CHAPTER IV

THE SECOND SERIES

When Mr. Gardner was in Yorkshire in July, he left a good camera with

Elsie, for he learned that her cousin Frances was about to visit her

again and that there would be a chance of more photographs. One of our

difficulties has been that the associated aura of the two girls is

needful. This joining of auras to produce a stronger effect than either

can get singly is common enough in psychic matters. We wished to make

full use of the combined power of the girls in August. My last words

to Mr. Gardner, therefore, before starting for Australia were that I

should open no letter more eagerly than that which would tell me the

result of our new venture. In my heart I hardly expected success, for

three years had passed, and I was well aware that the processes of

puberty are often fatal to psychic power.

I was surprised, therefore, as well as delighted, when I had his letter

at Melbourne, informing me of complete success and enclosing three

more wonderful prints, all taken in the fairy glen. Any doubts which

had remained in my mind as to honesty were completely overcome, for

it was clear that these pictures, specially the one of the fairies

in the bush, were altogether beyond the possibility of fake. Even

now, however, having a wide experience of transference of pictures

in psychic photography and the effect of thought upon ectoplasmic

images, I feel that there is a possible alternative explanation in

this direction, and I have never quite lost sight of the fact that it

is a curious coincidence that so unique an event should have happened

in a family some members of which were already inclined to occult

study, and might be imagined to have formed thought-pictures of occult

appearances. Such suppositions, though not to be entirely dismissed,

are, as it seems to me, far-fetched and remote.

Here is the joyous letter which reached me at Melbourne:

_September 6, 1920._

MY DEAR DOYLE,

Greetings and best wishes! Your last words to me before we parted were

that you would open my letter with the greatest interest. You will not

be disappointed--for the wonderful thing has happened!

I have received from Elsie three more negatives taken a few days

back. I need not describe them, for enclosed are the three prints in

a separate envelope. The "Flying Fairy" and the "Fairies' Bower" are

the most amazing that any modern eye has ever seen surely! I received

these plates on Friday morning last and have since been thinking

furiously.

A nice little letter came with them saying how sorry they were

(!) that they couldn't send more, but the weather had been bad

(it has been abominably cold), and on only two afternoons had

Elsie and Frances been able to visit the glen. (Frances has now

returned to Scarborough at the call of school.) All quite simple and

straightforward and concluding with the hope that I might be able to

spend another day with them at the end of this month.

I went over to Harrow at once, and Snelling without hesitation

pronounced the three as bearing the same proofs of genuineness as the

first two, declaring further that at any rate the "bower" one was

utterly beyond any possibility of faking! While on this point I might

add that to-day I have interviewed Illingworth's people and somewhat

to my surprise they endorsed this view. (Now if you have not yet

opened the envelope please do so and I will continue....)

I am going to Yorkshire on the 23rd inst. to fill some lecture

engagements and shall spend a day at C., and of course take photos of

these spots and examine and take away any "spoilt" negatives that will

serve as useful accompaniments. The bower negative, by the way, the

girls simply could not understand at all. They saw the sedate-looking

fairy to the right, and without waiting to get in the picture Elsie

pushed the camera close up to the tall grasses and took the snap....

To this letter I made answer as follows:

_Melbourne, October 21, 1920._

DEAR GARDNER,

My heart was gladdened when out here in far Australia I had your

note and the three wonderful prints which are confirmatory of our

published results. You and I needed no confirmation, but the whole

line of thought will be so novel to the ordinary busy man who has not

followed psychic inquiry, that he will need that it be repeated again

and yet again before he realizes that this new order of life is really

established and has to be taken into serious account, just as the

pigmies of Central Africa.

I felt guilty when I laid a delay-action mine and left the country,

leaving you to face the consequences of the explosion. You knew,

however, that it was unavoidable. I rejoice now that you should have

this complete shield against those attacks which will very likely take

the form of a clamour for further pictures, unaware that such pictures

actually exist.

