65. Chaucer's A. B. C. Genuine; here printed as poem no. I.

66. _Eight goodly questions with their answers_; printed in Bell's Chaucer,

vol. iv. p. 421; nine 7-line stanzas. In st. 3, _tree_ rimes with _profer_;

but _tree_ is an obvious misprint for _cofer_! In st. 5, the gerund _to

lie_ (Ch. _ly-e_) rimes with _honestie_ (Ch. _honestee_). This is quite

enough to condemn it. But it may be Lydgate's.

67. _To the Kings most noble Grace, and to the Lords and Knights of the

Garter_; pr. as above, p. 424; eight 8-line stanzas. In MS. Phillipps 8151,

and written by Hoccleve; it much resembles his poem printed in _Anglia_, v.

23. The date may be 1416. The 'King' is Henry V.

68. _Sayings._ Really three separate pieces. They are all found on the

fly-leaf of the small quarto edition of Caxton, described above, p. 27.

When Caxton printed Chaucer's _Anelida_ and _Purse_ on a quire of ten

leaves, it so happened that he only filled up nine of them. But, after

adding _explicit_ at the bottom of the ninth leaf, to shew that he had come

to the end of his Chaucer, he thought it a pity to waste space, and so

added three popular sayings on the front of leaf 10, leaving the back of it

still blank. Here is what he printed:--

'Whan feyth failleth in prestes sawes

And lordes hestes ar holden for lawes

And robbery is holden purchas

And lechery is holden solas

Than shal the lond of albyon

Be brought to grete confusio_u_n.

Hit falleth for euery gentilman

To saye the best that he can

In mannes absence

And the soth in his presence.

'Hit cometh by kynde of gentil blode

To cast away al heuynes

And gadre to-gidre wordes good

The werk of wisedom berith witnes

Et sic est finis ****.'

The first of these sayings was probably a bit of popular rime, of the

character quoted in Shakespeare's _King Lear_, iii. 2. 81. Shakespeare

calls his lines _Merlin's_ prophecy; and it has pleased the editors of

Chaucer to call the first six lines _Chaucer's_ Prophecy[234]. They appear

in Bell's Chaucer, vol. iii. p. 427, in an 'improved' form, not worth

discussing; and the last eight lines are also printed in the same, vol. iv.

p. 426. Why they are separated, is mysterious. Those who think them genuine

may thank me for giving them Caxton's spelling instead of Speght's.

§ 13. PIECES ADDED IN MORRIS'S EDITION, 1866.

In Morris's edition are some pieces which either do not appear in previous

editions, or were first printed later than 1700.

69. Roundel; pr. in vol. vi. p. 304. The same as Merciless Beaute; here

printed as no. XI. It first appeared, however, in Percy's Reliques of

English Poetry. See p. 80 below.

70. The Former Age; pr. in vol. vi. p. 300, for the first time. Here

printed as no. IX. See p. 78.

71. _Prosperity_; pr. in vol. vi. p. 296, for the first time. This is taken

from MS. Arch. Selden B. 24, fol. 119, where it follows Chaucer's Poem on

'Truth.' It has but one stanza of eight lines, and I here give it precisely

as it stands in this Scottish MS.:--

'Richt as pou_er_t causith sobirnes,

And febilnes enforcith contenence,

Ry_ch_t so prosperitee and grete riches

The moder is of vice and negligence;

And powere also causith Insolence;

And hono_ur_ oftsiss changith gude thewis;

Thare is no more p_er_ilouss pestilence

Than hie estate geven vnto schrewis.

Q_uo_d Chaucere.'

