This Divine Consciousness in man which is the real man—real in the sense

of permanency—is quite on a par with the Creators, though that real self

is perhaps not known to any of our personal selves. But then stands that

real Self at the commencement of each New Birth. As the process of

evolution goes on each step in the meditation of this mighty Self as he

contemplates existence, finds a responsive thrill in the tiny ovum,

bound to himself by the strong bonds of Karma. As he emerges in

contemplation from the mineral to the vegetable and on to the animal, so

the sensitive plasm of the germ responds. Page after page of the history

of man is retold till once more the story is complete to the point where

the previous incarnation ended; then the child is born to carry on the

history as best he may.

So in the cell the determinants are the little bundles of ideas coming

from the Magician (ourselves) and being instilled bit by bit into the

heart of each of those groups of molecules and ensouling it, so the tale

is told and this side of manifestation opens out into the beautiful

blossom of Humanity, moulded also in part by the parental influences

which can make or mar the impulse as it comes straight from the

Creator’s mind. Make or mar, and yet how few women think of the real,

sacred and holy duty of parentage. How hellish the times in which any

dares to point the finger of scorn and shame at a blessed pregnant

woman. But as we are beginning to understand, soon shall we be able to

reverence them all as the sacredness of motherhood is understood.

This little picture contains the whole of our philosophy, and it must be

left more or less to the intuitions of each. But in closing we can say

this much. The study of the cell teaches that Brotherhood is a fact in

nature. It teaches that that brotherhood depends on the harmonious

coördinate activity of many entities, working together united by the

recognition of the one source of life and inspiration. It also teaches

the great Divine mystery that hangs about every new birth, and that the

real seat of that Divinity is in the Hearts of all Creatures.

There is one more lesson that we ought not to miss. We have seen the

magnificent results of harmonious action which is always synthetical and

finds its highest expression in Love and Compassion issuing from the

heart.

Sometimes the same force becomes converted into Hate, when once the

centrifugal disintegrating force is set going and gains the ascendancy,

selfish in nature, self-centred, it cuts away the bonds that bind man to

his fellows; he tries, but in vain, to carry on an existence of his own,

but he soon finds that he has no existence, no meaning, no life apart

from the whole. The foolish virgins repent too late, their light has

gone out, they have no oil of life with which to kindle their lamps

anew. In their own blind conceit they are lost. Nay, but look! Have not

some demons, spooks and malignant fiends got hold of them and, having

gained an entrance, are now without their consent messengers of Disease

and Death. Is this not so of the cells? Some little impulse causes them

to pursue a course contrary to the interests of the whole; for a time

they are centres of discord; and neuralgia, rheumatism, indigestion,

etc., are the result. But anon the cells fall away and, as entities,

die. The smaller containing entities, the Chromatin rods, little

pregnant particles of life are set free. Losing their parental

protection and cares, they go on with the impulse given them, till some

malignant breeze sweeps over them and they become the victims and

servants of hate, disease and Death. Are these not the germs of disease

that science is fighting about just now? Verily! verily! who shall deny?

These little escaped convicts, the rods, previously servants of Love,

become now the free agents of disease. They are none other than the

bacilli, associated with so many pestilences; and a further

disintegration produces spores—the ingredients of bacilli. These are not

the diseases, nor yet the cause (primary), they are merely the vehicles

of disease. Can we not see how well this applies to every organism and

organization as an entity? Poor lost bacilli, how hardly have ye been

used by your masters!

Footnote 7:

_The Library Dictionary._

* * * * *

“He who does not recognize bread and salt is worse than a wild wolf.”

_Gems from the East._

THE SOKRATIC CLUB.

By SOLON.

(_Continued._)

So much interest had been aroused by the conversation on Art and the

Drama as an Educative Factor which I have already recorded, that there

was a larger attendance than usual at the next meeting of the Club.

