CHAPTER I. THE SMASH-UP

CHAPTER II. MOSTLY EGGS

CHAPTER III. GOOD AS NEW

CHAPTER IV. DAWN DEVELOPS A HEIMWEH

CHAPTER V. THE ABSURD BECOMES SERIOUS

CHAPTER VI. STEEPED IN GERMAN

CHAPTER VII. BLACKIE’S PHILOSOPHY

CHAPTER VIII. KAFFEE AND KAFFEEKUCHEN

CHAPTER IX. THE LADY FROM VIENNA

CHAPTER X. A TRAGEDY OF GOWNS

CHAPTER XI. VON GERHARD SPEAKS

CHAPTER XII. BENNIE THE CONSOLER

CHAPTER XIII. THE TEST

CHAPTER XIV. BENNIE AND THE CHARMING OLD MAID

CHAPTER XV. FAREWELL TO KNAPFS

CHAPTER XVI. JUNE MOONLIGHT, AND A NEW BOARDINGHOUSE

CHAPTER XVII. THE SHADOW OF TERROR

CHAPTER XVIII. PETER ORME

CHAPTER XIX. A TURN OF THE WHEEL

CHAPTER XX. BLACKIE’S VACATION COMES

CHAPTER XXI. HAPPINESS

DAWN O’HARA

CHAPTER I.

THE SMASH-UP

There are a number of things that are pleasanter than being sick in a

New York boarding-house when one’s nearest dearest is a married sister

up in far-away Michigan.

Some one must have been very kind, for there were doctors, and a

blue-and-white striped nurse, and bottles and things. There was even a

vase of perky carnations—scarlet ones. I discovered that they had a

trick of nodding their heads, saucily. The discovery did not appear to

surprise me.

“Howdy-do!” said I aloud to the fattest and reddest carnation that

overtopped all the rest. “How in the world did you get in here?”

The striped nurse (I hadn’t noticed her before) rose from some corner

and came swiftly over to my bedside, taking my wrist between her

fingers.

“I’m very well, thank you,” she said, smiling, “and I came in at the

door, of course.”

“I wasn’t talking to you,” I snapped, crossly, “I was speaking to the

carnations; particularly to that elderly one at the top—the fat one who

keeps bowing and wagging his head at me.”

“Oh, yes,” answered the striped nurse, politely, “of course. That one

is very lively, isn’t he? But suppose we take them out for a little

while now.”

She picked up the vase and carried it into the corridor, and the

carnations nodded their heads more vigorously than ever over her

shoulder.

I heard her call softly to some one. The some one answered with a sharp

little cry that sounded like, “Conscious!”

The next moment my own sister Norah came quietly into the room, and

knelt at the side of my bed and took me in her arms. It did not seem at

all surprising that she should be there, patting me with reassuring

little love pats, murmuring over me with her lips against my cheek,

calling me a hundred half-forgotten pet names that I had not heard for

years. But then, nothing seemed to surprise me that surprising day. Not

even the sight of a great, red-haired, red-faced, scrubbed looking man

who strolled into the room just as Norah was in the midst of denouncing

newspapers in general, and my newspaper in particular, and calling the

city editor a slave-driver and a beast. The big, red-haired man stood

regarding us tolerantly.

“Better, eh?” said he, not as one who asks a question, but as though in

confirmation of a thought. Then he too took my wrist between his

fingers. His touch was very firm and cool. After that he pulled down my

eyelids and said, “H’m.” Then he patted my cheek smartly once or twice.

“You’ll do,” he pronounced. He picked up a sheet of paper from the

table and looked it over, keen-eyed. There followed a clinking of

bottles and glasses, a few low-spoken words to the nurse, and then, as

she left the room the big red-haired man seated himself heavily in the

chair near the bedside and rested his great hands on his fat knees. He

stared down at me in much the same way that a huge mastiff looks at a

terrier. Finally his glance rested on my limp left hand.

“Married, h’m?”

For a moment the word would not come. I could hear Norah catch her

breath quickly. Then—“Yes,” answered I.

“Husband living?” I could see suspicion dawning in his cold gray eye.

Again the catch in Norah’s throat and a little half warning, half

supplicating gesture. And again, “Yes,” said I.

The dawn of suspicion burst into full glow.

“Where is he?” growled the red-haired doctor. “At a time like this?”

I shut my eyes for a moment, too sick at heart to resent his manner. I

could feel, more than see, that Sis was signaling him frantically. I

moistened my lips and answered him, bitterly.

