Arthur caught his breath. "No women?"

"No. You see, the makers kept all the women because they were more

real, and they didn't want the fighting to go on, or the world that

the men wanted. So the makers took the women away from us and shut us

up in the clocks and gave us the world we wanted. But they left us no

loophole of escape into the real world, and we can neither laugh nor

cry properly."

"But you try," suggested Arthur.

"It's only breakdown," said the Clockwork man, sadly. "With us laughing

or crying are symptoms of breakdown. When we laugh or cry that means

that we have to go and get oiled or adjusted. Something has got out of

gear. Because in our life there's no necessity for these things."

His voice trailed away and ended in a soft, tinkling sound, like sheep

bells heard in the distance. During the long pause that followed

Arthur had time to recall that sense of pity for this grotesque being

which had accompanied his first impression of him; but now his feeling

swelled into an infinite compassion, and with it there came to him a

fierce questioning fever.

"But must you always be like this?" he began, with a suppressed crying

note in his voice. "Is there no hope for you?"

"None," said the Clockwork man, and the word was boomed out on a

hollow, brassy note. "We are made, you see. For us creation is

finished. We can only improve ourselves very slowly, but we shall never

quite escape the body of this death. We've only ourselves to blame. The

makers gave us our chance. They are beings of infinite patience and

forbearance. But they saw that we were determined to go on as we were,

and so they devised this means of giving us our wish. You see, Life

was a Vale of Tears, and men grew tired of the long journey. The makers

said that if we persevered we should come to the end and know joys

earth has not seen. But we could not wait, and we lost faith. It seemed

to us that if we could do away with death and disease, with change and

decay, then all our troubles would be over. So they did that for us,

and we've stopped the same as we were, except that time and space no

longer hinder us."

He broke off and struggled with some queer kind of mechanical emotion.

"And now they play games with us. They wind us up and make us do all

sorts of things, just for fun. They try all sorts of experiments with

us, and we can't help ourselves because we're in their power; and if

they like they can stop the clock, and then we aren't anything at all."

"But that's not very kind of them," suggested Arthur.

"Oh, they don't hurt us. We don't feel any pain or annoyance, only a

dim sort of revolt, and even that can be adjusted. You see, the makers

can ring the changes endlessly with us, and there isn't any kind of

being, from a great philosopher to a character out of a book, that we

can't be turned into by twisting a hand. It's all very wonderful, you

know."

He lifted his arms up and dropped them again sharply.

"You wouldn't believe some of the things we can do. The clock is a most

wonderful invention! And the economy. Some of the hands, you see, can

be used for quite different purposes. Twist them so many times and you

have a politician; twist a little more and you have a financier. Press

one stop slightly and we talk about the divinity of man; press harder

and there will issue from us nothing but blasphemy. Tighten a screw and

we are altruists; loosen it and we are beasts. You see, generations

ago it was known exactly the best and worst that man could be; and the

makers like to amuse themselves by going over it again. There isn't any

best or worst with them."

"But you," entreated Arthur, "what is your life like?"

Again the tears flowed down the Clockwork man's cheeks, this time in a

sequence of regular streams.

"We have only one hope, and even that is an illusion. Sometimes we

think the makers will take us seriously in the end, and so perfect

the mechanism that we shall be like them. But how can they? How can

they--unless--unless--"

"Unless what?" eagerly enquired Arthur, fearful of a final collapse.

"Unless we die," said the Clockwork man, clicking slightly, "unless

we consent to be broken up and put into the earth, and wait while we

slowly turn into little worms, and then into big worms; and then into

clumsy, crawling creatures, and finally come back again to the Vale of

Tears." He swayed slightly, with a finger lodged against his nose. "But

it will take such a frightful time, you know. That's why we chose to

have the clock. We were impatient. We were tired of waiting. The makers

said we must have patience; and we could not get patience. They said

that creation really took place in the twinkling of an eye, and we must

have patience."

"Patience!" echoed Arthur. "Yes, I think they were right. We must have

patience. We have to wait."

For a few moments the Clockwork man struggled along with a succession

of staccato sentences and irrelevant words, and finally seemed to

realise that the game was up. "I can't go on like this," he concluded,

in a shrill undertone. "I ought not to have tried to talk like this. It

upsets the mechanism. I wasn't meant for this sort of thing. I must go

now."

He began to grow dim. Arthur, instinctively polite, stretched out

a hand, keeping his left arm round Rose. The Clockwork man veered

slightly forward. He seemed to realise Arthur's intention and offered a

vibrating hand. But they missed each other by several days.

"Oh, don't you see?" the faint voice asseverated.

"But what are we to do?" said Arthur, raising his voice. "Tell us what

we must do to avoid following you?"

"I don't know." The thin voice sounded like someone shouting in the

distance. "How should I know? It's all so difficult. But don't make it

more difficult than you can help. Keep smiling--laughter--such a jolly

little world."

He was fading rapidly.

"Come back," shouted Arthur, scarcely knowing why he was so in earnest.

"You must come back and tell us."

"Wallabaloo," echoed through the months. "Wum--wum--"

"What's that," Rose exclaimed, suddenly awakened.

"Hark," said Arthur, clutching her tightly. "Be quiet--I want to listen

for something."

"Nine and ninepence--" he heard at last, very thin and distinct. And

then there was stillness.

The Clockwork Man · 第 69 / 70 题