"The fact is," said I, "that the love of dress and outside show has been

always such an exacting and absorbing tendency, that it seems to have

furnished work for religionists and economists, in all ages, to keep it

within bounds. Various religious bodies, at the outset, adopted severe

rules in protest against it. The Quakers and the Methodists prescribed

certain fixed modes of costume as a barrier against its frivolities and

follies. In the Romish Church an entrance on any religious order

prescribed entire and total renunciation of all thought and care for the

beautiful in person or apparel, as the first step towards saintship.

The costume of the _religieuse_ seemed to be purposely intended to

imitate the shroudings and swathings of a corpse and the lugubrious

color of a pall, so as forever to remind the wearer that she was dead to

the world of ornament and physical beauty. All great Christian preachers

and reformers have levelled their artillery against the toilet, from the

time of St. Jerome downward; and Tom Moore has put into beautiful and

graceful verse St. Jerome's admonitions to the fair church-goers of his

time.

'WHO IS THE MAID?

'ST. JEROME'S LOVE.

'Who is the maid my spirit seeks,

Through cold reproof and slander's blight?

Has _she_ Love's roses on her cheeks?

Is _hers_ an eye of this world's light?

No: wan and sunk with midnight prayer

Are the pale looks of her I love;

Or if, at times, a light be there,

Its beam is kindled from above.

'I chose not her, my heart's elect,

From those who seek their Maker's shrine

In gems and garlands proudly decked,

As if themselves were things divine.

No: Heaven but faintly warms the breast

That beats beneath a broidered veil;

And she who comes in glittering vest

To mourn her frailty still is frail.

'Not so the faded form I prize

And love, because its bloom is gone;

The glory in those sainted eyes

Is all the grace _her_ brow puts on.

And ne'er was Beauty's dawn so bright,

So touching, as that form's decay,

Which, like the altar's trembling light,

In holy lustre wastes away.'

"But the defect of all these modes of warfare on the elegances and

refinements of the toilet was that they were too indiscriminate. They

were in reality founded on a false principle. They took for granted that

there was something radically corrupt and wicked in the body and in the

physical system. According to this mode of viewing things, the body was

a loathsome and pestilent prison, in which the soul was locked up and

enslaved, and the eyes, the ears, the taste, the smell, were all so many

corrupt traitors in conspiracy to poison her. Physical beauty of every

sort was a snare, a Circean enchantment, to be valiantly contended with

and straitly eschewed. Hence they preached, not moderation, but total

abstinence from all pursuit of physical grace and beauty.

"Now, a resistance founded on an over-statement is constantly tending

to reaction. People always have a tendency to begin thinking for

themselves; and when they so think, they perceive that a good and wise

God would not have framed our bodies with such exquisite care only to

corrupt our souls,--that physical beauty, being created in such profuse

abundance around us, and we being possessed with such a longing for it,

must have its uses, its legitimate sphere of exercise. Even the poor,

shrouded nun, as she walks the convent garden, cannot help asking

herself why, if the crimson velvet of the rose was made by God, all

colors except black and white are sinful for her; and the modest Quaker,

after hanging all her house and dressing all her children in drab,

cannot but marvel at the sudden outstreaking of blue and yellow and

crimson in the tulip-beds under her window, and reflect how very

differently the great All-Father arrays the world's housekeeping. The

consequence of all this has been, that the reforms based upon these

severe and exclusive views have gradually gone backward. The Quaker

dress is imperceptibly and gracefully melting away into a refined

simplicity of modern costume, which in many cases seems to be the

perfection of taste. The obvious reflection, that one color of the

rainbow is quite as much of God as another, has led the children of

gentle dove-colored mothers to appear in shades of rose-color, blue,

and lilac; and wise elders have said, it is not so much the color or

the shape that we object to, as giving too much time and too much

money,--if the heart be right with God and man, the bonnet ribbon may be

of any shade you please."

"But don't you think," said Pheasant, "that a certain fixed dress,

marking the unworldly character of a religious order, is desirable? Now,

I have said before that I am very fond of dress. I have a passion for

beauty and completeness in it; and as long as I am in the world and

obliged to dress as the world does, it constantly haunts me, and tempts

me to give more time, more thought, more money, to these things than I

really think they are worth. But I can conceive of giving up this thing

altogether as being much easier than regulating it to the precise point.

