CHAPTER XXXVIII

One may suppose that a prematurely aged, oily little man; a poet in bad

circumstances; a decrepit butterfly chained to a disappointed inkstand,

will not put out strenuous energies to retain his ancient paramour when a

robust young man comes imperatively to demand his mother of him in her

person. The colloquy was short between Diaper Sandoe and Richard. The

question was referred to the poor spiritless lady, who, seeing that her

son made no question of it, cast herself on his hands. Small loss to her

was Diaper; but he was the loss of habit, and that is something to a

woman who has lived. The blood of her son had been running so long alien

from her that the sense of her motherhood smote he now with strangeness,

and Richard's stern gentleness seemed like dreadful justice come upon

her. Her heart had almost forgotten its maternal functions. She called

him Sir, till he bade her remember he was her son. Her voice sounded to

him like that of a broken-throated lamb, so painful and weak it was, with

the plaintive stop in the utterance. When he kissed her, her skin was

cold. Her thin hand fell out of his when his grasp related. "Can sin

hunt one like this?" he asked, bitterly reproaching himself for the shame

she had caused him to endure, and a deep compassion filled his breast.

Poetic justice had been dealt to Diaper the poet. He thought of all he

had sacrificed for this woman--the comfortable quarters, the friend, the

happy flights. He could not but accuse her of unfaithfulness in leaving

him in his old age. Habit had legalized his union with her. He wrote as

pathetically of the break of habit as men feel at the death of love, and

when we are old and have no fair hope tossing golden locks before us, a

wound to this our second nature is quite as sad. I know not even if it

be not actually sadder.

Day by day Richard visited his mother. Lady Blandish and Ripton alone

were in the secret. Adrian let him do as he pleased. He thought proper

to tell him that the public recognition he accorded to a particular lady

was, in the present state of the world, scarcely prudent.

"'Tis a proof to me of your moral rectitude, my son, but the world will

not think so. No one character is sufficient to cover two--in a

Protestant country especially. The divinity that doth hedge a Bishop

would have no chance, in contact with your Madam Danae. Drop the woman,

my son. Or permit me to speak what you would have her hear."

Richard listened to him with disgust. "Well, you've had my doctorial

warning," said Adrian; and plunged back into his book.

When Lady Feverel had revived to take part in the consultations Mrs.

Berry perpetually opened on the subject of Richard's matrimonial duty,

another chain was cast about him. "Do not, oh, do not offend your

father!" was her one repeated supplication. Sir Austin had grown to be a

vindictive phantom in her mind. She never wept but when she said this.

So Mrs. Berry, to whom Richard had once made mention of Lady Blandish as

the only friend he had among women, bundled off in her black-satin dress

to obtain an interview with her, and an ally. After coming to an

understanding on the matter of the visit, and reiterating many of her

views concerning young married people, Mrs. Berry said: "My lady, if I

may speak so bold, I'd say the sin that's bein' done is the sin o' the

lookers-on. And when everybody appear frightened by that young

gentleman's father, I'll say--hopin' your pardon--they no cause be

frighted at all. For though it's nigh twenty year since I knew him, and

I knew him then just sixteen months--no more--I'll say his heart's as

soft as a woman's, which I've cause for to know. And that's it. That's

where everybody's deceived by him, and I was. It's because he keeps his

face, and makes ye think you're dealin' with a man of iron, and all the

while there's a woman underneath. And a man that's like a woman he's the

puzzle o' life! We can see through ourselves, my lady, and we can see

through men, but one o' that sort--he's like somethin' out of nature.

Then I say--hopin' be excused--what's to do is for to treat him like a

woman, and not for to let him have his own way--which he don't know

himself, and is why nobody else do. Let that sweet young couple come

together, and be wholesome in spite of him, I say; and then give him time

to come round, just like a woman; and round he'll come, and give 'em his

blessin', and we shall know we've made him comfortable. He's angry

because matrimony have come between him and his son, and he, woman-like,

he's wantin' to treat what is as if it isn't. But matrimony's a holier

than him. It began long long before him, and it's be hoped will endoor

longs the time after, if the world's not coming to rack--wishin' him no

harm."

Now Mrs. Berry only put Lady Blandish's thoughts in bad English. The

lady took upon herself seriously to advise Richard to send for his wife.

He wrote, bidding her come. Lucy, however, had wits, and inexperienced

wits are as a little knowledge. In pursuance of her sage plan to make

the family feel her worth, and to conquer the members of it one by one,

she had got up a correspondence with Adrian, whom it tickled. Adrian

constantly assured her all was going well: time would heal the wound if

both the offenders had the fortitude to be patient: he fancied he saw

signs of the baronet's relenting: they must do nothing to arrest those

favourable symptoms. Indeed the wise youth was languidly seeking to

produce them. He wrote, and felt, as Lucy's benefactor. So Lucy replied

to her husband a cheerful rigmarole he could make nothing of, save that

she was happy in hope, and still had fears. Then Mrs. Berry trained her

fist to indite a letter to her bride. Her bride answered it by saying

she trusted to time. "You poor marter" Mrs. Berry wrote back, "I know

what your sufferin's be. They is the only kind a wife should never hide

from her husband. He thinks all sorts of things if she can abide being

away. And you trusting to time, why it's like trusting not to catch cold

out of your natural clothes." There was no shaking Lucy's firmness.

