The recognition of the principle of beauty lies in the assurance that

many things have beauty, if rightly viewed, and in the determination

to see things in the true light. Thus the soul that desires to see

beauty must begin by believing it to be there, must expect to see it,

must watch for it, must not be discouraged by those who do not see it,

and least of all give heed to those who would forbid one to discern it

except in definite and approved forms. The worst of æsthetic prophets

is that, like the Scribes, they make a fence about the law, and try to

convert the search for principle into the accumulation of detailed

tenets.

Let us then never attempt to limit beauty to definite artistic lines;

that is the mistake of the superstitious formalist who limits divine

influences to certain sanctuaries and fixed ceremonials. The use of

the sanctuary and the ceremonial is only to concentrate at one fiery

point the wide current of impulsive ardour. The true lover of beauty

will await it everywhere, will see it in the town, with its rising

roofs and its bleached and blackened steeples, in the seaport with its

quaint crowded shipping, in the clustered hamlet with its

orchard-closes and high-roofed barns, in the remote country with its

wide fields and its converging lines, in the beating of the sea on

shingle-bank and promontory; and then if he sees it there, he will see

it concentrated and emphasised in pictures of these things, the

beauty of which lies so often in the sense of the loving apprehension

of the mystery of lights and hues; and then he will trace the same

subtle spirit in the forms and gestures and expressions of those among

whom he lives, and will go deeper yet and trace the same spirit in

conduct and behaviour, in the free and gallant handling of life, in

the suppression of mean personal desires, in doing dull and

disagreeable things with a fine end in view, in the noble affection of

the simplest people; until he becomes aware that it is a quality which

runs through everything he sees or hears or feels, and that the

eternal difference is whether one views things dully and stupidly,

regarding the moment hungrily and greedily, as a dog regards a

plateful of food, or whether one looks at it all as a process which

has some fine and distant end in view, and sees that all experience,

whether it be of things tangible and visible, or of things

intellectual and spiritual, is only precious because it carries one

forward, forms, moulds, and changes one with a hope of some high and

pure resurrection out of things base and hurried into things noble and

serene.

The need, the absolute need for all and each of us, is to find

something strong and great to rest and repose upon. Otherwise one

simply falls back on the fact that one exists and on the whole enjoys

existing, while one shuns the pain and darkness of ceasing to exist.

As life goes on, there comes such an impulse to say, "Life is

attractive and might be pleasant, but there is always something

shadowing it, spoiling it, gnawing at it, a worm in the bud, of which

one cannot be rid." And so one sinks into a despairing apathy.

What then is one born for? Just to live and forget, to be hurt and

healed, to be strong and grow weak? That as the spirit falls into

faintness, the body should curdle into worse than dust? To give each a

memory of things sharp and sweet, that no one else remembers, and then

to destroy that?

No, that is not the end! The end is rather to live fully and ardently,

to recognise the indestructibility of the spirit, to strip off from it

all that wounds and disables it, not by drearily toiling against

haunting faults, but by rising as often as we can into serene ardour

and deep hopefulness. That is the principle of beauty, to feel that

there is something transforming and ennobling us, which we can lay

hold of if we wish, and that every time we see the great spirit at

work and clasp it close to our feeble will, we soar a step higher and

see all things with a wider and a clearer vision.

XXVII

LIFE

But in all this, and indeed beyond all this, we must not dare to

forget one thing; that it is life with which we are confronted, and

that our business is to live it, and to live it in our own way; and

here we may thankfully rejoice that there is less and less tendency in

the world for people to dictate modes of life to us; the tyrant and

the despot are not only out of date--they are out of fashion, which is

a far more disabling thing! There is of course a type of person in the

world who loves to call himself robust and even virile--heaven help us

to break down that bestial ideal of manhood!--who is of the stuff that

all bullies have been made since the world began, a compound of

courage, stupidity, and complacency; to whom the word 'living' has no

meaning, unless it implies the disturbing and disquieting of other

people. We are gradually putting him in his right place, and the

kindlier future will have little need of him; because a sense is

gradually shaping itself in the world that life is best lived on

peaceful and orderly lines.

But if the robust _viveur_ is on the wrong tack, so long as he grabs

and uses, and neither gives nor is used, so too the more peaceable and

poetical nature makes a very similar mistake, if his whole heart is

bent upon receiving and enjoying; for he too is filching and conveying

away pleasure out of life, though he may do it more timidly and

unobtrusively. Such a man or woman is apt to make too much out of the

occasions and excitements of life, to over-value the æsthetic kind of

success, which is the delicate impressing of other people, claiming

their admiration and applause, and being ill-content if one is not

noticed and praised. Such an one is apt to overlook the common stuff

and use of life--the toil, the endurance, the discipline of it; to

flutter abroad only on sunshiny days, and to sit sullenly with folded

wing when the sky breaks into rain and chilly winds are blowing. The

man who lives thus, is in danger of over-valuing the raptures and

thrills of life, of being fitful and moody and fretful; what he has to

do is to spread serenity over his days, and above all to be ready to

combine, to minister, to sympathise, to serve. _Joyous Gard_ is a very

perilous place, if we grow too indolent to leave it; the essence of it

is refreshment and not continuance. There are two conditions attached

to the use of it; one is that we should have our own wholesome work in

the world, and the second that we should not grow too wholly absorbed

in labour.