I never read of a nun's taking the veil, without a certain thrill of

sympathy. To cut off one's hair, to take off and cast from her, one by

one, all one's trinkets and jewels, to lie down and have the pall thrown

over one, and feel one's self, once for all, dead to the world,--I

cannot help feeling as if this were real, thorough, noble renunciation,

and as if one might rise up from it with a grand, calm consciousness of

having risen to a higher and purer atmosphere, and got above all the

littlenesses and distractions that beset us here. So I have heard

charming young Quaker girls, who, in more thoughtless days, indulged in

what for them was a slight shading of worldly conformity, say that it

was to them a blessed rest when they put on the strict, plain dress, and

felt that they really had taken up the cross and turned their backs on

the world. I can conceive of doing this, much more easily than I can of

striking the exact line between worldly conformity and noble aspiration,

in the life I live now."

"My dear child," said I, "we all overlook one great leading principle of

our nature, and that is, that we are made to find a higher pleasure in

self-sacrifice than in any form of self-indulgence. There is something

grand and pathetic in the idea of an entire self-surrender, to which

every human soul leaps up, as we do to the sound of martial music.

"How many boys of Boston and New York, who had lived effeminate and idle

lives, felt this new power uprising in them in our war! How they

embraced the dirt and discomfort and fatigue and watchings and toils of

camp-life with an eagerness of zest which they had never felt in the

pursuit of mere pleasure, and wrote home burning letters that they never

were so happy in their lives! It was not that dirt and fatigue and

discomfort and watchings and weariness were in themselves agreeable, but

it was a joy to feel themselves able to bear all and surrender all for

something higher than self. Many a poor Battery bully of New York, many

a street rowdy, felt uplifted by the discovery that he too had hid away

under the dirt and dust of his former life this divine and precious

jewel. He leaped for joy to find that he too could be a hero. Think of

the hundreds of thousands of plain, ordinary workingmen, and of

seemingly ordinary boys, who, but for such a crisis, might have passed

through life never knowing this to be in them, and who courageously

endured hunger and thirst and cold, and separation from dearest friends,

for days and weeks and months, when they might, at any day, have bought

a respite by deserting their country's flag! Starving boys, sick at

heart, dizzy in head, pining for home and mother, still found warmth and

comfort in the one thought that they could suffer, die, for their

country; and the graves at Salisbury and Andersonville show in how many

souls this noble power of self-sacrifice to the higher good was

lodged,--how many there were, even in the humblest walks of life, who

preferred death by torture to life in dishonor.

"It is this heroic element in man and woman that makes self-sacrifice an

ennobling and purifying ordeal in any religious profession. The man

really is taken into a higher region of his own nature, and finds a

pleasure in the exercise of higher faculties which he did not suppose

himself to possess. Whatever sacrifice is supposed to be duty, whether

the supposition be really correct or not, has in it an ennobling and

purifying power; and thus the eras of conversion from one form of the

Christian religion to another are often marked with a real and permanent

exaltation of the whole character. But it does not follow that certain

religious beliefs and ordinances are in themselves just, because they

thus touch the great heroic master-chord of the human soul. To wear

sackcloth and sleep on a plank may have been of use to many souls, as

symbolizing the awakening of this higher nature; but, still, the

religion of the New Testament is plainly one which calls to no such

outward and evident sacrifices.

"It was John the Baptist, and not the Messiah, who dwelt in the

wilderness and wore garments of camel's hair; and Jesus was commented

on, not for his asceticism, but for his cheerful, social acceptance of

the average innocent wants and enjoyments of humanity. 'The Son of man

came eating and drinking.' The great, and never-ceasing, and utter

self-sacrifice of his life was not signified by any peculiarity of

costume, or language, or manner; it showed itself only as it

unconsciously welled up in all his words and actions, in his estimates

of life, in all that marked him out as a being of a higher and holier

sphere."

"Then you do not believe in influencing this subject of dress by

religious persons' adopting any particular laws of costume?" said

Pheasant.

"I do not see it to be possible," said I, "considering how society is

made up. There are such differences of taste and character,--people move

in such different spheres, are influenced by such different

circumstances,--that all we can do is to lay down certain great

principles, and leave it to every one to apply them according to

individual needs."

"But what are these principles? There is the grand inquiry."

