CHAPTER XXII

OLD FRIENDS

It was Sunday morning and the church bells were ringing over the little

city as the old workman climbed the hill to Adam Ward's estate.

There was a touch of frost in the air. The hillside back of the

interpreter's hut was brown. But the sun was bright and warm and in

every quarter of the city the people were going to their appointed

places of worship. The voice of the Mill was silenced.

Pete wondered if he would find Adam at home. He had not thought about

it when he left the cottage--his mind had been so filled with the

object of his visit to the man who had once been his working comrade

and friend.

But Adam Ward was not at church.

The Mill owner's habits of worship were very simply regulated. If the

minister said things that pleased him, and showed a properly humble

gratification at Adam's presence in the temple of God, Adam attended

divine services. If the reverend teacher in the pulpit so far forgot

himself as to say anything that jarred Adam's peculiar spiritual

sensitiveness, or failed to greet this particular member of his flock

with proper deference, Adam stayed at home and stopped his subscription

to the cause. Nor did he ever fail to inform his pastor and the

officers of the congregation as to the reason for his nonattendance;

always, at the time, assuring them that whenever the minister would

preach the truths that he wanted to hear, his weekly offerings to the

Lord would be renewed. Thus Adam Ward was just and honest in his

religious life as he was in his business dealings. He was ready always,

to pay for that which he received, but, as a matter of principle, he

was careful always to receive exactly what he paid for.

This Sunday morning Adam Ward was at home.

When Pete reached the entrance to the estate the heavy gates were

closed. As Mary's father stood in doubt before the iron barrier a man

appeared on the inside.

"Good-morning, Uncle Pete," he said, in hearty greeting, when he saw

who it was that sought admittance.

"Good-morning, Henry--and what are you doing in there?" returned the

workman, who had known the man from his boyhood.

The other grinned. "Oh, I'm one of the guards at this institution now."

Pete looked at him blankly. "Guards? What are you guarding, Henry?"

Standing close to the iron bars of the gate, Henry glanced over his

shoulder before he answered in a low, cautious tone, "Adam."

The old workman was shocked. "What! you don't mean it!" He shook his

grizzly head sadly. "I hadn't heard that he was that bad."

Henry laughed. "We're not keepin' the old boy in, Uncle Pete--not yet.

So far, our orders are only to keep people out. Dangerous people, I

mean--the kind that might want to run away with the castle, or steal a

look at the fountain, or sneak a smell of the flowers or something--y'

understand."

Pete smiled. "How do you like your job, Henry?"

"Oh, it's all right just now when the strike is on. But was you wantin'

to come in, Uncle Pete, or just passing' by?"

"I wanted to see Adam if I could."

The man swung open the gate. "Help yourself, Uncle Pete, just so you

don't stick a knife into him or blow him up with a bomb or poison him

or something." He pointed toward that part of the grounds where Helen

had watched her father from the arbor. "You'll find him over there

somewhere, I think. I saw him headed that way a few minutes ago. The

rest of the family are gone to church."

"Is Adam's life really threatened, Henry?" asked Pete, as he stepped

inside and the gates were closed behind him.

"Search me," returned the guard, indifferently. "I expect if the truth

were known it ought to be by rights. He sure enough thinks it is,

though. Why, Uncle Pete, there can't a butterfly flit over these

grounds that Adam ain't a yellin' how there's an aeroplane a sailin'

around lookin' fer a chance to drop a monkey wrench on his head or

something."

"Poor Adam!" murmured the old workman. "What a way to live!"

"Live?" echoed the guard. "It ain't livin' at all--it's just bein' in

hell before your time, that's what it is--if you ask me."

* * * * *

When Peter Martin, making his slow way through the beautiful grounds,

first caught sight of his old bench mate, Adam was pacing slowly to and

fro across a sunny open space of lawn. As he walked, the Mill owner was

talking to himself and moving his arms and hands in those continuous

gestures that seemed so necessary to any expression of his thoughts.

Once Pete heard him laugh. And something in the mirthless sound made

the old workman pause. It was then that Adam saw him.

There was no mistaking the sudden fear that for a moment seemed to

paralyze the man. His gray face turned a sickly white, his eyes were

staring, his jaw dropped, his body shook as if with a chill. He looked

about as if he would call for help, and started as if to seek safety in

flight.

"Good-morning, Adam Ward," said Pete Martin.

