"Oh, dear, no," says Purdy. "They're for Valentine. He's fond of

snakes, you know--can't get along without them. But they must be big

ones--spotted, rings around them, and all that."

"Gee!" says I. "Vally's snake tastes must be educated 'way up! Guess

you'll have to give in your order down at Lefty White's."

"And where is that?" says he.

"William street, near the bridge," says I. "Don't you know about

Lefty's?"

Well, he didn't; hadn't ever been below the bridge on the East Side in

his life; and wouldn't I please come along, if I could spare the time.

So I climbs in alongside Purdy and the cane, and off we goes down town,

at the rate of a dollar 'n' a half an hour. I hadn't got out more'n

two questions 'fore Purdy cuts loose with the story of his life.

"It's almost the same as asking me to choose my lot in the cemetery,"

says he, "this notion of Aunt Isabella's for sending me out to buy

snakes."

"I thought it was Valentine they was for?" says I. "Where does he come

in?"

That fetches us to Chapter One, which begins with Aunt Isabella. It

seems that some time back, after she'd planted one hubby in Ohio and

another in Greenwood, and had pinned 'em both down secure with cut

granite slabs, aunty had let herself go for another try. This time she

gets an Englishman. He couldn't have been very tough, to begin with,

for he didn't last long. Neither did a brother of his; although you

couldn't lay that up against Isabella, as brother in law got himself

run over by a train. About all he left was a couple of

fourteen-year-old youngsters stranded in a boarding school. That was

Purdy and Valentine, and they was only half brothers at that, with

nobody that they could look up to for anything more substantial than

sympathy. So it was up to the step-aunt to do the rescue act.

Well, Isabella has accumulated all kinds of dough; but she figures out

that the whole of one half brother was about all she wanted as a

souvenir to take home from dear old England. She looks the two of 'em

over for a day, tryin' to decide which to take, and then Purdy's

'lasses coloured hair wins out against Valentine's brick dust bangs.

She finds a job for Vally, a place where he can almost earn a livin',

gives him a nice new prayer book and her blessin', and cuts him adrift

in the fog. Then she grabs Purdy by the hand and catches the next boat

for New York.

From then on it's all to the downy for Purdy, barrin' the fact that the

old girl's more or less tryin' to the nerves. She buys herself a

double breasted house just off the avenue, gives Purdy the best there

is goin', and encourages him to be as ladylike as he knows how.

And say, what would you expect? I'd hate to think of what I'd be now

if I'd been brought up on a course of dancin' school, music lessons,

and Fauntleroy suits. What else was there for Purdy to do but learn to

drink tea with lemon in it, and lead cotillions? Aunt Isabella's been

takin' on weight and losin' her hearin'. When she gets so that she

can't eat chicken salad and ice cream at one A. M. without rememberin'

it for three days, and she has to buy pearls to splice out her

necklace, and have an extra wide chair put in her op'ra box, she begins

to sour on the merry-merry life, scratches half the entries on her

visitin' list, and joins old lady societies that meet once a month in

the afternoon.

"Of course," says Purdy, "I had no objection to all that. It was

natural. Only after she began to bring Anastasia around, and hint very

plainly what she expected me to do, I began to get desperate."

"Stashy wa'n't exactly your idea of a pippin, eh?" says I.

That was what. Accordin' to Purdy's shorthand notes, Stashy was one of

these square chinned females that ought to be doin' a weight liftin'

act with some tent show. But she wa'n't. She had too much out at

int'rest for that, and as she didn't go in for the light and frivolous

she has to have something to keep her busy. So she starts out as a

lady preventer. Gettin' up societies to prevent things was her fad.

She splurges on 'em, from the kind that wants to put mufflers on

steamboat whistles, to them that would like to button leggins on the

statues of G. Wash. For all that, though, she thinks it's her duty to

marry some man and train him, and between her and Aunt Isabella they'd

picked out Purdy for the victim.

