We had each undergone an experience which, to thousands of others must be

a landmark in the years. It was not the first grey hair! That means

nothing nowadays. Nor was it a touch of rheumatism. Do not babies of nine

or ten experience that cramping ill? No! It was merely seeing ourselves as

reflected from the mind of another. My companion had heard himself, in

some legal proceedings, in which he had been a witness, described as a

middle-aged man. With a shock of surprise he had realised that this

really applied to him! To every one of us comes this horrid moment of

recognition. Feeling young, and with daily sight of ourselves unrealising

the marks that Time indites upon our faces, we go on from year to year

with a vague idea that we are always as we were, or nearly so. And then

comes the rough quarter of an hour in which enlightenment arrives. It is

good and salutary, but very unpleasant!

[Sidenote: The inevitable moment.]

One of the most beautiful women I know, whose hair is prematurely white,

with an exquisitely picturesque effect of snowiness above the pink of soft

cheeks, and the youthful light of deep grey eyes, was a little over forty

when, talking one day with a comparatively new acquaintance, she was

astonished to hear her say, "My husband says you are a dear old lady."

"Old lady!" The husband was, himself, her elder. The remark rankled for a

long time, though I tried to convince her that only the most superficial

and careless of observers would ever connect the idea of age with her.

[Sidenote: Time, the thief.]

The reason that women feel growing old so much more than men is that they

know very well that they are more or less failures if they are not

ornamental. Even the plainest of women can be decorative in her home

surroundings so long as she has the bright eyes, fresh cheeks, and the

rounded, yet slight contours of youth. But after awhile Time begins

"throwing white roses at us" instead of red, and every passing year puts

into his laden wallet a little light from the eyes, a little bloom and

softness from the cheeks, a little gloss and colour from the hair, a

little lightness from the step, a little blitheness from the smile, and

bestows upon us, in their stead, a varied assortment of odds and ends,

which are, as to value, exactly what we choose to make them. It needs a

little moral alchemy to turn them to gold and diamonds, pearls and opals;

and, failing this transforming touch, Time's exchanges seem sorry enough.

_THREE WAYS OF GROWING OLD._

[Sidenote: The best way.]

[Sidenote: Growing old in thought.]

[Sidenote: Regions to be conquered.]

There are three ways of growing old. In two of them there lies a

possibility of benefiting by the New Year's gifts of the old man with the

scythe. The best way is to face things, and deliberately accept the

situation, stepping out briskly to climb that steep bit of hill, and enter

the shadows that lie beyond the crest. It is a good time to be optimistic.

Like Mark Tapley's cheerfulness, it is most valuable in moments of

depression. To believe, with Browning, that--

"God's in His heaven! All's well with the world,"

is the best restorative for sinking spirits that see the best and

brightest part of life behind them, and shrink from the bleakness of old

age that lies before them. To feel young in one's own thoughts and

emotions is not always a consolation. The young ones have interests of

their own, apart from ours. They may be too kind and gentle to let us

perceive it, but there is almost always some _gene_ or constraint upon

them in the presence of the middle-aged. They enjoy themselves more when

in the society of their contemporaries. The expression of their faces,

bright and sunny, tells us that. It clouds over with seriousness, if not

with gloom, when they leave the young ones and share the companionship of

the elders. The latter, if young at heart, feel this with many a recurrent

pang; but if they are elderly in their thoughts it gives them no trouble.

They accept it calmly, as in the natural course of things. But with some

of us it seems most unnatural that we should grow old. The whole being

cries out against it, almost as urgently rebellious as we feel against an

injustice. But all this emotion has to be conquered, and we have only to

take ourselves in hand, once for all, and the thing is done. Let the young

ones be happy in their own way. We had our day! Let them have theirs. It

will, at best, be sadly brief. Let them make the most of it.

_THE SECOND WAY._

[Sidenote: Too easy submission.]

[Sidenote: Middle age and dress.]

[Sidenote: Good sense.]

[Sidenote: A crushing conspiracy.]

But there is a way of too freely submitting to grow old. A friend of mine

sometimes says, "If you will insist on making yourself into a doormat you

need not feel surprised if people wipe their boots on you." Quite so.

Well, if we women lie down and regard friendly old Time as an inimical

Juggernaut there is nothing to prevent us from sinking into dreary

dowdiness, from wearing prunella shoes, and filling our husbands with the

consternation that is inseparable from this elderly kind of footgear and

false fronts. We need not too literally accept the warnings of

disinterested friends, who think we should be told that we "dress too

young," or that the fashion of our coiffure is inappropriate to advancing

years. Far better is it to dress too young than too old; to keep our heads

in consonance with the coiffures of the day than to date ourselves in any

conspicuous way. The women of our upper classes are sensible in this

matter. So long as they can cover their heads with hair they do not wear

caps. Not until seventy or so do they envelop themselves in the cumbrous

mantles that once were devised especially for middle age, a period of life

which, after all, is not adapted to weight-carrying. In travelling they

wear hats or toques, and for everyday costume the tailor-made suit is

generally adopted; while for afternoon wear handsome and elaborate dresses

are prepared. There is no reason why elderly women should carry weight for

age when the latter becomes a disability instead of an advantage. And yet,

in the fashion journals, as well as in the shops, all the heaviest and

ugliest gowns, and all the least attractive of the mantles, to say nothing

of the most hopelessly hideous bonnets, are presented to the elderly

customer for her choice.

