CHAPTER II.

PREPARING FOR THE FAIR.

Young Savage went up those marble steps with a light heart and a

generous purpose. He would befriend this unfortunate family. His mother

should help him. That girl, with the bright, brunette face, was too

beautiful for her friendless condition, and the burden of those three

helpless creatures who depended on her. He could not get her picture, as

she stood by the fireplace, out of his mind.

“Where is my mother?” he inquired of the servant, passing him at the

door with a light step.

“Up in her own room, sir. She has just come in.”

Horace made his way up stairs, and entered one of the most luxurious

rooms of the noble mansion, in which his mother was sitting, or, rather,

lying, with her elbow buried in the satin pillows of a crimson couch,

and her foot pressed hard upon an embroidered ottoman. Horace opened the

door without noise, and walking across a carpet soft as moss, sat down

on the foot of his mother’s couch.

She was a handsome woman, this Mrs. Savage—large, tall, and commanding.

It was easy to see where the young man got those fine, grey eyes, and

brilliant complexion.

“Oh, Horace! I am glad you have come! Such a day as I have gone

through!” cried the lady, fluttering the white ribbons of her pretty

dress cap, by the despairing shake of her head. “Upon my word, I think

those women will be the death of me; such selfishness! such egotism!”

“It must be very tiresome; but then I sometimes think you like to be

tired out on such occasions, mother.”

“But the cause, Horace, the great cause of humanity. These poor soldiers

toiling in the field, suffering, dying—and their families. It is enough

to break one’s heart.”

Horace looked at his mother in her costly dress, trimmed half way up the

skirt with velvet, and lace, and fancy buttons, the cost of which would

have fed old Mrs. Burns for a twelvemonth; and, for the first time in

his life, a faint idea of her inconsistency broke upon his filial

blindness. The very point-lace of her tiny cap would have given a month

of tolerable comfort to the soldier’s orphans. Yet, with all this wanton

finery fluttering about her, the woman really thought herself a most

charitable person, and mourned the dead and wounded over each battle

right regally, under moire antique rippled with light, like a cloud in a

thunderstorm, at a cost of some ten dollars per yard.

“But it is of no use dwelling on that part of the subject; the proper

course is to find a remedy, which we have done in this fair. I tell you,

Horace, the country can produce nothing like it. It will be superb. The

only trouble is about the tableaux. Every lady of the committee has some

commonplace daughter that she insists on crowding into the foreground.

Thank heaven, I have no daughter to push forward after this coarse

fashion. There is Mrs. Pope, now, insists that Amelia shall stand as

Rebecca, in the great Ivanhoe tableau, when her eyes are a

greenish-blue, and her hair a dull brown; and I cannot reasonably

object, for there is not a passable brunette in the whole company. I was

thinking it over when you came in. The whole thing will be spoiled for

want of a proper heroine.”

“Who stands as Beatrice?” asked Horace, with the animation of a new

idea.

“Miss Eustice, of course.”

“Why, of course?”

“Because she is fair as a lily, blue-eyed, and so exquisitely feminine;

and for another reason.”

“What is that, mother?”

“You are to stand as Ivanhoe.”

Horace saw the way open by which his idea might be worked out at once,

and it must be confessed, dealt rather artfully with his mother.

“Not with an ugly Rebecca, though. I could not stand that.”

“But how can it be helped?”

“Mother, I saw by accident, this evening, the very person you want—a

soldier’s daughter, perfectly lady-like, and very beautiful.”

“Of the right type of beauty? Would she make a striking contrast to my

favorite?” inquired Mrs. Savage, eagerly.

“No contrast could be more decided.”

“But who is she?”

“A soldier’s daughter!”

“But is she presentable? Has she style, education?”

“She has everything that goes to form a lovely woman, I should say.”

“Where can I see her?”

“Perhaps she would come to you.”

“It is a bold step; but I can afford that. As my protegé, they will not

dare to ask questions. Where does the girl live? Could I see her

to-night, or early in the morning? I am so weary now. Upon my word,

Horace, you have helped me out of a most annoying dilemma. To-morrow

morning, before breakfast, I must see this person. What is her name?”

“Burns, mother—Anna Burns.”

“Thank you, Horace. Now, another thing. We must have something national,

patriotic, and all that. A soldier’s family, for instance; but the

dresses are so plain and unbecoming, that our young ladies fight shy of

it. Could you manage something of the kind for me?”

Horace thought of the picture he had seen that night, and answered that,

perhaps, it would be possible, only the whole thing must be managed with

great delicacy; and he, as a gentleman, must not be supposed to

interfere with it. His mother could write a little note to the young

person who had already done work for her.

“For me? Anna Burns? It must have been for the committee. I remember no

such person; but that will be an opening. Is she to form part of this

tableau, also?”