Everyone was glad to see Madam Purple who it was known to all had

established a school to revive the ancient wisdom and to teach the laws

of physical, moral and mental health and of spiritual development and

for the purpose of accentuating the importance of Music and Drama as

vital educative factors had already reproduced one of the old Greek

Tragedies in such a way as to arouse the attention of the public and

astonish the critics, touching a new chord and awakening new

possibilities for the influence of the stage on the lives and characters

of the people.

Dr. Roberts had evidently not yet been convinced of the importance of

this work though he had seen and even praised the production of

Æschylus’ Eumenides, for he still reiterated his old objections. The

discussion so far had been on general lines, but now it turned more

particularly on the Drama.

_Dr. Roberts._—“I cannot see how the performance of Eumenides or any

play you may take from the ancients can have any such effect that you

claim it will have. The people who attend will see no more in it than in

any other play. Of course it will have its own characteristics and no

doubt its classical beauty, but will not these peculiar features appeal

only to the very few? How will you make it a factor in the education of

the masses?”

_The Professor._—“I do not think you understand the real character of

the ancient drama, Doctor. Probably, also with the exception of the

recent production, you base your ideas of the attractiveness of Greek

Plays upon the presentations which are occasionally given at one of the

Universities. Classical these may be in a sense, I admit, but certainly

they are severe.”

_Dr. Roberts._—“How can they help but be severe. I remember when at

college that one of these plays was acted by some of the students, but

for my part I saw nothing particular in it.”

_Mme. Purple._-“Was not that possibly because those who produced the

play and enacted the parts, themselves saw nothing in it beyond the mere

incident as told in so many words?

“The most beautiful things remain invisible to those who have not eyes

to see. Look at the hundreds and thousands in every large city and,

strange to say, more particularly in country districts, who know nothing

of the beauty and sublimity of the heavens and nature around them. Many

a farmer looks at the sky simply to note the changes of the weather. The

magnificence of cloud effect, the glory of the sunrise and the quivering

of the eternal stars, he never sees. And even those who profess to be

lovers of nature, how little more than external beauty do they see? Do

they indeed see any deeper than the surface of things and but rarely

pierce the veil to behold with awe and wonderment the reality?”

_Dr. Roberts._—“But, Madam Purple,....”

_The Professor._—“Ah! Doctor, it is always, ‘but’. Isn’t it all true,

with no ‘but’?”

_Dr. Roberts._—“Yes, I grant you that what Madam Purple said about the

appreciation of nature is true, and even that the same thing applies to

the appreciation of art and music and the drama. But—I was going to

say—it seems to me your illustration is too lofty for the case under

consideration. It is true one may rise to the greatest heights of

consciousness under the influence of music and poetry and the

contemplation of high ideals and if I understand you aright, Madam

Purple, you hold these are the same high feelings that may be aroused by

the grand harmonies of nature and by what perhaps is meant by the music

of the spheres. Do I catch your meaning?”

_Madam Purple._—“Yes, Doctor, you have caught the idea in part, but

music and poetry and the harmonies of nature too often exercise only

what I might call an unconscious and transitory influence—not

deep-seated in any sense—because men will not open their eyes and lend

their ears. The great anthem of nature is ever being sung; life is joy

and harmony; but alas, there are so many who will not open their hearts

to the song and the sunshine. But I see you wish to say something more,

Doctor.”

_Dr. Roberts._—“Yes, I grant this may be true, no doubt it is true, but

to return to the old Greek tragedies, although there may be lofty ideas

in them, I fail to see that they will produce the effect you anticipate.

There is no music in them and they are altogether too cold and bare.

Besides, what meaning do they hold, deeper than that which may be seen

by the ordinary reader?”

_The Professor._—“A meaning that the mere student of languages and

literature will never find, but one that to the student of life, to one

who recognizes that there is an inner life, will ever unfold more and

more and reveal such beauties and harmonies that will thrill the very

soul.”

_Dr. Roberts._—“I do not see it, though I grant that high moral lessons

may be contained in the old Greek poetry and tragedies, but at the same

time there is so much that is mere fancy. We have passed the age of the

childhood of the race when the mythological tales of the gods and

goddesses were seriously taken. I do not deny that there may be many

valuable lessons in these, but I certainly think that you are reading

into them a great deal that is not there. Pardon my frankness, but I

really wish to understand your position.”