"While you'd gone and tagged some pink and white, mink lined Daisy

May?" says I.

"I hadn't thought about getting married at all," says Purdy.

"Then you might's well quit squirmin'," says I. "If you've got two of

that kind plannin' out your future, there ain't any hope."

Then we gets down to Valentine, the half brother that has been cut

loose. Just as Purdy has given it to aunty straight that he'd rather

drop out of two clubs and have his allowance cut in half, than tie up

to any such tailor made article as Anastasia, and right in the middle

of Aunt Isabella's gettin' purple faced and puffy eyed over it, along

comes a lengthy letter from Valentine.

It ain't any hard luck wheeze, either. He's no hungry prod., Vally

ain't. He's been doin' some tall climbin', all these years that

Purdy's been collectin' pearl stick pins and gold cigarette cases, and

changin' his clothes four times a day. Vally has jumped from one job

to another, played things clear across the board and the ends against

the middle, chased the pay envelope almost off the edge of the map, and

finished somewhere on the east coast of Africa, where he bosses a

couple of hundred coloured gentlemen in the original package, and makes

easy money by bein' agent for a big firm of London iv'ry importers.

He'd been makin' a trip to headquarters with a cargo, and was on his

way back to the iv'ry fields, when the notion struck him to stop off in

New York and say howdy to Aunt Isabella and Brother Purd.

"And she hasn't talked about anything but Valentine since," says Purdy.

"It's Vally's turn to be it; eh?" says I.

"You'd think so if you could hear them," says he. "Anastasia is just

as enthusiastic."

"You ain't gettin' jealous, are you?" says I.

Purdy unreefs the sickliest kind of a grin you ever saw. "I was as

pleased as anyone," says he, "until I found out the whole of Aunt

Isabella's plan."

And say, it was a grand right and left that she'd framed up. Matin'

Stashy up with Valentine instead of Purdy was only part. Her idea was

to induce Vally to settle down with her, and ship Purdy off to look

after the iv'ry job.

"Only fancy!" says Purdy. "It's a place called Bombazoula! Why, you

can't even find it on the chart. I'd die if I had to live in such a

dreadful place."

"Is it too late to get busy and hand out the hot air to Stashy?" says

I. "Looks to me like it was either you for her, or Bombazoula for you."

"Don't!" says Purdy, and he shivers like I'd slipped an icicle down his

back. Honest, he was takin' it so hard I didn't have the heart to rub

it in.

"Maybe Valentine'll renig--who knows?" says I. "He may be so stuck on

Africa that she can't call him off."

"Oh, Aunt Isabella has thought of that," says he. "She is so provoked

with me that she will do everything to make him want to stay; and if I

remember Valentine, he'll be willing. Besides, who would want to live

in Africa when they could stop in New York? But I do think she might

have sent some one else after those snakes."

"Oh, yes!" says I. "I'd clean forgot about them. Where do they figure

in this?"

"Decoration," says Purdy. "In my old rooms too!"

Seems that Stashy and aunty had been reading up on Bombazoula, and

they'd got it down fine. Then they turns to and lays themselves out to

fix things up for Valentine so homelike and comfortable that, even if

he was ever so homesick for the jungle, like he wrote he was, he

wouldn't want to go any farther.

First they'd got a lot of big rubber trees and palms, and filled the

rooms full of 'em, with the floors covered with stage grass, and half a

dozen grey parrots to let loose. They'd even gone so far as to try to

hire a couple of fake Zulus from a museum to come up and sing the

moonrise song; so's Vally wouldn't be bothered about goin' to sleep

night. The snakes twinin' around the rubber trees was to add the

finishin' touch. Course, they wanted the harmless kind, that's had

their stingers cut out; but snakes of some sort they'd just got to

have, or else they knew it wouldn't seem like home to Valentine.

"Just as though I cared whether he is going to feel at home or not!"

says Purdy, real pettish. "By, Jove, Shorty! I've half a mind not to

do it. So there!"

