CHAPTER XI

THE CORRESPONDENT

Too often the complaint against the newspaper is that it is

sensation-seeking and has a predilection for scandal and

unsavory gossip. Men and women, including some of eminent

rank in their own professions, although having only a slight

knowledge of the making of a newspaper, have a habit of saying

in their ignorance that newspapers give preference to crime,

divorce and scandal. It is even added that it is impossible to

get wholesome news into a newspaper.

This opinion is wrong. It not only does injustice to most

newspapers, but, in a measure, it offers insult to the readers

of those newspapers. As a general thing newspapers give

preference to only one thing--news. But news is news only when

it relates to something of present interest in an interesting

way.--From an editorial in the Washington (D. C.) _Times_.

In addition to getting the service of one of the big news gathering

organizations, such as the Associated Press, and maintaining

correspondents in the leading cities of the country, the metropolitan

newspaper receives a vast amount of material from special

correspondents in the cities and towns in its immediate territory. By

immediate territory is meant those states in which the mail edition

of the paper has its greatest circulation. Chicago papers, for

example, circulate not only in Illinois, but reach into Wisconsin,

Iowa, Indiana, Michigan and parts of Missouri, Ohio and Minnesota. St.

Louis and Kansas City papers have a broad field in the Southwest. The

newspaper’s function is to give all the important news of the nation

and the world, and to give besides the special news of that section of

the country which it serves. It is to the end that news within this

territory may be covered, or covered more fully than it would be by a

national news gathering organization, that the paper maintains a corps

of special correspondents.

A special correspondent is in effect an out-of-town reporter for the

paper he represents, working under the direction of the telegraph

editor just as the local reporter works under the city editor. The

only difference is that he is not in as close touch with his chief as

the local man. Though now and then he may get a definite assignment

by wire, he works largely on his own initiative. This is added reason

why he should cultivate a “nose for news” and the art of writing news.

A mistake made by wire is usually harder to correct than a mistake

made in the office. Time is lost and unnecessary expense incurred if

the correspondent sends in a slipshod story about which the office

has to ask questions. The correspondent is as much an agent of the

paper as the local reporter. He is responsible for all the news in a

given territory, and if wide-awake and efficient he can do much toward

increasing the prestige of his paper in his community.

WRITING FOR THE WIRE

The general rules that govern all news writing apply with equal

or greater force to the telegraph story. So far from taking an

unworthy advantage of his comparative freedom from supervision, the

correspondent should feel perhaps even more keenly than the local

reporter the news writer’s obligation to be absolutely fair and

accurate. It goes without saying that he should be concise, because

the newspaper pays for every word that he sends over the wire. On the

other hand he should never sacrifice clearness to save a few words.

Few newspapers want their dispatches skeletonized--boiled down, that

is, by the omission of such words as “the” and “of.” If the dispatch

is skeletonized intelligently, the editor in the office can easily

supply the missing words, but most newspapers consider that any saving

effected in this way is more than offset by the loss of time in editing

the story. Unless a newspaper specifically states that it wants its

news in skeleton form, the correspondent should put it on the wire

exactly as he would like to see it in print.

In estimating the value of his story to the paper he serves, the

correspondent should never let his personal interest in the doings of

his own community bias his judgment. A story that is worth a column

of space in his local paper may be of no value whatever to a paper

published 100 miles away. In “sizing up” a story let the correspondent

imagine himself a stranger, in the community for the first time. What

would be of interest to him? What, in other words, is of more than

purely local concern? Not the fact, surely, that a new sidewalk is

being laid on Elm street. That is a matter in which the residents on

Elm street, Smithville, may be vitally interested, but it has no news

value outside of Smithville. The correspondent who makes a newspaper

pay tolls on trivial items is certain to get a peremptory order to stop

sending, and if he is not an authorized correspondent, the telegraph

tolls may be charged back to him.

