CHAPTER IV

THE FIVE LANDLADIES

The journalist is the true Asmodeus of the day, and is quite as fond

as that meddlesome demon of interfering with what does not concern

him. He invades the privacy of our lives, unroofs our houses, reveals

our secrets, and trumpets forth things best left untold to the four

quarters of the globe.

Gebb had an especial abhorrence of this magpie habit of the Press; as

he averred, with much reason, that the excessively minute details of

criminal cases set forth in the newspapers put the ill-doers on their

guard, and warned them of coming dangers, with the result that they

were easily able to evade the futile clutches of the hands of Justice.

Yet in the instance of the Grangebury murder, the publication of

details had a singular result: no less than the assisting of right

against wrong.

As soon as the circumstances of the crime became known, the reporters

of every newspaper in the metropolis flocked to Paradise Row with

expansive notebooks, eager eyes, and inquiring minds. They surveyed

the house, questioned the police, interviewed Mrs. Presk, and gave

outline portraits of the landlady and her servant. The Yellow Boudoir

especially attracted their attention, and stirred their imagination to

descriptions of Eastern splendour. It was hinted that its magnificence

was on more than a kingly scale; it was compared to the celebrated

room in one of Balzac's romances, and its furnishing and appointments

were minutely detailed in glowing descriptions, exhausting the most

superlative adjectives in the English tongue. Also the unknown history

and strange death of its occupant were commented upon; guesses were

made as to her identity; and reasons were given for her secretive

life, for her strange belief in, and consultation of, charlatans and

fortune-tellers and all those cunning gipsies who live by the

gullibility of the public. Appeals were made in these articles to the

deaf and dumb driver to appear and declare the mystery of the yellow

van, the yellow room, and their queer owner. In short, as the journals

were in want of a sensation, they made the most of this material

supplied by chance, and England from one end to the other rang with

the tidings of Miss Ligram's death, Miss Ligram's boudoir, and Miss

Ligram's mysterious life. And all this trumpeting and noise, Gebb, the

enemy of the Press, heard with singular complacency, indeed, with

pleasure and satisfaction.

"As a rule, I hate these revelations," said he to one who knew his

views and wondered at his equanimity, "as in nine cases out of ten

they do more harm than good by placing the criminal on his guard; but

this is the tenth case, where it is advisable to make the details of

the crime as public as possible. I rely on these descriptions of the

Yellow Boudoir to trace Miss Ligram's past life."

"In what way?" demanded the inquirer.

"In the way of the yellow van," replied Gebb, promptly. "As Mrs. Presk

truly observed, the hard fact of that van shows that Miss Ligram was

in the habit of moving from place to place with her tent, and setting

it up after the fashion of an Arab, in whatever spot took her fancy.

Now, when those other people who have had the Yellow Boudoir set out

in its tawdry splendour under their roofs read of Miss Ligram's death,

and recognize the description of her strange room, they will come

forward, and detail their experiences of the lady. So, in one way and

another, we may be enabled to trace Miss Ligram's past life back to a

starting-point It is the only chance I can see of gaining any

knowledge."

Within the week events of a strange nature justified the judicious

belief entertained by the astute detective. Letters in female

caligraphy were received at Scotland Yard, stating that the writers

could give certain information to the police concerning the murdered

woman. Also, a few days later, decayed females of the landlady genus

presented themselves in person to detail their experiences of Miss

Ligram and her eccentricities. From all these personal and written

statements it appeared that for four years, more or less, Miss Ligram

had been moving from one part of London to another. In no one place

she had remained longer than six months, and in each her conduct and

mode of life had been the same. She arrived regularly in the yellow

van, and, having obtained permission from the various landladies at

the cost of paying double the rent demanded, as regularly set up and

furnished her Yellow Boudoir. As in the latest instance of the

Grangebury episode, she consulted fortune-tellers, spiritualists, and

shady people of a like nature, departing at the end of each tenancy

without a word as to her destination. It would seem from this evidence

that the woman was consistent in her eccentricities, and conducted her

strangely secretive life on the most methodical principles.

One thing which seemed of a piece with the dead woman's desire for

concealment, was that in every place she--so to speak--camped in, she

gave a different name; each appellation being stranger than the last,

and all apparently of her own manufacture. She figured at Hampstead

under the name of Margil; in Richmond she was known as Miss Ramlig;

when housed in St. John's Wood she called herself Milgar; and at

Shepherd's Bush--but for the sake of clearness it will be advisable to

let the several landladies speak for themselves--five persons, five

pieces of information more or less similar, and five obviously made-up

names. So much for the past of Miss Ligram.

Mrs. Brown, of West Kensington, stated that she knew the deceased

under the name of Miss Limrag. She arrived at Mrs. Brown's in the

month of May, '95, and after a six months' tenancy departed in the

month of October in the same year. Mrs. Brown was ignorant as to where

she come from, and equally at a loss to declare whither she went. Both

in coming and going Miss Limrag used as a means of transport the

yellow van, and during her residence she inhabited the Yellow Room of

her own furnishing for the consulting therein of the fortune-telling

fraternity.

Mrs. Kane testified that a lady who called herself Miss Milgar arrived

in Shelley Road, St. John's Wood, on the first day of November, '95,

and left the district in the last days of April, '96. Her conduct

during her six months' stay was similar to that described by Mrs.

