CHAPTER LI

PUT BEAUTY INTO YOUR LIFE

When the barbarians overran Greece, desecrated her temples, and

destroyed her beautiful works of art, even their savageness was

somewhat tamed by the sense of beauty which prevailed everywhere. They

broke her beautiful statues, it is true; but the spirit of beauty

refused to die, and it transformed the savage heart and awakened even

in the barbarian a new power. From the apparent death of Grecian art

Roman art was born. "Cyclops forging iron for Vulcan could not stand

against Pericles forging thought for Greece." The barbarian's club

which destroyed the Grecian statues was no match for the chisel of

Phidias and Praxiteles.

"What is the best education?" some one asked Plato many centuries ago.

"It is," he replied, "that which gives to the body and to the soul all

the beauty and all the perfection of which they are capable."

The life that would be complete; that would be sweet and sane, as well

as strong, must be ornamented, softened, and enriched by a love of the

beautiful.

There is a lack in the make-up of a person who has no appreciation of

beauty, who does not thrill before a great picture or an entrancing

sunset, or a glimpse of beauty in nature.

Savages have no appreciation of beauty. They have a passion for

adornment, but there is nothing to show that their esthetic faculties

are developed. They merely obey their animal instincts and passions.

But as civilization advances ambition grows, wants multiply, and higher

and higher faculties show themselves, until in the highest expression

of civilization, we find aspiration and love of the beautiful most

highly developed. We find it manifested on the person, in the home, in

the environment.

The late Professor Charles Eliot Norton of Harvard University, one of

the finest thinkers of his day, said that beauty has played an immense

part in the development of the highest qualities in human beings; and

that civilization could be measured by its architecture, sculpture, and

painting.

What an infinite satisfaction comes from beginning early in life to

cultivate our finer qualities, to develop finer sentiments, purer

tastes, more delicate feelings, the love of the beautiful in all its

varied forms of expression!

One can make no better investment than the cultivation of a taste for

the beautiful, for it will bring rainbow hues and enduring joys to the

whole life. It will not only greatly increase one's capacity for

happiness, but also one's efficiency.

A remarkable instance of the elevating, refining influence of beauty

has been demonstrated by a Chicago school-teacher, who fitted up in her

school a "beauty corner" for her pupils. It was furnished with a

stained glass window, a divan covered with an Oriental rug, and a few

fine photographs and paintings, among which was a picture of the

Sistine Madonna. Several other esthetic trifles, artistically

arranged, completed the furnishings of the "beauty corner." The

children took great delight in their little retreat, especially in the

exquisite coloring of the stained glass window. Insensibly their

conduct and demeanor were affected by the beautiful objects with which

they daily associated. They became more gentle, more refined, more

thoughtful and considerate. A young Italian boy, in particular, who

had been incorrigible before the establishment of the "beauty corner,"

became, in a short time, so changed and softened that the teacher was

astonished. One day she asked him what it was that made him so good

lately. Pointing to the picture of the Sistine Madonna the boy said,

"How can a feller do bad things when she's looking at him?"

Character is fed largely through the eye and ear. The thousand voices

in nature of bird and insect and brook, the soughing of the wind

through the trees, the scent of flower and meadow, the myriad tints in

earth and sky, in ocean and forest, mountain and hill, are just as

important for the development of a real man as the education he

receives in the schools. If you take no beauty into your life through

the eye or the ear to stimulate and develop your esthetic faculties,

your nature will be hard, juiceless, and unattractive.

Beauty is a quality of divinity, and to live much with the beautiful is

to live close to the divine. "The more we see of beauty everywhere; in

nature, in life, in man and child, in work and rest, in the outward and

the inward world, the more we see of God (good)."

There are many evidences in the New Testament that Christ was a great

lover of the beautiful especially in nature. Was it not He who said:

"Consider the lilies of the field; they toil not, neither do they spin;

yet Solomon in all his glory was not arrayed like one of these"?

Back of the lily and the rose, back of the landscape, back of all

beautiful things that enchant us, there must be a great lover of the

beautiful and a great beauty-principle. Every star that twinkles in

the sky, every flower, bids us look behind it for its source, points us

to the great Author of the beautiful.

