SCENE III.

GODLER, TREVELE.

TREVELE (_to_ GODLER, _while eating a cake_).

I assure you that Nourvady is a personage apart. Listen now; let us eat

all the cakes, drink all the lemonade, and during that time you can

solve the enigma, for at length you ought to know what is going on in

this house, you who have always been a friend of the Marchioness of

Quansas. It is said even....

GODLER (_after looking around him_).

In 1853.

TREVELE.

You are decided?

GODLER.

In 1853.

TREVELE.

Why did you never tell it?

GODLER.

In 1853 there was a Madam Duranton, who kept a shop in the rue

Traversiere.

TREVELE.

Where may the rue Traversiere be?

GODLER.

It was a little cross street, of compromised fame, leading from the rue

St. Honore to the rue Richelieu. Madame Duranton, a widow--one could not

be more a widow--sold left-off clothes. You can imagine the rest....

TREVELE.

Yes, I see, I see; make haste.

GODLER.

Madame Duranton, at whose house two or three friends and I went

sometimes to pass the evening, and who gave us sometimes cider and

chesnuts in her little back shop....

TREVELE.

In 1853?

GODLER.

In 1853.

TREVELE.

How old were you?

GODLER.

I was 39 years old.

TREVELE.

You are old, then?

GODLER.

I am 66.

TREVELE.

You don't look that age.

GODLER.

Because I get myself up very well.

TREVELE.

What a good fellow! Go on.

GODLER.

Would you like us to make a bet?

TREVELE.

No, you would gain it; Florimond has told it to me.

GODLER (_who is sitting down_).

Very well; go and shut the window, and give me something to drink.

TREVELE.

Go on.

GODLER.

Madame Duranton had a daughter.

TREVELE.

To whom you made love?

GODLER.

To whom we all made love, without any good intention--you can

understand. The young girl, then between 18 and 19 years old, was a

beautiful creature, with naturally golden hair, like women have

artificially now-a-days, with violet-blue eyes, cheeks like a rose of

Bengal, and teeth and lips resembling almonds between two halves of a

cherry.

(_During this time_ GODLER _from time to time arranges his whiskers, and

a lock of hair which falls over his forehead, with a little comb that he

takes out of his pocket_.)

TREVELE.

One could almost wish to taste thereof. You are a poet!

GODLER.

That I had from my youth. At that time....

TREVELE.

In your youth?

GODLER.

No, in 1853, there were a king and queen....

TREVELE.

Who reigned....

GODLER.

Exactly.

TREVELE.

Happy time! Where did they reign?

GODLER.

At Bagdad.

TREVELE.

Thank you.

GODLER.

This king and this queen had an only son, who was to succeed them. This

son, 23 years old, took much too seriously his part of heir-presumptive.

But what was the use of having a crown, if, in his turn, he was not to

have an heir to leave it to? However, nothing in the young prince

indicated the least inclination towards love, legitimate or otherwise.

TREVELE.

He was not like you.

GODLER.

No, he was not like me.

TREVELE.

Go on.

GODLER.

Always study; always reflection; always indifference.

TREVELE.

A strange prince!

GODLER.

The ambassadors opened negotiation upon negotiation uselessly with

foreign courts in view of a political alliance. Several young

princesses of surrounding countries, of Hindostan, of Persia, and even

of Europe....

TREVELE.

How well you relate a thing!

GODLER.

Were waiting full-dressed, their hair well-dressed and splendidly

perfumed, for the king of Bagdad to ask their hand for his son. The

telegraph replied always: Wait! Wait!

TREVELE.

Go on quickly.

GODLER.

A chamberlain had a very simple idea.

TREVELE.

In general the ideas of chamberlains are very simple.

GODLER.

This was, to let the prince travel, in order that he might see other

women than those of Bagdad, since they were acknowledged to be

insufficient, and to send him at once to Paris.

TREVELE.

Bad complaints require strong remedies.

GODLER.

But this was not all; beauty was necessary, and it must be stock of a

particular kind: also those that he did not marry must differ only in

rank from the one he did marry. In fact, it was not a Lycoenion, but

a perfect Chloe, that was sought for the instruction of this Daphnis,

and it was not to be child's play.

TREVELE.

I see the young Lionnette dawning. But how did everything come about?

GODLER.

That will make the subject of the following chapter. The ambassador of

Bagdad came with us sometimes in the evening, to eat chesnuts and drink

cider at Madame Duranton's.

TREVELE.

And he discovered a way of leading the prince to eat the cherries and

almonds?

GODLER.

Who acquired such a taste for these delicious fruits, that he wanted to

eat nothing else, had no wish to go away, had no inclination whatever

for study, no longer wished to reign--he wanted to marry. However, the

king, informed and satisfied on the subject, recalled his son. He must

go back to Bagdad. Daphnis wept, and Chloe also.

TREVELE.

You are king, you cry, and I depart.

GODLER.

And that is how the beautiful Lionnette came into the world; having for

legal father a Marquis de Quansas, a ruined gentleman, rather a bad

character, who turned up just at the right moment to lay his hand on a

marriage portion, give his name to the mother and daughter, and die a

short time after, without falling into the hands of the correctional

police, as every one expected to see him do.

TREVELE.

Then the countess is daughter of a prince?

GODLER.

Daughter of a king, even--for the prince succeeded his father.

TREVELE.

What a strange country!

GODLER.

Daughter of a king and of an adventuress; daughter herself of no one

knows who. From that comes, no doubt, the strangeness in the nature of

Lionnette, whom we, who know the circumstances, named, when she was very

young, the Princess of Bagdad. People never knew what it meant, but it

is useless for all the world to know what some things mean.

TREVELE.

And the mother, the Marchioness of Quansas, has she seen the king again

since that adventure?

GODLER.

Often, and for several years. Thence comes the great luxury and style of

the house. But she became so badly-conducted, and abused so much the

goodness of the king to her, that he--himself now become father of a

large family, as everything led to hope after his return from Paris,

and the marchioness no longer being young--lost all patience, and gave

no more money, except to his daughter, whom he adored, and whom he saw

in secret. But he died quite suddenly.

TREVELE.

I know whom you mean.

GODLER.

Then we both know it, that is sufficient. After the death of the king

all the resources disappeared. Fortunately, the love and marriage of our

friend John de Hun were found in the nick of time, to maintain for some

time the importance of the house; but at this moment I think the

downfall is not far off, and all these comings and goings of to-day may

very well be the last signs of it. All the legitimate ways are

exhausted; there remains nothing now but the others.

TREVELE.

Which are happily the most numerous. It costs too much for us, my poor

old Godler. For the present it is just the affair of the gloomy

millionaire: we shall see later on. There is nothing more to drink; they

have quite forgotten us. Put your comb in your pocket again, your lock

of hair is very well like that; now let us go away. A peculiar kind of a

house. Where is my hat?

(_While they both look for their hats, their backs turned to the bottom

of the room_, JOHN _enters, very pale, and visibly affected_.)

The Princess of Bagdad: A Play In Three Acts · 第 3 / 5 章