Richard gave it up. He began to think that the life lying behind him was

the life of a fool. What had he done in it? He had burnt a rick and got

married! He associated the two acts of his existence. Where was the

hero he was to have carved out of Tom Bakewell!--a wretch he had taught

to lie and chicane: and for what? Great heavens! how ignoble did a flash

from the light of his aspirations make his marriage appear! The young

man sought amusement. He allowed his aunt to drag him into society, and

sick of that he made late evening calls on Mrs. Mount, oblivious of the

purpose he had in visiting her at all. Her man-like conversation, which

he took for honesty, was a refreshing change on fair lips.

"Call me Bella: I'll call you Dick," said she. And it came to be Bella

and Dick between them. No mention of Bella occurred in Richard's letters

to Lucy.

Mrs. Mount spoke quite openly of herself. "I pretend to be no better

than I am," she said, "and I know I'm no worse than many a woman who

holds her head high." To back this she told him stories of blooming

dames of good repute, and poured a little social sewerage into his ears.

Also she understood him. "What you want, my dear Dick, is something to

do. You went and got married like a--hum!--friends must be respectful.

Go into the Army. Try the turf. I can put you up to a trick or two--

friends should make themselves useful."

She told him what she liked in him. "You're the only man I was ever

alone with who don't talk to me of love and make me feel sick. I hate

men who can't speak to a woman sensibly.--Just wait a minute." She left

him and presently returned with, "Ah, Dick! old fellow! how are you?"--

arrayed like a cavalier, one arm stuck in her side, her hat jauntily

cocked, and a pretty oath on her lips to give reality to the costume.

"What do you think of me? Wasn't it a shame to make a woman of me when I

was born to be a man?"

"I don't know that," said Richard, for the contrast in her attire to

those shooting eyes and lips, aired her sex bewitchingly.

"What! you think I don't do it well?"

"Charming! but I can't forget..."

"Now that is too bad!" she pouted.

Then she proposed that they should go out into the midnight streets arm-

in-arm, and out they went and had great fits of laughter at her

impertinent manner of using her eyeglass, and outrageous affectation of

the supreme dandy.

"They take up men, Dick, for going about in women's clothes, and vice

versaw, I suppose. You'll bail me, old fellaa, if I have to make my bow

to the beak, won't you? Say it's becas I'm an honest woman and don't

care to hide the--a--unmentionables when I wear them--as the t'others

do," sprinkled with the dandy's famous invocations.

He began to conceive romance in that sort of fun.

"You're a wopper, my brave Dick! won't let any peeler take me? by Jove!"

And he with many assurances guaranteed to stand by her, while she bent

her thin fingers trying the muscle of his arm; and reposed upon it more.

There was delicacy in her dandyism. She was a graceful cavalier.

"Sir Julius," as they named the dandy's attire, was frequently called for

on his evening visits to Mrs. Mount. When he beheld Sir Julius he

thought of the lady, and "vice versaw," as Sir Julius was fond of

exclaiming.

Was ever hero in this fashion wooed?

The woman now and then would peep through Sir Julius. Or she would sit,

and talk, and altogether forget she was impersonating that worthy fop.

She never uttered an idea or a reflection, but Richard thought her the

cleverest woman he had ever met.

All kinds of problematic notions beset him. She was cold as ice, she

hated talk about love, and she was branded by the world.

A rumour spread that reached Mrs. Doria's ears. She rushed to Adrian

first. The wise youth believed there was nothing in it. She sailed down

upon Richard. "Is this true? that you have been seen going publicly

about with an infamous woman, Richard? Tell me! pray, relieve me!"

Richard knew of no person answering to his aunt's description in whose

company he could have been seen.

"Tell me, I say! Don't quibble. Do you know any woman of bad

character?"

The acquaintance of a lady very much misjudged and ill-used by the world,

Richard admitted to.

Urgent grave advice Mrs. Doria tendered her nephew, both from the moral

and the worldly point of view, mentally ejaculating all the while: "That

ridiculous System! That disgraceful marriage!" Sir Austin in his

mountain solitude was furnished with serious stuff to brood over.

The rumour came to Lady Blandish. She likewise lectured Richard, and

with her he condescended to argue. But he found himself obliged to

instance something he had quite neglected. "Instead of her doing me

harm, it's I that will do her good."

Lady Blandish shook her head and held up her finger. "This person must

be very clever to have given you that delusion, dear."

"She is clever. And the world treats her shamefully."

"She complains of her position to you?"

"Not a word. But I will stand by her. She has no friend but me."

"My poor boy! has she made you think that?"

"How unjust you all are!" cried Richard.

"How mad and wicked is the man who can let him be tempted so!" thought

Lady Blandish.

He would pronounce no promise not to visit her, not to address her

publicly. The world that condemned her and cast her out was no better--

worse for its miserable hypocrisy. He knew the world now, the young man

said.

"My child! the world may be very bad. I am not going to defend it. But

you have some one else to think of. Have you forgotten you have a wife,

Richard?"

"Ay! you all speak of her now. There's my aunt: 'Remember you have a

wife!' "Do you think I love any one but Lucy? poor little thing!

Because I am married am I to give up the society of women?"

"Of women!"

"Isn't she a woman?"

"Too much so!" sighed the defender of her sex.

Adrian became more emphatic in his warnings. Richard laughed at him.

