32. _Aske_, may ask; subjunctive mood.

33. _Trewely_ is here three syllables, which is the normal form; cf.

Prologue, 761; Kn. Ta. A 1267. In l. 35, the second _e_ is hardly sounded.

36. We must here read 'hold-e,' _without_ elision of final _e_, which is

preserved by the cæsura.

37. 'The most obvious interpretation of these lines seems to be that they

contain the confession of a hopeless passion, which has lasted for eight

years--a confession which certainly seems to come more appropriately and

more naturally from an unmarried than a married man. 'For eight years,'--he

says--'I have loved, and loved in vain--and yet my cure is never the

nearer. There is but one physician that can heal me--but all that is ended

and done with. Let us pass on into fresh fields; what cannot be obtained

must needs be left'; Ward, Life of Chaucer, p. 53. Dr. Furnivall supposes

that the relentless fair one was the one to whom his Complaint unto Pite

was addressed; and chronology would require that Chaucer fell in love with

her in 1361. There is no proof that Chaucer was married before 1374, though

he may have been married not long after his first passion was 'done.'

43. 'It is good to regard our first subject'; and therefore to return to

it. This first subject was his sleeplessness.

45. _Til now late_ follows _I sat upryght_, as regards construction. The

reading _Now of late_, in some printed editions, is no better.

48. This 'Romaunce' turns out to have been a copy of Ovid's Metamorphoses,

a book of which Chaucer was so fond that he calls it his 'own book'; Ho. of

Fame, 712. Probably he really had a copy of his own, as he constantly

quotes it. Private libraries were very small indeed.

49. _Dryve away_, pass away; the usual phrase. Cf. 'And dryuen forth the

longe day'; P. Plowman, B. prol. 224.

56. 'As long as men should love the law of nature,' i. e. should continue

to be swayed by the natural promptings of passion; in other words, for

ever. Certainly, Ovid's book has lasted well. In l. 57, _such thinges_

means 'such love-stories.'

62. 'Alcyone, or Halcyone: A daughter of Æolus and Enarete or Ægiale. She

was married to Ceyx, and lived so happy with him, that they were

presumptuous enough to call each other Zeus and Hera, for which Zeus

metamorphosed them into birds, _alku[=o]n_ (a king-fisher) and

_k[=e][=u]ks_ (a greedy sea-bird, Liddell and Scott; a kind of sea-gull;

Apollod. i. 7. § 3, &c.; Hygin. Fab. 65). Hyginus relates that Ceyx

perished in a shipwreck, that Alcyone for grief threw herself into the sea,

and that the gods, out of compassion, changed the two into birds. It was

fabled that, during the seven days before, and as many after the shortest

day of the year, while the bird _alku[=o]n_ was breeding, there always

prevailed calms at sea. An embellished form of the story is given by Ovid,

Met. xi. 410, &c.; compare Virgil, Georg. i. 399.'--Smith's Dictionary.

Hence the expression 'halcyon days'; see Holland's Pliny, b. x. c. 32,

quoted in my Etym. Dict. s. v. _Halcyon_.

M. Sandras asserts that the history of Ceyx and Alcyone is borrowed from

the Dit de la Fontaine Amoureuse, by Machault, whereas it is evident that

Chaucer took care to consult his favourite Ovid, though he _also_ copied

several expressions from Machault's poem. Consult Max Lange, as well as

Furnivall's Trial Forewords to Chaucer's Minor Poems, p. 43. Surely,

Chaucer himself may be permitted to know; his description of the book, viz.

in ll. 57-59, applies to Ovid, rather than to Machault's Poems. But the

fact is that we have further evidence; Chaucer himself, elsewhere, plainly

_names_ Ovid as his authority. See Cant. Tales, Group B, l. 53 (as printed

in vol. v.), where he says--

'For he [Chaucer] hath told of loveres up and doun

Mo than _Ovyde_ made of mencioun

In his Epistelles, that been ful olde.

What sholde I tellen hem, sin they ben tolde?

In youthe he made of _Ceys and Alcion_;' &c.

It is true that Chaucer here mentions Ovid's Heroides rather than the

Metamorphoses; but that is only because he goes on to speak of _other_

stories, which he took from the Heroides; see the whole context. It is

plain that he wishes us to know that he took the present story chiefly from

Ovid; yet there are some expressions which he owes to Machault, as will be

shown below. It is worth notice, that the whole story is also in Gower's

Confessio Amantis, bk. iv. (ed. Pauli, ii. 100); where it is plainly copied

from Ovid throughout.

Ten Brink (Studien, p. 10) points out one very clear indication of

Chaucer's having consulted Ovid. In l. 68, he uses the expression _to

tellen shortly_, and then proceeds to allude to the shipwreck of Ceyx,

which is told in Ovid at great length (Met. xi. 472-572). Of this shipwreck

Machault says never a word; he merely says that Ceyx died in the sea.

There is a chapter _De Alcione_ in Vincent of Beauvais, Speculum Naturale,

bk. xvi. c. 26; made up from Ambrosius, Aristotle, Pliny (bk. 10), and the

Liber de Natura Rerum.

66. Instead of quoting Ovid, I shall quote from Golding's translation of

his Metamorphoses, as being more interesting to the English reader. (The

whole story is also told by Dryden, whose version is easily accessible.) As

the tale is told at great length, I quote only a few of the lines that most

closely correspond to Chaucer. Compare--

'But fully bent

He [_Ceyx_] seemed neither for to leaue the iourney which he ment

To take by sea, nor yet to giue Alcyone leaue as tho

Companion of his perlous course by water for to go....

When toward night the wallowing waues began to waxen white,

And eke the heady eastern wind did blow with greater might....

And all the heauen with clouds as blacke as pitch was ouercast,

That neuer night was halfe so darke. There came a flaw [_gust_] at last,

That with his violence brake the Maste, and strake the Sterne away....

Behold, euen full vpon the waue a flake of water blacke

Did breake, and vnderneathe the sea the head of Ceyx stracke.'

fol. 137-9.

See further in the note to l. 136.

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