"Gee!" says I. "I wouldn't have your temper for anything. Shall we

signal the driver to do a pivot and head her north?"

"N-n-n-o," says Purdy, reluctant.

And right there I gets a seventh son view of Aunt Isabella crackin' the

checkbook at Purdy, and givin' him the cold spine now and then by

threatenin' to tear up the will. From that on I feels different

towards him. He'd got to a point where it was either please Aunt

Isabella, or get out and hustle; and how to get hold of real money

except by shovin' pink slips at the payin' teller was part of his

education that had been left out. He was up against it for fair.

"Say, Purdy," says I, "I don't want to interfere in any family matters;

but since you've put it up to me, let me get this chunk of advice off

my mind: Long's you've got to be nice to aunty or go on a snowball

diet, I'd be nice and do it as cheerful as I could."

Purdy thinks that over for a minute or so. Then he raps his cane on

the rubber mat, straightens up his shoulders, and says, "By Jove, I'll

do it! I'll get the snakes!"

That wa'n't so easy, though, as I'd thought. Lefty White says he's

sorry, but he runs a mighty small stock of snakes in winter. He's got

a fine line of spring goods on the way, though, and if we'll just leave

our order----

"Ah, say, Lefty!" says I. "You give me shootin' pains. Here I goes

and cracks up your joint as a first class snakery and all you can show

is a few angleworms in bottles and a prospectus of what you'll have

next month."

"Stuffed ones wouldn't do, eh?" says he.

"Why not?" says I.

Purdy wa'n't sure, but he thought he'd take a chance on 'em; so we

picked out three of the biggest and spottedest ones in the shop, and

makes Lefty promise to get 'em up there early next forenoon, for

Valentine was due to show up by dinner time next night.

On the way back we talks it over some more, and I tries to chirk Purdy

up all I could; for every time he thinks of Bombazoula he has a

shiverin' fit that nearly knocks him out.

"I could never stand it to go there," says he--"never!"

"Here, here!" says I. "That's no way to meet a thing like this. What

you want to do is to chuck a bluff. Jump right into this reception

business with both feet and let on you're tickled to death with the

prospect. Aunty won't take half the satisfaction in shunting you off

to the monkey woods if she thinks you want to go."

Beats all what a little encouragement will do for some folks. By the

time Purdy drops me at the Studio he's feelin' a whole lot better, and

is prepared to give Vally the long lost brother grip when he comes.

But I was sorry for Purdy just the same. I could see him, over there

at Bombazoula, in a suit of lavender pajamas, tryin' to organise a

cotillion with a lot of heavy weight brunettes, wearin' brass rings in

their noses and not much else. And all next day I kept wonderin' if

Aunt Isabella's scheme was really goin' to pan. So, when Purdy rushes

in about four o'clock, and wants me to come up and take a look at the

layout, I was just about ripe for goin' to see the show.

"But I hope we can shy aunty," says I. "Sometimes I get along with

these old battle axes first rate, and then again I don't; and what

little reputation you got left at home I don't want to queer."

"Oh, that will be all right," says Purdy. "She has heard of you from

Pinckney, and she knows about how you helped me to get the snakes."

"Did they fit in?" says I.

"Come up and see," says Purdy.

And it was worth the trip, just to get a view of them rooms. Nobody

but a batty old woman would have ever thought up so many jungle stunts

for the second floor of a brownstone front.

"There!" says Purdy. "Isn't that tropical enough?"

I took a long look. "Well," says I, "I've never been farther south

than Old Point, but I've seen such things pictured out before now, and

if I'm any judge, this throws up a section of the cannibal belt to the

life."

It did too. They had the dark shades pulled down, and the light was

kind of dim; but you could see that the place was chock full of ferns

and palms and such. The parrots was hoppin' around, and you could hear

water runnin' somewheres, and they'd trained them spotted snakes around

the rubber trees just as natural as if they'd crawled up there by

themselves.

