora or any past acquaintance

between them might have done, and this was his admiration for Frank

Ravenel.

If Barney had any knowledge, directly, through Nora, or indirectly

through his intuition, of the interwovenness of Katrine's life with

Ravenel's, he had the taste and the ability to conceal it.

But his literary temperament got the better of him where Katrine was

concerned, and before a week was past he set up a hopeless passion for

her, as she laughingly put it.

"He'd die for you, Miss Katrine," Nora explained one evening.

"Sure I don't doubt it for a minute, if there were enough people by to

see him do it," Katrine answered, with Irish comprehension.

With this over-informed person, her little French maid, whom Barney

called "Her Irresponsible Frenchiness," and Nora, Katrine spent a busy

month trying to forget her meeting with Frank entirely. In the daytime

she could do this, but at night she wondered much concerning him--if he

were back at Ravenel; if Dermott had proceeded in the bitter business

concerning the early marriage, with many plans for readjustments in case

he had done so.

Through Barney, who still clung to many of his North Carolina

associates, Katrine had news of Frank's return to Ravenel immediately

after the Van Rensselaer visit, and of a sudden journey to France

following close upon the heels of his return.

Early in November--it was the afternoon of the first snowfall--delayed

letters came from Josef containing the St. Petersburg contracts for her

signature. She was to have her première in May, and Josef wrote that he

would go up from Paris with her.

This arrangement was widely published at the time in London and Paris,

so that the claim afterward made that Katrine's Metropolitan engagement

was cancelled because of her divine forgetfulness the night she was to

sing for Melba can be proven utterly untrue.

In the mail containing the contracts came other letters, the most

important being one from Dermott, stating as an incident that her debt

to Frank had been cancelled, and as a matter of pronounced importance

that he was wearing a new green tie. He ended by saying that he would

give an account of his stewardship on January 1st, and that he hoped he

had done his duty to her and his dearly remembered cousin. He wrote no

word of Ravenel, neither of developments nor compromises, and Katrine

concluded not unnaturally that the matter had been allowed to rest.

But she reckoned without two important persons in this conclusion. The

first was McDermott, who, as he put it, "wasn't going to betray a trust

because a girl flouted him a bit"; and the second, Ravenel himself, who

was showing a fine honor and great courage in the quiet, unflagging

search he was making for the truth.

She saw McDermott but twice during this time, though he sent almost

daily messages or tokens of his remembrance. During his first visit he

mentioned, casually, however, the disturbed condition of Wall Street,

and that he was watching the money situation day and night with little

time for visiting.

His second coming was a fortnight later. In the afternoon Katrine had

been reading by the fire an old Italian tale of love and death. It

seemed hardly an epoch-making experience in her life, and yet there had

come to her, like the letting in of sudden light, the knowledge that

love was beyond and above reason, as religion is, as life itself, of

which love is the cause. She had worked to forget, had been taught how

to forget, yet she knew she had not forgotten, and that her listlessness

since her visit to Mrs. Van Rensselaer had been chiefly worry lest

trouble should come to Frank.

At five Nora brought in the tea-things, and Katrine closed the book over

which she had been dreaming.

"Nora," she began, for the Irishwoman was like a mother to her, "did you

ever forget your first love?"

"I did worse than that, I married him. Barney's the result," was the

answer.

"But you never could have married any one else but Dennis, could you?"

Katrine persisted.

"Niver!" the little old woman returned, with ready decision. "He bate

me, Miss Katrine, and misprized me, and came and wint as he listed, and

finally left me altogether; but I could never have chose another. It's

the way with Irishwomen, that! The drame of it niver comes but the

wance--niver but the wance," she repeated, looking into the fire, but

seeing the old sea-wall at Killybegs, with flowers on top of it, against

a cloudy sky, and a sailor boy with bold black eyes calling to her from

the boats.

And Katrine, her tea forgotten, repeated, "It's that way with

Irishwomen--the dream never comes but once."

At sunset the bitter wind which had been blowing all day long turned

into a gale, a rascal wind, which slapped a handful of sleet and ice,

hard as glass, on one side of your face, and scurried round the corner

to come back and strike harder from an entirely different direction.

The storm must have suited his mood in some way, for Dermott McDermott

chose to walk through it, arriving at Katrine's door breathless and

flushed, the fur of his coat gleaming with ice and snow. Here he found a

glowing fire, with the old mahogany settle on one side and the green

grandmother's chair on the other; the dull glow of old tapestry;

flowers; the odor of mignonette; and Katrine herself, in a scarlet gown,

delighted as a child at his coming. Perhaps it was the clatter and

roaring and discomfort without which accentuated the peace and happiness

within, and led him, more than he knew, to that precipitancy of conduct

which ended disastrously for him. As he sat in the great green chair

Katrine looked up at him from the settle, and something in the intensity

of his gaze made her make a quick gesture of warning to him before he

spoke.

"Will you marry me, Katrine?"

She looked again quickly, to see if he could be jesting. In North

Carolina it was his custom to ask her every day; but his sudden pallor

and the choked voice told how terribly he was in earnest.

She answered, with a note of despair in her voice, "I wish with all my

heart I could, Dermott."

"And why not?" he asked.

"It wouldn't be fair to you. There is some one else," she explained,

bravely, a great wave of coloring coming to her face at the confession.

"Whom ye will marry?" he asked.

She shook her head. "I think not. It seems as if I could almost say I

hope not."

"Dear," Dermott said, "I've loved you--always--ever since I've known

you. When you were just a wee bit girl in New York, six years ago, and

ye stood off the mob of boys who were baiting the old Jew--since then

I've taken every thought for you I could. And I'm asking you to believe

me when I tell you that I want your happiness more than my own. I've

felt always that you'll never succeed as a public singer, and here of

late, since I've known the St. Petersburg contracts were signed, I've

suffered in my thoughts of you. We'll just leave another suitor out of

the question. It's these public appearances of yours I dread at the

present. If stage life could be as it seems from the right side of the

footlights; if you knew nothing of the people or their lives, except as

Valentine or Siegfried, it would be different. But the meanness of it;

the little jealousies; the ignorant egotisms; I am afraid you can never

do it, you will despise it so."

He waited a little as though recalling stage life, in which he had taken

some active part, before he continued with a noble selfishness.

"And I dread this St. Petersburg experience! You, just a bit of a girl

alone, with nobody but an old Irishwoman and that Josef, who has a

rainbow in his soul but no common-sense in his head. So, whether you

care or not, I want you to know, to remember, if trouble comes, that

there's a man here in New York thinking always of you, _one who would

give his life to save you from pain_."

Katrine: A Novel · 第 71 / 78 题