"But I shall call him Kenneth," my neighbour said; "I've always meant

to. I don't want he should be called after his father, being he isn't

ours, you might say. But he is ours," she added in a kind of challenge.

"_He's_ going after him to-morrow to the city"--and now "he" meant her

husband, in that fine habit of use by these husbands and wives of the

two third persons singular to mean only each other, in a splendid,

ultimate, inevitable sense, authentic as the "we" of a sovereign, no

more to be mistaken. "I'd go too," she added, "but we're adopting the

baby with the egg money--we've saved it for years for when the time

come. And one fare to the city and back is a lot of eggs. I thought I'd

rather wait for him here and have the ticket money to spend on the

clothes."

She was on her way, I thought I guessed, to carry her good news to our

friends in the village, for she bore that same air which I have noted,

of being impermanent and subject to flight. And as she left me she

turned to give me one of those rare compliments which are priceless.

"You come over this afternoon," she said, "and I'll show you what little

things I've made."

I remember another compliment. It was when, in town, a charming little

woman, a woman all of physical curves and mental tangents, had been

telling a group of us about a gay day in a four-in-hand. She had not

looked at me because for that sort of woman, as well as for others, I

lack all that which would make them take account of my presence; but

when in the four-in-hand she came to some mention of the road where the

accident had nearly occurred ("Oh, it was a beautiful road," she said,

"the river on one side, and the highlands, and a whole _mob_ of trees,")

she turned straight upon me through her description as consistently as

she had neglected me when she described the elbow-bits of the leaders

and the boots of the woman on the box-seat. It may have been a chance,

but I have always hugged it to me.

My neighbour's house is small, and her little upstairs rooms are the

half-story with sloping ceilings and windows which extend from the floor

to the top of one's head. It gives me a curious sense of

over-familiarity with a window to be as tall as it is. I feel that I

have it at advantage and that I am using it with undue intimacy. When I

was a little girl I used to creep under the dining-room table and sit

there, looking up, transfixed at the difference. A new angle of material

vision, the sight of the other side of the shield, always gives me this

pause. But whereas this other aspect of things used to be a delight,

now, in life, I shrink a little from availing myself of certain

revelations. I have a great wish to know things, but I would know them

otherwise than by looking at their linings. I think that even a window

should be sanctioned in its reticences.

Before a black walnut commode my neighbour knelt that afternoon, and I

found that it was filled with the things which she had made for the

baby, when they should find him. These she showed to me--they were

simple and none too fine, and she had made them on her sewing-machine in

the intervals of her busy life. For three years she had wrought at them,

buying them from the egg money. I wondered if this secret pastime of

garment-making might not account for my impression of her that she must

always be off to engage in something other. Perhaps it was this

occupation, always calling her, which would not let her appear fixed at

garden-watering or festival. I think that it may be so of any who are

"pressed in the spirit" to serve, to witness to any truth: that is their

vocation and every other is an avocation, a calling away from the real

business of life. For this reason it is my habit to think of the social

workers in any division of the service, family or town or state or

church, as Vocationists. It is they who are following the one great

occupation. The rest of us are avocationists. In my neighbour I

perceived one of the great comrade company of the Vocationists,

unconscious of her banner, but because of some sweet, secret piping,

following, following....

"I've always thought I'd get to do a little embroidering on a yoke or

two," she said, "but so far I couldn't. Anyway I thought I could do the

plain part and running the machine before he came. The other I could sit

by the crib and do. Embroidery seems sort o' baby-watchin' work, don't

it?"

When I left her I walked across the lawns to my home in a sense of

security and peace. With increasing thousands consciously striving and

passioning to help, and thousands helping because of the unconscious

spirit within them, are there not many windows in the walls?

"He" was to go by the Accommodation early next morning to bring home the

baby. Therefore when, just before seven o'clock, I observed my

neighbour's husband leave his home and join Peter at his gate as usual,

I went at once to see if something was amiss.

My neighbour was having breakfast as her custom was "after the men-folks

were out of the way." At all events she was pretending to eat. I saw in

her eyes that something was troubling her, but she greeted me

cheerfully. I sat by the sewing-machine while she went on with her

pretence at breakfast.

"The little thing's sick," she said. "Last night we got the despatch.

