FRANZ PETER SCHUBERT

(1797-1828)

God sent his singers upon earth

With songs of gladness and of mirth,

That they might touch the hearts of men

And bring them back to heaven again.

--LONGFELLOW.

[Illustration: FRANZ PETER SCHUBERT]

[Music: (Hark, Hark! the Lark.) Hark, hark! the lark at Heav'n's gate

sings, And Phoebus 'gins to rise.]

One winter's night in 1797 a little child was born in Vienna. He was

called Franz Peter, and his father was Schubert the schoolmaster. The

home into which the child came was one of poverty. There was a large

family of children to be cared for, and there was but little money with

which to feed and clothe them.

On the day that Franz Schubert was born in that humble home, Haydn was

sixty-five years of age, and the great Beethoven was a young man of

twenty-seven. Mozart had passed away six years before. Little did

Schoolmaster Schubert and his good wife dream that their little son

would one day make the name Schubert as famous as any of these.

Famous, indeed, did the family name become through Franz Peter. And

to-day, if you were to visit Vienna, you would find his first home

marked with a gray stone tablet. Carved into the marble are words

meaning _Birthplace of Franz Schubert_.

Franz started to school when he was six years old. A year or two later

he began the study of music. His teacher soon found that the boy already

knew a great deal. At the close of a lesson one day, he said to the

child, "Who has been your music teacher?"

"May it please you, I have had none but yourself."

"How, then, have you learned so much about music?"

Then the boy told his story. He said that a playmate of his was an

apprentice in a piano factory. Franz often begged to be allowed to go to

the shop. At last his friend said, "You may go with me just this once."

When he was ready to go home, Franz could not be found in the workshop.

The apprentice hurried from one room to another. At last he found the

little lad in the room where the pianos stood. He had been having a

delightful time, picking out exercises on the white keys. Many times

after that he went to the piano factory. Soon he had taught himself all

that most children learn in a great many lessons.

The boy's singing teacher often said to the schoolmaster, "I have never

before had such a pupil." One day he came to the father with tears in

his eyes, saying, "Whenever I want to teach Franz anything, I find he

knows it already."

The boy's father was anxious that Franz should become a member of the

choir in the emperor's chapel. Those who sang in the choir first passed

an examination in music. Then they were allowed to enter a school where

music and other studies were taught.

Franz often saw the choir boys in their uniforms trimmed with bands of

gold, and studied harder that he might one day enter the choir. When he

was eleven years old, he passed the examination. The chapel master said,

"You sing well, indeed, my boy."

When Franz arose to sing for the chapel masters, some of the boys began

to point their fingers at his poor clothes. Franz could hear them

whispering among themselves, "He must be a miller's son." When he began

to sing, the whispering ceased. The sweet, pure tones filled the great

room and the silence was unbroken.

One day the chapel master saw some music that Franz had composed. He

said to himself "Franz Schubert is no ordinary child. He must study

composition in earnest. He shall have the finest harmony teacher."

Franz and his new teacher became fast friends. The lad was eager to

learn, but the master found little to teach. He used to say, "He has

already learned everything, and God has been his teacher."

During the years that Franz attended the choir school it was his custom

to visit his parents on Sunday afternoon. The schoolmaster and three of

his sons had formed a quartet. The father played the violoncello, Franz

the viola, and the others the first and second violins.

Although Franz was the youngest, he was the first to notice a mistake.

If it was one of his brothers who made the mistake, Franz would frown.

If it was the father who played a wrong note, no notice of it was taken

the first time. If he played incorrectly the second time, Franz would

smile and say modestly, "There must be something wrong, father."

Stories of Great Musicians · 第 55 / 71 题