CHAPTER XVII.

THE SHADOW OF TERROR

Two days before the date set for Von Gerhard’s departure the book was

finished, typed, re-read, packed, and sent away. Half an hour after it

was gone all its most glaring faults seemed to marshall themselves

before my mind’s eye. Whole paragraphs, that had read quite reasonably

before, now loomed ludicrous in perspective. I longed to snatch it

back; to tidy it here, to take it in there, to smooth certain rough

places neglected in my haste. For almost a year I had lived with this

thing, so close that its faults and its virtues had become

indistinguishable to me. Day and night, for many months, it had been in

my mind. Of late some instinct had prompted me to finish it. I had

worked at it far into the night, until I marveled that the ancient

occupants of the surrounding rooms did not enter a combined protest

against the clack-clacking of my typewriter keys. And now that it was

gone I wondered, dully, if I could feel Von Gerhard’s departure more

keenly.

No one knew of the existence of the book except Norah, Von Gerhard,

Blackie and me. Blackie had a way of inquiring after its progress in

hushed tones of mock awe. Also he delighted in getting down on hands

and knees and guiding a yard-stick carefully about my desk with a view

to having a fence built around it, bearing an inscription which would

inform admiring tourists that here was the desk at which the brilliant

author had been wont to sit when grinding out heart-throb stories for

the humble Post. He took an impish delight in my struggles with my hero

and heroine, and his inquiries after the health of both were of such a

nature as to make any earnest writer person rise in wrath and slay him.

I had seen little of Blackie of late. My spare hours had been devoted

to the work in hand. On the day after the book was sent away I was

conscious of a little shock as I strolled into Blackie’s sanctum and

took my accustomed seat beside his big desk. There was an oddly pinched

look about Blackie’s nostrils and lips, I thought. And the deep-set

black eyes appeared deeper and blacker than ever in his thin little

face.

A week of unseasonable weather had come upon the city. June was going

out in a wave of torrid heat such as August might have boasted. The day

had seemed endless and intolerably close. I was feeling very limp and

languid. Perhaps, thought I, it was the heat which had wilted Blackie’s

debonair spirits.

“It has been a long time since we’ve had a talk-talk, Blackie. I’ve

missed you. Also you look just a wee bit green around the edges. I’m

thinking a vacation wouldn’t hurt you.”

Blackie’s lean brown forefinger caressed the bowl of his favorite pipe.

His eyes, that had been gazing out across the roofs beyond his window,

came back to me, and there was in them a curious and quizzical

expression as of one who is inwardly amused.

“I’ve been thinkin’ about a vacation. None of your measly little two

weeks’ affairs, with one week on salary, and th’ other without. I ain’t

goin’ t’ take my vacation for a while—not till fall, p’raps, or maybe

winter. But w’en I do take it, sa-a-ay, girl, it’s goin’ t’ be a real

one.”

“But why wait so long?” I asked. “You need it now. Who ever heard of

putting off a vacation until winter!”

“Well, I dunno,” mused Blackie. “I just made my arrangements for that

time, and I hate t’ muss ’em up. You’ll say, w’en the time comes, that

my plans are reasonable.”

There was a sharp ring from the telephone at Blackie’s elbow. He

answered it, then thrust the receiver into my hand. “For you,” he said.

It was Von Gerhard’s voice that came to me. “I have something to tell

you,” he said. “Something most important. If I call for you at six we

can drive out to the bay for supper, yes? I must talk to you.”

“You have saved my life,” I called back. “It has been a beast of a day.

You may talk as much and as importantly as you like, so long as I am

kept cool.”

“That was Von Gerhard,” said I to Blackie, and tried not to look

uncomfortable.

“Mm,” grunted Blackie, pulling at his pipe. “Thoughtful, ain’t he?”