The love of beauty plays a very important part in the poised,

symmetrical life. We little realize how much we are influenced by

beautiful people and things. We may see them so often that they become

common in our experience and fail to attract much of our conscious

attention, but every beautiful picture, every sunset and bit of

landscape, every beautiful face and form and flower, beauty in any

form, wherever we encounter it, ennobles, refines and elevates

character.

There is everything in keeping the soul and mind responsive to beauty.

It is a great refreshener, recuperator, life-giver, health promoter.

Our American life tends to kill the finer sentiments; to discourage the

development of charm and grace as well as beauty; it over-emphasizes

the value of material things and under-estimates that of esthetic

things, which are far more developed in countries where the dollar is

not the God.

As long as we persist in sending all the sap and energy of our being

into the money-making gland or faculty and letting the social faculty,

the esthetic faculty, and all the finer, nobler faculties lie dormant,

and even die, we certainly can not expect a well-rounded and

symmetrical life, for only faculties that are used, brain cells that

are exercised, grow; all others atrophy. If the finer instincts in man

and the nobler qualities that live in the higher brain are

under-developed, and the coarser instincts which dwell in the lower

brain close to the brute faculties are over-developed, man must pay the

penalty of animality and will lack appreciation of all that is finest

and most beautiful in life.

"The vision that you hold in your mind, the ideal that is enthroned in

your heart--this you will build your life by, this you will become."

It is the quality of mind, of ideals, and not mere things, that make a

man.

It is as essential to cultivate the esthetic faculties and the heart

qualities as to cultivate what we call the intellect. The time will

come when our children will be taught, both at home and in school, to

consider beauty as a most precious gift, which must be preserved in

purity, sweetness, and cleanliness, and regarded as a divine instrument

of education.

There is no investment which will give such returns as the culture of

the finer self, the development of the sense of the beautiful, the

sublime, and the true; the development of qualities that are crushed

out or strangled in the mere dollar-chaser.

There are a thousand evidences in us that we were intended for temples

of beauty, of sweetness, of loveliness, of beautiful ideas, and not

mere storehouses for vulgar things.

There is nothing which will pay so well as to train the finest and

truest, the most beautiful qualities in us in order that we may see

beauty everywhere and be able to extract sweetness from everything.

Everywhere we go there are a thousand things to educate the best there

is in us. Every sunset, landscape, mountain, hill, and tree has

secrets of charm and beauty waiting for us. In every patch of meadow

or wheat, in every leaf and flower, the trained eye will see beauty

which would ravish an angel. The cultured ear will find harmony in

forest and field, melody in the babbling brook, and untold pleasure in

all Nature's songs.

Whatever our vocation, we should resolve that we will not strangle all

that is finest and noblest in us for the sake of the dollar, but that

we will _put beauty into our life at every opportunity_.

Just in proportion to your love for the beautiful will you acquire its

charms and develop its graces. The beauty thought, the beauty ideal,

will outpicture themselves in the face and manner. If you are in love

with beauty you will be an artist of some kind. Your profession may be

to make the home beautiful and sweet, or you may work at a trade; but

whatever your vocation, if you are in love with the beautiful, it will

purify your taste, elevate and enrich your life, and make you an artist

instead of a mere artisan.

There is no doubt that in the future beauty will play an infinitely

greater part in civilized life than it has thus far. It is becoming

commercialized everywhere. The trouble with us is that the tremendous

material-prizes in this land of opportunity are so tempting that we

have lost sight of the higher man. We have developed ourselves along

the animal side of our nature; the greedy, grasping side. The great

majority of us are still living in the basement of our beings. Now and

then one rises to the drawing-room. Now and then one ascends to the

upper stories and gets a glimpse of the life beautiful, the life worth

while.

There is nothing on earth that will so slake the thirst of the soul as

the beauty which expresses itself in sweetness and light.

An old traveling man relates that once when on a trip to the West he

sat next to an elderly lady who every now and then would lean out of

the open window and pour some thick salt--it seemed to him--from a

bottle. When she had emptied the bottle she would refill it from a

hand-bag.

