VII

At eight o’clock precisely, in my tail-coat and with my hair brushed up

into a tuft on my head, I entered the passage of the lodge, where the

princess lived. The old servant looked crossly at me and got up

unwillingly from his bench. There was a sound of merry voices in the

drawing-room. I opened the door and fell back in amazement. In the

middle of the room was the young princess, standing on a chair, holding

a man’s hat in front of her; round the chair crowded some half a dozen

men. They were trying to put their hands into the hat, while she held

it above their heads, shaking it violently. On seeing me, she cried,

“Stay, stay, another guest, he must have a ticket too,” and leaping

lightly down from the chair she took me by the cuff of my coat “Come

along,” she said, “why are you standing still? _Messieurs_, let me make

you acquainted: this is M’sieu Voldemar, the son of our neighbour. And

this,” she went on, addressing me, and indicating her guests in turn,

“Count Malevsky, Doctor Lushin, Meidanov the poet, the retired captain

Nirmatsky, and Byelovzorov the hussar, whom you’ve seen already. I hope

you will be good friends.” I was so confused that I did not even bow to

any one; in Doctor Lushin I recognised the dark man who had so

mercilessly put me to shame in the garden; the others were unknown to

me.

“Count!” continued Zinaïda, “write M’sieu Voldemar a ticket.”

“That’s not fair,” was objected in a slight Polish accent by the count,

a very handsome and fashionably dressed brunette, with expressive brown

eyes, a thin little white nose, and delicate little moustaches over a

tiny mouth. “This gentleman has not been playing forfeits with us.”

“It’s unfair,” repeated in chorus Byelovzorov and the gentleman

described as a retired captain, a man of forty, pock-marked to a

hideous degree, curly-headed as a negro, round-shouldered,

bandy-legged, and dressed in a military coat without epaulets, worn

unbuttoned.

“Write him a ticket, I tell you,” repeated the young princess. “What’s

this mutiny? M’sieu Voldemar is with us for the first time, and there

are no rules for him yet. It’s no use grumbling—write it, I wish it.”

The count shrugged his shoulders but bowed submissively, took the pen

in his white, ring-bedecked fingers, tore off a scrap of paper and

wrote on it.

“At least let us explain to Mr. Voldemar what we are about,” Lushin

began in a sarcastic voice, “or else he will be quite lost. Do you see,

young man, we are playing forfeits? the princess has to pay a forfeit,

and the one who draws the lucky lot is to have the privilege of kissing

her hand. Do you understand what I’ve told you?”

I simply stared at him, and continued to stand still in bewilderment,

while the young princess jumped up on the chair again, and again began

waving the hat. They all stretched up to her, and I went after the

rest.

“Meidanov,” said the princess to a tall young man with a thin face,

little dim-sighted eyes, and exceedingly long black hair, “you as a

poet ought to be magnanimous, and give up your number to M’sieu

Voldemar so that he may have two chances instead of one.”

But Meidanov shook his head in refusal, and tossed his hair. After all

the others I put my hand into the hat, and unfolded my lot…. Heavens!

what was my condition when I saw on it the word, Kiss!

“Kiss!” I could not help crying aloud.

“Bravo! he has won it,” the princess said quickly. “How glad I am!” She

came down from the chair and gave me such a bright sweet look, that my

heart bounded. “Are you glad?” she asked me.

“Me?” … I faltered.

“Sell me your lot,” Byelovzorov growled suddenly just in my ear. “I’ll

give you a hundred roubles.”

I answered the hussar with such an indignant look, that Zinaïda clapped

her hands, while Lushin cried, “He’s a fine fellow!”

“But, as master of the ceremonies,” he went on, “it’s my duty to see

that all the rules are kept. M’sieu Voldemar, go down on one knee. That

is our regulation.”

Zinaïda stood in front of me, her head a little on one side as though

to get a better look at me; she held out her hand to me with dignity. A

mist passed before my eyes; I meant to drop on one knee, sank on both,

and pressed my lips to Zinaïda’s fingers so awkwardly that I scratched

myself a little with the tip of her nail.

“Well done!” cried Lushin, and helped me to get up.