I turned at the door. “He—he’s going away day after to-morrow,

Blackie,” I explained, although no explanation had been asked for, “to

Vienna. He expects to stay a year—or two—or three—”

Blackie looked up quickly. “Goin’ away, is he? Well, maybe it’s best,

all around, girl. I see his name’s been mentioned in all the medical

papers, and the big magazines, and all that, lately. Gettin’ t’ be a

big bug, Von Gerhard is. Sorry he’s goin’, though. I was plannin’ t’

consult him just before I go on my—vacation. But some other guy’ll do.

He don’t approve of me, Von Gerhard don’t.”

For some reason which I could never explain I went back into the room

and held out both my hands to Blackie. His nervous brown fingers closed

over them. “That doesn’t make one bit of difference to us, does it,

Blackie?” I said, gravely. “We’re—we’re not caring so long as we

approve of one another, are we?”

“Not a bit, girl,” smiled Blackie, “not a bit.”

When the green car stopped before the Old Folks’ Home I was in seraphic

mood. I had bathed, donned clean linen and a Dutch-necked gown. The

result was most soul-satisfying. My spirits rose unaccountably. Even

the sight of Von Gerhard, looking troubled and distrait, did not quiet

them. We darted away, out along the lake front, past the toll gate, to

the bay road stretching its flawless length along the water’s side. It

was alive with swift-moving motor cars swarming like twentieth-century

pilgrims toward the mecca of cool breezes and comfort. There were proud

limousines; comfortable family cars; trim little roadsters; noisy

runabouts. Not a hoof-beat was to be heard. It was as though the

horseless age had indeed descended upon the world. There was only a

hum, a rush, a roar, as car after car swept on.

Summer homes nestled among the trees near the lake. Through the

branches one caught occasional gleams of silvery water. The rush of

cool air fanned my hot forehead, tousled my hair, slid down between my

collar and the back of my neck, and I was grandly content.

“Even though you are going to sail away, and even though you have the

grumps, and refuse to talk, and scowl like a jabberwock, this is an

extremely nice world. You can’t spoil it.”

“Behute!” Von Gerhard’s tone was solemn.

“Would you be faintly interested in knowing that the book is finished?”

“So? That is well. You were wearing yourself thin over it. It was then

quickly perfected.”

“Perfected!” I groaned. “I turn cold when I think of it. The last

chapters got away from me completely. They lacked the punch.”

Von Gerhard considered that a moment, as I wickedly had intended that

he should. Then—“The punch? What is that then—the punch?”

Obligingly I elucidated. “A book may be written in flawless style, with

a plot, and a climax, and a lot of little side surprises. But if it

lacks that peculiar and convincing quality poetically known as the

punch, it might as well never have been written. It can never be a

six-best-seller, neither will it live as a classic. You will never see

it advertised on the book review page of the Saturday papers, nor will

the man across the aisle in the street car be so absorbed in its

contents that he will be taken past his corner.”

Von Gerhard looked troubled. “But the literary value? Does that not

enter—”

“I don’t aim to contribute to the literary uplift,” I assured him. “All

my life I have cherished two ambitions. One of them is to write a

successful book, and the other to learn to whistle through my

teeth—this way, you know, as the gallery gods do it. I am almost

despairing of the whistle, but I still have hopes of the book.”

Whereupon Von Gerhard, after a moment’s stiff surprise, gave vent to

one of his heartwarming roars.

“Thanks,” said I. “Now tell me the important news.”

His face grew serious in an instant. “Not yet, Dawn. Later. Let us hear

more about the book. Not so flippant, however, small one. The time is

past when you can deceive me with your nonsense.”

“Surely you would not have me take myself seriously! That’s another

debt I owe my Irish forefathers. They could laugh—bless ’em!—in the

very teeth of a potato crop failure. And let me tell you, that takes

some sense of humor. The book is my potato crop. If it fails it will

mean that I must keep on drudging, with a knot or two taken in my belt.

But I’ll squeeze a smile out of the corner of my mouth, somehow. And if

it succeeds! Oh, Ernst, if it succeeds!”

“Then, Kindchen?”

