CHAPTER VII.

The next evening Morgan sat pretending to be reading a book, his feet

sedulously planted on a new Turkey rug, which struck a startling note

of colour and decoration amid the bleakness of the attic. At last he

closed the volume and let it fall wearily on his knee. The visit of

his father had tried him severely. He had been shaken by a storm of

emotion, and it had left him somewhat shattered. And now that

Archibald had departed, an aching sense of loneliness had come to him

such as only comes to the man who lives thus isolated. He had been

able to leave his work for an hour in the middle of the day, so that,

including his usual dinner interval, he had passed two hours in his

father's company and seen him to his train. The old man had been

miserable in town; he couldn't bear to be so near Morgan yet cut off

from him all day, and, since he was far from well and needed the

comforts of his own home, it was decided between them he should go at

once.

At last Morgan threw down the book impatiently. He walked round the

room for a time, but could not rid himself of his restlessness. "My

soul is sick," he repeated again and again. "I need my friends." He

poked the fire and threw more coal on; he looked for awhile through

the panes of the window into the vague blackness of the March night.

And at last he bethought himself of getting ready his evening meal,

merely for the sake of concentrating himself on something. Just as he

was on the point of opening the cupboard, into which his father had

pried so jocularly, there came a timid tap at the door.

"Come in!" he cried, not quite certain that there _was_ anybody there.

As his invitation seemed to be complied with, he instinctively turned

his head to view his visitor, who stood just within the door smiling

at him.

"What! Margaret!" he cried, as his head almost swam.

She closed the door softly and advanced into the room.

"I've just come to pay you a visit, Morgan," she said laughingly.

"Please say it was nice of me to come. What! Aren't you going to shake

hands with one of your oldest friends?"

He was not quite sure that his brain hadn't given way, and that her

presence was not a mere manifestation of the fact. He had never been

able to trust himself sufficiently to go near the Medhursts.

Sedulously keeping to the London south of the river and to the

immediate vicinity of his work--save on his rare visits to Belgrave

Square--he had run but little risk of encountering any of them or,

indeed, any other acquaintances. He was aware the Medhursts knew he

was in London and employed by a large firm, but they had never been

told the exact details of his whereabouts. However, he found himself

shaking hands with Margaret but too bewildered to say anything.

"What a strange expression in your face, Morgan! It seems to ask any

number of questions, but I can't make out whether it looks pleased or

angry. At least be polite enough to make me welcome. It's nice and

warm in here, so I think I'd better take my jacket off."

"You don't give me time to recover my breath, Margaret. Of course, you

are more than welcome, but I am not good enough for you to visit.

Come, take a chair by the fire."

"You not good enough! It is simply wicked of you to talk like that.

But why are you rubbing your eyes? I believe you think I'm a phantom."

She removed her jacket and also her hat, instinctively throwing them,

as Archibald had done the evening before, across the trunk. Then she

smiled at him again in lovely reassurance that she was real flesh and

blood. She had on a soft woollen dress of that favourite silver-blue

in which she always looked her best. She wore a bunch of

forget-me-nots at her waist, and a little knot of the same flowers at

her throat was fastened with a small, lyre-shaped brooch, set with

pearls. There was just a touch of creamy lace at her wrists and

throat, and what dainty little tendrils of golden hair lay on her

forehead!

"Your chair is very hard," she exclaimed, jumping up almost

immediately. "I think I'll sit on the bed instead."

"You won't find that much better," he said, drawn into good humour by

her briskness, and charmed that so exquisite a presence should grace

his attic.

"It's miles better," said Margaret. "But you still look puzzled. Isn't

your ingenuity equal to the task of guessing how I found you out?"

"I don't know, unless Diana's old sweetheart paid you a visit

yesterday," he answered smiling, as he spread the new rug under her

feet. "But he certainly said nothing to me about it this afternoon

when I saw him off."

"He was probably afraid to let you know he'd been weak enough to yield

to our blandishments. I had an idea you were living in a garret--the

garret always seems to put a sort of hall-mark on genius. It's a very

nice garret, too. I like mine better, though--it's a lump larger."

If the pure pleasure of being near her began to predominate, it was

certainly not unaccompanied by the pain that was always with him

because of his vain love for her; so that his entire feeling was a

rather mixed and undecided one. He could not quite abandon himself to

gladness at her coming, and perhaps the very unexpectedness of it

aided this emotional embarrassment.

"Have you been working much of late?" he asked, that being a natural

question to follow her reference to her studio. He was, indeed,

relieved that the conversation had got on so definite a tack and that

she had not alluded to his avoidance of her family or reproached him

for it.