A friend to whom this man related the incident told him he was

acquainted with the lady, who was a great lover of flowers and an

earnest follower of the precept: "Scatter your flowers as you go, for

you may never travel the same road again." He said she added greatly

to the beauty of the landscape along the railroads on which she

traveled, by her custom of scattering flower seeds along the track as

she rode. Many roads have thus been beautified and refreshed by this

old lady's love of the beautiful and her effort to scatter beauty

wherever she went.

If we would all cultivate a love of the beautiful and scatter beauty

seeds as we go through life, what a paradise this earth would become!

What a splendid opportunity a vacation in the country offers to put

beauty into the life; to cultivate the esthetic faculties, which in

most people are wholly undeveloped and inactive! To some it is like

going into God's great gallery of charm and beauty. They find in the

landscape, the valley, the mountains, the fields, the meadows, the

flowers, the streams, the brooks and the rivers, riches that no money

can buy; beauties that would enchant the angels. But this beauty and

glory can not be bought; they are only for those who can see them,

appreciate them--who can read their message and respond to their

affinity.

Have you never felt the marvelous power of beauty in nature? If not,

you have missed one of the most exquisite joys in life. I was once

going through the Yosemite Valley, and after riding one hundred miles

in a stage-coach over rough mountain roads, I was so completely

exhausted that it did not seem as though I could keep my seat until we

traveled over the ten more miles which would bring us to our

destination. But on looking down from the top of the mountain I caught

a glimpse of the celebrated Yosemite Falls and the surrounding scenery,

just as the sun broke through the clouds; and there was revealed a

picture of such rare beauty and marvelous picturesqueness that every

particle of fatigue, brain-fag, and muscle weariness departed in an

instant. My whole soul thrilled with a winged sense of sublimity,

grandeur, and beauty, which I had never experienced before, and which I

never can forget. I felt a spiritual uplift which brought tears of joy

to my eyes.

No one can contemplate the wonderful beauties of Nature and doubt that

the Creator must have intended that man, made in His own image and

likeness, should be equally beautiful.

Beauty of character, charm of manner, attractiveness and graciousness

of expression, a godlike bearing, are our birthrights. Yet how ugly,

stiff, coarse, and harsh in appearance and bearing many of us are! No

one can afford to disregard his good looks or personal appearance.

But if we wish to beautify the outer, we must first beautify the inner,

for every thought and every motion shapes the delicate tracings of our

face for ugliness or beauty. Inharmonious and destructive attitudes of

mind will warp and mar the most beautiful features.

Shakespeare says: "God has given you one face and you make yourselves

another." The mind can make beauty or ugliness at will.

A sweet, noble disposition is absolutely essential to the highest form

of beauty. It has transformed many a plain face. A bad temper, ill

nature, jealousy, will ruin the most beautiful face ever created.

After all, there is no beauty like that produced by a lovely character.

Neither cosmetics, massage, nor drugs can remove the lines of

prejudice, selfishness, envy, anxiety, mental vacillation that are the

results of wrong thought habits.

Beauty is from within. If every human being would cultivate a gracious

mentality, not only would what he expressed be artistically beautiful,

but also his body. There would indeed be grace and charm, a

superiority about him, which would be even greater than mere physical

beauty.

We have all seen even very plain women who, because of the charm of

their personality, impressed us as transcendently beautiful. The

exquisite soul qualities expressed through the body transformed it into

their likeness. A fine spirit speaking through the plainest body will

make it beautiful.

Some one, speaking of Fanny Kemble, said: "Although she was very stout

and short, and had a very red face, yet she impressed me as the supreme

embodiment of majestic attributes. I never saw so commanding a

personality in feminine form. Any type of mere physical beauty would

have paled to insignificance by her side."

Antoine Berryer says truly: "There are no ugly women. There are only

women who do not know how to look pretty."

The highest beauty--beauty that is far superior to mere regularity of

feature or form--is within reach of everybody. It is perfectly

possible for one, even with the homeliest face, to make herself

beautiful by the habit of perpetually holding in mind the beauty

thought, not the thought of mere superficial beauty, but that of heart

beauty, soul beauty, and by the cultivation of a spirit of kindness,

hopefulness, and unselfishness.