_The Professor._—“It is not a question of reading a meaning into them,

but of being able to draw the meaning out, and to do this requires a

master-hand. No modern scholar who is not a mystic will find it, and it

is no wonder it has been lost to the ordinary reader.”

_Madam Purple._—“Doctor, you thought my illustration of the beauties of

nature too high, but after all the beauties which we see in nature are

but the reflection of the beauties in the soul, and do not exist save to

him who has developed some beauty of soul. The old Greek tragedies, and

particularly those of Æschylus, are portrayals of the life and struggles

of the soul.”

Just then Dr. Wyld came into the room. He had been present at the

performance of the Play, and had expressed himself so pleased with it

that the Professor had asked him to visit the Club.

The Doctor came over immediately to where Madam Purple and the Professor

were sitting, and these meetings being more or less informal, the

conversation was interrupted for the exchange of greetings.

Dr. Wyld is a very tall, broad-shouldered, spare man, I should judge

about seventy years old, but carrying his age gracefully. He is one of

the best known Greek scholars, of a keen and vigorous intellect.

Dignified, yet with a keen appreciation of humor and fond of a good

story as well as able to tell one. Not only is he a profound scholar of

Greek and Neo-platonic literature, but of the world’s literature,

ancient and modern. He is at once a mystic and a keen observer of men,

and had led a very active life, especially in the literary world, as an

author, and had also written for some of the leading newspapers of the

metropolis. In this way he had met very many of the prominent public

men, both literary and political, of the past half-century. It had been

my privilege to spend many a delightful hour with him and in that way I

have gained a clearer conception of the history of the United States

than from any reading I have done, and also of the beauties of the

writings of the old philosophers, especially the Neo-platonists.

His tall figure and dignified bearing would attract attention in any

gathering, and as he entered the room with his long stride, all eyes

were turned towards him.

The Professor rose to receive him. The room was beautifully yet simply

decorated with hangings of harmonious colors, and the Doctor noticed

these immediately and addressing Madam Purple:

_Dr. Wyld._—“What a pleasure it is to come into a room where there is

such harmony of tone and color. I can well understand what the Professor

told me that your meetings here are always delightful. The very

atmosphere seems conducive to harmony of feeling and the awakening of

high thought.”

_Madam Purple._—“That is true, Doctor, I hold that color ought to be

made a very important factor in life, and that the harmonies of sound

and color are essential features of true education.”

_Dr. Wyld._—“And I think you have already struck the key-note of this in

your production of the Eumenides, and I wish to tell you of the rare

treat it was to me to witness it and the opportunity it gave me of

really judging what a Greek play is like—such as could never be gained

from reading. It had all the aroma of ancient Athens. One of my friends

remarked that it had the beauty of a Greek statue, but I would go

further, for it had also the grace and beauty of life. I do not mean

that the performance was perfect but it was the spirit that pervaded it

that gave it this great charm. And after seeing it I do not wonder in

coming here that you also carry out your ideas of harmony in the

decoration of your Club-room. It is a further carrying out of what you

teach and which I fully agree with, that what is most needed in our

educational system and in life generally is a sense of harmony and of

the due proportion of things.”

Here the Rev. Alex. Fulsom, who had come in a short time before Dr.

Wyld, and had listened more attentively than usual (without going to

sleep) to the conversation, moved his chair a little forward as if to

speak, but waited a moment. Although he always expressed himself as most

sensitive to harmonious shades of color and adored—as he expressed

it—Greek statuary, though he equally adored a pretty bonnet,

nevertheless did not in any way support Madam Purple in her revival of

the ancient Drama.

_The Professor._—“Well, Alec, what is it now? Another objection? I’m

beginning to think you belong to some objection society, whose main

purpose is to object to everything on principle and for the sake of

objecting. Come, tell us now, haven’t you pledged yourself to the

following:—‘I pledge myself to always object to everything that may be

proposed by anybody?’ But for once, Alec, put your objections on one

side and enter into the spirit of the subject.”

