And if you like these chants, here are the beginnings of a few more:--

Oxford boys are very nice boys,

Cambridge boys are better--

and

Handy-Pandy, sugar-de-candy,

French almond rock--

and

Hoky Poky, penny a lump,

The more you eat, the more you jump--

and

There was an old lady of Botany Bay:

What have you got to sell today--

and (an old one)

All in together--all sorts of (or _frosty_) weather--

When the wind blows we all go together--

and (a very old one)

Here we come gathering nuts in May (they now call it: _and_ May)

On a cold and frosty morning--

and (quite a new one)

Soldier, Soldier, you may be

Just come home from Germany--

and

A house to let, enquire within,

And please to call my Nellie in--

and

Hot boiled beans and melted butter:

Ladies and gentlemen, come to supper--

and

Gladys, Gladys, come out tonight,

The moon is shining bright--

and

O tonight is Saturday night,

Tomorrow will be Sunday--

and (a very old one)

Sally, Sally Water--sprinkle in the pan:

Fie, Sally--cry, Sally--for a young man--

and that’s really interesting, because the children don’t understand

the meaning of this song any more, and so they have invented a new one

to take its place, like this:

Little Sally Sanders, sitting on the sand,

Weeping and crying for a young man,

Rise Sally, rise so sweet--

I forget the rest; but you can see how they have twisted it about to

make sense--

and

You naughty flea,

You bit my knee--

and

Come in my garden,

And give me your hand--

and

Slow skip, what you like,

A dolly or a pepper--

and (a very naughty one)

Mabel, Mabel,

Lay the table--

and

Mother made a seedy cake,

Gave us all the belly ache--

and

I know a doctor, he knows me,

What do you think he brought for tea--

and

Red, white and blue:

I don’t speak to you--

and

O dear me, mother caught a flea,

Put it in the tea-pot and made a cup of tea--

and

This house to let, no rent to pay,

Knock at the door and run away--

and

Dolly dear, Dolly dear,

Your sweetheart is dead--

and

Evie, Ivy, over,

The kettle is boiling over--

and

Up in the North, a long way off,

The donkey’s got the whooping-cough--

and

Turn your back, you saucy cat,

And say no more to me--

and

Send a letter, send a letter,

Be content in the weather--

and

Crossing the waters one by one,

Crossing the waters two by two--

and

Four little chickens all in white,

Saw some bread and began a fight--

and (skipping and shuttlecock)

Old mother Mason--broke a basin:

What did it cost her? One penny, tuppence, etc.

and

Stockings red and garters blue,

Shoes laced up with silver--

and

Penny on the water, tuppence on the sea,

Threepence on the railway--out goes she--

and

Down by the river where the green grass grows,

There little Sally was washing her clothes--

and

Here comes a little bird through the window,

Here comes a little bird through the door--

and

Willie, Willie, I am waiting, I can’t wait no longer for you,

Three times the whistle blows, are you coming yes or no?--

and (skipping)

Little Mary Anne who lives up stairs,

With high legged boots and a feather in her hat--

That’s the way she meets her chap--

and

Take a little bird and hop in the corner,

Take a little bird and hop away--

and

Ma she said that this won’t do,

To play with the boys at half-past two--

and

On the carpet she shall kneel,

Stand up-right upon your heel--

and

Ching Chang Chinaman had a penny doll--

Washed it, scrubbed it, called it pretty poll.

If you really like these songs, I can tell you the names of one or two

more, such as I CAN DO THE TANGO and I’LL TELL MOTHER, MARY ANNE, and

MOTHER, MOTHER, FETCH ME HOME and FATHER GIVE (that means _gave_) ME A

HA’PENNY and POLLY PUT THE KETTLE ON and JUMBO HAD A BABY and LEAVE THE

ROPE and COME ON, AMY and SOME ONE’S UNDER THE BED and PLEASE WILL YOU

LEND THE KEY and CINDARELLA-UMBERELLA and THE HOUSE IS EMPTY AND NOBODY

IN and HABERDASHER ISHER ASHER OM POM TOSH and R. WHITE’S GINGER-BEER

GOES OFF POP and MADEMOISELLE WENT TO THE WELL (which is interesting

because they have forgotten what “mademoiselle” means and now call it

ADAM AND ELL) and MY SON JOHN WENT TO BED WITH HIS STOCKINGS ON and MY

MOTHER SAID THAT I WAS BORN and POOR JENNIE IS A-WEEPING and LONDON

BRIDGE IS BROKEN DOWN (two well-known old ones) and WILLIE HAD A LETTER

FOR TO GO ON BOARD A SHIP and OATS AND BEANS AND BARLEY GROW and NOW

WE’RE ON THE BATTLEFIELD and MY FATHER HAD AN OLD SHOE and I WENT DOWN

PICCADILLY.

You can get as many of these songs out of the girls as you like, if you

care to come round and ask for them; you’ll find the girls far less

shy about their games than the boys are. And you’ll also notice that

they’re just as good at inventing sports--the boys show up best in the

duty-games, and the girls in their songs. But there’s this difference.

You’ll not find much talk in these songs about sunshine and flowers and

things like that--except in the older ones which I think were used by

girls and boys together, and perhaps even by grown-ups. The girls don’t

discover poetic things like “Swimming in Blue Water” or “Dead Man’s

Dark Scenery”; they’re matter-of-fact; they sing about clothes and food

and money. That’s what makes Aunt Eliza say that women have more common

sense than men....

London street games · 第 7 / 11 题