“Then it means that I may have a little thin layer of jam on my bread

and butter. It won’t mean money—at least, I don’t think it will. A

first book never does. But it will mean a future. It will mean that I

will have something solid to stand on. It will be a real beginning—a

breathing spell—time in which to accomplish something really worth

while—independence—freedom from this tread-mill—”

“Stop!” cried Von Gerhard, sharply. Then, as I stared in surprise—“I do

ask your pardon. I was again rude, nicht wahr? But in me there is a

queer vein of German superstition that disapproves of air castles. Sich

einbilden, we call it.”

The lights of the bay pavilion twinkled just ahead. The green car poked

its nose up the path between rows of empty machines. At last it drew

up, panting, before a vacant space between an imposing, scarlet touring

car and a smart, cream-colored runabout. We left it there and walked up

the light-flooded path.

Inside the great, barn-like structure that did duty as pavilion glasses

clinked, chairs scraped on the wooden floor; a burst of music followed

a sharp fusillade of applause. Through the open doorway could be seen a

company of Tyrolese singers in picturesque costumes of scarlet and

green and black. The scene was very noisy, and very bright, and very

German.

“Not in there, eh?” said Von Gerhard, as though divining my wish. “It

is too brightly lighted, and too noisy. We will find a table out here

under the trees, where the music is softened by the distance, and our

eyes are not offended by the ugliness of the singers. But inexcusably

ugly they are, these Tyrolese women.”

We found a table within the glow of the pavilion’s lights, but still so

near the lake that we could hear the water lapping the shore. A

cadaverous, sandy-haired waiter brought things to eat, and we made

brave efforts to appear hungry and hearty, but my high spirits were

ebbing fast, and Von Gerhard was frankly distraught. One of the women

singers appeared suddenly in the doorway of the pavilion, then stole

down the steps, and disappeared in the shadow of the trees beyond our

table. The voices of the singers ceased abruptly. There was a moment’s

hushed silence. Then, from the shadow of the trees came a woman’s

voice, clear, strong, flexible, flooding the night with the bird-like

trill of the mountain yodel. The sound rose and fell, and swelled and

soared. A silence. Then, in a great burst of melody the chorus of

voices within the pavilion answered the call. Again a silence. Again

the wonder of the woman’s voice flooded the stillness, ending in a note

higher, clearer, sweeter than any that had gone before. Then the little

Tyrolese, her moment of glory ended, sped into the light of the noisy

pavilion again.

When I turned to Von Gerhard my eyes were wet. “I shall have that to

remember, when you are gone.”

Von Gerhard beckoned the hovering waiter. “Take these things away. And

you need not return.” He placed something in the man’s palm—something

that caused a sudden whisking away of empty dishes, and many obsequious

bows.

Von Gerhard’s face was turned away from me, toward the beauty of the

lake and sky. Now, as the last flirt of the waiter’s apron vanished

around the corner he turned his head slowly, and I saw that in his eyes

which made me catch my breath with apprehension.

“What is it?” I cried. “Norah? Max? The children?”

He shook his head. “They are well, so far as I know. I—perhaps first I

should tell you—although this is not the thing which I have to say to

you—”

“Yes?” I urged him on, impatiently. I had never seen him like this.

“I do not sail this week. I shall not be with Gluck in Vienna this

year. I shall stay here.”

“Here! Why? Surely—”

“Because I shall be needed here, Dawn. Because I cannot leave you now.

You will need—some one—a friend—”

I stared at him with eyes that were wide with terror, waiting for I

knew not what.

“Need—some one—for—what?” I stammered. “Why should you—”

In the kindly shadow of the trees Von Gerhard’s hands took my icy ones,

and held them in a close clasp of encouragement.

“Norah is coming to be with you—”

“Norah! Why? Tell me at once! At once!”

“Because Peter Orme has been sent home—cured,” said he.

The lights of the pavilion fell away, and advanced, and swung about in

a great sickening circle. I shut my eyes. The lights still swung before

my eyes. Von Gerhard leaned toward me with a word of alarm. I clung to

his hands with all my strength.