'Baby in hospital for day or two. Will advise often,' it had in it. I'm

glad they put that in. I'll feel better to know they'll get good

advice."

I sat with her for a long time, regardless of my work or that Miggy was

waiting for me. I was struck by the charm of matter-of-fact hopefulness

in my neighbour, not the deliberate forcing of hope, but the simple

expectation that nothing tragic would occur. But for all that she ate no

breakfast, and I knew well the faint, quite physical sickness that she

must have endured since the message came.

"I'm going to get his basket ready to-day," she said. "I never did that,

two reasons. One was, it seemed sort of taking too much for granted,

like heating your spider before the meat wagon drives up. The other

reason was I needed the basket for the clothes."

I stayed with her while she made ready the clothes-basket, lining it

with an old muslin curtain, filling it with pillows, covering it with

the afghan from the parlour couch. Then, in a shoe box edged with the

curtain's broad ruffle, she put an array of little things: the brush

from the spare-room bureau, the pincushion from her own work-basket, a

sachet bag that had come with a last year's Christmas gift, a cake of

"nice soap" which she had kept for years and never unwrapped because it

was so expensive. And then she added a little glass-stoppered bottle of

white pills.

"I don't know what they're for," she said. "I found them when I

housecleaned, and there was so many of 'em I hated to throw 'em away. Of

course I'll never use 'em, but they look sort of nice in there--so white

and a glass cork--don't you think so?"

She walked with me across the lawn and stood brooding, one hand across

her mouth, looking down at the disturbance--so slight!--in the grass

where we had laid the bird. And on her face was the look which, each

time that I saw it there, drew me nearer to her.

"'Seems as if I'd ought to be there to the hospital," she said, "doing

what I can. Do you s'pose they'll take good care of him? I guess they

know more about it than I do. But if I could get hold of him in my arms

it seems as if I could help 'em."

I said what I could, and she went away to her house. And for the first

time since I had known her she did not seem put upon to be back at some

employment. These times of unwonted idleness are terrible to witness. I

remember a farmer whom I once saw in the afternoon, dressed in his best,

waiting in the kitchen for the hour of his daughter's wedding, and I

wondered that the great hands did not work of their own will. The lost

aspect of certain men on holidays, the awful inactivity of the day of a

funeral, the sad idleness of old age, all these are very near to the

tragedy of negation. Work, the positive, the normal, the joyous, is like

an added way of being. I thought that I would never again marvel at my

neighbour for being always on the edge of flight to some pressing

occupation. Why should she not be so?--with all that there is to be

done. Whether we rush about, or conceal the need and rush secretly, is a

detail of our breeding; the need is to get things done, to become by

doing. And while for myself I would prefer the accomplishment of not

seeming to hurry, as another is accomplished at the harp, yet I own that

I would cheerfully forego the pretty grace rather than find myself

without some slight degree of the robust proficiency of getting things

done.

"If you're born a picture in a book," Calliope once said, "it's all very

well to set still on the page an' hold your hands. But if you're born

anyways human at all, stick up your head an' start out for somewhere."

My neighbour rarely comes to my house. And therefore, though she is to

me so familiar a figure in her garden, when next morning I found her

awaiting me in my sitting room, she seemed strange to me. Perhaps, too,

she was really strange to me that day.

"My baby died," she said.

She stood there looking at me, and I knew that what she said was true,

but it seemed to me for a moment that I could not have it so.

"He died yesterday in the evening," she told me. "I just heard this

morning, when the telegraph office opened. I dressed myself to go after

him, but _he's_ gone."

"To go after him?" I repeated.

She nodded.

"He was in the charity part. I was afraid they'd bury him in the

potter's field and they wouldn't mark--it, and that I couldn't never

tell which one it was. So I want to get him and have him buried here.

_He_ didn't want I should go--he thought it'd be too much for me. But I

was bound to, so he says he'd go. They'd ought to get here on the Five

o'Clock this afternoon. Oh, if I'd went yesterday, do you think it would

'a' been any different?"

There I could comfort her. I did not think it would have been different.

But when I tried to tell her how much better it was this way than that

the baby should first have come to her and then have sickened, she would

have none of it.

"I've never held him once," she said. "Do you s'pose anything could be

worse than that? I'd rather have got hold of him once, no matter what."