The wise youth sneered at Mrs. Mount. The hero then favoured him with a

warning equal to his own in emphasis, and surpassing it in sincerity.

"We won't quarrel, my dear boy," said Adrian. "I'm a man of peace.

Besides, we are not fairly proportioned for a combat. Ride your steed to

virtue's goal! All I say is, that I think he'll upset you, and it's

better to go at a slow pace and in companionship with the children of the

sun. You have a very nice little woman for a wife--well, good-bye!"

To have his wife and the world thrown at his face, was unendurable to

Richard; he associated them somewhat after the manner of the rick and the

marriage. Charming Sir Julius, always gay, always honest, dispersed his

black moods.

"Why, you're taller," Richard made the discovery.

"Of course I am. Don't you remember you said I was such a little thing

when I came out of my woman's shell?"

"And how have you done it?"

"Grown to please you."

"Now, if you can do that, you can do anything."

"And so I would do anything."

"You would?"

"Honour!"

"Then"...his project recurred to him. But the incongruity of speaking

seriously to Sir Julius struck him dumb.

"Then what?" asked she.

"Then you're a gallant fellow."

"That all?"

"Isn't it enough?"

"Not quite. You were going to say something. I saw it in your eyes."

"You saw that I admired you."

"Yes, but a man mustn't admire a man."

"I suppose I had an idea you were a woman."

"What! when I had the heels of my boots raised half an inch," Sir Julius

turned one heel, and volleyed out silver laughter.

"I don't come much above your shoulder even now," she said, and proceeded

to measure her height beside him with arch up-glances.

"You must grow more."

"'Fraid I can't, Dick! Bootmakers can't do it."

"I'll show you how," and he lifted Sir Julius lightly, and bore the fair

gentleman to the looking-glass, holding him there exactly on a level with

his head. "Will that do?"

"Yes! Oh but I can't stay here."

"Why can't you?"

"Why can't I?"

He should have known then--it was thundered at a closed door in him, that

he played with fire. But the door being closed, he thought himself

internally secure.

Their eyes met. He put her down instantly.

Sir Julius, charming as he was, lost his vogue. Seeing that, the wily

woman resumed her shell. The memory, of Sir Julius breathing about her

still, doubled the feminine attraction.

"I ought to have been an actress," she said.

Richard told her he found all natural women had a similar wish.

"Yes! Ah! then! if I had been!" sighed Mrs. Mount, gazing on the pattern

of the carpet.

He took her hand, and pressed it.

"You are not happy as you are?"

"No."

"May I speak to you?"

"Yes."

Her nearest eye, setting a dimple of her cheek in motion, slid to the

corner toward her ear, as she sat with her head sideways to him,

listening. When he had gone, she said to herself: "Old hypocrites talk

in that way; but I never heard of a young man doing it, and not making

love at the same time."

Their next meeting displayed her quieter: subdued as one who had been set

thinking. He lauded her fair looks.

"Don't make me thrice ashamed," she petitioned.

But it was not only that mood with her. Dauntless defiance, that

splendidly befitted her gallant outline and gave a wildness to her bright

bold eyes, when she would call out: "Happy? who dares say I'm not happy?

D'you think if the world whips me I'll wince? D'you think I care for

what they say or do? Let them kill me! they shall never get one cry out

of me!" and flashing on the young man as if he were the congregated

enemy, add: "There! now you know me!"--that was a mood that well became

her, and helped the work. She ought to have been an actress.

"This must not go on," said Lady Blandish and Mrs. Doria in unison. A

common object brought them together. They confined their talk to it, and

did not disagree. Mrs. Doria engaged to go down to the baronet. Both

ladies knew it was a dangerous, likely to turn out a disastrous,

expedition. They agreed to it because it was something to do, and doing

anything is better than doing nothing. "Do it," said the wise youth,

when they made him a third, "do it, if you want him to be a hermit for

life. You will bring back nothing but his dead body, ladies--a Hellenic,

rather than a Roman, triumph. He will listen to you--he will accompany

you to the station--he will hand you into the carriage--and when you

point to his seat he will bow profoundly, and retire into his congenial

mists."

Adrian spoke their thoughts. They fretted; they relapsed.

"Speak to him, you, Adrian," said Mrs. Doria. "Speak to the boy

solemnly. It would be almost better he should go back to that little

thing he has married."

"Almost?" Lady Blandish opened her eyes. "I have been advising it for

the last month and more."

"A choice of evils," said Mrs. Doria's sour-sweet face and shake of the

head.

Each lady saw a point of dissension, and mutually agreed, with heroic

effort, to avoid it by shutting their mouths. What was more, they

preserved the peace in spite of Adrian's artifices.

"Well, I'll talk to him again," he said. "I'll try to get the Engine on

the conventional line."

"Command him!" exclaimed Mrs. Doria.

"Gentle means are, I think, the only means with Richard," said Lady

Blandish.

Throwing banter aside, as much as he could, Adrian spoke to Richard.

"You want to reform this woman. Her manner is open--fair and free--the

traditional characteristic. We won't stop to canvass how that particular

honesty of deportment that wins your approbation has been gained. In her

college it is not uncommon. Girls, you know, are not like boys. At a

certain age they can't be quite natural. It's a bad sign if they don't

blush, and fib, and affect this and that. It wears off when they're

women. But a woman who speaks like a man, and has all those excellent

virtues you admire--where has she learned the trick? She tells you. You

don't surely approve of the school? Well, what is there in it, then?