"Well," said I, "let us feel our way. In the first place, then, we are

all agreed in one starting-point,--that beauty is not to be considered

as a bad thing,--that the love of ornament in our outward and physical

life is not a sinful or a dangerous feeling, and only leads to evil, as

all other innocent things do, by being used in wrong ways. So far we are

all agreed, are we not?"

"Certainly," said all the voices.

"It is, therefore, neither wicked nor silly nor weak-minded to like

beautiful dress, and all that goes to make it up. Jewelry, diamonds,

pearls, emeralds, rubies, and all sorts of pretty things that are made

of them, are as lawful and innocent objects of admiration and desire, as

flowers or birds or butterflies, or the tints of evening skies. Gems, in

fact, are a species of mineral flower; they are the blossoms of the

dark, hard mine; and what they want in perfume they make up in

durability. The best Christian in the world may, without the least

inconsistency, admire them, and say, as a charming, benevolent old

Quaker lady once said to me, 'I do so love to look at beautiful

jewelry!' The love of beautiful dress, in itself, therefore, so far from

being in a bad sense worldly, may be the same indication of a refined

and poetical nature that is given by the love of flowers and of natural

objects.

"In the third place, there is nothing in itself wrong, or unworthy a

rational being, in a certain degree of attention to the fashion of

society in our costume. It is not wrong to be annoyed at unnecessary

departures from the commonly received practices of good society in the

matter of the arrangement of our toilet; and it would indicate rather an

unamiable want of sympathy with our fellow-beings, if we were not

willing, for the most part, to follow what they indicate to be agreeable

in the disposition of our outward affairs."

"Well, I must say, Mr. Crowfield, you are allowing us all a very

generous margin," said Humming-Bird.

"But, now," said I, "I am coming to the restrictions. When is love of

dress excessive and wrong? To this I answer by stating my faith in one

of old Plato's ideas, in which he speaks of beauty and its uses. He says

there were two impersonations of beauty worshipped under the name of

Venus in the ancient times,--the one celestial, born of the highest

gods, the other earthly. To the earthly Venus the sacrifices were such

as were more trivial; to the celestial, such as were more holy. 'The

worship of the earthly Venus,' he says, 'sends us oftentimes on unworthy

and trivial errands, but the worship of the celestial to high and

honorable friendships, to noble aspirations and heroic actions.'

"Now it seems to me that, if we bear in mind this truth in regard to

beauty, we shall have a test with which to try ourselves in the matter

of physical adornment. We are always excessive when we sacrifice the

higher beauty to attain the lower one. A woman who will sacrifice

domestic affection, conscience, self-respect, honor, to love of dress,

we all agree, loves dress too much. She loses the true and higher beauty

of womanhood for the lower beauty of gems and flowers and colors. A girl

who sacrifices to dress all her time, all her strength, all her money,

to the neglect of the cultivation of her mind and heart, and to the

neglect of the claims of others on her helpfulness, is sacrificing the

higher to the lower beauty. Her fault is not the love of beauty, but

loving the wrong and inferior kind.

"It is remarkable that the directions of Holy Writ, in regard to the

female dress, should distinctly take note of this difference between

the higher and the lower beauty which we find in the works of Plato. The

Apostle gives no rule, no specific costume, which should mark the

Christian woman from the Pagan; but says, 'whose adorning, let it not be

that outward adorning of plaiting the hair, and of wearing of gold, or

of putting on of apparel; but let it be the hidden man of the heart, in

that which is not corruptible, even the ornament of a meek and quiet

spirit, which is in the sight of God of great price.' The gold and gems

and apparel are not forbidden; but we are told not to depend on them for

beauty, to the neglect of those imperishable, immortal graces that

belong to the soul. The makers of fashion among whom Christian women

lived when the Apostle wrote were the same class of brilliant and

worthless Aspasias who make the fashions of modern Paris; and all

womankind was sunk into slavish adoration of mere physical adornment

when the Gospel sent forth among them this call to the culture of a

higher and immortal beauty.

"In fine, girls," said I, "you may try yourselves by this standard. You

love dress too much when you care more for your outward adornings than

for your inward dispositions,--when it afflicts you more to have torn

your dress than to have lost your temper,--when you are more troubled by

an ill-fitting gown than by a neglected duty,--when you are less

concerned at having made an unjust comment, or spread a scandalous

report, than at having worn a _passée_ bonnet,--when you are less

troubled at the thought of being found at the last great feast without

the wedding garment, than at being found at the party to-night in the

fashion of last year. No Christian woman, as I view it, ought to give

such attention to her dress as to allow it to take up _all_ of three

very important things, viz.:--

_All_ her time.