No newspaper worthy of the name will knowingly print fake stories. If

for no other reason than self-interest, the correspondent should hew

close to the narrow line of truth, for the faker cannot hope long to

escape detection and dismissal. Neither should the correspondent try

to win favor by inserting in his stories “puffs” of persons to whom he

feels indebted for information. The writer who seeks to use the columns

of a newspaper for personal ends is unfaithful to the trust reposed in

him as the newspaper’s agent. Newspapers are in the business of buying

and selling news. They want the facts that are news--and the facts only.

SOME PITFALLS TO BE AVOIDED

“Remember,” the Chicago _Record-Herald_ tells its correspondents in

a pamphlet of instructions, “that while news is always truth, the

truth is not always news.” Essentially the same warning is given

by other newspapers. While it applies partly to matters of trivial

importance, it is intended chiefly to put the correspondent on his

guard against stories that are forbidden by good taste or decency. When

a gossipy individual approaches a correspondent and whispers that he

has something “that will make good reading,” the chances are he will

tell something that no reputable newspaper would print. The writer

should beware of malicious gossip and unfounded rumors. Things that

are merely rumored are not news. No newspaper cares to give space to

libelous matter and no newspaper that is edited on right principles

will intentionally print anything that will injure the reputation of an

innocent person.

The _Record-Herald_ thus states some of the pitfalls that are to be

avoided:

“If John Smith leaves town and Mrs. Jones precedes or follows him,

thereby causing local scandalmongers to intimate that they have eloped,

don’t send it; the chances are that the gossip is false, and in no way

can a correspondent do more irreparable damage.

“If John Smith has been financially hard up and suddenly disappears,

suffering, perhaps, severe mental strain, don’t send a dispatch that he

is an absconder or an embezzler. He may be neither.

“Or if John Smith be removed from some position of trust, and his

employer has seen fit to put experts at work on his books, don’t jump

to the conclusion that John is a defaulter, and don’t send a dispatch

that he is under suspicion. Facts, not suspicions, are news.

“Be careful never to confound the name of the plaintiff for that of

the defendant, or vice versa; nor the name of a person making an

arrest for that of the person arrested; nor the name of a lawyer for

that of the client whom he is defending--in short, remember that it

is reprehensible, if not actually libelous, to accuse any person of

anything that some other person stands accused of.

“Never draw conclusions adverse to conduct or character; never comment

upon the facts. Let the facts themselves tell the whole story.

“Carefully scrutinize and consider any court news affecting business

standings or business transactions. Ex parte statements filed in court

are always one-sided, sometimes malicious, and may be libelous. Not

infrequently such statements are filed in the hope that they will find

their way into print and thus damage the credit or reputation of the

person assailed. The fact that such a statement or petition has been

filed does not necessarily justify publication.

“Be wary at all times of stories affecting the professional repute of

doctors, lawyers, preachers and members of other professions largely

dependent upon the esteem in which they are held.

“Shun, whenever it is possible, all stories affecting the characters of

women.”

WHAT NOT TO SEND

Here are some of the things that most newspapers include in their lists

of what not to send:

1. Trivial accidents, such as the breaking of an arm or leg by

machinery, unless the person hurt is of wide prominence.

2. Insignificant robberies or burglaries.

3. Murders in which the persons concerned are obscure or in which there

is no element of mystery.

4. Unmentionable offenses, breach of promise, abandonment and similar

cases. If, however, the circumstances are very unusual, send the facts

guardedly, but only the facts that can be verified through judicial

proceedings. “Such stories,” the Chicago _Tribune_ adds, “should be

handled with extreme care. Where lynching or attempts to lynch follow

assaults, that fact should be bulletined immediately.”

5. Daily accounts of trials, murder or otherwise, unless specifically

ordered.

6. Puffs of individuals, hotels, etc., or any other form of free

advertising. No press agent stories are wanted.

7. Obituaries of obscure persons.

8. Marriages, unless the persons are prominent, in which case notice

should be sent in advance by mail.