_Rev. Alex. Fulsom._—“No, Professor, I am not to be turned aside from my

opinion by any method of badinage or ratiocination. And what is more, I

think it my duty to express my views. As I have said before, it appears

to me altogether beneath the dignity of a Leader and Teacher in such a

cause as ours to be concerned in the production of a play—whether Greek

or not—or to spend so much time and the energies of the Club in mere

philanthropic work. The latter, doubtless, is laudable enough but the

Club has other aims to pursue, and it seems to me to have departed from

its time-honored methods of study. Indeed, the study of the philosophy

seems to be almost completely overlooked nowadays.”

_The Professor._—“Having delivered yourself of your objection, I trust

you feel a little relieved, my friend, but you have not hit the nail on

the head, Alec. Study is not overlooked, but on the contrary, our

students are learning how to study and the true value of study as the

precursor of right action. Thanks to Madam Purple, the study of

philosophy is no longer looked upon as the end and aim of life.

Theoretical study is good and necessary, but our students realize that

Brotherhood is more than a theory, that it is an actual fact to be

consciously realized and that they must seek to make Theosophy a living

power in their lives.

“You know well the scriptural saying which I will slightly paraphrase,

‘Let your light so shine before men, that they seeing your good works

will glorify the higher law and follow it.’ It behooves us to practice

Brotherhood as well as to profess it. But it is the things they don’t

like that the objectors see but they fail to see that the study which

they are crying out for is still pursued though on higher and broader

lines than heretofore, become possible by the advance made by the whole

Movement. The inner work and the real study have never ceased but have

taken on a deeper meaning. Thank the gods, instead of the members

seeking to have or to become special _gurus_ and imagining themselves

better than others, the whole organization moves along in touch with the

life of the world, all striving ever to put into practice that which

they preach. The time-honored methods of which you speak were fast

becoming time-honored ruts and you ought to thank your stars, that here

is an opportunity to get out of the ruts and enter upon a broader field

of life and activity as well as of study. And so far as the Play is

concerned you seemed to have missed entirely its purpose and the wide

influence which can thus be exerted in the world.”

_Rev. Alex. Fulsom._—“There may be some good in it no doubt, but there

are so many other things that are needed in the world. I certainly think

a teacher would have a higher work to do. There are enough

philanthropists and elevators of the drama, whereas our philosophy is

unique, and surely we ought to carry out the original plans of the

Founder.”

_The Professor._—“And you assume, I might say, _presume_, to know what

those original plans were, but your conception of them admits of no

growth, but only stagnation or the continuing in ruts which so many have

formed for themselves through their misconception and limited knowledge

of, if not deliberate indifference to those plans.”

I often wondered how it was the Professor did not lose patience

completely with the Rev. Alec., always so pessimistic, trying to tear

down. But then we all knew that his moods depended on his digestion, and

upon that subtle disease—the love of approbation and prominence.

_Madam Purple._—“Mr. Fulsom, do, I beg of you, try to rise a little

above your pessimistic fears and let a little of the sunshine of hope

and trust come into your heart. Students of Theosophy above all others

ought to be able to take a larger grasp of the problems of life and

perceive that the greatest truths which will ultimately bring the

grandest results and happiness to all mankind must necessarily be often

at first obscured; that to help the masses we must begin where they can

appreciate the work, and so move out gradually along the lines of least

resistance. Thus will all those who seek the Light be attracted and

helped, whatever their development. Our grand philosophy must be

presented in various ways if the many different minds are to be touched,

for you well know that all men are not built alike—to use a common

expression. Babes need to be fed as well as strong men. For some the

teaching must be given in parables and there are some truths that but

few can bear to hear. As for the original plan of the work, H. P. B.,

the great artist, spread the canvas and sketched the outline with a bold

hand, then the second Helper put in the colors of the background thus

making clearer the design upon the trestle board, but do you think you

have been able to see the whole of the grand design and have grasped the

harmonious proportions of the noble edifice in all their beauty and

grace.”

