The bell rang again and the passengers' gangway was hauled up on to
the pier. Morgan leaned against the deck-rail and looked westwards
towards a point where the Dover cliff rose highest and then swept
round. It was at that spot had begun the new ordering of his life
which had at last culminated in the great happiness of to-day.
On a deck-chair close by his elbow sat Margaret. As he shifted his
position a little his eye caught sight of a dainty ear and a soft
cheek, gleaming exquisite through her veil against the golden brown of
her large velvet hat and of the stretch of velvet mantle.
"Morgan, dear," she said, pulling him playfully by the sleeve, "brides
are supposed to be too excited to eat on their wedding day. So I was
when I woke up, and I didn't eat any breakfast. And now the fresh air
makes me as hungry as a hunter. Do get me something nice, please."
When he came back, the mails and luggage had been got on board. The
water began to seethe and foam away from the paddle-wheels, and, with
a pleasant hoot, the boat steamed away. And then, as Morgan leaned
against the side, he fell a-musing on many things, all woven in a web
of wonder at his happiness. Different parts of his life flashed at
him, all out of order and irrelevantly. How near, too, had he just
passed to the Ketterings! Cleo's father rose before him again with
his greying hair and his good face, bent, aproned, and in corduroys,
just as he was wont to stand in the Dover workshop. He remembered the
kindly invitation the old man had given him when they parted, and he
felt touched as he now called to mind the letter he had received from
him on his ceasing to be his son-in-law. "I am glad to know you are
free from her, and hope you won't think me an unnatural father; but
she never tried to win my affections, whereas you won them without
trying. I do hope that at no distant day you will marry a true lady,
who will make up to you for the past. I know what you must have
suffered."
He had been concerned about Cleo, and had so overflowed with pity for
her that he had scarce had the strength to take the step that had made
his happiness possible. But he knew that she was quite well and happy,
living at the same house where he had first seen her, and that it had
been perfectly indifferent to her whether she were tied to him or not.
And now his old fancy came to him again that he could trace a distinct
unity in his life, as though it had been moulded by a guiding Power.
As Helen had said, the inner spring of his life had been its own good
fairy.
And as he looked at Margaret again, the dream that had sometimes come
to him did not now seem so unrealisable as it had in the old days when
he had been cut off from her. The burning of his old manuscripts had
marked his sense that his ambition was utterly dead. But he had never
regretted the burning. And now he even rejoiced at it. For, by toil
and discipline and facing the fulness of the living world, he had
attained to a clear sanity, to a just sense of values; the romantic
blur of his early poetic vision clarifying into the strong
definiteness of the Real. Assuredly he could now no longer write those
nebulous, elusive word-harmonies. Nor for him the mere aesthetic
toying, the dainty piece of colour-work; but poetry that should throb
with vitality and humanness. From dream poetry he had passed to dream
life. Now that he had won his way to true life, was he not, too, to
win his way to true song?
To be a voice whose enchantment should echo down the ages, whose
never-dying melody should accompany the generations on their toilsome
way, ever fresh, ever sweet for human hearts!
So did he dare to aspire again, and in his fancy it was Margaret's
spirit that floated on and on for ever, her fragrance immanent in the
songs he should sing!
The sea was radiant with sunlight. A soft wind breathed in his face.
The dwindling town nestled lazily in its valley, and the line of white
cliffs stretched on either hand. And as Margaret's voice spoke to him
again, something of her sweetness seemed to rise and rest on the
spring world.
THE END.
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Transcriber's note:
Text in italics is enclosed by underscores (_italics_).
Additional line spacing after poetic and block quotes is intentional
to indicate both the end of a quotation and the beginning of a new
paragraph as is presented in the original text.
Obvious printing errors corrected:
"phophetess" to "prophetess" (pg. 211)
"thoat" to "throat" (pg. 291)