997. Cf. Vergil, Æn. i. 630: 'Haud ignara mali.'

1021. _In balaunce_, i. e. in a state of suspense. F. _en balance_; Rom. de

la Rose, 13871, 16770.

1024. This sending of lovers on expeditions, by way of proving them, was in

accordance with the manners of the time. Gower explains the whole matter,

in his Conf. Amant, lib. 4 (ed. Pauli, ii. 56):--

'Forthy who secheth loves grace,

Where that these worthy women are,

He may nought than him-selve spare

Upon his travail for to serve,

Wherof that he may thank deserve,...

So that by londe and ek by ship

He mot travaile for worship

And make many hastif rodes,

Somtime in _Pruse_, somtime in Rodes,

And somtime into _Tartarie_,

So that these heralds on him crie

"Vailant! vailant! lo, where he goth!"' &c.

Chaucer's Knight (in the Prologue) sought for renown in _Pruce_,

_Alisaundre_, and _Turkye_.

There is a similar passage in Le Rom. de la Rose, 18499-18526. The first

part of Machault's Dit du Lion (doubtless the Book of the Lion of which

Chaucer's translation is now lost) is likewise taken up with the account of

lovers who undertook feats, in order that the news of their deeds might

reach their ladies. Among the places to which they used to go are mentioned

_Alexandres_, Alemaigne, Osteriche, Behaigne, Honguerie, Danemarche,

_Prusse_, Poulaine, Cracoe, _Tartarie_, &c. Some even went 'jusqu'à l'Arbre

sec, Ou li oisel pendent au bec.' This alludes to the famous _Arbre sec_ or

Dry Tree, to reach which was a feat indeed; see Yule's edition of Marco

Polo, i. 119; Maundeville, ed. Halliwell, p. 68; Mätzner, Sprachproben, ii.

185.

As a specimen of the modes of expression then prevalent, Warton draws

attention to a passage in Froissart, c. 81, where Sir Walter Manny prefaces

a gallant charge upon the enemy with the words--'May I never be embraced by

my mistress and dear friend, if I enter castle or fortress before I have

unhorsed one of these gallopers.'

1028. _Go hoodles_, travel without even the protection of a hood; by way of

bravado. Warton, Hist. Eng. Poet. § 18 (ed. Hazlitt, iii. 4), says of a

society called the Fraternity of the Penitents of Love--'Their object was

to prove the excess of their love, by shewing with an invincible fortitude

and consistency of conduct ... that they could bear extremes of heat and

cold.... It was a crime to wear fur on a day of the most piercing cold; or

to appear _with a hood_, cloak, gloves or muff.' See the long account of

this in the Knight de la Tour Landry, ed. Wright, p. 169; and cf. The

Squyer of Low Degree, 171-200.

What is meant by _the drye se_ (dry sea) is disputed; but it matters

little, for the general idea is clear. Mr. Brae, in the Appendix to his

edition of Chaucer's Astrolabe (p. 101), has a long note on the present

passage. Relying on the above quotation from Warton, he supposes _hoodless_

to have reference to a practice of going unprotected in winter, and says

that 'dry sea' may refer to any _frozen_ sea. But it may equally refer to

going unprotected in summer, in which case he offers us an alternative

suggestion, that 'any arid sandy desert might be metaphorically called a

dry sea.' The latter is almost a sufficient explanation; but if we must be

particular, Mr. Brae has yet more to tell us. He says that, at p. 1044

(Basle edition) of Sebastian Munster's Cosmographie, there is a description

of a large lake which was dry in summer. 'It is said that there is a lake

near the city of Labac, adjoining the plain of Zircknitz [Czirknitz], which

in winter-time becomes of great extent.... But in summer the water drains

away, the fish expire, the bed of the lake is ploughed up, corn grows to

maturity, and, after the harvest is over, the waters return, &c. The

Augspourg merchants have assured me of this, and it has been since

confirmed to me by Vergier, the bishop of Cappodistria' [Capo d'Istria].

The lake still exists, and is no fable. It is the variable lake of

_Czirknitz_, which sometimes covers sixty-three square miles, and is

sometimes dry. It is situate in the province of Krain, or Carniola; _Labac_

is the modern Laybach or Laibach, N.E. of Trieste. See the articles

_Krain_, _Czirknitz_ in the Engl. Cyclopædia, and the account of the lake

in The Student, Sept. 1869.

