Maclou, Saint, viii.

Madonna, 31, 51, 54, 70.

Maria of Champagne, 129.

Margaret, Saint, 108.

Marlo, San, ix.

Martin, 17, 19, 20, 21, 22, 23, 24, 26.

Mathilda, 63, 79.

Mazarin, 115, 116.

Michele, Mt. San, viii.

Molière, 116, 132.

Napoleon, 71.

Naudé, 115.

Norsemen, 30, 57, 59.

Ouen, Saint, viii, frontispiece.

Paris, viii, 5, 116.

Parthenon, 17.

Patiens de Lyons, 17.

Pavia, Certosa di, 23.

Philippe le Bel, 56.

Portugal, 136.

Provence, 128.

Ravenna, 24.

Remi, Saint, 26.

Revolution, 52.

Rheims, viii, 7, 30.

Richard of Normandy, 60.

Richelieu, 115.

Rodin, 12, 53.

Rollo, 59, 73.

Rouen, viii.

Rumald, 30.

Ruskin, 12.

Saint Denis, viii.

Sebastian, Saint, 19.

Suger, 39, 46, 47, 48.

Tertullian, 50.

Thierry, Saint, 63.

Valencia, 92.

Vega, Lope de, 88.

Vega, Micaela de, 93.

Viollet-le-Duc, 12.

William I, 74, 81, 82.

FOOTNOTES:

[1] The Spaniards of Seville formally determined to build a cathedral

upon so magnificent a scale that coming ages might proclaim them mad to

have undertaken it.

[2] As our train passed Chartres an exceedingly coarse conversation

between drummers broke into a pæan to the beauty of the cathedral.

[3] I do not make myself responsible for the statement that these

restorations are photographically exact, but at least on the old lines

it has been possible to erect perfect examples of Norman architecture.

[4] The gentler element in Norse mythology enters into it long after

the eleventh century and is probably a reflection from Christianity.

[5] Property of Trinity College, Dublin.

[6] A ‘document’ is an instrument on which is recorded, by means of

letters, figures, or marks, matter which may be evidentially used.—F.

WHARTON, _Law of Evidence_.

Flowers from Mediæval History · 第 7 / 7 段