Reform her, of course. The task is worthy of your energies. But, if you

are appointed to do it, don't do it publicly, and don't attempt it just

now. May I ask you whether your wife participates in this undertaking?"

Richard walked away from the interrogation. The wise youth, who hated

long unrelieved speeches and had healed his conscience, said no more.

Dear tender Lucy! Poor darling! Richard's eyes moistened. Her letters

seemed sadder latterly. Yet she never called to him to come, or he would

have gone. His heart leapt up to her. He announced to Adrian that he

should wait no longer for his father. Adrian placidly nodded.

The enchantress observed that her knight had a clouded brow and an absent

voice.

"Richard--I can't call you Dick now, I really don't know why"--she said,

"I want to beg a favour of you."

"Name it. I can still call you Bella, I suppose?"

"If you care to. What I want to say is this: when you meet me out--to

cut it short--please not to recognize me."

"And why?"

"Do you ask to be told that?"

"Certainly I do."

"Then look: I won't compromise you."

"I see no harm, Bella."

"No," she caressed his hand, "and there is none. I know that. But,"

modest eyelids were drooped, "other people do," struggling eyes were

raised.

"What do we care for other people?"

"Nothing. I don't. Not that!" snapping her finger, "I care for you,

though." A prolonged look followed the declaration.

"You're foolish, Bella."

"Not quite so giddy--that's all."

He did not combat it with his usual impetuosity. Adrian's abrupt inquiry

had sunk in his mind, as the wise youth intended it should. He had

instinctively refrained from speaking to Lucy of this lady. But what a

noble creature the woman was!

So they met in the park; Mrs. Mount whipped past him; and secresy added a

new sense to their intimacy.

Adrian was gratified at the result produced by his eloquence.

Though this lady never expressed an idea, Richard was not mistaken in her

cleverness. She could make evenings pass gaily, and one was not the

fellow to the other. She could make you forget she was a woman, and then

bring the fact startlingly home to you. She could read men with one

quiver of her half-closed eye-lashes. She could catch the coming mood in

a man, and fit herself to it. What does a woman want with ideas, who can

do thus much? Keenness of perception, conformity, delicacy of handling,

these be all the qualities necessary to parasites.

Love would have scared the youth: she banished it from her tongue. It

may also have been true that it sickened her. She played on his higher

nature. She understood spontaneously what would be most strange and

taking to him in a woman. Various as the Serpent of old Nile, she acted

fallen beauty, humorous indifference, reckless daring, arrogance in ruin.

And acting thus, what think you?--She did it so well because she was

growing half in earnest.

"Richard! I am not what I was since I knew you. You will not give me up

quite?"

"Never, Bella."

"I am not so bad as I'm painted!"

"You are only unfortunate."

"Now that I know you I think so, and yet I am happier."

She told him her history when this soft horizon of repentance seemed to

throw heaven's twilight across it. A woman's history, you know: certain

chapters expunged. It was dark enough to Richard.

"Did you love the man?" he asked. "You say you love no one now."

"Did I love him? He was a nobleman and I a tradesman's daughter. No. I

did not love him. I have lived to learn it. And now I should hate him,

if I did not despise him."

"Can you be deceived in love?" said Richard, more to himself than to her.

"Yes. When we're young we can be very easily deceived. If there is such

a thing as love, we discover it after we have tossed about and roughed

it. Then we find the man, or the woman, that suits us:--and then it's

too late! we can't have him."

"Singular!" murmured Richard, "she says just what my father said."

He spoke aloud: "I could forgive you if you had loved him."

"Don't be harsh, grave judge! How is a girl to distinguish?"

"You had some affection for him? He was the first?"

She chose to admit that. "Yes. And the first who talks of love to a

girl must be a fool if he doesn't blind her."

"That makes what is called first love nonsense."

"Isn't it?"

He repelled the insinuation. "Because I know it is not, Bella."

Nevertheless she had opened a wider view of the world to him, and a

colder. He thought poorly of girls. A woman a sensible, brave,

beautiful woman seemed, on comparison, infinitely nobler than those weak

creatures.

She was best in her character of lovely rebel accusing foul injustice.

"What am I to do? You tell me to be different. How can I? What am I to

do? Will virtuous people let me earn my bread? I could not get a

housemaid's place! They wouldn't have me--I see their noses smelling!

Yes I can go to the hospital and sing behind a screen! Do you expect me

to bury myself alive? Why, man, I have blood: I can't become a stone.

You say I am honest, and I will be. Then let me till you that I have

been used to luxuries, and I can't do without them. I might have married

men--lots would have had me. But who marries one like me but a fool? and

I could not marry a fool. The man I marry I must respect. He could not

respect me--I should know him to be a fools and I should be worse off

than I am now. As I am now, they may look as pious as they like--I laugh

at them!"

And so forth: direr things. Imputations upon wives: horrible exultation

at the universal peccancy of husbands. This lovely outcast almost made

him think she had the right on her side, so keenly her Parthian arrows

pierced the holy centres of society, and exposed its rottenness.

Mrs. Mount's house was discreetly conducted: nothing ever occurred to

shock him there. The young man would ask himself where the difference

was between her and the Women of society? How base, too, was the army of

banded hypocrites! He was ready to declare war against them on her

behalf. His casus beli, accurately worded, would have read curiously.