That Chaucer really referred to this very lake becomes almost certain, if

we are to accept Mr. Brae's explanation of the next line. See the next

note.

1029. _Carrenare._ Mr. Brae suggests that the reference is to the 'gulf of

the _Carnaro_ or _Quarnaro_ in the Adriatic,' to which Dante alludes in the

Inferno, ix. 113, as being noted for its perils. Cary's translation runs

thus:--

'As where Rhone stagnates on the plains of Arles,

Or as at Pola, near _Quarnaro's_ gulf,

That closes Italy and laves her bounds,

The place is all _thick spread with sepulchres_.'

It is called in Black's Atlas the Channel of Quarnerolo, and is the gulf

which separates Istria from Croatia. The head of the gulf runs up towards

the province of Carniola, and approaches within forty miles (at the

outside) of the lake of Czirknitz (see note above). I suppose that

_Quarnaro_ may be connected with _Carn-iola_ and the _Carn-ic_ Alps, but

popular etymology interpreted it to mean 'charnel-house,' from its evil

reputation. This appears from the quotations cited by Mr. Brae; he says

that the Abbé Fortis quotes a Paduan writer, Palladio Negro, as saying--'E

regione Istriæ, sinu Palatico, quem nautæ _carnarium_ vocitant'; and again,

Sebastian Munster, in his Cosmographie, p. 1044 (Basle edition) quotes a

description by Vergier, Bishop of Capo d'Istria--'par deça le gouffre

enragé lequel on appelle vulgairement _Carnarie_, d'autantque le plus

souvent on le voit agité de tempestes horribles; et là s'engloutissent

beaucoup de navires et se perdent plusieurs hommes.' In other words, the

true name _Quarnaro_ or _Carnaro_ was turned by the sailors into

_Carnario_, which means in Italian 'the shambles'; see Florio's Dict., ed.

1598. This _Carnario_ might become _Careynaire_ or _Carenare_ in Chaucer's

English, by association with the M.E. _careyne_ or _caroigne_, carrion.

This word is used by Chaucer in the Kn. Tale, 1155 (Six-text, A 2013),

where the Ellesmere MS. has _careyne_, and the Cambridge and Petworth MSS.

have _careyn_.

For myself, I am well satisfied with the above explanation. It is probable,

and it suffices; and stories about this _dry sea_ may easily have been

spread by Venetian sailors. I may add that Maundeville mentions 'a gravely

see' in the land of Prestre John, 'that is alle gravele and sonde,

with-outen any drope of watre; and it ebbethe and flowethe in grete wawes,

as other sees don': ed. Halliwell, p. 272. This curious passage was pointed

out by Prof. Hales, in a letter in the Academy, Jan. 28, 1882, p. 65.

We certainly ought to reject the explanation given with great assurance in

the Saturday Review, July, 1870, p. 143, col. 1, that the allusion is to

the chain of mountains called the _Carena_ or _Charenal_, a continuation of

the Atlas Mountains in Africa. The writer says--'Leonardo Dati (A.D. 1470),

speaking of Africa, mentions a chain of mountains in continuation of the

Atlas, 300 miles long, "commonly called Charenal." In the fine chart of

Africa by Juan de la Coxa (1500), this chain is made to stretch as far as

Egypt, and bears the name of Carena. La Salle, who was born in 1398, lays

down the same chain, which corresponds, says Santarem (Histoire de la

Cosmographie, iii. 456), to the [Greek: Karênê] of Ptolemy. These allusions

place it beyond doubt [?] that the _drie see_ of Chaucer was the Great

Sahara, the return from whence [_sic_] homewards would be by the chain of

the Atlas or [_sic_] Carena.' On the writer's own shewing, the Carena was

_not_ the Atlas, but a chain stretching thence towards Egypt; not an

obvious way of returning home! Whereas, if the 'dry sea' were the lake of

Czirknitz, the obvious way of getting away from it would be to take ship in

the neighbouring gulf of Quarnaro. And how could Chaucer come to hear of

this remote chain of mountains?

1034. 'But why do I tell you my story?' I. e. let me go on with it, and

tell you the result.

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