The game of forfeits went on. Zinaïda sat me down beside her. She

invented all sorts of extraordinary forfeits! She had among other

things to represent a “statue,” and she chose as a pedestal the hideous

Nirmatsky, told him to bow down in an arch, and bend his head down on

his breast. The laughter never paused for an instant. For me, a boy

constantly brought up in the seclusion of a dignified manor-house, all

this noise and uproar, this unceremonious, almost riotous gaiety, these

relations with unknown persons, were simply intoxicating. My head went

round, as though from wine. I began laughing and talking louder than

the others, so much so that the old princess, who was sitting in the

next room with some sort of clerk from the Tversky gate, invited by her

for consultation on business, positively came in to look at me. But I

felt so happy that I did not mind anything, I didn’t care a straw for

any one’s jeers, or dubious looks. Zinaïda continued to show me a

preference, and kept me at her side. In one forfeit, I had to sit by

her, both hidden under one silk handkerchief: I was to tell her _my

secret_. I remember our two heads being all at once in a warm,

half-transparent, fragrant darkness, the soft, close brightness of her

eyes in the dark, and the burning breath from her parted lips, and the

gleam of her teeth and the ends of her hair tickling me and setting me

on fire. I was silent. She smiled slyly and mysteriously, and at last

whispered to me, “Well, what is it?” but I merely blushed and laughed,

and turned away, catching my breath. We got tired of forfeits—we began

to play a game with a string. My God! what were my transports when, for

not paying attention, I got a sharp and vigorous slap on my fingers

from her, and how I tried afterwards to pretend that I was

absent-minded, and she teased me, and would not touch the hands I held

out to her! What didn’t we do that evening! We played the piano, and

sang and danced and acted a gypsy encampment. Nirmatsky was dressed up

as a bear, and made to drink salt water. Count Malevsky showed us

several sorts of card tricks, and finished, after shuffling the cards,

by dealing himself all the trumps at whist, on which Lushin “had the

honour of congratulating him.” Meidanov recited portions from his poem

“The Manslayer” (romanticism was at its height at this period), which

he intended to bring out in a black cover with the title in blood-red

letters; they stole the clerk’s cap off his knee, and made him dance a

Cossack dance by way of ransom for it; they dressed up old Vonifaty in

a woman’s cap, and the young princess put on a man’s hat…. I could not

enumerate all we did. Only Byelovzorov kept more and more in the

background, scowling and angry…. Sometimes his eyes looked bloodshot,

he flushed all over, and it seemed every minute as though he would rush

out upon us all and scatter us like shavings in all directions; but the

young princess would glance at him, and shake her finger at him, and he

would retire into his corner again.

We were quite worn out at last. Even the old princess, though she was

ready for anything, as she expressed it, and no noise wearied her, felt

tired at last, and longed for peace and quiet. At twelve o’clock at

night, supper was served, consisting of a piece of stale dry cheese,

and some cold turnovers of minced ham, which seemed to me more

delicious than any pastry I had ever tasted; there was only one bottle

of wine, and that was a strange one; a dark-coloured bottle with a wide

neck, and the wine in it was of a pink hue; no one drank it, however.

Tired out and faint with happiness, I left the lodge; at parting

Zinaïda pressed my hand warmly, and again smiled mysteriously.

The night air was heavy and damp in my heated face; a storm seemed to

be gathering; black stormclouds grew and crept across the sky, their

smoky outlines visibly changing. A gust of wind shivered restlessly in

the dark trees, and somewhere, far away on the horizon, muffled thunder

angrily muttered as it were to itself.

I made my way up to my room by the back stairs. My old man-nurse was

asleep on the floor, and I had to step over him; he waked up, saw me,

and told me that my mother had again been very angry with me, and had

wished to send after me again, but that my father had prevented her. (I

had never gone to bed without saying good-night to my mother, and

asking her blessing. There was no help for it now!)

I told my man that I would undress and go to bed by myself, and I put

out the candle. But I did not undress, and did not go to bed.

I sat down on a chair, and sat a long while, as though spell-bound.

What I was feeling was so new and so sweet…. I sat still, hardly

looking round and not moving, drew slow breaths, and only from time to

time laughed silently at some recollection, or turned cold within at

the thought that I was in love, that this was she, that this was love.

Zinaïda’s face floated slowly before me in the darkness—floated, and

did not float away; her lips still wore the same enigmatic smile, her

eyes watched me, a little from one side, with a questioning, dreamy,

tender look … as at the instant of parting from her. At last I got up,

walked on tiptoe to my bed, and without undressing, laid my head

carefully on the pillow, as though I were afraid by an abrupt movement

to disturb what filled my soul…. I lay down, but did not even close my

eyes. Soon I noticed that faint glimmers of light of some sort were

thrown continually into the room…. I sat up and looked at the window.

The window-frame could be clearly distinguished from the mysteriously

and dimly-lighted panes. It is a storm, I thought; and a storm it

really was, but it was raging so very far away that the thunder could

not be heard; only blurred, long, as it were branching, gleams of

lightning flashed continually over the sky; it was not flashing,

though, so much as quivering and twitching like the wing of a dying

bird. I got up, went to the window, and stood there till morning…. The

lightning never ceased for an instant; it was what is called among the

peasants a _sparrow night_. I gazed at the dumb sandy plain, at the

dark mass of the Neskutchny gardens, at the yellowish façades of the

distant buildings, which seemed to quiver too at each faint flash…. I

gazed, and could not turn away; these silent lightning flashes, these

gleams seemed in response to the secret silent fires which were aglow

within me. Morning began to dawn; the sky was flushed in patches of

crimson. As the sun came nearer, the lightning grew gradually paler,

and ceased; the quivering gleams were fewer and fewer, and vanished at

last, drowned in the sobering positive light of the coming day….

And my lightning flashes vanished too. I felt great weariness and peace

… but Zinaïda’s image still floated triumphant over my soul. But it

too, this image, seemed more tranquil: like a swan rising out of the

reeds of a bog, it stood out from the other unbeautiful figures

surrounding it, and as I fell asleep, I flung myself before it in

farewell, trusting adoration….

Oh, sweet emotions, gentle harmony, goodness and peace of the softened

heart, melting bliss of the first raptures of love, where are they,

where are they?

The Torrents of Spring · 第 57 / 75 题