While we was lookin' Aunt Isabella comes puffin' up the stairs.

"Isn't it just charming, Mr. McCabe?" says she, holdin' a hand up

behind one ear. "I can hardly wait for dear Valentine to come, I'm so

anxious to see how pleased he'll be. He just dotes on jungle life.

The dear boy! You must come up and take tea with him some afternoon.

He's a very shy, diffident little chap; but----"

At that the door bell starts ringin' like the house was afire, and

bang! bang! goes someone's fist on the outside panel. Course, we all

chases down stairs to see what's broke loose; but before we gets to the

front hall the butler has the door open, and in pushes a husky, red

whiskered party, wearin' a cloth cap, a belted ulster with four checks

to the square yard, and carryin' an extension leather bag about the

size of a small trunk, with labels pasted all over it.

"It's a blawsted shyme, that's w'at it is!" says he--"me p'yin' 'alf a

bob for a two shillin' drive. These cabbies of yours is a set of

bloomink 'iw'ymen!"

"What name, sir?" says the butler.

"Nime!" roars the whiskered gent. "I'm Valentine, that's who I am!

Tyke the luggage, you shiverin' pie face!"

"Oh, Valentine!" squeals Aunt Isabella, makin' a rush at him with her

arms out.

"Sheer off, aunty!" says he. "Cut out the bally tommyrot and let me

'ave a wash. And sye, send some beggar for the brandy and soda.

Where's me rooms?"

"I'll show you up, Valentine," chips in Purdy.

"'Ello! 'O's the little man?" says Vally. "Blow me if it ain't Purdy!

Trot along up, Purdy lad, and show me the digs."

Say, he was a bird, Vally was. He talks like a Cockney, acts like a

bounder, and looks 'em both.

Aunt Isabella has dropped on the hall seat, gaspin' for breath, the

butler is leanin' against the wall with his mouth open; so I grabs the

bag and starts up after the half brothers. Just by the peachblow tint

of Vally's nose I got the idea that maybe the most entertainin' part of

this whole program was billed to take place on the second floor.

"Here you are," says Purdy, swingin' open the door and shovin' him in.

"Aunt Isabella has fixed things up homelike for you, you see."

"And here's your trunk," says I. "Make yourself to home," and I shuts

him in to enjoy himself.

It took Valentine just about twenty seconds to size up the interior

decorations; for Purdy'd turned on the incandescents so's to give him a

good view, and that had stirred up the parrots some. What I was

waitin' for was for him to discover the spotted snakes. I didn't think

he could miss 'em, for they was mighty prominent. Nor he didn't. It

wasn't only us heard it, but everyone else on the block.

"Wow!" says he. "'Elp! 'Elp! Lemme out! I'm bein' killed!"

That was Valentine, bellerin' enough to take the roof off, and clawin'

around for the doorknob on the inside. He comes out as if he'd been

shot through a chute, his eyes stickin' out like a couple of peeled

onions, an' a grey parrot hangin' to one ear.

"What's the trouble?" says Purdy.

"Br-r-r!" says Valentine, like a clogged steam whistle. "Where's the

nearest 'orspital? I'm a sick man! Br-r-r-r!"

With that he starts down the stairs, takin' three at a time, bolts

through the front door, and makes a dash down the street, yellin' like

a kid when a fire breaks out.

Purdy and me didn't have any time to watch how far he went, for Aunt

Isabella had keeled over on the rug, the maid was havin' a fit in the

parlour, and the butler was fannin' himself with the card tray. We had

to use up all the alcohol and smellin' salts in the house before we

could bring the bunch around. When aunty's so she can hold her head up

and open her eyes, she looks about cautious, and whispers:

"Has--has he gone, Purdy, dear?"

Purdy says he has.

"Then," she says to me, "bolt that door, and never mention his name to

me again."

