OCTOBER 21ST.

I did very little during the day, so as to be fresh for my night’s work,

though I went to see my friend the plaster-moulder who is working for so

many thousand roubles a day in my studio. He is making piece moulds of

the busts, so that I can leave duplicates when I go. I asked Andrev why

he had to be paid so much. Andrev explained that he is the only moulder

in Moscow, so he can ask what he likes: “He says he will work for this

and not for that,” and Andrev held a thousand rouble note in one hand

and a hundred rouble note in the other. “But it is all the same really,

only it is a different pattern,” and he laughed. Certainly money has no

value here, and no meaning. At 8 o’clock I went back again to the War

Commissariat in Trotsky’s car. On arrival I told him that I had got to

get this work right to-night, and that he was not to be critical and

look at it all the time and make me nervous.

He was surprised; said that he had no idea that he had that effect on

me, that all he wanted was to help: “_Je veux travailler cela avec

vous_.” His criticism, he said, was caused by intense interest, and that

for nothing in the world would he be discouraging. He promised, however,

to be good, and offer no opinion until asked. It was a better night for

work; I felt calmer and it went pretty well.

The worst difficulties were surmounted. Trotsky stood for me in a good

light and dictated to his stenographer. That was excellent. His face was

animated and his attention occupied. I got all one side of his face

done. Then came the question of the other side. He laughed, suggested

another dictation, offered to stand in another position, and called back

his stenographer. When we were alone again he came and stood close

beside the clay and we talked while I went on working. We talked a

little about myself.

He said I should remain in Russia awhile longer, and do some big work,

something like my “Victory.” An emaciated and exhausted figure, but

still fighting; that is the allegory of the Soviet.

I answered him that I could get no news of my children, and therefore

must go back.

“I must return to my own world, to my own conventional people whose

first thought is always for what the world will think. Russia with its

absence of hypocrisy and pose, Russia with its big ideas, has spoilt me

for my own world.”

“Ah! that is what you say now, but when you are away----” and he

hesitated.

Then suddenly turning on me, with clenched teeth and fire in his eyes,

he shook a threatening finger in my face: “If, when you get back to

England, _vous nous calomniez_ as the rest have, I tell you that I will

come to England _et je vous_----” He did not say what he would do, but

there was murder in his face.

I smiled: “That is all right. Now I know how to get you to England.”

Then (to fall in with his mood): “How can I go back and abuse the

hospitality and the chivalrous treatment I have received?”

He said: “It is not abusing, but there are ways of criticising even

without abuse. It is easy enough here to be blinded _par les saletés et

les souffrances_ and to see no further than that, and people are apt to

forget that there is no birth without suffering and horror, and Russia

is in the throes of a great _accouchement_.”

He talks well, he is full of imagery and his voice is beautiful.

We paused for tea, and I talked to him of things I had heard about the

schools. In reply he said he had heard no adverse reports of the

co-education scheme for boys and girls. There might be an individual

case of failure, though even of such a case he had not heard. He then

compared the present system with that of boy colleges of his own day,

and he said that his own boy of fourteen had nicer ideas about girls,

and far less cynicism, than he had at the same age. The boy apparently

confides in his mother, so he knows something about it.

To-night he sent me home alone in his car; he excused himself, saying it

was the only time it was possible for him to walk. He kissed my dirty

hand and said that he would always preserve a memory of “_une femme avec

une auréole de cheveux et des mains très sales_.”

Russian Portraits · 第 101 / 119 题