282. 'Trophies of the conquest of Venus'; Bell.

283. _Maydens_; of these Callisto was one (so says Boccaccio); and this is

Chaucer's _Calixte_ (l. 286), and his _Calístopee_ in the Kn. Tale, l. 1198

(A 2056). She was the daughter of the Arcadian king Lycaon, and mother of

Arcas by Jupiter; changed by Juno, on account of jealousy, into a she-bear,

and then raised to the heavens by Jupiter in the form of the constellation

Helice or Ursa Major; see Ovid, Fasti, ii. 156; Metamorph. ii. 401; &c.

(Lewis and Short).

286. _Athalaunte_, Atalanta. There were two of this name; the one here

meant (see Boccaccio) was the one who was conquered in a foot-race by the

lover who married her; see Ovid, Metam. x. 565. The other, who was beloved

by Meleager, and hunted the Calydonian boar, is the one mentioned in the

Kn. Tale, A 2070; see Ovid, Metam. viii. 318. It is clear that Chaucer

thought, at the time, that they were one and the same.

287. _I wante_, I lack; i. e. I do not know. Boccaccio here mentions the

mother of Parthenopæus, whose name Chaucer did not know. She was _the

other_ Atalanta, the wife of Meleager; and Boccaccio did not name her,

because he says 'that other proud one,' meaning the other proud one of the

same name. See the story in Dryden; tr. of Ovid's Metamorphoses, bk. viii.

Cf. Troilus, v. 1473.

288. Boccaccio only mentions 'the spouse of Ninus,' i. e. Semiramis, the

great queen of Assyria, Thisbe and Pyramus, 'Hercules in the lap of Iole,'

and Byblis. The rest Chaucer has added. Compare his lists in Prol. to Leg.

of Good Women, 250, and in Cant. Tales, Group B, 63; see the note. See the

Legend for the stories of Dido, Thisbe and Pyramus, and Cleopatra. Paris,

Achilles, Troilus, and Helen are all mentioned in his Troilus; and Hercules

in Cant. Ta., B 3285.

_Candace_ is mentioned again at p. 410, above, l. 16. There was a Candace,

queen of Meroë, mentioned by Pliny, vi. 29; and there is the Candace in the

Acts of the Apostles, viii. 27. But the Candace of fiction was an Indian

queen, who contrived to get into her power no less a person than the

world's conqueror, Alexander the Great. See King Alisaunder, ed. Weber, l.

7646, and the Wars of Alexander, ed. Skeat, l. 5314. It is probable that

Candace was sometimes confused with the Canace of Ovid's Heroides, Epist.

xi. (wholly translated by Dryden). In fact, we have sufficient proof of

this confusion; for one MS. reads _Candace_ in the Legend of Good Women,

265, where five other MSS. have _Canace_ or _Canacee_. _Biblis_ is Byblis,

who fell in love with Caunus, and, being repulsed, was changed into a

fountain; Ovid, Metam. ix. 452.

_Tristram_ and _Isoude_ are the Tristran (or Tristan) and Ysolde (or Ysolt)

of French medieval romance; cf. Ho. Fame, 1796, and Balade to Rosemounde,

l. 20. Gower, in his Conf. Amantis, bk. 8 (ed. Pauli, iii. 359) includes

Tristram and Bele Isolde in his long list of lovers, and gives an outline

of the story in the same, bk. 6 (iii. 17). Ysolde was the wife of King Mark

of Cornwall, and the mistress of her nephew Sir Tristram, of whom she

became passionately enamoured from having drunk a philter by mistake; see

Wheeler, Noted Names of Fiction, s. v. _Isolde_. The Romance of Sir

Tristram was edited by Sir W. Scott, and has been re-edited by Kölbing, and

by G. P. McNeill (for the Scottish Text Society). The name _Ysoude_

constantly misprinted _Ysonde_, even by the editors. Chaucer mentions her

again; see Leg. G. Women, 254; Ho. of Fame, 1796.

292. _Silla_, Scylla; daughter of Nisus, of Megara, who, for love of Minos,

cut off her father's hair, upon which his life depended, and was

transformed in consequence into the bird Ciris; see Ovid, Metam. viii. 8.

Another Scylla was changed by Circe into a sea-monster; Ovid, Metam. xiv.

52. Their stories shew that the former is meant; see Leg. of Good Women,

1910, and the note.

_Moder of Romulus_, Ilia (also called Rhæa Silvia), daughter of Numitor,

dedicated to Vesta, and buried alive for breaking her vows; see Livy, bk.

1; Verg. Æn. i. 274.

The quotation from Boccaccio ends here.

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