Because the world refused to lure the lady to virtue with the offer of a

housemaid's place, our knight threw down his challenge. But the lady had

scornfully rebutted this prospect of a return to chastity. Then the form

of the challenge must be: Because the world declined to support the lady

in luxury for nothing! But what did that mean? In other words: she was

to receive the devil's wages without rendering him her services. Such an

arrangement appears hardly fair on the world or on the devil. Heroes

will have to conquer both before they will get them to subscribe to it.

Heroes, however, are not in the habit of wording their declarations of

war at all. Lance in rest they challenge and they charge. Like women

they trust to instinct, and graft on it the muscle of men. Wide fly the

leisurely-remonstrating hosts: institutions are scattered, they know not

wherefore, heads are broken that have not the balm of a reason why. 'Tis

instinct strikes! Surely there is something divine in instinct.

Still, war declared, where were these hosts? The hero could not charge

down on the ladies and gentlemen in a ballroom, and spoil the quadrille.

He had sufficient reticence to avoid sounding his challenge in the Law

Courts; nor could he well go into the Houses of Parliament with a

trumpet, though to come to a tussle with the nation's direct

representatives did seem the likelier method. It was likewise out of the

question that he should enter every house and shop, and battle with its

master in the cause of Mrs. Mount. Where, then, was his enemy?

Everybody was his enemy, and everybody was nowhere! Shall he convoke

multitudes on Wimbledon Common? Blue Policemen, and a distant dread of

ridicule, bar all his projects. Alas for the hero in our day!

Nothing teaches a strong arm its impotence so much as knocking at empty

air.

"What can I do for this poor woman?" cried Richard, after fighting his

phantom enemy till he was worn out.

"O Rip! old Rip!" he addressed his friend, "I'm distracted. I wish I was

dead! What good am I for? Miserable! selfish! What have I done but

make every soul I know wretched about me? I follow my own inclinations--

I make people help me by lying as hard as they can--and I'm a liar. And

when I've got it I'm ashamed of myself. And now when I do see something

unselfish for me to do, I come upon grins--I don't know where to turn--

how to act--and I laugh at myself like a devil!"

It was only friend Ripton's ear that was required, so his words went for

little: but Ripton did say he thought there was small matter to be

ashamed of in winning and wearing the Beauty of Earth. Richard added his

customary comment of "Poor little thing!"

He fought his duello with empty air till he was exhausted. A last letter

written to his father procured him no reply. Then, said he, I have tried

my utmost. I have tried to be dutiful--my father won't listen to me.

One thing I can do--I can go down to my dear girl, and make her happy,

and save her at least from some of the consequences of my rashness.

"There's nothing better for me!" he groaned. His great ambition must be

covered by a house-top: he and the cat must warm themselves on the

domestic hearth! The hero was not aware that his heart moved him to

this. His heart was not now in open communion with his mind.

Mrs. Mount heard that her friend was going--would go. She knew he was

going to his wife. Far from discouraging him, she said nobly: "Go--I

believe I have kept you. Let us have an evening together, and then go:

for good, if you like. If not, then to meet again another time. Forget

me. I shan't forget you. You're the best fellow I ever knew, Richard.

You are, on my honour! I swear I would not step in between you and your

wife to cause either of you a moment's unhappiness. When I can be

another woman I will, and I shall think of you then."

Lady Blandish heard from Adrian that Richard was positively going to his

wife. The wise youth modestly veiled his own merit in bringing it about

by saying: "I couldn't see that poor little woman left alone down there

any longer."

"Well! Yes!" said Mrs. Doria, to whom the modest speech was repeated, "I

suppose, poor boy, it's the best he can do now."

Richard bade them adieu, and went to spend his last evening with Mrs.

Mount.

The enchantress received him in state.

"Do you know this dress? No? It's the dress I wore when I first met

you--not when I first saw you. I think I remarked you, sir, before you

deigned to cast an eye upon humble me. When we first met we drank

champagne together, and I intend to celebrate our parting in the same

liquor. Will you liquor with me, old boy?"

She was gay. She revived Sir Julius occasionally. He, dispirited, left

the talking all to her.

Mrs. Mount kept a footman. At a late hour the man of calves dressed the

table for supper. It was a point of honour for Richard to sit down to it

and try to eat. Drinking, thanks to the kindly mother nature, who loves

to see her children made fools of, is always an easier matter. The

footman was diligent; the champagne corks feebly recalled the file-firing

at Richmond.

"We'll drink to what we might have been, Dick," said the enchantress.

Oh, the glorious wreck she looked.

His heart choked as he gulped the buzzing wine.

"What! down, my boy?" she cried. "They shall never see me hoist signals

of distress. We must all die, and the secret of the thing is to die

game, by Jove! Did you ever hear of Laura Fern? a superb girl!

handsomer than your humble servant--if you'll believe it--a 'Miss' in the

bargain, and as a consequence, I suppose, a much greater rake. She was

in the hunting-field. Her horse threw her, and she fell plump on a

stake. It went into her left breast. All the fellows crowded round her,

and one young man, who was in love with her--he sits in the House of

Peers now--we used to call him `Duck' because he was such a dear--he

dropped from his horse to his knees: 'Laura! Laura! my darling! speak a

word to me!--the last!' She turned over all white and bloody! 'I--I

shan't be in at the death!' and gave up the ghost! Wasn't that dying

game? Here's to the example of Laura Fenn! Why, what's the matter?

