IV

Perhaps it was the strong glare of light issuing from the half-open

door of the Templar's Hall that attracted the attention of the

Clockwork man as he wandered along towards the lower end of the town.

He entered, and found himself in a small lobby curtained off from

the main body of the hall. He must have made some slight noise as he

stepped upon the bare boards, for the curtain was swept hastily back,

and the Curate, who was acting as chief steward of the proceedings,

came hurriedly forward.

As he approached the figure standing beneath the incandescent lamp, the

clerical beam upon the Curate's clean-shaven features deepened into a

more secular expression of heartfelt relief.

"I'm so glad you have come at last," he began, in a strong whisper, "I

was beginning to be afraid you were going to disappoint us."

"I am certainly late," remarked the Clockwork man, "about eight

thousand years late, so far as I can judge."

The Curate scarcely seemed to catch this remark. "Well, I'm glad

you've turned up," he went on, "it's so pitiful when the little ones

have to be disappointed, and they have been so looking forward to the

conjuring. Your things have arrived."

"What things?" enquired the Clockwork man.

"Your properties," said the Curate, "the rabbits and mice, and so

forth. They came this afternoon. I had them put on the stage."

He fingered nervously with his watch, and then his eye rested for a

second upon the other's head gear.

"Excuse me, but you _are_ the conjurer, aren't you?" he enquired, a

trifle anxiously.

Before the Clockwork man had time to reply to this embarrassing

question, the curtain was again swiftly drawn, and an anxious female

face appeared. "James, has the conjurer--Oh, yes, I see he has. Do be

quick, James. The picture is nearly over."

The face disappeared, and the Curate's doubts evaporated for the

moment. "Will you come this way?" he continued, and led the way through

a long, dark passage to the back of the hall. Behind the screen, upon

which the picture was being shown, there was a small space, and here

a stage had been erected. Upon a small table in the centre stood a

large bag and some packages. The Curate adjusted the small gas-jet

so as to produce an illumination sufficient to move about. "We must

talk low," he explained, pointing to the screen in front of them, "the

cinematograph is still showing. We shall be ready in about ten minutes.

Can you manage in that time?"

But the Clockwork man made no reply. He stood in the middle of the

stage and slowly lifted a finger to his nose. The Curate's doubts

returned. Something seemed to occur to him as he examined his companion

more closely. "You haven't been taking anything, my good man, have you?

Anything of an alcholic nature?"

"Conjuring," said the Clockwork man, slowly, "obsolete form of

entertainment. Quickness of the hand deceives the eye."

"Er--yes," murmured the Curate. He laughed, rather hysterically, and

clasped his hands behind his back. "I suppose you do the--er--usual

things--gold watches and so forth out of--er--hats. The children have

been so looking forward--"

He paused and unclasped his hands. The Clockwork man was looking at

him very hard, and his eyes were rolling in their sockets in a most

bewildering fashion. There was a long pause.

"Dear me," the Curate resumed at last, "there must be some mistake. You

don't look to me like a conjurer. You see, I wrote to Gamages, and they

promised they would send a man. Naturally, I thought when you--"

"Gamages," interrupted the Clockwork man, "wait--I seem to

understand--it comes back to me--universal providers--cash

account--nine and ninepence--nine and ninepence--nine and ninepence--I

_beg_ your pardon."

"Really!" The Curate's jaw dropped several inches. "I must apologise.

You see, I'm really rather flurried. I have the burden of this

entertainment upon my shoulders. It was I who arranged the conjuring. I

thought it would be so nice for the children." He started rubbing his

hands together vigorously, as though to cover up his embarrassment.

"Then--then you aren't the man from Gamages?"

"No," said the Clockwork man, with a certain amount of dignity, "I am

the man from nowhere."

The Curate's hands became still. "Oh, dear." He wrestled with the

blankness in his mind. "You're certainly--forgive me for saying

it--rather an odd person. I'm afraid we've both made a mistake, haven't

we?"

"Wait," said the Clockwork man, as the Curate walked hesitatingly

towards the door, "I begin to grasp things--conjuring--"

"But _are_ you the conjurer?" asked the Curate, coming back.

"Where I come from," was the astonishing reply, "we are all conjurers.

We are always doing conjuring tricks."

The Curate's hands were busy again. "I really am quite at a loss," he

murmured.

"It was a characteristic of the earlier stages of the human race,"

said the Clockwork man, as though he were addressing a class of

students upon some abstruse subject, "that they exercised the arts

of legerdemain, magic, illusion and so forth, purely as forms of

entertainment in their leisure hours."

"Now that sounds interesting," murmured the Curate, as the other

paused, although rather for matter than for breath, "it's so

_authoritative_--as though it were a quotation from some standard work.

All the same, and much as I should like to hear more--"

"It is a quotation," explained the Clockwork man solemnly, "from a work

I was reading when I--when the thing happened to me. It is published by

Gamages, and the price is nine and nine pence--nine and nine pence--Oh,

bother--"

"I'll make a note of it," said the Curate. "But you must really excuse

me now. I have so much to see to. There's the refreshments. The

sandwiches are only half cut--"

"It was not until the fifty-ninth century," continued the Clockwork

man, speaking with a just perceptible click, "that man became a

conjurer in real life. We have here an instance of the complete

turning over of human ideas. Ancient man conjured for amusement;

modern man conjures as a matter of course. Since the invention of

the clock and all that its action implies, including the discovery of

at least three new dimensions, or fields of action, man's simplest

act of an utilitarian nature may be regarded as a sort of conjuring

trick. Certainly our forefathers, if they could see us as we are now

constituted, would regard them as such--"

"So frightfully interesting," the Curate managed to interpose, "but I

really cannot spare the time." He had reverted now to the alcoholic

diagnosis.

"The work in question," continued the Clockwork man, without taking any

notice at all of the other's impatience, "is of a satirical nature.

Its purpose is to awaken people to a sense of the many absurdities in

modern life that result from a too mechanical efficiency. It is all in

my head. I can spin it all out, word for word--"

"Not now," hastily pleaded the Curate. "Some other time I should be

glad to hear it. I am," his mouth opened very wide, "a great reader

myself. And of course, as a professional conjurer, your interest in

such a book would be two-fold."

"When you asked me if I were a conjurer," said the Clockwork man, "I

at once recalled the book. You see, it's actually in my head. That is

how we read books now. We wear them inside the clock, in the form of

spools that unwind. What you have said brings it all back to me. It

suddenly occurs to me that I am indeed a conjurer, and that all my

actions in this backward world must be regarded in the light of magic."

The Curate's eyebrows shot up in amazement. "Magic?" he queried, with a

short laugh. "Oh, we didn't bargain for magic. Only the usual sleight

of hand."

"You see, I had lost faith in myself," said the Clockwork man,

plaintively. "I had forgotten what I could do. I was so terribly run

down."

"Ah," said the Curate, kindly, "very likely that's what it is. The

weather has been very trying. One does get these aberrations. But I

do hope you will be able to struggle through the performance, for the

children's sake. Dear me, how did you manage to do that?"

The Curate's last remark was rapped out on a sharp note of fright and

astonishment, for the Clockwork man, as though anxious to demonstrate

his willingness to oblige, had performed his first conjuring trick.

The Clockwork Man · 第 42 / 70 题