9. Ordinary damage suits.

10. Storm news, unless there is loss of life or great property damage.

11. Condition of crops, except in case of rain, frost or drought at

critical times.

12. Ordinary business transactions.

13. Meetings of secret societies, except state or national meetings.

14. Accounts of county fairs or picnics, unless ordered.

15. Abstracts of sermons, unless they contain some striking news

feature.

16. Reports of celebrations, unless persons of state or national

prominence attend, or of the general observance of Christmas, New

Year’s or the Fourth of July.

17. Stories of freaks or monstrosities, such as three-legged chickens.

18. School commencements, meetings of teachers’ institutes, medical

societies, farmers’ alliances and the like, in which the interest is

purely local.

19. Interviews with “a well-known citizen,” “a prominent official” or

any other anonymous individual.

20. Theatrical notices, unless they contain some real news feature.

21. Political speeches or gossip, unless ordered.

22. Fatal accidents to trainmen or obscure persons, except where there

are two or more fatalities.

This list, while not exhaustive, gives a general idea of what is to be

avoided. No set of rules could be drawn up to cover every case with

which the correspondent has to deal. To equip himself to give the

best service he should not only learn the general principles of news

writing, but should study the columns of the newspaper he represents

to find out its particular needs. He should remember, too, that no

rule is iron-clad. A story falling under any head of the foregoing

classification may possess some extraordinary feature that will make

it worth printing. In that case the correspondent should be careful to

build his story around the unusual part.

Most newspapers rely on a news gathering organization for stories of

railroad wrecks, big fires, floods and the like. The correspondent

should never duplicate a story of this kind that he knows will reach

the newspaper through another channel in time for publication. If,

however, an event is of unusually grave importance, or if it happens at

a late hour, the chances are that a special dispatch will be required,

and the correspondent should send a bulletin of the facts immediately.

Alertness in furnishing bulletins of important news is always

appreciated. The correspondent should never under any circumstances

duplicate a story to two newspapers in the same city.

WHAT TO SEND

A careful reading of a list of “Don’ts” will give the correspondent

a fair idea of what the newspaper does want. In addition he should

remember that nearly every newspaper has a hobby--a fondness for a

certain class of news of which it makes a specialty. This hobby may be

the gathering of news that will help along the cause of good roads, or

statistics of Fourth of July accidents, or sporting news; whatever it

is, the correspondent can make it a source of profit.

The Cincinnati _Enquirer_, for example, is particularly insistent that

its correspondents keep it informed regarding sporting events. The

Chicago Tribune includes in its book of instructions a list of “Tribune

Specialties.” These are:

Unique statistics.

Cigaret stories, legal, legislative, deaths, insanity, etc.

Animal stories--by mail.

Unique hunting and fishing stories--by mail.

Interesting personalities about men and women in the public

eye--by mail.

Odd photographs.

Scientific discoveries.

Stories of romance--by mail.

Short human-interest stories, things that will bring smiles or tears

to men and women everywhere, are always in demand. It is a perverted

notion that all newspapers are eager to get so-called scandal news. The

“cleaner” the story, the more likely it is to be printed.

For a newspaper published, say, in Chicago, events involving residents

of Chicago have a special value beyond their ordinary worth as news. In

such cases street addresses should always be sent.

Advance notices should be sent by mail of weddings of prominent

persons, of coming elections and political conventions of all parties,

and of all meetings in which there is more than local interest. If

predictions as to the outcome of an election are desired, go to the

political leaders; the personal opinions of the correspondent are not

wanted.

Stories of important business transactions and movements in the

industrial world are nearly always acceptable.

If the newspaper you represent uses illustrations, don’t overlook an

opportunity to get good pictures. Photographs illustrating important

news stories should be mailed at the earliest possible moment. Use

special delivery stamps and wire the newspaper that you have mailed a

package which will reach the city at a certain time.

SPORTING NEWS

Special instructions regarding sporting matter are given by many

newspapers. Note the following:

Never take sides in controversies.