“The principal figure.”

“And the rest?”

“Two children, for instance, barefooted, hungry, and in clothes only

held together with constant mending.”

“Excellent.”

“And an old woman?”

“Better and better! Nice and picturesque, of course.”

“Neat and dainty, with the sweetest old face.”

“It will be perfect! Oh, Horace! what a treasure you are to me. Now,

turn down the gas, dear. You have set my mind at rest, and I mean to go

to sleep till your father comes home. Here, just put my cap on that

marble Sappho, and don’t crush it. Doesn’t she look lovely, the darling!

like the ghost of a poetess coming back to life? Now draw the curtains;

give me a quiet kiss, and go away to your club, or the opera, or

anywhere. Only be sure to have the girl here in time.”

Early the next morning, while Anna was dividing her little store of

money, and apportioning it toward the payment of various small debts,

she received a note, asking her to call on Mrs. Savage at once, if quite

convenient. Anna was too grateful for delay. So, putting on her shawl

and a straw bonnet, kept neatly for great occasions, she was on the

marble steps, almost as soon as the messenger who brought her note.

Mrs. Savage was taking a solitary breakfast in her own room. The

sunlight came in softly through the lace curtains, as if trembling

through flakes of snow, and turned the waves of maize-colored damask,

that half enfolded them in, to a rich gold color.

Mrs. Savage was seated in a Turkish easy-chair, cushioned with delicate

blue, and spotted with the gold-work of Damascus. She wore a morning

dress of dove-colored merino, and knots of pink ribbon gave lightness

and bloom to her morning-cap of frost-like tulle. She looked up as Anna

entered the room, and her whole face brightened. No peach ever had so

rich a bloom as that which broke over the girl’s cheek; no statue in her

boudoir could boast more perfect symmetry than that form. Walter Scott

had no finer ideal when he drew that masterpiece of all his women,

Rebecca.

“Come here, my child, and sit down close by me; I want to look at you,”

said the lady, beaming with satisfaction. “You have been doing work for

us, I hear.”

“Yes, madam,” answered Anna, with a grateful outburst, “yes, madam;

thank you for it.”

“Oh! it is nothing but our duty!” replied the lady, forgetting to ask if

the work had been paid for. “All our efforts are in behalf of the poor

soldiers’ families. Now I want you to help us in another way.”

“I will—I will in any way!”

“We shall open the fair with tableaux—a room has been built on purpose.

Of course, the charge will be extra; the pictures will be beautiful—you

must stand for two of them.”

“I, madam?”

“Certainly; for you are really beautiful. By the way, have you

breakfasted? Here is a cup of coffee; drink it, while I talk to you.”

Anna took the cup of delicate Sevres china, and drank its contents,

standing by the table.

“You have a grandmother, or something of that sort, I hear?” observed

the lady.

“Oh, yes! the dearest in the world.”

“And some brothers?”

“Yes, madam!”

“Picturesque, I am told; something like boys in the pictures of that

delicious old Spanish painter. We must have them, too.”

“What! my brothers?”

“Yes, yes; and the old lady. That will be our grand effort, and our

secret, too. Not wanting outside help, we can keep it for a surprise. Be

ready when you are called. I think they will come off on Monday. Never

mind the costumes; that dress will do very well for the family tableau.

As for Rebecca, I will take care of her. My son says the boys and that

old woman are perfect. Don’t change them in the least; it would spoil

every thing. Oh! Mrs. Leeds, I am so glad to see you. Late am I—the

committee waiting?”

This last speech was made to a little dumpty lady, who came fluttering

into the room unannounced, with both her hands held out, and an

important look of business in her face. The ladies kissed each other

impressively; then Mrs. Savage glided up to Anna and whispered,

“Run away now. She mustn’t get a good look at you on any account. Don’t

mind turning your back on us. Good-morning. Remember, I depend on you as

a soldier’s daughter; it is your duty.”

Anna went out in some confusion, hardly knowing whether she had been

well received or not. Coming up the broad staircase, she met young

Savage, and he stopped to speak with her.

“You have seen my mother?” he said, gently.

“Yes.”

“And will oblige her, I hope?”

“How can I refuse?”

“That is generous. I thank you.”

“It is I who should give the thanks,” answered Anna with a tremble of

gratitude in her voice.

Horace smiled, and shook his head.

“I am afraid you will not let us do enough for any claim to thanks,” he

said. “But do not forget to send that fine little fellow after my

handkerchiefs. I shall want them.”

Anna promised that Robert should be punctual, and went away so happy,

that the very air seemed to carry her forward.