"I'm just doing a little group of greyhounds. I'm going to exhibit

them at the Academy. It's such a bother and such fun, too! I've got

over the worst part now. The big mother and two little ones playing at

the side of her make twelve legs and three tails--quite a forest of

them. I had no end of trouble to get a good composition. But the chief

bother was with the models. The dog would never keep still, and I had

to keep on moving my wax figure just as it moved. Sometimes it would

turn upside down, and then I had to turn my work upside down as well.

Do you know what I should like to do, Morgan?"

"I don't, but I should like to."

"I wonder if you'd let me make a bust of you! I want to very much."

"Why?" he asked, without meaning that exactly, but only by way of

surprised exclamation.

"Well," she smiled, "I just want to. I could have an old bench brought

up here and a lot of clay. If you sat to me, say, for a couple of

hours every Sunday morning, you'd begin to recognise yourself after a

time."

He was powerless to refuse. With her speaking to him, he became as

passive as the clay she moulded. He knew her power; perhaps that was

why his instinct had led him to elude it.

"That is really good of you, dear Morgan," she exclaimed, while her

eyes sparkled with honest delight.

Time was, perhaps, when seeing her thus he might have taken her hand.

"But don't look as if you already regretted making the promise," she

went on to protest. "I assure you it won't hurt a bit; not any more

than having your hair cut. By the way, why do you wear your hair so

short? Oughtn't a poet to have long, noble locks? They come out very

effectively in clay, those long, noble locks. I hope I'm not making

your bed too hard. Come now, Morgan, are you still so heavy-hearted?

What can I do to make you merry?"

"Take supper with me," he responded quickly, with an atoning flash of

briskness, the while he upbraided himself for oppressing her with his

dejection. "It will be a real Bohemian supper."

"How nice! I'm dying with hunger."

"In here, I mean," he explained. "I make my own supper."

"I know. We heard all about the inside of that cupboard."

"You won't mind sitting on the hard chair?"

"No. What's the menu?"

"Bread and cheese and----"

"Not beer, I hope," she interrupted hastily.

"And cocoa," he finished. "Do you mind keeping house here for two

minutes whilst I run down to get the milk. We have a dairy two doors

away."

He returned in a moment and she helped him to set out the table, for

which there was no cloth.

"This chair _is_ hard," she said again later, when she had been seated

on it some little time. "I must send you a soft chair, Morgan. I

haven't given you a birthday present this year."

"Indeed, you must not. Such luxuries are out of place here, and you

ought not to try to spoil me."

"But, dear Morgan, you've a lovely rug, and I'm sure you ought to have

a nice chair to keep it company. You've your guests to think of now. I

must have something to sit on when I come and so must your papa. I'm

willing to admit my suggestion was not quite a disinterested one; in

fact, I'm prepared to be perfectly unscrupulous so long as I carry my

point."

"I'd better yield before you get so far as that. Only, of course, the

chair shall be used exclusively for my visitors."

"Oh, you must sit on it sometimes, as well."

"Well, let us not quarrel about it."

"Of course we're not going to quarrel about it. We're going to be the

best of friends now, aren't we?"

"I never dared dream----" he began.

"Dreaming hasn't anything to do with it. It really isn't at all

necessary, so the omission need not count. All along I've had the

feeling as if you were thrusting me back away from your life, and I

have always wanted to count for something in it, if ever so little.

Won't you let me now be of some help to you? It is wicked of you to

continue in this terrible solitude. I feel that you've promised to let

me come here and model you really against your will; don't deny it,

Morgan--your face spoke only too plainly. I should be standing here

and talking to you, but you would be as solitary as if I had never

come. I want to break down that stupid barrier between us; I want you

to believe in me, to trust me and to show me you trust me."

"It is myself I dare not trust. Such a friendship needs strength, and

I am not strong enough, Margaret."

"Then you must find the strength, Morgan. Weakness is an unmanly

excuse, and you are a man."

"You talk like that because you still do not realise what it means for

me to--to----"

He hesitated.

"Go on," she said. "I am strong enough to listen."

There was a silence, but she knew he was collecting his scattered

forces.

"To be friends with you," he went on determinedly. "You say that I

kept you at arm's length. That is true. But then you don't know what

my life has been--you never did really know even when we were close

together."

"Tell me then, Morgan. Make me understand why you kept me at arm's

length. I do not know how you came to marry so suddenly, what woman

you married, or why she left you. I want to know all about her. Tell

me, if it doesn't hurt you too much. Perhaps it will hurt you less

after you have told me."

"I have kept you at arm's length, Margaret, because I loved you. I am

struggling now to keep you at arm's length because I still love you.

Dare you stay here and listen to me after that?"

She looked him straight in the face.