Presk and Mrs. Brown. On the evidence of such conduct, and the facts

of the van and boudoir (both yellow in colour), Mrs. Kane had no

hesitation in declaring that the murdered Miss Ligram, of Grangebury,

was her eccentric lodger, Miss Milgar.

The information given by Miss Bain, of Crescent Villa, Hampstead,

showed that the name assumed there by the wandering lady was Margil,

and that she took possession of her lodgings there in the month of

November, '93--having arrived, according to her custom, in the yellow

van. While the lodger of Miss Bain, she gave herself up to the study

of dream-books, and the interpretation of visions. During her

occupancy of Crescent Villa, the landlady, in spite of all efforts,

could find out nothing about her past or discover where she came from;

and the so-called Miss Margil departed with her furniture towards the

end of April, 1894. She left no address.

Miss Lamb, resident at Richmond, entertained the unknown from

November, 1894, to April, 1895. She knew her by the strange name of

Ramlig, and always thought her weak in her mind, owing to her queer

mode of life, and belief in omens. When Miss Ramlig made any boastful

speech reflecting on her worldly prosperity, she would touch wood to

avert the omen. "Absit omen"; "Umberufen"; "In a good hour be it

spoken "; "N'importe." These words and phrases were continually on her

tongue; and she was a slave to all forms of superstition. She would

not walk under a ladder; if she spilt salt she threw a pinch over

her shoulder; an unexpected meeting with a magpie, a hunchback, a

cross-eyed person, or with a piebald horse, either made her rejoice in

the most extravagant fashion, or threw her into a fever of

apprehension. She was not communicative, and resisted all Miss Lamb's

attempts at social intercourse. During the whole period of her stay,

no words were spoken, and no event occurred, likely to throw light on

her past; nor, when she departed, did Miss Lamb discover whither she

intended to go. In coming, in staying, in going, Miss Ramlig was a

mystery.

The owner of Myrtle Bank, Shepherd's Bush, a bird-like spinster called

Cass, informed Gebb that a certain Miss Migral lodged with her from

the first of May to the end of October, 1894. She arrived in the van

spoken of by the other witnesses; she paid double rent for the

privilege of dismantling a room, and therein set up her tent-like

habitation of yellow satin, furnished with cane chairs and tables,

illuminated with candles, and perfumed with incense. She was, said

Miss Cass, superstitious beyond all belief, actually divining by

teacups, and believing in the future as foretold by the position of

the tea-leaves, after the fashion of illiterate servant-girls. Miss

Migral never went to church, she had--so far as Miss Cass knew, no

Bible in her possession; but read books dealing with fortune-telling

and necromancy. One of her favourite volumes was "The Book of Fate,"

another "The Book of Dreams," and she appeared to have an insatiable

desire to know the future; but for what reason, Miss Cass--in spite of

all efforts--was unable to discover. This strange creature departed

with all her worldly goods for some unknown destination during the

last days of October, 1894.

Mrs. Presk was the last landlady who received this mysterious woman,

and knew her as Miss Ligram. She arrived at Paradise Row at the

beginning of May, 1896, and met with a violent death three months

later. Mrs. Presk was as ignorant of the woman's past as the other

landladies had been. She arrived from nowhere, and, no doubt, would

have departed six months later in an equally mysterious fashion. But

in the middle of her Grangebury tenancy, a violent death put an end to

her further wanderings.

Gebb heard all this evidence, which was monotonous from its sameness,

with much satisfaction and great attention. By means of the details

afforded by the five landladies and Mrs. Presk, he traced back the

wanderings of the dead woman to the month of November, 1893, but

further back he was unable to go, for lack of information. In spite of

all publicity given to the case, notwithstanding advertisements, and

his own private efforts, no other witnesses came forward to give

evidence as to the past of Miss Ligram; so, finding he was at a

dead stop, the detective resolved to stand--at all events for the

present--on the information he had already acquired. For his own

private information and guidance he tabulated an account of Miss

Ligram's names, addresses, and former landladies, together with the

dates of her various rests, as follows:--

Miss Bain, Hampstead Margil, Nov., 1893, to April, 1894

Miss Cass, Shepherd's Bush Migral, May to Oct.,1894

Miss Lamb, Richmond Ramlig, Nov., 1894, to April, 1895

Mrs. Brown, West Kensington Limrag, May to Oct. 1895

Mrs. Kane, St. John's Wool Milgar, Nov., 1895, to April, 1896

Mrs. Presk, Grangebury Ligram, April to July, 1896

And at the foot of this table he noted the fact that on the night of

the 24th July, 1896--according to medical evidence at ten o'clock--the

so-called Miss Ligram met with a violent death at the hands of some

unknown person.

So far so good; but here Gebb's information came to an end, and beyond

a few years' knowledge of Miss Ligram's past, he had no evidence to

show him why she had taken to this mode of life, or why her eccentric

manner of living should have been cut short by violence. Ready as he

was in resource, the detective did not know how to act, or in which

direction to turn for information. While thus perplexed he received a

hasty note scribbled on a half-sheet of dirty paper. It ran as

follows:--

"48, Guy Street, Pimlico.

"Come and see me at once, about the Grangebury case. I have solved the

mystery, and can hang the criminal.--Yours,

"Simon Parge."

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