Then turning her head for a moment with her wonderful smile, Madam

Purple continued after a short pause.

“Imagine for one moment that when H. P. B. began her work in the world

she could have shown what is now being done, or that it could be shown

to you what will be the outcome of her efforts two hundred years hence,

would it not be entirely beyond belief, can you even imagine it? There

must be a _gradual_ growth and unfoldment suited to the comprehension of

the people. How then dare anyone say that the present activities are

contrary to the plan of H. P. B. Ah! Mr. Fulsom, is not such a position

evidence of retrogression and not of growth?

“But, pardon me, Dr. Wyld, this is somewhat of a digression from the

subject of the Greek play which you were discussing. Let us come back in

thought to the old Greek Drama. There, at least, the gods wait for us

and call to us to rise above this XIXth Century materialism into the

realm of the beautiful, the ideal and the true.”

_Dr. Wyld._—“An almost unknown land to so many, but I hail with joy the

prospects that once more the geography of that celestial country shall

form part of the education of the race and lead us further back in the

history of humanity into that greater and more ancient land of the

pyramids and the silent sphinx.”

_Madam Purple._—“And from there further back still to prehistoric

America, which was in the early days the ancient Land of Light when

Egypt was yet young and whence Egypt derived her wisdom and her

science.”

_Dr. Wyld._—“That is indeed interesting, though to me it is not

difficult to believe. It opens out a new chapter in the life of humanity

and I doubt not that if it can be shown to be so, it will solve many

problems in the history of man’s development. But will you not tell us

further on this subject.”

_Madam Purple._—“Time would not permit of going into it at any length,

Doctor, but I will say this. Time will bring the proof of what I say.

Archæological research started at the right time, which is not far

distant, in this country and in Central America will supply clear

evidence of the truth of this statement.” She paused a moment, then

continued:

“My friends, with all these grand possibilities in view, when such

momentous questions are involved that will bring such priceless

knowledge to the human race, can you wonder that the real workers find

time all too precious to be frittered away in useless argument. It is

work, work, work, that our glorious cause demands of us.”

Madam Purple spoke with so much earnestness, that it stirred one’s heart

to its very depths, old memories of the long forgotten past seemed about

to awaken, pictures of the ancient times flitted across the vision, and

of the future when the glories of the past should be revived. One young

lady of slight figure and pale face, an enthusiastic worker, always

present at the meetings, but who never ventured to say a word, now

exclaimed:

“The very thought of it brings new life, new hope. Surely we haven’t any

time to sit and mope over the little frictions that beset our paths.

Surely we should keep on working and trusting that we may be a part of

this new life and each of us become individually a hope and a light to

those who would walk this broad path of knowledge towards the glorious

future that awaits us.”

_Dr. Wyld._—“One can see even now indications that the world is

advancing to a broader field of thought. The revival of the ancient

drama and the way the ‘Eumenides’ was received show this clearly and

show that the links with the mighty past exist in the hearts of

men—albeit unconsciously to most, but ready to be awakened into

responsive action when again the picture of that long forgotten life is

presented before them. I heard with much interest that in one city where

the play was given, the notices of the performance were given out in

almost every church in the city. And one prominent minister said it was

the finest study of conscience scourging for sin and of the Divine Power

to pardon and transform, he ever saw. He said such plays are better than

sermons.”

_Madam Purple._—“It is indeed gratifying that there are so many

interested in almost every line of work that will benefit humanity and

who are naturally drawn to help along educative lines. All work to be of

real benefit must be educative.”

_Dr. Wyld._—“Let me go back to what I said just after I came into the

room, it comes upon me with greater and greater force, and I felt it too

while watching the performance that somehow it moved one right away from

this grasping, money-making world to a new-old world near to the silence

and peace of things where words are not needed.”

Universal Brotherhood, Volume XIII, No. 11, February 1899 A Magazine Devoted to the Brotherhood of Humanity, the Theosophical Movement, Philosophy, Science and Art · 第 4 / 7 段