"I dare, Morgan. I want you to know me as well as to love me. If you

had understood me, you would neither have thrust me back nor would you

be struggling to do so now. You no doubt always considered me just a

pretty girl, who thought and acted always as becomes what it called a

young lady; a colourless, conventional creature, without any judgment

or emotions of her own; just a white sheet of paper with a name

written across in beautiful lettering; a simpering thing in petticoats

who must smile and blush just at the right moments and be perfectly

proper at all times; who must never act unless she has a fixed rule to

guide her; who is supposed to understand nothing at all of real life;

for whom human beings are reduced to a strange uniformity, the men in

their evening dress so simple, so nice, so attentive, so easy to

understand, the women--but then such a young person is not supposed to

concern herself with the women. That, I'm sure, is the sort of girl I

appeared to you, Morgan. I am sorry that, so far, I cannot take your

love for me as a compliment. You saw me as a painter might see a

model, and perhaps you enshrined my image as a sort of poetic fancy.

You loved me as an unreal spirit. But I am not what you thought me; I

am a real person. I can think and judge for myself, and I can be

myself. That is why I have had the courage to come here to you, and

had I known earlier where you were I should have forced this interview

on you long ago. And this despite the fact that you are married, that

you love me and that I--love you. I have the courage to face the

occasion, to outrage convention where convention makes no provision

for the needs of the particular occasion. I know that, despite all, we

can be very dear friends. Only trust me a little, Morgan, learn to

know me better, and I am sure you will trust me altogether. Make an

effort to be strong and perhaps I may help you."

And so Morgan poured himself out to her, told her all; and, if at

times he faltered, she bade him go on, she would not blush.

The recital was a long one. Interruptions and discussions were

frequent; they were also making pretence to sup. Neither remembered

the flight of time.

"Of course, I have known the bare facts for a long time," said

Margaret, "but only in a very vague way and in a very puzzling one.

There was so much left to my imagination, and it bothered me so much

to fill up the blanks. And so you are working to pay off her debts. I

know it feels awfully nice to earn money for one's self. Do you know

that I'm quite rich. Guess how much I made last year by my modelling?"

"How much?" he asked.

"Eighty-seven pounds, after paying all my expenses," she exclaimed. "I

wanted to pay for my own frocks, but papa wouldn't let me. And so

I've got it all and I don't know what to do with it; at least I know

what I should like to do with it."

"But surely papa wouldn't disapprove of your doing what you liked with

it?"

"Oh, papa wouldn't disapprove," she said, colouring a little, "but I'm

afraid you would."

"I? You're not intending to buy me a silver chair with jewels set in

it, are you?"

"I thought you might pay some of those debts with the money and let me

be your creditor instead," she said hesitatingly. "Of course, you

would pay me back as you saved enough, just as you are doing now with

the others. And it would be a sort of symbol of the new footing on

which we start from to-day."

"Dear Margaret," he said, "please don't try and press that on me. It

won't help me in the least, as you see yourself. Besides, what need

have we of a symbol? I want you to believe in the new footing just as

much without it. And then," he added, in a gayer note, "there is

another reason why I can't allow you to have such ideas. Heroines

always do that sort of thing, and it's quite too conventional for

you."

She laughed and did not persist, though she had coloured still more.

And just then she bethought herself of the hour and drew forth her

tiny watch.

"This is being wicked with a vengeance!" she exclaimed. "I really must

be going back."

"You must let me come with you, else I shall be nervous all night and

my hair may be grey by the morning."

"Part of the excitement of the adventure was to come alone and to go

alone. But as I can't have your hair turning grey----"

"Do they know at home where you were going?" he asked, as he helped

her on with her jacket.

"I didn't tell them, but I dare say they'll guess, and I mean to let

them know anyway. I'm going to leave you these," and she unfastened

the bunch of forget-me-nots and put them on the table.

He saw her to her own door; it was long since he had set foot in

Wimpole street. She gave him a long comrade's hand-clasp, saying: "We

had a charming Bohemian supper. You have made me happier to-night than

I have been for years."

He turned away as she rang the bell and he walked all the way back to

Southwark. Now that he had taken her into his life at last, he seemed

to have unburdened himself of some overwhelming weight. Margaret knew

everything at last, understood everything, and loved him through all.

His self-distrust had made him keep himself hidden from the Medhursts,

but she had helped him to find and know his own strength. She was

right. He was strong enough to accept her friendship.

Though he would have to be at his desk at the usual hour in the

morning, he could not go to bed at once. The flowers she had left

seemed to fill the room with sweetness. And something of lightness and

fragrance seemed to remain with him, to be flitting here and there

with the silence of a phantom, to be hovering in the air, to be

bending over him, to be nestling close to him. Then, as he closed his

eyes dreamily, Margaret seemed to float before him. He was aware of

her eyes, her hair, her voice; he saw her just as she had sat there

with her face and hands showing exquisite against the silver-blue of

her dress, and the forget-me-nots at her throat and waist.

Cleo The Magnificent; Or, The Muse of the Real: A Novel · 第 7 / 9 章