And at the gentle kindliness in the workman's voice Adam's manner, with

a suddenness that was startling, changed. With an elaborate show of

friendliness he came eagerly forward. His gray face, twitching with

nervous excitement, beamed with joyous welcome. As he hurried across

the bit of lawn between them, he waved his arms and rubbed his hands

together in an apparent ecstasy of gladness at this opportunity to

receive such an honored guest. His voice trembled with high-pitched

assurance of his happiness in the occasion. He laughed as one who could

not contain himself.

"Well, well, well--to think that you have actually come to see me at

last." He grasped the workman's hand in both his own with a grip that

was excessive in its hearty energy. With affectionate familiarity he

almost shouted, "You old scoundrel! I can't believe it is you. Where

have you been keeping yourself? How are Charlie and Mary? Lord, but

it's good to see you here in my own home like this."

While Pete was trying to make some adequate reply to this effusive and

startling reception, Adam looked cautiously about to see if there were

any chance observers lurking near.

Satisfied that no one was watching, he said, nervously, "Come on, let's

sit over here where we can talk." And with his hand on Pete's arm, he

led his caller to lawn chairs that were in the open, well beyond

hearing of any curious ear in the shrubbery.

Giving the workman opportunity for no more than an occasional

monosyllable in reply, he poured forth a flood of information about his

estate: The architectural features of his house--the cost; the

loveliness of his trees--the cost; the coloring of his flowers--the

cost; the magnificence of his view, And all the while he studied his

caller's face with sharp, furtive glances, trying to find some clew to

the purpose of the workman's visit.

Peter Martin's steady eyes, save for occasional glances at the objects

of Adam's interest as Adam pointed them out, were fixed on the Mill

owner with a half-wondering, half-pitying expression. Adam's evident

nervousness increased. He talked of his Mill--how he had built it up

from nothing almost, to its present magnitude--of the city and what he

had done for the people.

The old workman listened without comment.

At last, apparently unable to endure the suspense a moment longer, Adam

Ward said, nervously, "Well, Pete, out with it! What do you want? I can

guess what you are here for. We might as well get done with it."

In his slow, thoughtful manner of speech that was so different from the

Mill owner's agitated expressions, the old workman said, "I have wanted

for nothing, Adam. We have been contented and happy in our little home.

But now," he paused as if his thoughts were loath to form themselves

into words.

The last vestige of pretense left Adam Ward's face as suddenly as if he

had literally dropped a mask. "It's a good thing you have been

satisfied," he said, coldly. "You had better continue to be. You know

that you owe everything you have in the world to me! You need not

expect anything more."

"Have you not made a big profit on every hour's work that I have done

in your Mill, Adam?"

"Whatever profit I have or have not made on your work is none of your

business, sir," retorted Adam. "I have given you a job all these years.

I could have thrown you out. You haven't a thing on earth that you did

not buy with the checks you received from me. I have worn myself

out--made an invalid of myself--building up the business that has

enabled you and the rest of my employees to make a living. Every cent

that I ever received from that new process I put back into the Mill.

You have had more out of it than I ever did."

Peter Martin looked slowly about at the evidence of Adam Ward's wealth.

When he again faced the owner of the estate he spoke as if doubting

that he had heard him clearly. "But the Mill is yours, Adam?" he said,

at last. "And all this is yours. How--where did it come from?"

"Certainly the Mill is mine. Didn't I make it what it is? As for the

place here--it came from the profits of my business, of course. You

know I was nothing but a common workman when I started out."

"I know," returned Pete. "And it was the new process that enabled you

to get control of the Mill--to buy it and build it up--wasn't it? If

you hadn't happened to have had the process the Mill would have made

all this for some one else, wouldn't it? We never dreamed that the

process would grow into such a big thing for anybody when we used to

talk it over in the old days, did we, Adam?"

Adam Ward looked cautiously around at the shrubbery that encircled the

bit of lawn. There was no one to be seen within hearing distance.

When he faced his companion again the Mill owner's eyes were blazing,

but he controlled his voice by a supreme effort of will. "Look here,

Pete, I'm not going even to discuss that matter with you. I have kept

you on at the Mill and taken care of you all these years because of our

old friendship and because I was sorry for you. But if you don't

appreciate what I have done for you, if you attempt to start any talk

or anything I'll throw you and Charlie out of your jobs to-morrow. And

I'll fix it, too, so you will never either of you get another day's

work in Millsburgh. That process is my property. No one has any

interest in the patents in any way. I have it tied up so tight that all

the courts in the world couldn't take it away from me. Law is law and I

propose to keep what the law says is mine. I have thousands of dollars

to spend in defense of my legal rights where you have dimes. You

needn't whine about moral obligations either. The only obligations that

are of any force in business are legal! If you haven't brains enough to

look after your own interests you can't expect any one else to look

after them for you."