Send pictures of the winners of important sporting events.

In sending summaries of trotting meetings, always observe the

newspaper’s style.

Do not send accounts of prize fights between men of only local

reputation, except in case of death or severe injury. Send to the

sporting editor by mail advance notice of all important contests, and

if possible send photographs of the fighters in advance.

Be absolutely sure of your facts before stating that a record has been

broken.

Never say that a contest is for the championship of a city, county or

state, or any other championship, when such is not the case.

Watch for general news features. For example, if a spectator is killed

at a baseball game, say so at once. Never bury facts of general

interest under a story that will interest only those who read the

sporting page.

Be prompt. The sporting page as a rule goes to press early, and stories

are often left out, especially on Saturday nights, because they reach

the office too late. File stories of Saturday afternoon events as soon

as possible.

HOW TO SEND

The correspondent sends his story in one of three ways--by telegraph,

mail or long-distance telephone.

Practically all news of immediate interest is sent by telegraph. Assume

that you are the correspondent of a morning newspaper and at 5 o’clock

in the afternoon have a story of a fire and panic in a theater, in

which five persons were killed and twelve injured. You have plenty of

time to send what the newspaper calls a query--a brief dispatch setting

forth the salient facts of the story. Nearly all newspapers require

their correspondents to file queries on early news.

An acceptable query in this case would be:

“Theater fire and panic; five dead; twelve injured; five hundred.” This

means that you are prepared to furnish 500 words on the story. It is

unnecessary to say, “Do you want the news?” or “How much?” The dispatch

in itself is a question.

Get your story into shape to put on the wire without delay if it is

ordered. If it is not wanted, no reply to the query will be received.

Assume that the story is ordered in this dispatch: “Rush three hundred

fifty theater fire.” That means that the correspondent is to keep his

story within 350 words. The fact that a newspaper does not order a

story or orders less than the correspondent offers does not necessarily

imply that his news judgment is questioned. Stories that ordinarily

would be used may be crowded out by a rush of news of greater

importance. One story like that of the San Francisco earthquake and

fire will cause the omission or rigid condensation of news that usually

would be “featured.” Sometimes the correspondent’s story is not ordered

because the facts are covered in the reports of a news gathering

organization as fully as the newspaper desires.

After the date line at the beginning of your story write the time of

filing, thus: “Centralia, Mo., June 6.--Filed 6:30 P. M.” This will

enable the newspaper to fix the blame if the dispatch is delayed. In

sending more than one story make each a separate dispatch, with date

line and signature.

For morning newspapers file all day news as early as possible, but

instruct the telegraph operator not to send until 6 P. M., when the

night press rate, which is cheaper than the day rate, goes into effect.

Promptness is essential. News matter received after 11 P. M. is likely

to be thrown away unless of great importance.

Never write a “blind” query, such as “prominent citizen killed” or

“horrible accident.” State plainly and specifically what your news is.

It is especially important that the correspondent observe this rule

in sending late news of comparatively small happenings. Much can be

compressed into a hundred words. If it is too late to order more, your

dispatch--in this case a compressed news story rather than a query--can

be treated as complete in itself.

HANDLING THE BIG STORY

The rules that apply to the sending of the early story may be waived

when the correspondent has late news of big, vital importance. The

main thing then is to get the story into the office, and get it there

as quickly as he can. The Cincinnati _Enquirer_ says: “Never postpone

sending in a good piece of news. Get it to us somehow, no matter at

what hour the event may occur. Remember that a few words of an item

to-night are worth more than a column of the same to-morrow night.”

That is a good rule for the correspondent. Do not delay sending news in

the hope that it will be allowed greater space if you hold it a day.

Assume that you have the story of a railroad wreck in which a dozen

passengers were killed. You are sure the story will be wanted. It is

10 o’clock at night. There is not time to query and get instructions.

As soon as possible send a brief bulletin, telling what the news is

and about how many words you will have. Then begin to send the story

at once. Don’t wait until you have completed the story before handing

it to the telegraph operator. Give him the lead and write the story as

he works. Send the big facts first, then the details. Write simply and

naturally, without padding.