It touched me unutterably, the grief of this mother who was no mother. I

had no knowledge what to say to her. But I think that what she wanted

most was companionship. She went to one and another and another of our

neighbours to whom she had shown so happily the broken post-card

picture, and to them in the same way she took the news:--

"My baby died."

And I was amazed to find how in this little time, the tentacles of her

heart having fastened and clung, she had made for herself, without ever

having seen the child, little things to tell about him: His eyes were so

bright; the sun was shining and the picture was made out-of-doors, yet

the eyes were opened wide. They were blue eyes--had she told us? Had we

noticed the hands in the picture? And the head was a beautiful shape....

All this seemed to me marvellous. For I saw that no woman ever mourns

for any child dumbly, as a bird mourns a fledgling, but even if she

never sees it, she will yet contrive some little tender ways to give it

personality and to cherish it.

They did their best to comfort her, the women of the village. But many

of them had lost little children of their own, and these women could not

regard her loss as at all akin to theirs. I think that this my neighbour

felt; and perhaps she dimly felt that to me her grief, hardly less than

theirs, brimmed with the tragic disaster of the unfulfilled and bore,

besides, its own peculiar bitterness. In any case I was of those who,

that afternoon, went out to the cemetery to await the coming of my

neighbour and "him" and their little burden. Calliope was there, and

Mis' Amanda Toplady and Miggy; and when it was time to go Little Child

was with me, so she went too. For I am not of those who keep from

children familiarity with death. Familiarity with the ways of death I

would spare them, but not the basic things, primal as day.

"I don't want to give a real funeral," my neighbour had said. "I just

want the few that I tell to happen out there to the cemetery, along

about five. And then we'll come with him. It seems as if it'll hurt

less that way. I couldn't bear to see a whole line driving along, and

me look back and know who it was for."

The cemetery had the dignity and serenity of a meadow, a meadow still

somewhat amazed that it had been for a while distracted from its ancient

uses, but, after all, perceiving no permanent difference in its

function. I am never weary of walking down these grassy streets and of

recounting their strangenesses. As that of the headstone of David

Bibber's wives, one stone extending across the heads of the two graves

and at either end of the stone two Gothic peaks from whose inner slopes

reach two marble hands, clasped midway, and,

SACRED TO THE WIVES OF DAVID BIBBER

inscribed below, the wifely names not appearing in the epitaph. And that

of Mark Sturgis who, the village said, had had the good luck to marry

two women named Dora; so he had erected a low monument to "Dora, Beloved

Wife of Mark Sturgis, Jr." ("But how mixin' it must be to the ghosts!"

Calliope said.) And of the young girl of a former Friendship family of

wealth, a girl who sleeps beneath a monument on which stands a great

figure of a young woman in a white marble dress made with three

flounces. ("Honest," Calliope had put it, "you can't hardly tell

whether it's a tomb or a valentine.")

But these have for me an interest less of the bizarre than of the human,

and nothing that is human was alien to that hour.

We waited for them by the new little grave, the disturbance--so

slight!--in the earth where we would lay the stranger baby. Our hands

were filled with garden flowers--Calliope had drawn a little hand cart

laden with ferns and sweet-brier, and my dear Mis' Amanda Toplady had

cut all the half-blown buds from her loved tea rose.

"It seems like a little baby wasn't real dead that I hadn't helped lay

out," said that great Mis' Amanda, trying to find her handkerchief. "Oh,

I wish't it was alive. It seems like such a little bit of comin' alive

to ask the Lord!"

And as the afternoon shadows drew about us with fostering arms,

"Out-Here knows we feel bad more than Down Town, don't it?" said Little

Child.

I have always thought very beautiful that village custom of which I have

before spoken, which provides that the father and mother of a little

baby who dies may take it with them in a closed carriage to the grave.

It was so that my neighbour and her husband brought their baby to the

cemetery from the station, with the little coffin on their knees.

On the box beside the driver Peter was riding. We learned afterward

that he had appeared at the station and had himself taken that little

coffin from the car. "So then it didn't have to be on the truck at all,"

my neighbour noted thankfully when she told me. I think that it must be

this living with only a street or two between folk and the open country

which gives these unconscious sharpenings of sensibility often,

otherwhere, bred only by old niceties of habit.

