FRANK YIELDS TO TEMPTATION

During the time of the house-party at Ravenel, Katrine gave vent to the

natural rebellion against her position but once. Dermott was away on

some business in New York; the daily letter from Dr. Johnston concerning

her father's condition had not arrived; and she had seen the gay people

from Ravenel coach past her as she sat alone on the Chestnut Ridge.

For nearly a week she had been sleeping badly, awakening every hour or

two through the night with something--something that could not be put

aside--pressing upon her soul.

Huddled in a sad little heap, in her white gown by the side of the bed,

one unbearable night she stretched her arms along the coverlet, sobbing

out to the everlasting silence the questionings as to what she had done

to be so neglected and set apart.

"What has been in my life but shame--shame which was not mine?" she

cried, as the horror of life with her drunken father came back to her.

"Why are some given everything," she demanded, "and I nothing? Where is

God's justice? What have I done; oh, what have I done?"

Out in the wooded silence a bird began to sing a mournful melody. Of the

greatness of night he sang, and dead morns, and dropping stars; of dear

forgotten things and loves that might have been, that may not be; of

passion and unfulfilled desires, and through the pines the song entered

her heart like a response. She listened, not as a girl listening to a

bird, but as one artist listens to another with a rapture of

appreciation. And the music comforted her. And later, in the midst of

great sorrow, she saw intended significance in the occurrence.

"It was an answer," she said, "to remind me that there will always be

that solace. Give me, oh God," she prayed, "power to make of all my

sorrow music for the world!"

The day following her midnight protest she heard from Nora and old Cæsar

that the guests at Ravenel had gone; heard as well that "old Miss and

Marse Frank were goin' shortly"; heard it with a stirring at her heart

of physical pain to which she had grown used.

On the evening of this day, a warm June evening, she expected him to

come, and dressed as though there were an engagement between them to

spend the evening together. In a thin white gown, low in the neck, with

a kerchief of filmy lace knotted in front, sleeves that fell away at the

elbow, with faint, pink roses at her breast, her black hair turned high

in a curly knot, she stood in the old rose-garden when he came.

He wore a light overcoat over his evening dress, and stood hatless by

the boxwood arch looking across at her.

"Katrine," he said, "little Katrine, I have come back to you."

His face was illumined as he spoke her name. The peculiar ability to

express more than he felt was always his, but at the instant he felt

more than he was able to express.

"I am glad," she answered, not moving toward him nor offering to shake

hands. It seemed enough that he was there.

"They have gone at last," he said; adding, piously: "Thank God!"

"You did not have a good time?" she asked.

"I did not."

"I am sorry," she said, baffling him by the serenity of her tone.

"There were two or three occasions which stand out with a peculiarly

horrible distinctness. One was the time we had an all-day picnic at

Bears' Den. Porter Brawley suggested it, and I hope he will suffer for

it in eternity. It rained."

Katrine laughed.

"And there was an evening when we had charades, for which nobody had the

least gift or training. It was the evening you were to come to us. Why

didn't you, Katrine?"

"I was not well," she answered. "But I shouldn't have come if I'd been

well, Mr. Ravenel."

She seemed to him so perfect, such an utterly desirable being, as she

sat with roses in her hand and the moonlight shining on her flower-like

face.

Neither noted the silence which fell between them, a silence which spoke

more than language could have done, for language had become, between

them, an unnecessary thing.

There was still no spoken word as they walked side by side along the

path which led to the house. At the turn into the wider way there was a

tall pine-tree, the boughs beginning high from the ground, the turf

beneath them covered with brown pine-needles. There was a bench here,

upon which they had often sat together. In the moonlight this place

under the tree was in a soft, warm glow. As they drew near it Frank

spoke in a voice scarcely above a whisper. "Sit here, just for a

minute?"

It seemed as though they were alone together in the world. In the

moonlit gloom under the pine they stood, near, nearer, and at length he

put his arm around her gently, not drawing her toward him, only letting

it lie around her waist, as though they had a right to be there, heart

to heart, in the stillness of the night. Standing thus, he felt her

tremble, noted her quickened breath, and the rise and fall of her breast

and shoulders because of his caress.

Although they could not see each other in the gloom, she knew his lips

sought hers. By an indefinable instinct she turned from him twice before

their lips met in a long kiss of passion and content. They kissed each

other again before he drew her down beside him on the garden bench in

the flower-scented dusk.

"You care?" she asked, in a whisper, her breath on his cheek.

"More than I thought I could care for anything in life," he answered.

* * * * *

It was after ten when Nora's shrill voice recalled them to themselves.

Standing together, she asked, as she bade him good-night:

"You--are--going--away?"

For answer he clasped her slim white hands behind his throat and drew

her toward him.

"What do you think?" he said, his lips kissing hers in the speaking of

the words.

"I hope you will not go."

"I shall not." And then: "Oh, for a few days, perhaps, to take mother to

Bar Harbor; but I shall come back. And we'll have the whole long summer

together, you and I; you and I," he repeated. "Good-night. Kiss me,

Katrine!"

"Good-night," she said, raising her lips to his; and then, almost as

though it were a benediction, she added: "God keep you always just as

you are, beloved." And as he had done many times before, Francis Ravenel

felt powerless before this girl who gave all, asking nothing in return.

Katrine: A Novel · 第 29 / 78 题