The matter does not bear directly upon the more vital question of our

own fate and that of those we have lost, which has brought me out

here. But anything which extends man's mental horizon, and proves to

him that matter as we have known it is not really the limit of our

universe, must have a good effect in breaking down materialism and

leading human thought to a broader and more spiritual level.

It almost seems to me that those wise entities who are conducting

this campaign from the other side, and using some of us as humble

instruments, have recoiled before that sullen stupidity against

which Goethe said the gods themselves fight in vain, and have opened

up an entirely new line of advance, which will turn that so-called

"religious," and essentially irreligious, position, which has helped

to bar our way. They can't destroy fairies by antediluvian texts, and

when once fairies are admitted other psychic phenomena will find a

more ready acceptance.

Good-bye, my dear Gardner, I am proud to have been associated with

you in this epoch-making incident. We have had continued messages

at seances for some time that a visible sign was coming through--and

perhaps this was what is meant. The human race does not deserve fresh

evidence, since it has not troubled, as a rule, to examine that which

already exists. However, our friends beyond are very long-suffering

and more charitable than I, for I will confess that my soul is filled

with a cold contempt for the muddle-headed indifference and the moral

cowardice which I see around me.

Yours sincerely,

ARTHUR CONAN DOYLE.

The next letters from Mr. Gardner told me that in September,

immediately after this second series was taken, he had gone north

again, and came away more convinced than ever of the honesty of the

whole Wright family and of the genuine nature of the photographs. From

this letter I take the following extracts:

"My visit to Yorkshire was very profitable. I spent the whole day with

the family and took photographs of the new sites, which proved to be

in close proximity to the others. I enclose a few prints of these. It

was beside the pond shown that the 'cradle' or bower photograph was

taken. The fairy that is in the air was leaping rather than flying.

It had leapt up from the bush below five or six times, Elsie said,

and seemed to hover at the top of its spring. It was about the fifth

time that it did so that she snapped the shutter. Unfortunately,

Frances thought the fairy was leaping on to her face, the action was

so vigorous, and tossed her head back. The motion can be detected in

the print. The fairy who is looking at Elsie in the other photograph

is holding a bunch of fairy harebells. I thought this one had 'bobbed'

hair and was altogether quite in the fashion, her dress is so

up-to-date! But Elsie says her hair was close-curled, not bobbed. With

regard to the 'cradle' Elsie tells me they both saw the fairy on the

right and the demure-looking sprite on the left, but not the bower.

Or rather, she says there was only a wreath of faint mist in between

and she could make nothing of it. We have now succeeded in bringing

this print out splendidly, and as I can get certificates from experts

giving the opinion that this negative could not possibly be 'faked' we

seem to be on perfectly safe ground. The exposure times in each case

were one-fiftieth of a second, the distance about three to four feet,

the camera was the selected 'Cameo' that I had sent to Elsie, and the

plates were of those that I had sent too.

"The colours of dresses and wings, etc., I have complete, but will

post these particulars on when writing at length a little later and

have the above more fully written out." ...

_November 27, 1920._

"The photographs:

"When I was in Yorkshire in September investigating the second

series, I took photos of the spots, of course, and the full account

of the success. The children only had two brief hours or so of decent

sunshine during the whole of that fortnight they were together in

August. On the Thursday they took two and on the Saturday one. If

it had been normal weather we might have obtained a score or more.

Possibly, however, it is better to go slowly--though I propose we

take the matter further again in May or June. The camera I had sent

was the one used, and also the plates (which had all been marked

privately by the Illingworth Co., independently of me). The three new

fairy negatives proved to be of these and can be certified so to be by

the manager. The Cradle or Bower negative is, as I think I told you,

declared to be utterly unfakeable, and I can get statements to this

effect...."