“He is in the Starkweather Hospital for the insane.”

When the red-haired man spoke again the growl was quite gone from his

voice.

“And your home is—where?”

“Nowhere,” I replied meekly, from my pillow. But at that Sis put her

hand out quickly, as though she had been struck, and said:

“My home is her home.”

“Well then, take her there,” he ordered, frowning, “and keep her there

as long as you can. Newspaper reporting, h’m? In New York? That’s a

devil of a job for a woman. And a husband who... Well, you’ll have to

take a six months’ course in loafing, young woman. And at the end of

that time, if you are still determined to work, can’t you pick out

something easier—like taking in scrubbing, for instance?”

I managed a feeble smile, wishing that he would go away quickly, so

that I might sleep. He seemed to divine my thoughts, for he disappeared

into the corridor, taking Norah with him. Their voices, low-pitched and

carefully guarded, could be heard as they conversed outside my door.

Norah was telling him the whole miserable business. I wished, savagely,

that she would let me tell it, if it must be told. How could she paint

the fascination of the man who was my husband? She had never known the

charm of him as I had known it in those few brief months before our

marriage. She had never felt the caress of his voice, or the magnetism

of his strange, smoldering eyes glowing across the smoke-dimmed city

room as I had felt them fixed on me. No one had ever known what he had

meant to the girl of twenty, with her brain full of unspoken

dreams—dreams which were all to become glorious realities in that

wonder-place, New York.

How he had fired my country-girl imagination! He had been the most

brilliant writer on the big, brilliant sheet—and the most dissolute.

How my heart had pounded on that first lonely day when this

Wonder-Being looked up from his desk, saw me, and strolled over to

where I sat before my typewriter! He smiled down at me, companionably.

I’m quite sure that my mouth must have been wide open with surprise. He

had been smoking a cigarette—an expensive-looking, gold-tipped one. Now

he removed it from between his lips with that hand that always shook a

little, and dropped it to the floor, crushing it lightly with the toe

of his boot. He threw back his handsome head and sent out the last

mouthful of smoke in a thin, lazy spiral. I remember thinking what a

pity it was that he should have crushed that costly-looking cigarette,

just for me.

“My name’s Orme,” he said, gravely. “Peter Orme. And if yours isn’t

Shaughnessy or Burke at least, then I’m no judge of what black hair and

gray eyes stand for.”

“Then you’re not,” retorted I, laughing up at him, “for it happens to

be O’Hara—Dawn O’Hara, if ye plaze.”

He picked up a trifle that lay on my desk—a pencil, perhaps, or a bit

of paper—and toyed with it, absently, as though I had not spoken. I

thought he had not heard, and I was conscious of feeling a bit

embarrassed, and very young. Suddenly he raised his smoldering eyes to

mine, and I saw that they had taken on a deeper glow. His white, even

teeth showed in a half smile.

“Dawn O’Hara,” said he, slowly, and the name had never sounded in the

least like music before, “Dawn O’Hara. It sounds like a rose—a pink

blush rose that is deeper pink at its heart, and very sweet.”

He picked up the trifle with which he had been toying and eyed it

intently for a moment, as though his whole mind were absorbed in it.

Then he put it down, turned, and walked slowly away. I sat staring

after him like a little simpleton, puzzled, bewildered, stunned. That

had been the beginning of it all.

He had what we Irish call “a way wid him.” I wonder now why I did not

go mad with the joy, and the pain, and the uncertainty of it all. Never

was a girl so dazzled, so humbled, so worshiped, so neglected, so

courted. He was a creature of a thousand moods to torture one. What

guise would he wear to-day? Would he be gay, or dour, or sullen, or

teasing or passionate, or cold, or tender or scintillating? I know that

my hands were always cold, and my cheeks were always hot, those days.

He wrote like a modern Demosthenes, with all political New York to

quiver under his philippics. The managing editor used to send him out

on wonderful assignments, and they used to hold the paper for his stuff

when it was late. Sometimes he would be gone for days at a time, and

when he returned the men would look at him with a sort of admiring awe.

And the city editor would glance up from beneath his green eye-shade

and call out:

“Say, Orme, for a man who has just wired in about a million dollars’

worth of stuff seems to me you don’t look very crisp and jaunty.”

“Haven’t slept for a week,” Peter Orme would growl, and then he would

brush past the men who were crowded around him, and turn in my

direction. And the old hot-and-cold, happy, frightened, laughing,

sobbing sensation would have me by the throat again.