The basis of all real personal beauty is a kindly, helpful bearing and

a desire to scatter sunshine and good cheer everywhere, and this,

shining through the face, makes it beautiful. The longing and the

effort to be beautiful in character can not fail to make the life

beautiful, and since the outward is but an expression of the inward, a

mere outpicturing on the body of the habitual thought and dominating

motives, the face, the manners, and the bearing must follow the thought

and become sweet and attractive. If you hold the beauty thought, the

love thought, persistently in the mind, you will make such an

impression of harmony and sweetness wherever you go that no one will

notice any plainness or deformity of person.

There are girls who have dwelt upon what they consider their

unfortunate plainness so long that they have seriously exaggerated it.

They are not half so plain as they think they are; and, were it not for

the fact that they have made themselves very sensitive and

self-conscious on the subject, others would not notice it at all. In

fact, if they could get rid of their sensitiveness and be natural, they

could, with persistent effort, make up in sprightliness of thought, in

cheerfulness of manner, in intelligence, and in cheery helpfulness,

what they lack in grace and beauty of face.

We admire the beautiful face, the beautiful form, but we love the face

illumined by a beautiful soul. We love it because it suggests the

ideal of the possible perfect man or woman, the ideal which was the

Creator's model.

It is not the outward form of our dearest friend, but our ideal of

friendship which he arouses or suggests in us that stirs up and brings

into exercise our love and admiration. The highest beauty does not

exist in the actual. It is the ideal, possible beauty, which the

person or object symbolizes or suggests, that gives us delight.

Everyone should endeavor to be beautiful and attractive; to be as

complete a human being as possible. There is not a taint of vanity in

the desire for the highest beauty.

The love of beauty that confines itself to mere external form, however,

misses its deepest significance. Beauty of form, of coloring, of light

and shade, of sound, make our world beautiful; yet the mind that is

warped and twisted can not see all this infinite beauty. It is the

indwelling spirit, the ideal in the soul, that makes all things

beautiful; that inspires and lifts us above ourselves.

We love the outwardly beautiful, because we crave perfection, and we

can not help admiring those persons and things that most nearly embody

or measure up to our human ideal.

But a beautiful character will make beauty and poetry out of the

prosiest environment, bring sunshine into the darkest home, and develop

beauty and grace amid the ugliest surroundings.

What would become of us if it were not for the great souls who realize

the divinity of life, who insist upon bringing out and emphasizing its

poetry, its music, its harmony and beauty?

How sordid and common our lives would become but for these

beauty-makers, these inspirers, these people who bring out all that is

best and most attractive in every place, every situation and condition!

There is no accomplishment, no trait of character, no quality of mind,

which will give greater satisfaction and pleasure or contribute more to

one's welfare than an appreciation of the beautiful. How many people

might be saved from wrong-doing, even from lives of crime, by the

cultivation of the esthetic faculties in their childhood! A love of

the truly beautiful would save children from things which encoarsen and

brutalize their natures. It would shield them from a multitude of

temptations.

Parents do not take sufficient pains to develop the love and

appreciation of beauty in their children. They do not realize that in

impressionable youth, everything about the home, even the pictures, the

paper on the wall, affect the growing character. They should never

lose an opportunity of letting their boys and girls see beautiful works

of art, hear beautiful music; they should make a practise of reading to

them or having them read very often some lofty poem, or inspirational

passages from some great writer, that will fill their minds with

thoughts of beauty, open their souls to the inflow of the Divine Mind,

the Divine Love which encompasses us round about. The influences that

moved our youth determine the character, the success and happiness of

our whole lives.

Every soul is born responsive to the beautiful, but this instinctive

love of beauty must be fostered through the eye and the mind must be

cultivated, or it will die. The craving for beauty is as strong in a

child of the slums as in a favorite of fortune. "The physical hunger

of the poor, the yearning of their stomachs," says Jacob A. Riis, "is

not half so bitter, or so little likely to be satisfied as their

esthetic hunger, their starving for the beautiful."