_All_ her strength.

_All_ her money.

Whoever does this lives not the Christian, but the Pagan life,--worships

not at the Christian's altar of our Lord Jesus, but at the shrine of the

lower Venus of Corinth and Rome."

"O now, Mr. Crowfield, you frighten me," said Humming-Bird. "I'm so

afraid, do you know, that I am doing exactly that."

"And so am I," said Pheasant; "and yet, certainly, it is not what I mean

or intend to do."

"But how to help it," said Dove.

"My dears," said I, "where there is a will there is a way. Only resolve

that you will put the true beauty first,--that, even if you do have to

seem unfashionable, you will follow the highest beauty of

womanhood,--and the battle is half gained. Only resolve that your time,

your strength, your money, such as you have, shall not all--nor more

than half--be given to mere outward adornment, and you will go right. It

requires only an army of girls animated with this noble purpose to

declare independence in America, and emancipate us from the decrees and

tyrannies of French actresses and ballet-dancers. _En avant_, girls! You

yet can, if you will, save the republic."

X.

WHAT ARE THE SOURCES OF BEAUTY IN DRESS.

The conversation on dress which I had held with Jennie and her little

covey of Birds of Paradise appeared to have worked in the minds of the

fair council, for it was not long before they invaded my study again in

a body. They were going out to a party, but called for Jennie, and of

course gave me and Mrs. Crowfield the privilege of seeing them equipped

for conquest.

Latterly, I must confess, the mysteries of the toilet rites have

impressed me with a kind of superstitious awe. Only a year ago my

daughter Jennie had smooth dark hair, which she wreathed in various

soft, flowing lines about her face, and confined in a classical knot on

the back of her head. Jennie had rather a talent for _coiffure_, and the

arrangement of her hair was one of my little artistic delights. She

always had something there,--a leaf, a spray, a bud or blossom, that

looked fresh, and had a sort of poetical grace of its own.

But in a gradual way all this has been changing. Jennie's him first

became slightly wavy, then curly, finally frizzly, presenting a tumbled

and twisted appearance, which gave me great inward concern; but when I

spoke upon the subject I was always laughingly silenced with the

definitive settling remark: "O, it's the fashion, papa! Everybody wears

it so."

I particularly objected to the change on my own small account, because

the smooth, breakfast-table _coiffure_, which I had always so much

enjoyed, was now often exchanged for a peculiarly bristling appearance;

the hair being variously twisted, tortured, woven, and wound, without

the least view to immediate beauty or grace. But all this, I was

informed, was the necessary means towards crimping for some evening

display of a more elaborate nature than usual.

Mrs. Crowfield and myself are not party-goers by profession, but Jennie

insists on our going out at least once or twice in a season, just, as

she says, to keep up with the progress of society; and at these times I

have been struck with frequent surprise by the general untidiness which

appeared to have come over the heads of all my female friends. I know,

of course, that I am only a poor, ignorant, bewildered man-creature; but

to my uninitiated eyes they looked as if they had all, after a very

restless and perturbed sleep, come out of bed without smoothing their

tumbled and disordered locks. Then, every young lady, without exception,

seemed to have one kind of hair, and that the kind which was rather

suggestive of the term _woolly_. Every sort of wild _abandon_ of frowzy

locks seemed to be in vogue; in some cases the hair appearing to my

vision nothing but a confused snarl, in which glittered tinklers,

spangles, and bits of tinsel, and from which waved long pennants and

streamers of different-colored ribbons.

I was in fact very greatly embarrassed by my first meeting with some

very charming girls, whom I thought I knew as familiarly as my own

daughter Jennie, and whose soft, pretty hair had often formed the object

of my admiration. Now, however, they revealed themselves to me in

_coiffures_ which forcibly reminded me of the electrical experiments

which used to entertain us in college, when the subject stood on the

insulated stool, and each particular hair of his head bristled and rose,

and set up, as it were, on its own account. This high-flying condition

of the tresses, and the singularity of the ornaments which appeared to

be thrown at hap-hazard into them, suggested so oddly the idea of a

bewitched person, that I could scarcely converse with any presence of

mind, or realize that these really were the nice, well-informed,

sensible little girls of my own neighborhood,--the good daughters, good

sisters, Sunday-school teachers, and other familiar members of our best

educated circles; and I came away from the party in a sort of blue maze,

and hardly in a state to conduct myself with credit in the examination

through which I knew Jennie would put me as to the appearance of her

different friends.