If you cannot get to a telegraph wire, do not hesitate to use the

long-distance telephone. Have your facts well in mind so that you can

tell them without an expensive waste of time. A big story may be rushed

into type for the city edition of a morning newspaper as late as 2:30

o’clock or even later. News that is important enough to warrant “making

over” the first page or the issuance of an extra edition is available

up to 4 or 5 o’clock.

Evening newspapers, as a rule, are essentially local in character,

and hence use less special telegraph matter than those published in

the morning. But a big story is a big story at any hour of the day or

night, and if it develops in time for day publication the correspondent

of an evening newspaper should use every effort to get it in. The St.

Louis _Post-Dispatch_ says: “In the early hours of the morning--say up

to 10 or 11 o’clock--a brief bulletin on any important news item will

be sufficient; if the telegraph editors want more they will notify

you by wire. But after that hour the _Post-Dispatch_ would rather

have too much of a good thing than not enough. Remember that the Home

Edition--the principal edition of the _Post-Dispatch_--is practically

closed to its correspondents at noon. If anything BIG happens in your

locality about that time, rush it to the _Post-Dispatch_ without any

preliminary notification. Do not hesitate to ‘take a chance’ at any

time if you believe you have something that the _Post-Dispatch_ would

like to know about.”

SENDING BY MAIL

Feature stories, which are as interesting at one time as another,

obviously should be sent by mail. To what extent the correspondent

should use the mails for matter of more immediate interest depends

somewhat on the instructions he receives from his office. As a rule,

early news matter for a morning newspaper should be sent by mail if the

correspondent is sure his letter will reach the office by 10 o’clock

at night. If news of great importance is mailed, wire the office to

that effect, telling what train your letter is on. Most newspapers

furnish special envelopes to their correspondents for use in mailing

stories. Don’t hesitate to use a special delivery stamp in mailing

important news. It is often possible for the correspondent to send news

in advance by mail, to be held until a dispatch is received from him

releasing the story for publication. A speech or a report of which the

correspondent has an advance copy may be handled in this way to save

telegraph tolls and time.

For the evening paper, stories of the late afternoon or night may be

sent by mail when the correspondent is certain they will reach the

office early in the morning. But an important story, which depends for

its interest on immediate publication, should never be entrusted to

the mails when there is any likelihood that it will not be received on

time. In brief, the correspondent should strive to get all worth-while

news for the paper he serves and get it to his office first.

GENERAL INSTRUCTIONS

Below are some general instructions that hold good for the

correspondent of any newspaper, in any territory:

1. Don’t send more than ordered.

2. Keep the local telegraph office informed of your address and

telephone number, so that messages may be delivered to you at any time.

3. Get a substitute to do your work when you are temporarily absent

from town. Have him sign dispatches with your name to avoid confusion

in accounts.

4. Make it a point to keep on friendly terms with the telegraph

operators. They can often be of great service.

5. Write your dispatches plainly.

6. If possible, use the typewriter in preparing stories to be mailed.

7. Never send letters or photographs by express. The express companies

deliver only during the day.

8. Study the style of the newspaper you represent by comparing your

stories as sent with the stories as printed.

9. Spell out round numbers in dispatches.

10. When an extract from a speech or a document is sent by wire,

indicate the beginning of the quoted matter with the word “quote” and

the end with the words “end quote.”

11. Incur any legitimate expense in getting important news and

photographs. If possible, however, query the office and get

instructions before doing so.

PAYMENT

The correspondent is paid on the basis of matter used. Rates vary,

but the average is $5 a column, usually estimated at 1,500 words.

Extra payment is allowed for exclusive news. A few newspapers require

correspondents to send in at the end of each month a “string” of

their published stories, but the majority keep an account with each

correspondent by means of credit tabs showing the date of each story,

the name of the sender and the number of words.

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