I have no belief in the genuineness of this piece, though it is not ill

written. In general, the ascription of a piece to Chaucer in a MS. is

valuable. But the scribe of this particular MS. was reckless. It is he who

made the mistake of marking Hoccleve's 'Mother of God' with the misleading

remark--'Explicit or_aci_o Galfridi Chaucere.' At fol. 119, back, he gives

us a poem beginning 'Deuise prowes and eke humylitee' in seven 7-line

stanzas, and here again at the end is the absurd remark--'Q_uo_d Chaucer

quhen he was ry_ch_t auisit.' But he was himself quite 'wrongly advised';

for it is plainly not Chaucer's at all. His next feat is to mark Lydgate's

Complaynt of the Black Knight by saying--'Here endith the Maying and

disporte of Chaucere'; which shews how the editors were misled as to this

poem. Nor is this all; for he gives us, at fol. 137, back, another poem in

six 8-line stanzas, beginning 'O hie Emperice and quene celestial'; and

here again at the end is his stupid--'Q_uo_d Chaucere.' The date of this

MS. appears to be 1472; so it is of no high authority; and, unless we make

some verbal alteration, we shall have to explain how Chaucer came to write

_oftsiss_ in two syllables instead of _ofte sythe_ in four; see his Can.

Yem. Tale, Group G, l. 1031.

72. _Leaulte vault Richesse_; pr. in vol. vi. p. 302, for the first time.

This is from the same MS., fol. 138, and is as follows:--

'This warldly Ioy is onely fantasy,

Of quhich non erdly wicht ca_n_ be _con_tent;

Quho most has wit, leste suld In It affy,

Quho taist_is_ It most, most sall him repent;

Quhat valis all this richess and this rent,

Sen no ma_n_ wate quho sall his tresour haue?

P_re_sume no_ch_t gevin th_a_t god has done but lent,

Within schort tyme the quhiche he think_is_ to craue.

_Leaulte vault richess._'

On this poem, I have three remarks to make. The first is that not even the

reckless Scottish scribe attributes it to Chaucer. The second is that

Chaucer's forms are _content_ and _lent_ without a final _e_, and

_repent-e_ and _rent-e_ with a final _-e_, so that the poem cannot be his;

although _content_, _repent_, _rent_, and _lent_ rime well enough in the

Northern dialect. The third is that if I could be sure that the above lines

were by a well-known author, I should at once ascribe them to King James

I., who might very well have written these and the lines called

_Prosperity_ above. It is somewhat of a coincidence that the very MS. here

discussed is that in which the unique copy of the _Kingis Quair_ is

preserved.

73. _Proverbs of Chaucer_; printed in vol. vi. p. 303. The first eight

lines are genuine; here printed as no. XX. But two 7-line stanzas are

added, which are spurious. In MS. Addit. 16165, Shirley tells us that they

were 'made by Halsham Esquyer'; but they seem to be Lydgate's, unless he

_added_ to them. See Lydgate's Minor Poems (Percy Soc. 1840), pp. 193 and

74. And see pp. 52, 57.

It thus appears that, of the 73 pieces formerly attributed to Chaucer, not

more than 26, and a part of a 27th, can be genuine. These are: _Canterbury

Tales_, _Troilus_, _Legend of Good Women_, _House of Fame_, about a quarter

of _The Romaunt of the Rose_, the _Minor Poems_ printed in the present

volume and numbered I-XI, XIII-XXI, and two pieces in prose.

§ 14. DESCRIPTION OF THE MSS.

After the preceding somewhat tedious, but necessary discussion of the

contents of the black-letter and other editions (in many of which poems

were as recklessly attributed to Chaucer as medieval proverbs used to be to

King Solomon), it is some relief to turn to the manuscripts, which usually

afford much better texts, and are altogether more trustworthy.

The following is a list of the MSS. which have been followed. I must here

acknowledge my great debt to Dr. Furnivall, whose excellent, careful, and

exact reproduction in print of the various MSS. leaves nothing to be

desired, and is a great boon to all Chaucer scholars. They are nearly

all[235] printed among the Chaucer Society's publications. At the same

time, I desire to say that I have myself consulted most of the MSS., and

have thus gleaned a few hints which could hardly have been otherwise

acquired; it was by this process that I became acquainted with the poems

numbered XXII. and XXIII., which are probably genuine, and with the poem

numbered XII., which is certainly so. An editor should always look at the

MSS. for himself, if he can possibly contrive to do so.

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