On the afternoon of the third day from that, close upon evening, she

stood in Mrs. Savage’s boudoir, again contrasting its luxurious

belongings with her simple dress. Mrs. Savage was benign as ever. She

had driven her enemy out of the Ivanhoe tableau; and the triumph filled

her with exultation. From the boudoir Anna was swept off to the

temporary buildings erected for the great fair, hurried through a

labyrinth of festooned arches, loaded tables, lemonade fountains, and

segar stands, into a dressing-room swarming with young ladies, who took

no more heed of her than if she had been a lay-figure. Mrs. Savage was

ubiquitous that evening. She posed characters, arranged draperies,

grouped historical events, and exhibited wonderful generalship; while

Anna stood in a remote part of the room, looking on anxious for the

coming of her grandmother, and the two boys, who were to find their own

way to the fair at a later hour.

The old lady came in at last with her hood on, and wrapped in a soft,

warm blanket-shawl, which some one, she hadn’t the least idea who, had

sent to her just before she started. Alone? no, indeed; she did not come

alone. Young Mr. Savage had happened to call in just as she was ready,

and offered to show her the way. He had admired her shawl so much, and

didn’t think the little scarlet stripe at all too much for her, which

she was glad of; for it would be so much brighter for Anna when they

took turn and turn about wearing it. No, no, it could _not_ have been

Mr. Savage who sent it, he was so much surprised. The boys, oh! they

were on the way. Robert would take care of his brother, no fear about

that. But the fair, wasn’t it lovely? She was so grateful to Mrs. Savage

for thinking of her and the boys; the very sight would drive them wild.

Here Anna was carried away from her grandmother, and seized upon by two

dressing-maids, who transformed her into the most lovely Jewess that

eyes ever beheld in less than no time. Young Savage was called out from

a neighboring dressing-room, by his mother, to admire her; and his

superb dress seemed, like her own, a miracle. The surprise and glory of

it all gave her cheeks the richness of ripe peaches, and her eyes were

full of shy joy. It seemed like fairy-land.

But the children, where were they? Amid all the excitement, she found

this question uppermost in her heart. Poor little fellows! What if they

got lost, or failed to find an entrance to the fair? She whispered these

anxieties to Savage, who promptly took off his costume and went in

search of them, blaming himself a little for having left them behind.

The little fellows were, indeed, rather in want of a friend. They had

been for days in a whirl of excitement about the fair. More than once

Robert had wandered off toward the building, and reconnoitered it on all

sides; he had caught glimpses of evergreens wreathed with a world of

flowers; had seen whole loads of toys carried in, and made himself

generally familiar with the place. He had been very mournful when Mr.

Savage went off with his grandmother, and protested stoutly that he

could find the way for Joseph anywhere, and would be on hand for the

picture in plenty of time; and to this end he set off about dusk,

leading his little brother by the hand, resolved to give him a wonderful

treat in the fair before the pictures came on, which he could not

understand, and was rather afraid of. So the two hurried along, shabby

and ill-clad as children could be, but happy as lords, notwithstanding

their naked feet. It seemed to them as if they were going direct to

Paradise, where Anna and the old grandmother were expecting them. They

reached the entrance of the fair, and were eagerly pressing in, when a

man caught Robert rudely by the shoulder, gave him a slightly vicious

shake, and demanded his ticket.

The ticket? mercy upon him! he had left it at home, lying on the table.

He wrung himself away from the harsh hand pressed on his shoulder, and

darted off, calling on little Joseph to follow him. Joseph obeyed,

crying all the way with such sharp disappointment as only a sensitive

child can feel. Robert darted up stairs, and met Joseph half way up with

the ticket in his hand.

“Come,” he cried, brandishing it above his head; “never say die! We’re

time enough yet.”

But Joseph had been sorely disappointed once, and was down-hearted

enough. He had no hopes of getting in, and one rebuff had frightened him

so much that he longed to run home and hide himself. But Robert was not

to be daunted. He threw one arm over his brother’s shoulder and struck

into a run, carrying the timid child with him like a whirlwind. At last

they came to the entrance-door of the fair again, and then a panic

seized on Robert, also. What if it were too late? What if the ticket was

not good? What if the man drove him away again? Joseph, more timid

still, drew close to him and hung back, afraid to advance, and equally

afraid to leave Robert and go back.

“Let’s go ahead,” cried Robert, all at once, holding out his ticket and

making ready to advance. “Who’s afraid! Keep close to me, Josey, and

never mind if the fellow is cross.”

Still Joseph hung back.

“Hurra!”

This came in a low shout from Robert, who saw young Savage coming toward

them. He had been a little way up the street watching for their

approach. “All right, my boys,” he said, in a clear, ringing voice, that

made little Joseph’s heart leap with joy; “grandmother is waiting for

you. Come along!”

The next moment Robert and his little brother believed themselves

absolutely in Paradise.

The soldier's orphans · 第 2 / 24 章