I know not how it is, but the glamour of fashion in the eyes of girlhood

is so complete, that the oddest, wildest, most uncouth devices find

grace and favor in the eyes of even well-bred girls, when once that

invisible, ineffable _aura_ has breathed over them which declares them

to be fashionable. They may defy them for a time,--they may pronounce

them horrid; but it is with a secretly melting heart, and with a mental

reservation to look as nearly like the abhorred spectacle as they

possibly can on the first favorable opportunity.

On the occasion of the visit referred to, Jennie ushered her three

friends in triumph into my study; and, in truth, the little room seemed

to be perfectly transformed by their brightness. My honest, nice,

lovable little Yankee-fireside girls were, to be sure, got up in a style

that would have done credit to Madame Pompadour, or any of the most

questionable characters of the time of Louis XIV. or XV. They were

frizzled and powdered, and built up in elaborate devices; they wore on

their hair flowers, gems, streamers, tinklers, humming-birds,

butterflies, South American beetles, beads, bugles, and all imaginable

rattle-traps, which jingled and clinked with every motion; and yet, as

they were three or four fresh, handsome, intelligent, bright-eyed girls,

there was no denying the fact that they _did look extremely pretty_; and

as they sailed hither and thither before me, and gazed down upon me in

the saucy might of their rosy girlhood, there was a gay defiance in

Jennie's demand, "Now, papa, how do you like us?"

"Very charming," answered I, surrendering at discretion.

"I told you, girls, that you could convert him to the fashions, if he

should once see you in party trim."

"I beg pardon, my dear; I am not converted to the fashion, but to you,

and that is a point on which I didn't need conversion; but the present

fashions, even so fairly represented as I see them, I humbly confess I

dislike."

"O Mr. Crowfield!"

"Yes, my dears, I do. But then, I protest, I'm not fairly treated. I

think, for a young American girl, who looks as most of my fair friends

do look, to come down with her bright eyes and all her little panoply of

graces upon an old fellow like me, and expect him to like a fashion

merely because _she_ looks well in it, is all sheer nonsense. Why,

girls, if you wore rings in your noses, and bangles on your arms up to

your elbows, if you tied your hair in a war-knot on the top of your

heads like the Sioux Indians, you would look pretty still. The question

isn't, as I view it, whether you look pretty,--for that you do, and that

you will, do what you please and dress how you will. The question is

whether you might not look prettier, whether another style of dress, and

another mode of getting up, would not be far more becoming. I am one who

thinks that it would."

"Now, Mr. Crowfield, you positively are too bad," said Humming-Bird,

whose delicate head was encircled by a sort of crapy cloud of bright

hair, sparkling with gold-dust and spangles, in the midst of which, just

over her forehead, a gorgeous blue butterfly was perched, while a

confused mixture of hairs, gold-powder, spangles, stars, and tinkling

ornaments fell in a sort of cataract down her pretty neck. "You see, we

girls think everything of you; and now we don't like it that you don't

like our fashions."

"Why, my little princess, so long as I like you better than your

fashions, and merely think they are not worthy of you, what's the harm?"

"O yes, to be sure. You sweeten the dose to us babies with that

sugar-plum. But really, Mr. Crowfield, why don't you like the fashions?"

"Because, to my view, they are in great part in false taste, and injure

the beauty of the girls," said I. "They are inappropriate to their

characters, and make them look like a kind and class of women whom they

do not, and I trust never will, resemble internally, and whose mark

therefore they ought not to bear externally. But there you are,

beguiling me into a sermon which you will only hate me in your hearts

for preaching. Go along, children! You certainly look as well as anybody

can in that style of getting up; so go to your party, and to-morrow

night, when you are tired and sleepy, if you'll come with your crochet,

and sit in my study, I will read you Christopher Crowfield's

dissertation on dress."

"That will be amusing, to say the least," said Humming-Bird; "and, be

sure, we will all be here. And mind, you have to show good reasons for

disliking the present fashion."

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