In a subsequent fuller account Mr. Gardner says:

"On Thursday afternoon, August 26, a fairly bright and sunny day,

fortunately (for the unseasonably cold weather experienced generally

could hardly have been worse for the task), a number of photographs

were taken, and again on Saturday, August 28. The three reproduced

here are the most striking and amazing of the number. I only wish

every reader could see the superlatively beautiful enlargements

made directly from the actual negatives. The exquisite grace of

the flying fairy baffles description--all fairies, indeed, seem to

be super-Pavlovas in miniature. The next, of the fairy offering

a flower--an etheric harebell--to Iris, is a model of gentle and

dignified pose, but it is to the third that I would draw special and

detailed attention. Never before, or otherwhere, surely, has a fairy's

bower been photographed!

"The central ethereal cocoon shape, something between a cocoon and

an open chrysalis in appearance, lightly suspended amid the grasses,

is the bower or cradle. Seated on the upper left-hand edge with wing

well displayed is an undraped fairy apparently considering whether

it is time to get up. An earlier riser of more mature age is seen on

the right possessing abundant hair and wonderful wings. Her slightly

denser body can be glimpsed within her fairy dress. Just beyond, still

on the right, is the clear-cut head of a mischievous but smiling elf

wearing a close-fitting cap. On the extreme left is a demure-looking

sprite, with a pair of very diaphanous wings, while just above,

rather badly out of focus, however, is another with wings still widely

extended, and with outspread arms, apparently just alighting on the

grass tops. The face in half profile can just be traced in a very

clear and carefully toned print that I have. Altogether, perhaps,

this of the bower is the most astonishing and interesting of the more

successful photographs, though some may prefer the marvellous grace of

the flying figure.

"The comparative lack of definition in this photograph is probably

accounted for by the absence of the much denser human element. To

introduce us in this way directly to a charming bower of the fairies

was quite an unexpected result on the part of the girls, by the way.

They saw the somewhat sedate fairy on the right in the long grasses,

and, making no attempt this time to get in the picture themselves,

Iris put the camera very close up and obtained the snap. It was simply

good fortune that the bower was close by. In showing me the negative,

Iris only remarked it as being a quaint little picture that she could

not make out!"

There the matter stands, and nothing has occurred from that time

onwards to shake the validity of the photographs. We were naturally

desirous of obtaining more, and in August 1921 the girls were brought

together once again, and the very best photographic equipment,

including a stereoscopic camera and a cinema camera, were placed at

their disposal. The Fates, however, were most unkind, and a combination

of circumstances stood in the way of success. There was only a

fortnight during which Frances could be at Cottingley, and it was a

fortnight of almost incessant rain, the long drought breaking at the

end of July in Yorkshire. In addition, a small seam of coal had been

found in the Fairy Glen, and it had been greatly polluted by human

magnetism. These conditions might perhaps have been overcome, but the

chief impediment of all was the change in the girls, the one through

womanhood and the other through board-school education.

There was one development, however, which is worth recording. Although

they were unable to materialize the images to such an extent as to

catch them upon a plate, the girls had not lost their clairvoyant

powers, and were able, as of old, to see the sprites and elves which

still abounded in the glen. The sceptic will naturally say that we

have only their own word for that, but this is not so. Mr. Gardner had

a friend, whom I will call Mr. Sergeant, who held a commission in the

Tank Corps in the war, and is an honourable gentleman with neither the

will to deceive nor any conceivable object in doing so. This gentleman

has long had the enviable gift of clairvoyance in a very high degree,

and it occurred to Mr. Gardner that we might use him as a check upon

the statements of the girls. With great good humour, he sacrificed

a week of his scanty holiday--for he is a hard-worked man--in this

curious manner. But the results seem to have amply repaid him. I have

before me his reports, which are in the form of notes made as he

actually watched the phenomena recorded. The weather was, as stated,

bad on the whole, though clearing occasionally. Seated with the

girls, he saw all that they saw, and more, for his powers proved to be

considerably greater. Having distinguished a psychic object, he would

point in the direction and ask them for a description, which he always

obtained correctly within the limit of their powers. The whole glen,

according to his account, was swarming with many forms of elemental

life, and he saw not only wood elves, gnomes, and goblins, but the

rarer undines, floating over the stream. I take a long extract from his

rather disjointed notes, which may form a separate chapter.

The Coming of the Fairies · 第 4 / 8 章