Everything's lovely now. Purdy's back to the downy, and Bombazoula's

wiped off the map for good.

And say! If you're lookin' for a set of jungle scenery and stuffed

snakes, I know where you can get a job lot for the askin'.

XIV

A HUNCH FOR LANGDON

Say, the longer I knocks around and the more kinds I meet, the slower I

am about sizin' folks up on a first view. I used to think there was

only two classes, them that was my kind and them that wa'n't; but I've

got over that. I don't try to grade 'em up any more; for they're built

on so many different plans it would take a card index the size of a

flat buildin' to keep 'em all on file. All I can make out is that

there's some good points about the worst of 'em, and some of the best

has their streak of yellow.

Anyway, I'm glad I ain't called on to write a tag for Langdon. First

news I had of him was what I took for inside information, bein' as it

was handed me by his maw. When I gets the note askin' me to call up in

the 70's between five and six I don't know whether it's a bid to a tea

fest or a bait for an auction. The stationery was real swell, though,

and the writin' was this up and down kind that goes with the gilt

crest. What I could puzzle out of the name, though, wa'n't familiar.

But I follows up the invite and takes a chance.

So about five-thirty I'm standin' outside the glass doors pushin' the

bell. A butler with boiled egg eyes looks me over real frosty from

behind the lace curtains; but the minute I says I'm Shorty McCabe he

takes off the tramp chain and says, "Yes, sir. This way, sir." I'm

towed in over the Persian hall runner to the back parlour, where

there's a lady and gent sittin' on opposite sides of the coal grate,

with a tea tray between 'em.

"I'll be drinkin' that stuff yet, if I ain't careful," thinks I.

But I didn't even have to duck. The lady was so anxious to get to

talkin' that she forgot to shove the cups at me, and the gent didn't

act like it was his say. It was hard to tell, the way she has the

lights fixed, whether she was twenty-five or fifty. Anyway, she hadn't

got past the kittenish stage. Some of 'em never does. She don't

overdo the thing, but just gushes natural; usin' her eyes, and

eyebrows, and the end of her nose, and the tip of her chin when she

spoke, as well as throwin' in a few shoulder lifts once in awhile.

"It's so good of you to come up, professor!" says she. "Isn't it,

Pembroke?"

Pembroke--he's the gent on the other side of the tray--starts to say

that it was, but she don't give him a chance. She blazes right ahead,

tellin' how she's heard of me and my Studio through friends, and the

minute she hears of it, she knows that nothing would suit Langdon

better. "Langdon's my son, you know," says she.

"Honest?" says I.

"Te-he!" says she. "How sweet of you! Hardly anyone believes it at

first, though. But he's a dear boy; isn't he, Pembroke?"

This was Pembroke's cue for fair. It's up to him to do the boost act.

But all he produces is a double barrelled blink from behind the

glasses. He's one of these chubby chaps, Pembroke is, especially

around the belt. He has pink cheeks, and a nice white forehead that

almost meets the back of his collar. But he knows when to let things

slide with a blink.

"I guess some one's been givin' you the wrong steer," says I. "I ain't

started any kindergarten class yet. The Y. M. C. A. does that sort

of----"

"Oh, dear! but Langdon isn't a child, you know," says the lady. "He's

a great big fellow, almost twenty-two. Yes, really. And I know you'll

get to be awfully fond of him. Won't he, Pembroke?"

"We-e-e-ell----" says Pembroke.

"Oh, he's bound to," says she. "Of course, Langdon doesn't always make

friends easily. He is so apt to be misunderstood. Why, they treated

him perfectly horrid at prep. school, and even worse at college. A lot

of the fellows, and, actually, some of the professors, were so rude to

him that Langdon said he just wouldn't stay another day! I told him I

didn't blame him a bit. So he came home. But it's awfully dull for a

young man like Langdon here in New York, you know."

"Crippled, or blind or something, is he?" says I.