So little Kenneth was buried, who never had the name save in unreality;

whom my neighbour had never tended; who lived for her only in dream and

on that broken post-card and here in the hidden dust. It made her grief

so sad a thing that her arms did not miss him; nor had he slipped from

any usage of the day; nor was any link broken with the past; only the

plans that had hung in air had gone out, like flames which had kindled

nothing. Because of this she sorrowed from within some closed place at

which her husband could only guess, who stood patiently without in his

embarrassed concern, his clumsy anxiety to do what there was to be done,

his wondering distress at his wife's drooping grief. But her sorrow was

rooted in the love of women for the "little young thing, runnin' round,"

for which she had long passioned.

"Oh, God, who lived in the spirit of the little Lord Jesus, live Thou

in this child's spirit, and it in Thee, world without end," Doctor June

prayed. And Little Child whispered to me and then went to let fall a

pink in the grave. "So if the flower gets to be an angel flower, then

they can go round together," she explained.

When I looked up there were in the west the first faint heraldings of

rose. And against it stood Miggy and Peter, side by side, looking down

this new way of each other's lives which took account of sorrow. He said

something to her, and she nodded, and gave him her white hollyhocks to

lay with the rest. And as they turned away together Little Child

whispered to me, pulling herself, by my arm, to high tiptoe:--

"That little child we put in the sunset," she said, nodding to the west,

"it's there now. It's there now!"

Perhaps it was that my heart was filled with the tragedy of the

unfulfilled intention, perhaps it was that I thought that Little Child's

whispering was true. In any case I hastened my steps, and as we passed

out on the road I overtook Miggy and Peter.

"Peter," said I, "may Miggy and I come to pay you that visit now, on the

way back?"

Miggy looked startled.

"It's supper time," she objected.

Who are we that we should interrupt a sunset, or a situation, or the

stars in their courses, merely to sup? Neither Miggy nor I belong to

those who do so. Besides, we had to pass Peter's very door. I said so,

and all the time Peter's face was glowing.

"Hurry on ahead," I bade him, "and Miggy and Little Child and I will

come in your house to call."

He looked at me gratefully, and waited for good night to my neighbour,

and went swiftly away down the road toward the sunset.

"Oh, goody grand, goody grand," Little Child went on softly, in an

invocation of her own to some secret divinity of her pleasure. "Oh, that

little child we put there, it's talkin' to the sky, an' I guess that

makes sunset be!"

My neighbour was looking back across the tranquil meadow which might

have been deep with summer hay instead of mounded to its sad harvest.

"I wish," she said, "I could have had his little grave in my garden,

same as you would a bird. Still I s'pose a cemet'ry is a cemet'ry and

had ought to be buried in. But oh, I can't tell you how glad I am to

have him here in Friendship Village. It's better to think about, ain't

it?"

But the thing that gripped my heart was to see her, beside her husband,

go down the road and not hurry. All that bustling impermanence was

fallen from her. I think that now I am becoming thankful for every one

who goes busily quickening the day with a multitude, yes, even with a

confusion, of homely, cheerful tasks.

Miggy slipped her hand within my arm.

"Did you think of it?" she said. "I've been, all the time. It's most the

same with her as it would be to me if I'd lost _her_. You know ... that

little Margaret. I mean, if she should never be."

As when one hears the note of an oriole ringing from the innermost air,

so now it seems to me that after these things the deeps of air can never

again be wholly alien to me.

XVIII

AT PETER'S HOUSE

I wondered somewhat that Peter did not come out of his house to fetch

us. He was not even about the little yard when we went up the walk,

though he knew that we must arrive but a few moments after he did.

Little Child ran away to pick Bouncing Bet and Sweet Clover in the long,

rank grass of the unkept garden. And Miggy and I went and stood on the

porch before Peter's door, and I knew what I intended.

"Rap!" I said to Miggy.

She looked at me in surprise--I have not often commanded her like that.

But I wanted to see her stand at Peter's door asking for admission. And

I think that Peter had wanted it too and that this was why he had not

come to the gate to fetch us. I guessed it by the light on his face

when, in the middle of Miggy's knock, he caught open the door. I like to

remember his face as it looked at that moment, with the little twist of

mouth and lifting of brow which gave him a peculiar sweetness and

naïveté, curiously contradicted by the way his eyes were when they met

Miggy's.