Mr. Riis has often tried to take flowers from his Long Island home to

the "poors" in Mulberry Street, New York. "But they never got there,"

he says. "Before I had gone half a block from the ferry I was held up

by a shrieky mob of children who cried for the posies and would not let

me go another step till I had given them one. And when they got it

they ran, shielding the flower with the most jealous care, to some

place where they could hide and gloat over their treasure. They came

dragging big, fat babies and little weazened ones that they might get a

share, and the babies' eyes grew round and big at the sight of the

golden glory from the fields, the like of which had never come their

way. The smaller the baby, and the poorer, the more wistful its look,

and so my flowers went. Who could have said them no?

"I learned then what I had but vaguely understood before, that there is

a hunger that is worse than that which starves the body and gets into

the newspapers. All children love beauty and beautiful things. It is

the spark of the divine nature that is in them and justifies itself!

To that ideal their souls grow. When they cry out for it they are

trying to tell us in the only way they can that if we let the slum

starve the ideal, with its dirt and its ugliness and its hard-trodden

mud where flowers were meant to grow, we are starving that which we

little know. A man, a human, may grow a big body without a soul; but

as a citizen, as a mother, he or she is worth nothing to the

commonwealth. The mark they are going to leave upon it is the black

smudge of the slum.

"So when in these latter days we invade that slum to make homes there

and teach the mothers to make them beautiful; when we gather the

children into kindergartens, hang pictures in the schools; when we

build beautiful new schools and public buildings and let in the light,

with grass and flower and bird, where darkness and foulness were

before; when we teach the children to dance and play and enjoy

themselves--alas! that it should ever be needed--we are trying to wipe

off the smudge, and to lift the heavy mortgage which it put on the

morrow, a much heavier one in the loss of citizenship than any

community, even the republic, can long endure. We are paying arrears

of debt which we incurred by our sad neglect, and we could be about no

better business."

There are many poor children in the slums of New York, Mr. Millionaire,

who could go into your drawing-room and carry away from its rich

canvases, its costly furnishings, a vision of beauty which you never

perceived in them because your esthetic faculties, your finer

sensibilities, were early stifled by your selfish pursuit of the dollar.

The world is full of beautiful things, but the majority have not been

trained to discern them. We can not see all the beauty that lies

around us, because our eyes have not been trained to see it; our

esthetic faculties have not been developed. We are like the lady who,

standing with the great artist, Turner, before one of his wonderful

landscapes, cried out in amazement: "Why, Mr. Turner, I can not see

those things in nature that you have put in your picture."

"Don't you wish you could, madam?" he replied. Just think what rare

treats we shut out of our lives in our mad, selfish, insane pursuit of

the dollar! Do you not wish that you could see the marvels that Turner

saw in a landscape, that Ruskin saw in a sunset? Do you not wish that

you had put a little more beauty into your life instead of allowing

your nature to become encoarsened, your esthetic faculties blinded and

your finer instincts blighted by the pursuit of the coarser things of

life, instead of developing your brute instincts of pushing, elbowing

your way through the world for a few more dollars, in your effort to

get something away from somebody else?

Fortunate is the person who has been educated to the perception of

beauty; he possesses a heritage of which no reverses can rob him. Yet

it is a heritage possible to all who will take the trouble to begin

early in life to cultivate the finer qualities of the soul, the eye,

and the heart. "I am a lover of untainted and immortal beauty,"

exclaims Emerson. "Oh, world, what pictures and what harmony are

thine!"

A great scientist tells us that there is no natural object in the

universe which, if seen as the Master sees it, coupled with all its

infinite meaning, its utility and purpose, is not beautiful. Beauty is

God's handwriting. Just as the most disgusting object, if put under a

magnifying glass of sufficient power, would reveal beauties undreamed

of, so even the most unlovely environment, the most cruel conditions,

will, when viewed through the glass of a trained and disciplined mind,

show something of the beautiful and the hopeful. A life that has been

rightly trained will extract sweetness from everything; it will see

beauty everywhere.

Situated as we are in a world of beauty and sublimity, we have no right

to devote practically all of our energies and to sap all our life

forces in the pursuit of selfish aims, in accumulating material wealth,

in piling up dollars. It is our duty to treat life as a glory, not as

a grind or a purely business transaction, dealing wholly with money and

bread-and-butter questions. Wherever you are, put beauty into your

life.

Pushing to the Front · 第 51 / 66 章