INTRODUCTION

The purpose of The Junior Classics is to provide, in ten volumes

containing about five thousand pages, a classified collection of tales,

stories, and poems, both ancient and modern, suitable for boys and

girls of from six to sixteen years of age. Thoughtful parents and

teachers, who realize the evils of indiscriminate reading on the part

of children, will appreciate the educational value of such a

collection. A child’s taste in reading is formed, as a rule, in the

first ten or twelve years of its life, and experience has shown that

the childish mind will prefer good literature to any other, if access

to it is made easy, and will develop far better on literature of proved

merit than on trivial or transitory material.

The boy or girl who becomes familiar with the charming tales and poems

in this collection will have gained a knowledge of literature and

history that will be of high value in other school and home work. Here

are the real elements of imaginative narration, poetry, and ethics,

which should enter into the education of every English-speaking child.

This collection, carefully used by parents and teachers with due

reference to individual tastes and needs, will make many children enjoy

good literature. It will inspire them with a love of good reading,

which is the best possible result of any elementary education. The

child himself should be encouraged to make his own selections from this

large and varied collection, the child’s enjoyment being the object in

view. A real and lasting interest in literature or in scholarship is

only to be developed through the individual’s enjoyment of his mental

occupations.

The most important change which has been made in American schools and

colleges within my memory is the substitution of leading for driving,

of inspiration for drill, of personal interest and love of work for

compulsion and fear. The schools are learning to use methods and

materials which interest and attract the children themselves. The

Junior Classics will put into the home the means of using this happy

method.

Committing to memory beautiful pieces of literature, either prose or

poetry, for recitation before a friendly audience, acting charades or

plays, and reading aloud with vivacity and sympathetic emotion, are

good means of instruction at home or at school This collection contains

numerous admirable pieces of literature for such use. In teaching

English and English literature we should place more reliance upon

processes and acts which awaken emotion, stimulate interest, prove to

be enjoyable for the actors, and result in giving children the power of

entertaining people, of blessing others with noble pleasures which the

children create and share.

From the home training during childhood there should result in the

child a taste for interesting and improving reading which will direct

and inspire its subsequent intellectual life. The training which

results in this taste for good reading, however unsystematic or

eccentric it may have been, has achieved one principal aim of

education; and any school or home training which does not result in

implanting this permanent taste has failed in a very important respect.

Guided and animated by this impulse to acquire knowledge and exercise

the imagination through good reading, the adult will continue to

educate him all through life.

The story of the human race through all its slow development should be

gradually conveyed to the child’s mind from the time he begins to read,

or to listen to his mother reading; and with description of facts and

actual events should be mingled charming and uplifting products of the

imagination. To try to feed the minds of children upon facts alone is

undesirable and unwise. The immense product of the imagination in art

and literature is a concrete fact with which every educated human being

should be made somewhat familiar, that product being a very real part

of every individual’s actual environment.

The right selection of reading matter for children is obviously of high

importance. Some of the mythologies, Old Testament stories, fairy

tales, and historical romances, on which earlier generations were

accustomed to feed the childish mind, contain a great deal that is

barbarous, perverse, or cruel; and to this infiltration into children’s

minds, generation after generation, of immoral, cruel, or foolish ideas

is probably to be attributed in part the slow ethical progress of the

race. The commonest justification of this thoughtless practice is that

children do not apprehend the evil in the bad mental pictures with

which we foolishly supply them; but what should we think of a mother

who gave her children dirty milk or porridge, on the theory that the

children would not assimilate the dirt? Should we be less careful about

mental and moral food materials? The Junior Classics have been selected

with this principle in mind, without losing sight of the fact that

every developing human being needs to have a vision of the rough and

thorny road over which the human race has been slowly advancing during

thousands of years.

Whoever has committed to memory in childhood such Bible extracts as

Genesis i, the Ten Commandments, Psalm xxiii, Matthew v, 8-12, The

Lord’s Prayer, and I Corinthians xiii, such English prose as Lincoln’s

Gettysburg speech, Bacon’s “Essay on Truth,” and such poems as Bryant’s

“Waterfowl,” Addison’s “Divine Ode,” Milton’s Sonnet on his Blindness,

Wotton’s “How happy is he born or taught,” Emerson’s “Rhodora,”

Holmes’s “Chambered Nautilus,” and Gray’s Elegy, and has stamped them

on his brain by frequent repetition, will have set up in his mind high

standards of noble thought and feeling, true patriotism, and pure

religion. He will also have laid in an invaluable store of good

English.

While the majority of the tales and poems are intended for children who

have begun to do their own reading, there will be found in every volume

selections fit for reading aloud to younger children. Throughout the

collection the authors tell the stories in their own words; so that the

salt which gave them savor is preserved. There are some condensations

however, such as any good teller of borrowed stories would make; but as

a rule condensation has been applied only in the case of long works

which otherwise could not have been included. The notes which precede

the condensations supply explanations, and answer questions which

experience has shown boys and girls are apt to ask about the works

condensed or their authors.

The Junior Classics constitute a set of books whose contents will

delight children and at the same time satisfy the legitimate ethical

requirements of those who have the children’s best interests at heart.

The Junior Classics, Volume 1: Fairy and wonder tales · 第 9 / 236 题