When Adam Ward finished his countenance was distorted with hate and

fear. Before this simple, kindly old workman, in whose honest soul

there was no shadow of a wish to harm any one in any way, the Mill

owner was like a creature of evil at bay.

"I did not come to talk of the past, Adam Ward," said Pete, sadly. "And

I didn't come to threaten you or to ask anything for myself."

At the gentle sadness of his old friend's manner and words, Adam's eyes

gleamed with vicious triumph. "Well, out with it!" he demanded,

harshly. "What are you here for?"

"Your boy and my girl love each other, Adam."

An ugly grin twisted the gray lips of Pete's employer.

But Mary's father went on as though he had not seen. "The children were

raised together, Adam. I have always thought of John almost as if he

were my own son. It seems exactly right that he should want Mary and

that she should want him. There is no man in the world I would rather

it would be."

Adam listened, still grinning, as the old workman continued in his

slow, quiet speech.

"I never cared before for all that the new process made for you. You

wanted money--I didn't. But it don't seem right that what you

have--considering how you got it--should stand in the way of Mary's

happiness. I understand that there is nothing I can do about it, but I

thought that, considering everything, you might be willing to--"

Adam Ward laughed aloud--laughed until the tears of his insane glee

filled his eyes. "So that's your game," he said, at last, when he could

speak. "You hadn't brains enough to protect yourself to start out with

and you have found out that you haven't a chance in the world against

me in the courts. So you try to make it by setting your girl up to

catch John."

"You must stop that sort of talk, Adam Ward." Peter Martin was on his

feet, and there was that in his usually stolid countenance which made

the Mill owner shrink back. "I was a fool, as you say. But my mistake

was that I trusted you. I believed in your pretended friendship for me.

I thought you were as honest and honorable as you seemed to be. I

didn't know that your religion was all such a rotten sham. I have never

cared that you grew rich while I remained poor. All these years I have

been sorry for you because I have had so much of the happiness and

contentment and peace that you have lost. But you must understand, sir,

that there are some things that I will do in defense of my children

that I would not do in defense of myself."

Adam, white and trembling, drew still farther away. "Be careful," he

cried, "I can call half a dozen men before you can move."

Pete continued as if the other had not spoken. "There is no reason in

the world why John and Mary should not marry."

Adam Ward's insane hatred for the workman and his evil joy over this

opportunity to make his old comrade suffer was stronger even than his

fear. With another snarling laugh he retorted, viciously, "There is the

best reason in the world why they will never marry. _I_ am the reason,

Pete Martin! And I'd like to see you try to do anything about it."

Mary's father answered, slowly, "I do not understand your hatred for

me, Adam. All these years I have been loyal to you. I have never talked

of our affairs to any one--"

Adam interrupted him with a burst of uncontrollable rage. "_Talk_, you

fool! Talk all you please. Tell everybody anything you like. Who will

believe you? You will only get yourself laughed at for being the

short-sighted idiot you were. That process is patented in my name. I

own it. You don't need to keep still on my account, but I tell you

again that if you do try to start anything I'll ruin you and I'll ruin

your children." Suddenly, as if in fear that his rage would carry him

too far, his manner changed and he spoke with forced coldness. "I am

sorry that I cannot continue this interview, Pete. You have all that

you will ever get from me--children or no children. Go on about your

business as usual and you may hold your job in the Mill as long as you

are able to do your work. I had thought that I might give you some sort

of a little pension when you got too old to keep up your end with the

rest of the men."

And then Adam Ward added the crowning insolent expression of his insane

and arrogant egotism. With a pious smirk of his gray, twitching face,

he said, "I want you to know, too, Pete, that you can approach me any

time without any feeling of humiliation."

He turned abruptly away and a moment later the old workman, watching,

saw him disappear behind some tall bushes.

As Pete Martin went slowly back to the entrance gate he did not know

that the owner of the estate was watching him. From bush to bush Adam

crept with the stealthy care of a wild creature, following its

prey--never taking his eyes from his victim, save for quick glances

here and there to see that he himself was not observed. Not until Pete

had passed from sight down the hill road did Adam appear openly. Then,

going to the watchman at the gate, he berated him for admitting the old

workman and threatened him with the loss of his position if he so

offended Again.

* * * * *

When Peter Martin arrived home he found Jake Vodell and Charlie

discussing the industrial situation. The strike leader had come once

more to try to enlist the support of the old workman and his son in his

war against the employer class.

Helen of the Old House · 第 6 / 13 章