"How long it took you," he said. "Come in. _Come in._"

We went in, and I looked at Miggy. For I did not want her to step in

that house as she would have stepped in a house that was just a house.

Is it not wonderful how some front doors are Front Doors Plus? I do not

know plus what--that is one of those good little in-between things which

we know without always naming. But there are some front doors which are

to me boards and glass and a tinkling cymbal bell; while other doors of

no better architecture let me within dear depths of homes which are to

houses what friends are to inhabitants. It was so that I would have had

Miggy go within Peter's house,--not as within doors, but as within arms.

We entered directly from the porch into the small parlour--the kind of

man's parlour that makes a woman long to take it on her lap and tend it.

There were no curtains. Between the windows was a big table filled with

neat piles of newspapers and weeklies till there should be time to look

them over. The shelf had a lamp, not filled, a clock, not going, and a

pile of seed catalogues. On two walls were three calendars with big

hollyhocks and puppies and ladies in sunbonnets. The entire inner wall

was occupied by a map of the state--why does a man so cherish a map of

something, hung up somewhere? On the organ was a row of blue books--what

is it that men are always looking for in blue books? In a corner, on the

floor, stood a shotgun. The wood stove had been "left up" all summer to

save putting it up in the fall--this business of getting a stove on

rollers and jacking it up and remembering where it stood so that the

pipe will fit means, in the village, a day of annual masculine sacrifice

to the feminine foolishness of wanting stoves down in summer. There was

nothing disorderly about the room; but it was dressed with no sash or

hair ribbon or coral beads, as a man dresses his little girl.

"We don't use this room much," Peter said. "We sit in here sometimes in

summer, but I think when a man sits in his parlour he always feels like

he was being buried from it, same as they're used for."

"Why--" said Miggy, and stopped. What she was going to say it was not

important to know, but I was glad that she had been going to say it.

Something, perhaps, about this being a very pretty room if there were

somebody to give it a touch or two.

Peter was obviously eager to be in the next room, and that, he

explained, would have been the dining room, only he had taken it for

his own, and they ate in the kitchen. I think that I had never heard him

mention his father at all, and this "we" of his now was a lonelier thing

than any lonely "I."

"This is my room," he said as we entered it. "It's where I live when I'm

not at the works. Come and let me show you."

So Peter showed Miggy his room, and he showed it to me, too, though I do

not think that he was conscious of that. It was a big room, bare of

floor and, save for the inescapable flowery calendar, bare of walls.

There was a shelf of books--not many, but according to Peter's nature

sufficiently well-selected to plead for him: "Look at us. Who could love

us and not be worth while?"--bad enough logic, in all conscience, to

please any lover. Miggy hardly looked at the books. She so

exasperatingly took it for granted that a man must be everything in

general that it left hardly anything for him to be in particular. But

Peter made her look, and he let me look too, and I supplied the comments

and Miggy occasionally did her three little nods. The writing table

Peter had made from a box, and by this Miggy was equally untouched. All

men, it appeared, should be able to make writing tables from boxes. With

the linen table cover it was a little different--this Peter's mother had

once worked in cross-stitch for his room, and Miggy lifted an end and

looked at it.

"She took all those stitches for you!" she said. "There's one broken,"

she showed him.

"I can mend that," Peter said proudly, "I'll show you my needle kit."

At this she laughed out suddenly with, "_Needle kit!_ What a real

regular old bachelor you are, aren't you?"

"I can't help that," said Peter, with "and the same cannot be said for

you" sticking from the sentence.

On the table lay the cannery account books, and one was open at a full

page of weary little figures.

"Is this where you sit nights and do your work and read?" Miggy

demanded.

"Right here," Peter told her, "every night of the year, 'most. Except

when I come to see you."

Miggy stood looking at the table and the wooden chair.

"That's funny," she remarked finally, with an air of meditative

surprise; "they know you so much better than I do, don't they?"

"Well," Peter said gravely, "they haven't been thought about as much as

you have, Miggy--that's one thing."

"Thinking's nothing," said Miggy, merrily; "sometimes you get a tune in

your head and you can't get it out."

"Sit down at the table," said Peter, abruptly. "Sit down!" he repeated,

when her look questioned him. "I want to see you there."

Friendship Village Love Stories · 第 14 / 16 段