“No!” I said, and the savage voice was not my own. “No! No! No! It

isn’t true! It isn’t—Oh, it’s some joke, isn’t it? Tell me, it’s—it’s

something funny, isn’t it? And after a bit we’ll laugh—we’ll laugh—of

course—see! I am smiling already—”

“Dawn—dear one—it is true. God knows I wish that I could be happy to

know it. The hospital authorities pronounce him cured. He has been

quite sane for weeks.”

“You knew it—how long?”

“You know that Max has attended to all communications from the doctors

there. A few weeks ago they wrote that Orme had shown evidences of

recovery. He spoke of you, of the people he had known in New York, of

his work on the paper, all quite rationally and calmly. But they must

first be sure. Max went to New York a week ago. Peter was gone. The

hospital authorities were frightened and apologetic. Peter had walked

away quite coolly one day. He had gone into the city, borrowed money of

some old newspaper cronies, and vanished. He may be there still. He may

be—”

“Here! Ernst! Take me home! O God; I can’t do it! I can’t! I ought to

be happy, but I’m not. I ought to be thankful, but I’m not, I’m not!

The horror of having him there was great enough, but it was nothing

compared to the horror of having him here. I used to dream that he was

well again, and that he was searching for me, and the dreadful realness

of it used to waken me, and I would find myself shivering with terror.

Once I dreamed that I looked up from my desk to find him standing in

the doorway, smiling that mirthless smile of his, and I heard him say,

in his mocking way: ‘Hello, Dawn my love; looking wonderfully well.

Grass widowhood agrees with you, eh?’”

“Dawn, you must not laugh like that. Come, we will go. You are

shivering! Don’t, dear, don’t. See, you have Norah, and Max, and me to

help you. We will put him on his feet. Physically he is not what he

should be. I can do much for him.”

“You!” I cried, and the humor of it was too exquisite for laughter.

“For that I gave up Vienna,” said Von Gerhard, simply. “You, too, must

do your share.”

“My share! I have done my share. He was in the gutter, and he was

dragging me with him. When his insanity came upon him I thanked God for

it, and struggled up again. Even Norah never knew what that struggle

was. Whatever I am, I am in spite of him. I tell you I could hug my

widow’s weeds. Ten years ago he showed me how horrible and unclean a

thing can be made of this beautiful life. I was a despairing, cowering

girl of twenty then—I am a woman now, happy in her work, her friends;

growing broader and saner in thought, quicker to appreciate the finer

things in life. And now—what?”

They were dashing off a rollicking folk-song indoors. When it was

finished there came a burst of laughter and the sharp spat of

applauding hands, and shouts of approbation. The sounds seemed seared

upon my brain. I rose and ran down the path toward the waiting machine.

There in the darkness I buried my shamed face in my hands and prayed

for the tears that would not come.

It seemed hours before I heard Von Gerhard’s firm, quick tread upon the

gravel path. He moved about the machine, adjusting this and that, then

took his place at the wheel without a word. We glided out upon the

smooth white road. All the loveliness of the night seemed to have

vanished. Only the ugly, distorted shadows remained. The terror of

uncertainty gripped me. I could not endure the sight of Von Gerhard’s

stern, set face. I grasped his arm suddenly so that the machine veered

and darted across the road. With a mighty wrench Von Gerhard righted

it. He stopped the machine at the road-side.

“Careful, Kindchen,” he said, gravely.

“Ernst,” I said, and my breath came quickly, chokingly, as though I had

been running fast, “Ernst, I can’t do it. I’m not big enough. I can’t.

I hate him, I tell you, I hate him! My life is my own. I’ve made it

what it is, in the face of a hundred temptations; in spite of a hundred

pitfalls. I can’t lay it down again for Peter Orme to trample. Ernst,

if you love me, take me away now. To Vienna—anywhere—only don’t ask me

to take up my life with him again. I can’t—I can’t—”

“Love you?” repeated Ernst, slowly, “yes. Too well—”

“Too well—”

“Yes, too well for that, Gott sei dank, small one. Too well for that.”

Dawn O'Hara: The Girl Who Laughed · 第 17 / 21 章