[Sidenote: Shining examples.]

And with regard to other things, middle-aged women make themselves into

doormats for Time to tread upon. Because no enterprise or variety in life

is expected of them, they never dream of originating any. There is no

thought of foreign travel, of seeing all the interesting places where

history is made, of keeping alive and awake and intent. It is only

exceptional women, like the Duchess of Cleveland, Lord Rosebery's

wonderful mother, who go round the world at seventy, and begin to write a

book involving a visit to the eastern lands, where Lady Esther Stanhope,

her great aunt, lived such a romantic life. Our Queen began to learn

Hindustani when nearly seventy years of age. These shining examples are

the ones to follow!

_THE THIRD WAY._

[Sidenote: Defying time.]

The third way of growing old is to attempt to defy Time--regard him as an

enemy to be thwarted, and endeavour to hide his detested ravages under a

false array of cosmetics, dyes, and other appliances. It is a despicable

and silly way, but one cannot refuse a meed of compassion to those who

practise it. They are generally women who have been beautiful, and it is

so hard to let beauty go without an attempt to detain her. It is a great

gift, and to lose it is, to those who have possessed it, a terrible thing.

Small wonder that they hug its remnants close, and wrap its rags about

them. And, after all, the day must come when the tawdry imitations stand

revealed for the useless things they are, even to those who pinned their

faith upon them.

[Sidenote: "The best is yet to be."]

But time gives us all something in return; a growing patience which brings

sweetness and gentleness in its train; a wider outlook on the world and a

deeper insight into the hearts of friends; a tender sympathy with those

who suffer, and a truer sense of comradeship with our fellow-travellers on

life's road. And all these things write themselves clearly enough on the

ageing faces, sometimes beautifying what once was almost destitute of

charm; and sometimes spiritualising what once was beautiful in form and

colour, but lacked the loveliness that results from an equal balance of

mind and heart.

UNWIN BROTHERS, PRINTERS, WOKING AND LONDON.

_Uniform with this Volume:_

_Long 8vo, cloth, round corners, ONE SHILLING._

MANNERS FOR WOMEN.

By MADGE of "TRUTH."

(Mrs. HUMPHRY.)

TWENTIETH THOUSAND.

_The Daily Telegraph_ says:--"In the knowledge of the etiquette of society

as it concerns her sex Mrs. Humphry is not surpassed by any writer of the

day. No one knows better than she how girls ought to behave in 'company,'

and here she gives them most useful information and excellent advice....

Mrs. Humphry knows as much about dinners as about dress, and is competent

to tell her fair reader what to provide as well as what to wear."

_The Court Journal_ says:--"Full of valuable points and sound common

sense."

_The Star_ says:--"'Manners for Women' gives us some help we can heartily

appreciate. Just what to do at all times is let drop while we are carried

along by each interesting chapter. The friend you would like to ask, but

are afraid to, about a simple little matter on which you have some doubt

is here ready to speak from out the pages of a book."

_Truth_ says:--"Upon such a subject neither sex could have a better

'guide, philosopher, and friend' than 'Madge.'"

_The Morning Leader_ says:--"Written with sound judgment and in excellent

taste, therein differing from the usual handbook on Manners; it forms an

admirable guide on points on etiquette."

_The Manchester Courier_ says:--"The book is another proof of the theory

that good feeling and good sense are the basis of good manners, and its

information is given with a tact, freshness, and vigour that cannot fail

to commend themselves."

_The Gentlewoman_ says:--"Anxious mothers will find Mrs. Humphry's advice

of much help in the turmoil of wedding arrangements, and her menus will be

of assistance to hostesses undecided what to set before their guests."

_Uniform with this Volume:_

MANNERS FOR MEN.

By MADGE of "TRUTH."

(Mrs. HUMPHRY.)

THIRTY-SIXTH THOUSAND.

Long 8vo, cloth, round corners, ONE SHILLING.

"Always in most excellent taste as well as astonishingly complete.

Certainly the world would be a very much pleasanter place to live in if

all men did read and practise her admirable precepts."--_Saturday Review._

"It is a charmingly-written code of true manners." _Leeds Mercury._

"Very welcome will be this little book, written sensibly and

brightly."--_Daily Telegraph._

"Mrs. Humphry's book will be worth more than its weight in gold....

Excellent, robust common sense, tempered by genuine goodness of heart, is

a characteristic of everything she writes."--_The Queen._

"A very dainty and instructive epitome of all that we ought to be.... To a

shy young man this tactful volume should be invaluable."--_To-Day._

"This admirable little book may well be commended to the notice of

ill-mannered young men, as well as to that of the shy youth about to take

his first plunge into society. The versatile 'Madge' may be heartily

congratulated on the faultless manner in which she has performed her

task."--_The Lady._

"A little volume for which there was need. Many a young man will be

relieved from doubt and difficulty by perusing its pages."--_Army and Navy

Gazette._

"Mrs. Humphry has accomplished a difficult task with infinite tact and

discretion.... A book which every young man of to-day should read, mark,

learn, and inwardly digest."--_Gentlewoman._

"Mrs. Humphry discourses with knowledge, judgment, and good

taste."--_Globe._

"'Manners for Men' is written with so much humour and good sense that a

ticklish theme is robbed of all its farcical aspect, and presented to us

with a convincing authority."--_The Sketch._

LONDON: JAMES BOWDEN, 10, HENRIETTA ST., W.C.

A Word to Women · 第 7 / 7 段