ST. JOHN'S COLLEGE

[Plate XXI. St. John's College : Garden Front]

"An English home--gray twilight poured

On dewy pastures, dewy trees,

Softer than sleep, all things in order stored,

The haunt of ancient Peace."

TENNYSON, Palace of Art.

St. John's shares with Trinity and Hertford the distinction of having

been twice founded. As the Cistercian College of St. Bernard, it owed

its origin to Archbishop Chichele, the founder of All Souls', and it

continued to exist for a century as a monastic institution. At the

Reformation it was swept away with other monastic foundations by the

greed of Henry VIII, but it was almost immediately refounded, in the

reign of Mary, by Sir Thomas White, one of the greatest of London's

Lord Mayors. In all these respects it has an exact parallel in

Trinity, which had existed as a Benedictine foundation, being then

called "Durham College," and which was refounded, in the same dark

period of English History, by another eminent Londoner, Sir Thomas

Pope. It is characteristic of England and of the English Reformation

that men, who were undoubtedly in sympathy with the old form of the

Faith, yet gave their wealth and their labours to found institutions

which were to serve English religion and English learning under the

new order of things.

For the first generation after the Founder, St. John's was torn by

the quarrels between those who wished to undo the work of the

Reformation altogether, and those who wished to carry it further and

to destroy the continuity of English Church tradition. The final

triumph of the Anglican "Via Media" was the work, above all others,

of William Laud, who came up as scholar to St. John's in 1590, and

who, for most of the half century that followed, was the predominant

influence in the life of the University. First in his own college and

then in Oxford generally, he secured the triumph of his views on

religious doctrine and order. Of these, it is not the place to speak

here, nor yet of Laud's services to Oxford as the restorer of

discipline, the endower and encourager of learning, the organizer of

academic life, whose statutes were to govern Oxford for more than two

centuries; but it is indisputable that Laud takes one of the highest

places on the roll of benefactors, both to the University as a whole

and to his own college.

It was fitting that one who did so much for St. John's should leave

his mark on its buildings; the inner quadrangle was largely built by

him, and it owes to him its most characteristic features, the two

classic colonnades on its east and west sides, and the lovely garden

front, one of the three most beautiful things in Oxford: the north-

east corner of this is shown in Plate XXI.

Laud's building work was done between 1631 and 1635, and in 1636

Charles I and his Queen visited Oxford and were entertained in the

newly-finished college. Much bad verse was written on this event, two

lines of which as a specimen may be quoted from the quaintly-named

poem, "Parnassus Biceps":

"Was I not blessed with Charles and Mary's name,

Names wherein dwells all music? 'Tis the same."

The part of the entertainment to royalty on which the Archbishop

specially prided himself was the play of The Hospital of Lovers,

which was performed entirely by St. John's men, without "borrowing

any one actor." Laud goes on to observe that, when the Queen borrowed

the dresses and the scenery, and had it played over again by her

players at Hampton Court, it was universally acknowledged that the

professionals did not come up to the amateurs--a truly surprising and

somewhat incredible verdict. St. John's, however, was always strong

in dramatic ability; Shirley, the last great representative of the

Elizabethan tradition, was a student there, and the library has the

rare distinction of having possessed longest the same copy of the

works of Shakespeare; it still has the second folio, presented in

1638, by one of the fellows. St. John's connection with the lighter

side of literature has lasted to our own day; the most famous of

Oxford parodies is still the Oxford Spectator, which has not been

surpassed by any of its many imitators in the last half century.

Other colleges, however, might challenge the supremacy of St. John's

in the humours of literature.. In the richness and beauty of its

garden it stands unrivalled, whether quantity or quality be the basis

of comparison. It is not only that before the east front, seen in

Plate XXI, stretches the largest garden in Oxford; thanks to the

skill and the care of the present garden-master, the Rev. H. J.

Bidder, this shows from month to month, as the pageant of summer goes

on, what wealth of colour and variety of bloom the English climate

can produce. It may be said to be laid out on Bacon's rule: "There

ought to be gardens for all months in the year, in which severally

things of beauty may be then in season"; only for "year" we naturally

must read "academic year." If Bacon is right, that a garden is the

"purest of human pleasures," then, indeed, St. John's should be the

Oxford paradise.

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