Well, we were married. Love cast a glamour over his very vices. His

love of drink? A weakness which I would transform into strength. His

white hot flashes of uncontrollable temper? Surely they would die down

at my cool, tender touch. His fits of abstraction and irritability?

Mere evidences of the genius within. Oh, my worshiping soul was always

alert with an excuse.

And so we were married. He had quite tired of me in less than a year,

and the hand that had always shaken a little shook a great deal now,

and the fits of abstraction and temper could be counted upon to appear

oftener than any other moods. I used to laugh, sometimes, when I was

alone, at the bitter humor of it all. It was like a Duchess novel come

to life.

His work began to show slipshod in spots. They talked to him about it

and he laughed at them. Then, one day, he left them in the ditch on the

big story of the McManus indictment, and the whole town scooped him,

and the managing editor told him that he must go. His lapses had become

too frequent. They would have to replace him with a man not so

brilliant, perhaps, but more reliable.

I daren’t think of his face as it looked when he came home to the

little apartment and told me. The smoldering eyes were flaming now. His

lips were flecked with a sort of foam. I stared at him in horror. He

strode over to me, clasped his fingers about my throat and shook me as

a dog shakes a mouse.

“Why don’t you cry, eh?” he snarled. “Why don’t you cry!”

And then I did cry out at what I saw in his eyes. I wrenched myself

free, fled to my room, and locked the door and stood against it with my

hand pressed over my heart until I heard the outer door slam and the

echo of his footsteps die away.

Divorce! That was my only salvation. No, that would be cowardly now. I

would wait until he was on his feet again, and then I would demand my

old free life back once more. This existence that was dragging me into

the gutter—this was not life! Life was a glorious, beautiful thing, and

I would have it yet. I laid my plans, feverishly, and waited. He did

not come back that night, or the next, or the next, or the next. In

desperation I went to see the men at the office. No, they had not seen

him. Was there anything that they could do? they asked. I smiled, and

thanked them, and said, oh, Peter was so absent-minded! No doubt he had

misdirected his letters, or something of the sort. And then I went back

to the flat to resume the horrible waiting.

One week later he turned up at the old office which had cast him off.

He sat down at his former desk and began to write, breathlessly, as he

used to in the days when all the big stories fell to him. One of the

men reporters strolled up to him and touched him on the shoulder,

man-fashion. Peter Orme raised his head and stared at him, and the man

sprang back in terror. The smoldering eyes had burned down to an ash.

Peter Orme was quite bereft of all reason. They took him away that

night, and I kept telling myself that it wasn’t true; that it was all a

nasty dream, and I would wake up pretty soon, and laugh about it, and

tell it at the breakfast table.

Well, one does not seek a divorce from a husband who is insane. The

busy men on the great paper were very kind. They would take me back on

the staff. Did I think that I still could write those amusing little

human interest stories? Funny ones, you know, with a punch in ’em.

Oh, plenty of good stories left in me yet, I assured them. They must

remember that I was only twenty-one, after all, and at twenty-one one

does not lose the sense of humor.

And so I went back to my old desk, and wrote bright, chatty letters

home to Norah, and ground out very funny stories with a punch in ’em,

that the husband in the insane asylum might be kept in comforts. With

both hands I hung on like grim death to that saving sense of humor,

resolved to make something of that miserable mess which was my life—to

make something of it yet. And now—

At this point in my musings there was an end of the low-voiced

conversation in the hall. Sis tiptoed in and looked her disapproval at

finding me sleepless.

“Dawn, old girlie, this will never do. Shut your eyes now, like a good

child, and go to sleep. Guess what that great brute of a doctor said! I

may take you home with me next week! Dawn dear, you will come, won’t

you? You must! This is killing you. Don’t make me go away leaving you

here. I couldn’t stand it.”

She leaned over my pillow and closed my eyelids gently with her sweet,

cool fingers. “You are coming home with me, and you shall sleep and

eat, and sleep and eat, until you are as lively as the Widow Malone,

ohone, and twice as fat. Home, Dawnie dear, where we’ll forget all

about New York. Home, with me.”

I reached up uncertainly, and brought her hand down to my lips and a

great peace descended upon my sick soul. “Home—with you,” I said, like

a child, and fell asleep.

Dawn O'Hara: The Girl Who Laughed · 第 1 / 21 章