See! it makes a man turn pale to hear how a woman can die. Fill the

glasses, John. Why, you're as bad!"

"It's give me a turn, my lady," pleaded John, and the man's hand was

unsteady as he poured out the wine.

"You ought not to listen. Go, and, drink some brandy."

John footman went from the room.

"My brave Dick! Richard! what a face you've got!"

He showed a deep frown on a colourless face.

"Can't you bear to hear of blood? You know, it was only one naughty

woman out of the world. The clergyman of the parish didn't refuse to

give her decent burial. We Christians! Hurrah!"

She cheered, and laughed. A lurid splendour glanced about her like

lights from the pit.

"Pledge me, Dick! Drink, and recover yourself. Who minds? We must all

die--the good and the bad. Ashes to ashes--dust to dust--and wine for

living lips! That's poetry--almost. Sentiment: `May we never say die

till we've drunk our fill! Not bad--eh? A little vulgar, perhaps, by

Jove! Do you think me horrid?"

"Where's the wine?" Richard shouted. He drank a couple of glasses in

succession, and stared about. Was he in hell, with a lost soul raving to

him?

"Nobly spoken! and nobly acted upon, my brave Dick! Now we'll be

companions." She wished that heaven had made her such a man. "Ah! Dick!

Dick! too late! too late!"

Softly fell her voice. Her eyes threw slanting beams.

"Do you see this?"

She pointed to a symbolic golden anchor studded with gems and coiled with

a rope of hair in her bosom. It was a gift of his.

"Do you know when I stole the lock? Foolish Dick! you gave me an anchor

without a rope. Come and see."

She rose from the table, and threw herself on the sofa.

"Don't you recognize your own hair! I should know a thread of mine among

a million."

Something of the strength of Samson went out of him as he inspected his

hair on the bosom of Delilah.

"And you knew nothing of it! You hardly know it now you see it! What

couldn't a woman steal from you? But you're not vain, and that's a

protection. You're a miracle, Dick: a man that's not vain! Sit here."

She curled up her feet to give him place on the sofa. "Now let us talk

like friends that part to meet no more. You found a ship with fever on

board, and you weren't afraid to come alongside and keep her company.

The fever isn't catching, you see. Let us mingle our tears together.

Ha! ha! a man said that once to me. The hypocrite wanted to catch the

fever, but he was too old. How old are you, Dick?"

Richard pushed a few months forward.

"Twenty-one? You just look it, you blooming boy. Now tell me my age,

Adonis!--Twenty--what?"

Richard had given the lady twenty-five years.

She laughed violently. "You don't pay compliments, Dick. Best to be

honest; guess again. You don't like to? Not twenty-five, or twenty-

four, or twenty-three, or see how he begins to stare!---twenty-two. Just

twenty-one, my dear. I think my birthday's somewhere in next month.

Why, look at me, close--closer. Have I a wrinkle?"

"And when, in heaven's name!"...he stopped short.

"I understand you. When did I commence for to live? At the ripe age of

sixteen I saw a nobleman in despair because of my beauty. He vowed he'd

die. I didn't want him to do that. So to save the poor man for his

family, I ran away with him, and I dare say they didn't appreciate the

sacrifice, and he soon forgot to, if he ever did. It's the way of the

world!"

Richard seized some dead champagne, emptied the bottle into a tumbler,

and drank it off.

John footman entered to clear the table, and they were left without

further interruption.

"Bella! Bella!" Richard uttered in a deep sad voice, as he walked the

room.

She leaned on her arm, her hair crushed against a reddened cheek, her

eyes half-shut and dreamy.

"Bella!" he dropped beside her. "You are unhappy."

She blinked and yawned, as one who is awakened suddenly. "I think you

spoke," said she.

"You are unhappy, Bella. You can't conceal it. Your laugh sounds like

madness. You must be unhappy. So young, too! Only twenty-one!"

"What does it matter? Who cares for me?"

The mighty pity falling from his eyes took in her whole shape. She did

not mistake it for tenderness, as another would have done.

"Who cares for you, Bella? I do. What makes my misery now, but to see

you there, and know of no way of helping you? Father of mercy! it seems

too much to have to stand by powerless while such ruin is going on!"

Her hand was shaken in his by the passion of torment with which his frame

quaked.

Involuntarily a tear started between her eyelids. She glanced up at him

quickly, then looked down, drew her hand from his, and smoothed it, eying

it.

"Bella! you have a father alive!"

"A linendraper, dear. He wears a white neck-cloth."

This article of apparel instantaneously changed the tone of the

conversation, for he, rising abruptly, nearly squashed the lady's lap-

dog, whose squeaks and howls were piteous, and demanded the most fervent

caresses of its mistress. It was: "Oh, my poor pet Mumpsy, and he didn't

like a nasty great big ugly heavy foot an his poor soft silky--mum--mum--

back, he didn't, and he soodn't that he--mum--mum--soodn't; and he cried

out and knew the place to come to, and was oh so sorry for what had

happened to him--mum--mum--mum--and now he was going to be made happy,

his mistress make him happy--mum--mum--mum--moo-o-o-o."

