I met him the other day in a very depressed state.

"Look at these munition workers," he said. "See what the Government is

doing for them. Paying them wages all the time that they're out of work.

What about me?"

"Well, you weren't on munitions."

"I have been on intellectual munitions," replied Simmons. "And now all

my editors write to me, 'Get away from the War.' I have to transfer my

machinery to peace work. I have to turn away from the production of the

German spy. Think of it. I have almost lived on him for years. I have

created hundreds of him during the War. All my laboriously acquired

knowledge of German terms--like '_Schweinhund_,' you know--goes for

nothing. I shall have to make all my villains Bolsheviks. That will

require close study of Russia. All my old Russian knowledge goes for

nothing. They have abolished the knout and exile to Siberia. I have to

start afresh.

"Then look at my heroes. I have mastered the second lieutenant. My

typewriter almost automatically writes 'old top,' 'old soul,' 'old

bean,' 'old egg.' All my study of this type is thrown away. And

heroines--why, I shall have to study dress again. The hospital nurse is

done for; the buxom proportions of the land-girl avail me no more.

My dear fellow, it will be six months before I can deal with women's

costume competently.

"And plots. How the War simplified everything. The Zep, a failure in

fact, was a splendid success in fiction. The awkward people could be

wiped out so simply. Then one's villains could die gallantly--a bit of

good in the worst of men, you know--whispering a hurried confession in

the ears of the Company Sergeant-Major in the front trenches.

"Then, again, all misunderstandings were explained when the V.C. looked

up from his hospital bed. 'Eric,' she gushed, 'you here!' And from that

moment he needed no more medicine. My dear fellow, we shall want new

plots now; real plots and new characters. It will be a long time before

I can return to my pre-war standard of strong, silent, masterful

millionaires from the backwoods. Haven't I a right to seek compensation

from the Government for checking my intellectual output?"

"I think the Government ought to pay you ten pounds for every week in

which you don't write," I said.

Simmons shook me warmly by the hand.

The next day he cut me dead. I believe that Simmons, though an author of

popular fiction, must have been thinking.

* * * * *

"THE FUTURE OF LYING.

"INTERNATIONAL CONFERENCE TO BE CALLED."

_Northampton Dally Echo._

We should have thought it might quite safely be left to private

enterprise.

* * * * *

"The American troops on this side are already either in the States

or on their way."--_Letter in "Daily Express."_

The Germans will take this as convincing evidence of American duplicity.

* * * * *

Punch, or the London Charivari, Volume 156, Jan. 1, 1919 · 第 13 / 33 题