No great moral leaders and inspirers of men have ever laid stress on

excessive labour. They have accepted work as one of the normal

conditions of life, but their whole effort has been to teach men to

look away from work, to find leisure to be happy and good. There is no

essential merit in work, apart from its necessity. Of course men may

find themselves in positions where it seems hard to avoid a fierce

absorption in work. It is said by legislators that the House of

Commons, for instance, is a place where one can neither work nor rest!

And I have heard busy men in high administrative office, deplore

rhetorically the fact that they have no time to read or think. It is

almost as unwholesome never to read or think as it is to be always

reading and thinking, because the light and the inspiration fade out

of life, and leave one a gaunt and wolfish lobbyist, who goes about

seeking whom he may indoctrinate. But I have little doubt that when

the world is organised on simpler lines, we shall look back to this

era, as an era when men's heads were turned by work, and when more

unnecessary things were made and done and said than has ever been the

case since the world began.

The essence of happy living is never to find life dull, never to feel

the ugly weariness which comes of overstrain; to be fresh, cheerful,

leisurely, sociable, unhurried, well-balanced. It seems to me that it

is impossible to be these things unless we have time to consider life

a little, to deliberate, to select, to abstain. We must not help

ourselves either to work or to joy as if we were helping ourselves to

potatoes! If life ought not to be perpetual drudgery, neither can it

be a perpetual feast. What I believe we ought to aim at is to put

interest and zest into the simplest acts, words, and relations of

life, to discern the quality of work and people alike. We must not

turn our whole minds and hearts to literature or art or work, or even

to religion; but we must go deeper, and look close at life itself,

which these interpret and out of which they flow. For indeed life is

nobler and richer than any one interpretation of it. Let us take for a

moment one of the great interpreters of life, Robert Browning, who was

so intensely interested above all things in personality. The charm of

his writing is that he contrives, by some fine instinct, to get behind

and within the people of whom he writes, sees with their eyes, hears

with their ears, though he speaks with his own lips. But one must

observe that the judgment of none of his characters is a final

judgment; the artist, the lover, the cynic, the charlatan, the sage,

the priest--they none of them provide a solution to life; they set out

on their quest, they make their guesses, they reveal their aims, but

they never penetrate the inner secret. It is all inference and hope;

Browning himself seems to believe in life, not because of the reasons

which his characters give for believing in it, but in spite of all

their reasons. Like little boats, the reasons seem to strand, one by

one, some sooner, some later, on the sands beneath the shallow sea;

and then the great serene large faith of the poet comes flooding in,

and bears them on their way.

It is somewhat thus that we must deal with life; it is no good making

up a philosophy which just keeps us gay when all is serene and

prosperous. Unpleasant, tedious, vexing, humiliating, painful,

shattering things befall us all by the way. That is the test of our

belief in life, if nothing daunts us, if nothing really mars our

serenity of mood.

And so what this little book of mine tries to recommend is that we

should bestir ourselves to design, plan, use, practise life; not drift

helplessly on its current, shouting for joy when all is bright,

helplessly bemoaning ourselves when all is dark; and that we should do

this by guarding ourselves from impulse and whim, by feeding our minds

and hearts on all the great words, high examples, patient endurances,

splendid acts, of those whom we recognise to have been the finer sort

of men. One of the greatest blessings of our time is that we can do

that so easily. In the dullest, most monotonous life we can stay

ourselves upon this heavenly manna, if we have the mind. We need not

feel alone or misunderstood or unappreciated, even if we are

surrounded by harsh, foolish, dry, discontented, mournful persons. The

world is fuller now than it ever was of brave and kindly people who

will help us if we ask for help. Of course if we choose to perish

without a struggle, we can do that. And my last word of advice to

people into whose hands this book may fall, who are suffering from a

sense of dim failure, timid bewilderment, with a vague desire in the

background to make something finer and stronger out of life, is to

turn to some one whom they can trust--not intending to depend

constantly and helplessly upon them--and to get set in the right road.

Of course, as I have said, care and sorrow, heaviness and

sadness--even disillusionment--must come; but the reason of that is

because we must not settle too close to the sweet and kindly earth,

but be ready to unfurl our wings for the passage over sea; and to what

new country of God, what unknown troops and societies of human

spirits, what gracious reality of dwelling-place, of which our beloved

fields and woods and streams are nothing but the gentle and sweet

symbols, our flight may bear us, I cannot tell; but that we are all in

the mind of God, and that we cannot wander beyond the reach of His

hand or the love of His heart, of this I am more sure than I am of

anything else in this world where familiarity and mystery are so

strangely entwined.

End of Project Gutenberg's Joyous Gard, by Arthur Christopher Benson

Joyous Gard · 第 10 / 10 段