"Yes!" said Richard, savagely, from the other end of the room, "you care

for the happiness of your dog."

"A course se does," Mumpsy was simperingly assured in the thick of his

silky flanks.

Richard looked for his hat. Mumpsy was deposited on the sofa in a

twinkling.

"Now," said the lady, "you must come and beg Mumpsy's pardon, whether you

meant to do it or no, because little doggies can't tell that--how should

they? And there's poor Mumpsy thinking you're a great terrible rival

that tries to squash him all flat to nothing, on purpose, pretending you

didn't see; and he's trembling, poor dear wee pet! And I may love my

dog, sir, if I like; and I do; and I won't have him ill-treated, for he's

never been jealous of you, and he is a darling, ten times truer than men,

and I love him fifty times better. So come to him with me."

First a smile changed Richard's face; then laughing a melancholy laugh,

he surrendered to her humour, and went through the form of begging

Mumpsy's pardon.

"The dear dog! I do believe he saw we were getting dull," said she.

"And immolated himself intentionally? Noble animal!"

"Well, we'll act as if we thought so. Let us be gay, Richard, and not

part like ancient fogies. Where's your fun? You can rattle; why don't

you? You haven't seen me in one of my characters--not Sir Julius: wait a

couple of minutes." She ran out.

A white visage reappeared behind a spring of flame. Her black hair was

scattered over her shoulders and fell half across her brows. She moved

slowly, and came up to him, fastening weird eyes on him, pointing a

finger at the region of witches. Sepulchral cadences accompanied the

representation. He did not listen, for he was thinking what a deadly

charming and exquisitely horrid witch she was. Something in the way her

underlids worked seemed to remind him of a forgotten picture; but a veil

hung on the picture. There could be no analogy, for this was beautiful

and devilish, and that, if he remembered rightly, had the beauty of

seraphs.

His reflections and her performance were stayed by a shriek. The spirits

of wine had run over the plate she held to the floor. She had the

coolness to put the plate down on the table, while he stamped out the

flame on the carpet. Again she shrieked: she thought she was on fire.

He fell on his knees and clasped her skirts all round, drawing his arms

down them several times.

Still kneeling, he looked up, and asked, "Do you feel safe now?"

She bent her face glaring down till the ends of her hair touched his

cheek.

Said she, "Do you?"

Was she a witch verily? There was sorcery in her breath; sorcery in her

hair: the ends of it stung him like little snakes.

"How do I do it, Dick?" she flung back, laughing.

"Like you do everything, Bella," he said, and took breath.

"There! I won't be a witch; I won't be a witch: they may burn me to a

cinder, but I won't be a witch!"

She sang, throwing her hair about, and stamping her feet.

"I suppose I look a figure. I must go and tidy myself."

"No, don't change. I like to see you so." He gazed at her with a

mixture of wonder and admiration. "I can't think you the same person--

not even when you laugh."

"Richard," her tone was serious, "you were going to speak to me of my

parents."

"How wild and awful you looked, Bella!"

"My father, Richard, was a very respectable man."

"Bella, you'll haunt me like a ghost."

"My mother died in my infancy, Richard."

"Don't put up your hair, Bella."

"I was an only child!"

Her head shook sorrowfully at the glistening fire-irons. He followed the

abstracted intentness of her look, and came upon her words.

"Ah, yes! speak of your father, Bella. Speak of him."

"Shall I haunt you, and come to your bedside, and cry, '`Tis time'?"

"Dear Bella! if you will tell me where he lives, I will go to him. He

shall receive you. He shall not refuse--he shall forgive you."

"If I haunt you, you can't forget me, Richard."

"Let me go to your father, Bella let me go to him to-morrow. I'll give

you my time. It's all I can give. O Bella! let me save you."

"So you like me best dishevelled, do you, you naughty boy! Ha! ha!" and

away she burst from him, and up flew her hair, as she danced across the

room, and fell at full length on the sofa.

He felt giddy: bewitched.

"We'll talk of everyday things, Dick," she called to him from the sofa.

"It's our last evening. Our last? Heigho! It makes me sentimental.

How's that Mr. Ripson, Pipson, Nipson?--it's not complimentary, but I

can't remember names of that sort. Why do you have friends of that sort?

He's not a gentleman. Better is he? Well, he's rather too insignificant

for me. Why do you sit off there? Come to me instantly. There--I'll

sit up, and be proper, and you'll have plenty of room. Talk, Dick!"

He was reflecting on the fact that her eyes were brown. They had a

haughty sparkle when she pleased, and when she pleased a soft languor

circled them. Excitement had dyed her cheeks deep red. He was a youth,

and she an enchantress. He a hero; she a female will-o'-the-wisp.

The eyes were languid now, set in rosy colour.

"You will not leave me yet, Richard? not yet?"

He had no thought of departing:

"It's our last night--I suppose it's our last hour together in this

world--and I don't want to meet you in the next, for poor Dick will have

to come to such a very, very disagreeable place to make the visit."

He grasped her hand at this.

"Yes, he will! too true! can't be helped: they say I'm handsome."

"You're lovely, Bella."

She drank in his homage.

"Well, we'll admit it. His Highness below likes lovely women, I hear

say. A gentleman of taste! You don't know all my accomplishments yet,

Richard."

"I shan't be astonished at anything new, Bella."

"Then hear, and wonder." Her voice trolled out some lively roulades.