"Who, Langdon? Why, he's perfect--absolutely perfect!" says she.

"Oh, that accounts for it," says I, and Pembroke went through some

motions with his cheeks like he was tryin' to blow soap bubbles up in

the air.

Well, it seems that mother has been worryin' a lot over keepin' Langdon

amused. Think of it, in a town like this!

"He detests business," says she, "and he doesn't care for theatres, or

going to clubs, or reading, or society. But his poor dear father

didn't care for any of those things either, except business. And

Langdon hasn't any head for that. All he takes an interest in is his

machine."

"Singer or Remington?" says I.

"Why, his auto, of course. He's perfectly devoted to that," says she;

"but the police are so dreadfully particular. Oh, they make such lots

of trouble for Langdon, and get him into such stupid scrapes. Don't

they, Pembroke?"

Pembroke didn't blink at that. He nods twice.

"It just keeps me worried all the time," she goes on. "It isn't that I

mind paying the absurd fines, of course; but--well, you can understand.

No one knows what those horrid officers will do next, they're so

unreasonable. Just think, that is the poor boy's only pleasure! So I

thought that if we could only get Langdon interested in something of an

athletic nature--he's a splendid boxer, you know--oh, splendid!"

"That's different," says I. "You might send him down a few times

and----"

"Oh, but I want you to meet him first," says she, "and arouse his

enthusiasm. He would never go if you didn't. I expect he will be in

soon, and then-- Why, that must be Langdon now!"

It might have been an axe brigade from the district attorney's office,

or a hook and ladder company, by the sound. I didn't know whether he

was comin' through the doors or bringin' 'em in with him. As I squints

around I sees the egg eyed butler get shouldered into the hall rack; so

I judges that Langdon must be in something of a hurry.

He gets over it, though, for he stamps into the middle of the room,

plants his feet wide apart, throws his leather cap with the goggles on

into a chair, and chucks one of them greasy bootleg gloves into the

middle of the tea tray.

"Hello, maw!" he growls. "Hello, Fatty! You here again?"

Playful little cuss, Langdon was. He's about five feet nine, short

necked, and broad across the chest. But he's got a nice face--for a

masked ball--eyes the colour of purple writin' ink, hair of a lovely

ripe tomato shade growin' down to a peak in front and standin' up stiff

and bristly; a corrugated brow, like a washboard; and an undershot jaw,

same's a bull terrier. Oh, yes, he was a dear boy, all right. In his

leggin's and leather coat he looks too cute for any use.

"Who's this?" says he, gettin' sight of me sittin' sideways on the

stuffed chair.

"Why, Langdon dear," says maw, "this is Professor McCabe. I was

speaking to you of him, you know."

He looks me over as friendly as if I was some yegg man that had been

hauled out of the coal cellar. "Huh!" says he. I've heard freight

engines coughin' up a grade make a noise a good deal like that.

Say, as a rule I ain't anxious to take on new people, and it's gettin'

so lately that we turn away two or three a week; but it didn't take me

long to make up my mind that I could find time for a session with

Langdon, if he wanted it.

"Your maw says you do a little boxin'?" says I, smooth and soothin'.

"What of it?" says he.

"Well," says I, "down to my Studio we juggle the kid pillows once in

awhile ourselves, when we ain't doin' the wand drill, or playin' bean

bag."

"Huh!" says he once more.

For a parlour conversationalist, Langdon was a frost, and he has

manners that would turn a subway guard green. But maw jumps in with

enough buttered talk for both, and pretty soon she tells me that

Langdon's perfectly delighted and will be down next day.

"Me and Mr. Gallagher'll be on the spot," says I. "Good evenin',

ma'am."

At that Pembroke jumps up, makes a quick break away, and trails along

too, so we does a promenade together down West End-ave.

"Charming young fellow, eh?" says Pembroke.

"Sure!" says I. "But he hides it well."

"You think Langdon needs exercise?" says he.

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