"Don't you think he'll make me his prima donna below? It's nonsense to

tell me there's no singing there. And the atmosphere will be favourable

to the voice. No damp, you know. You saw the piano--why didn't you ask

me to sing before? I can sing Italian. I had a master--who made love to

me. I forgave him because of the music-stool--men can't help it on a

music-stool, poor dears!"

She went to the piano, struck the notes, and sang--

"'My heart, my heart--I think 'twill break.'

"Because I'm such a rake. I don't know any other reason. No; I hate

sentimental songs. Won't sing that. Ta-tiddy-tiddy-iddy--a...e! How

ridiculous those women were, coming home from Richmond!

'Once the sweet romance of story

Clad thy moving form with grace;

Once the world and all its glory

Was but framework to thy face.

Ah, too fair!--what I remember

Might my soul recall--but no!

To the winds this wretched ember

Of a fire that falls so low!'

"Hum! don't much like that. Tum-te-tum-tum--accanto al fuoco--heigho! I

don't want to show off, Dick--or to break down--so I won't try that.

'Oh! but for thee, oh! but for thee,

I might have been a happy wife,

And nursed a baby on my knee,

And never blushed to give it life.'

"I used to sing that when I was a girl, sweet Richard, and didn't know at

all, at all, what it meant. Mustn't sing that sort of song in company.

We're oh! so proper--even we!

'If I had a husband, what think you I'd do?

I'd make it my business to keep him a lover;

For when a young gentleman ceases to woo,

Some other amusement he'll quickly discover.'

"For such are young gentlemen made of--made of: such are young gentlemen

made of!"

After this trifling she sang a Spanish ballad sweetly. He was in the

mood when imagination intensely vivifies everything. Mere suggestions of

music sufficed. The lady in the ballad had been wronged. Lo! it was the

lady before him; and soft horns blew; he smelt the languid night-flowers;

he saw the stars crowd large and close above the arid plain this lady

leaning at her window desolate, pouring out her abandoned heart.

Heroes know little what they owe to champagne.

The lady wandered to Venice. Thither he followed her at a leap. In

Venice she was not happy. He was prepared for the misery of any woman

anywhere. But, oh! to be with her! To glide with phantom-motion through

throbbing street; past houses muffled in shadow and gloomy legends; under

storied bridges; past palaces charged with full life in dead quietness;

past grand old towers, colossal squares, gleaming quays, and out, and on

with her, on into the silver infinity shaking over seas!

Was it the champagne? the music? or the poetry? Something of the two

former, perhaps: but most the enchantress playing upon him. How many

instruments cannot clever women play upon at the same moment! And this

enchantress was not too clever, or he might have felt her touch. She was

no longer absolutely bent on winning him, or he might have seen a

manoeuvre. She liked him--liked none better. She wished him well. Her

pique was satisfied. Still he was handsome, and he was going. What she

liked him for, she rather--very slightly--wished to do away with, or see

if it could be done away with: just as one wishes to catch a pretty

butterfly, without hurting its patterned wings. No harm intended to the

innocent insect, only one wants to inspect it thoroughly, and enjoy the

marvel of it, in one's tender possession, and have the felicity of

thinking one could crush it, if one would.

He knew her what she was, this lady. In Seville, or in Venice, the spot

was on her. Sailing the pathways of the moon it was not celestial light

that illumined her beauty. Her sin was there: but in dreaming to save,

he was soft to her sin--drowned it in deep mournfulness.

Silence, and the rustle of her dress, awoke him from his musing. She

swam wave-like to the sofa. She was at his feet.

"I have been light and careless to-night, Richard. Of course I meant it.

I must be happy with my best friend going to leave me."

Those witch underlids were working brightly.

"You will not forget me? and I shall try...try..."

Her lips twitched. She thought him such a very handsome fellow.

"If I change--if I can change... Oh! if you could know what a net I'm

in, Richard!"

Now at those words, as he looked down on her haggard loveliness, not

divine sorrow but a devouring jealousy sprang like fire in his breast,

and set him rocking with horrid pain. He bent closer to her pale

beseeching face. Her eyes still drew him down.

"Bella! No! no! promise me! swear it!"

"Lost, Richard! lost for ever! give me up!"

He cried: "I never will!" and strained her in his arms, and kissed her

passionately on the lips.

She was not acting now as she sidled and slunk her half-averted head with

a kind of maiden shame under his arm, sighing heavily, weeping, clinging

to him. It was wicked truth.

Not a word of love between them!

Was ever hero in this fashion won?

ETEXT EDITOR'S BOOKMARKS:

A woman who has mastered sauces sits on the apex of civilization

Behold the hero embarked in the redemption of an erring beauty

Come prepared to be not very well satisfied with anything

Habit had legalized his union with her

Hero embarked in the redemption of an erring beautiful woman

His equanimity was fictitious

His fancy performed miraculous feats

How many instruments cannot clever women play upon

I ain't a speeder of matrimony

Opened a wider view of the world to him, and a colder

Serene presumption

The Pilgrim's Scrip remarks that: Young men take joy in nothing

Threats of prayer, however, that harp upon their sincerity

To be passive in calamity is the province of no woman

Unaccustomed to have his will thwarted

Women are swift at coming to conclusions in these matters

The Ordeal of Richard Feverel — Volume 5 · 第 6 / 6 章