A POLITICAL REFUGEE
"Rosamund has come to my studio and wants to see me at once. _She has sent
for me._ Miss Ingate says she shall go, too."
It was these words in a highly emotionalised voice from Miss Nickall that,
like a vague murmured message of vast events, drew the entire quartet away
from the bright inebriated scene created by Monsieur Dauphin.
The single word "Rosamund" sufficed to break one mood and induce another in
all bosoms save that of Audrey, who was in a state of permanent joyous
exultation that she scarcely even attempted to control. The great militant
had a surname, but it was rarely used save by police magistrates. Her
Christian name alone was more impressive than the myriad cognomens of
queens and princesses. Miss Nickall ran away home at once. Miss Thompkins
was left to deliver Miss Ingate and Audrey at Nick's studio, which, being
in the Rue Delambre, was not far away. And not the shedding of the kimono
and the re-assumption of European attire could affect Audrey's spirits. Had
she been capable of regret in that hour, she would have regretted the
abandonment of the ball, where the refined, spiritual, strange faces of the
men, and the enigmatic quality of the women, and the exceeding novelty of
the social code had begun to arouse in her sentiments of approval and
admiration. But she quitted the staggering frolic without a sigh; for she
carried within her a frolic surpassing anything exterior or physical.
The immense flickering boulevard with its double roadway stretched away to
the horizon on either hand, empty.
"What time is it?" asked Miss Ingate.
Tommy looked at her wrist-watch.
"Don't tell me! Don't tell me!" cried Audrey.
"We might get a taxi in the Rue de Babylone," Tommy suggested. "Or shall we
walk?"
"We _must_ walk," cried Audrey.
She knew the name of the street. In the distance she could recognise the
dying lights of the café-restaurant where they had eaten. She felt already
like an inhabitant of the dreamed-of city. It was almost inconceivable to
her that she had been within it for only a few hours, and that England lay
less than a day behind her in the past, and Moze less than two days. And
Aguilar the morose, and the shuttered rooms of Flank Hall, shot for an
instant into her mind and out again.
The other two women walked rather quickly, mesmerised possibly by the magic
of the illustrious Christian name, and Audrey gave occasional schoolgirlish
leaps by their side. A little policeman appeared inquisitive from a
by-street, and Audrey tossed her head as if saying: "Pooh! I belong here.
All the mystery of this city is mine, and I am as at home as in Moze
Street."
And as they surged through the echoing solitude of the boulevard, and as
they crossed the equally tremendous boulevard that cut through it east and
west, Tommy told the story of Nick's previous relations with Rosamund. Nick
had met Rosamund once before through her English chum, Betty Burke, an art
student who had ultimately sacrificed art to the welfare of her sex, but
who with Mrs. Burke had shared rooms and studio with Nick for many months.
Tommy's narrative was spotted with hardly perceptible sarcasms concerning
art, women, Betty Burke, Mrs. Burke, and Nick; but she put no barb into
Rosamund. And when Miss Ingate, who had never met Rosamund, asked what
Rosamund amounted to in the esteem of Tommy, Tommy evaded the question.
Miss Ingate remembered, however, what she had said in the café-restaurant.
Then they turned into the Rue Delambre, and Tommy halted them in the deep
obscurity in front of another of those huge black doors which throughout
Paris seemed to guard the secrets of individual life. An automobile was
waiting close by. A little door in the huge one clicked and yielded, and
they climbed over a step into black darkness.
"Thompkins!" called Miss Thompkins loudly to the black darkness, to
reassure the drowsy concierge in his hidden den, shutting the door with a
bang behind them; and, groping for the hands of the others, she dragged
them forward stumbling.
"I never have a match," she said.
They blundered up tenebrous stairs.
"We're just passing my door," said Tommy. "Nick's is higher up."
Then a perpendicular slit of light showed itself--and a portal slightly
open could be distinguished.
"I shall quit here," said Tommy. "You go right in."
"You aren't leaving us?" exclaimed Miss Ingate in alarm.
"I won't go in," Tommy persisted in a quiet satiric tone. "I'll leave my
door open below, and see you when you come down."
She could be heard descending.
"Why, I guess they're here," said a voice, Nick's, within, and the door was
pulled wide open.
"My legs are all of a tremble!" muttered Miss Ingate.
Nick's studio seemed larger than reality because of its inadequate
illumination. On a small paint-stained table in the centre was an oil-lamp
beneath a round shade that had been decorated by some artist's hand with a
series of reclining women in many colours. This lamp made a moon in the
midnight of the studio, but it was a moon almost without rays; the shade
seemed to imprison the light, save that which escaped from its superior
orifice. Against the table stood a tall thin woman in black. Her face was
lit by the rays escaping upward; a pale, firm, bland face, with rather
prominent cheeks, loose grey hair above, surmounted by a toque. The dress
was dark, and the only noticeable feature of it was that the sleeves were
finished in white linen; from these the hands emerged calm and veined under
the lampshade; in one of them a pair of gloves were clasped. On the table
lay a thin mantle.
At the back of the studio there sat another woman, so engloomed that no
detail of her could be distinguished.
"As I was saying," the tall upright woman resumed as soon as Miss Ingate
and Audrey had been introduced. "Betty Burke is in prison. She got six
weeks this morning. She may never come out again. Almost her last words
from the dock were that you, Miss Nickall, should be asked to go to London
to look after Mrs. Burke, and perhaps to take Betty's place in other ways.
She said that her mother preferred you to anybody else, and that she was
sure you would come. Shall you?"
The accents were very clear, the face was delicately smiling, the little
gestures had a quite tranquil quality. Rosamund did not seem to care
whether Miss Nickall obeyed the summons or not. She did not seem to care
about anything whatever except her own manner of existing. She was the
centre of Paris, and Paris was naught but a circumference for her. All
phenomena beyond the individuality of the woman were reduced to the
irrelevant and the negligible. It would have been absurd to mention to her
costume balls. The frost of her indifference would have wilted them into
nothingness.
"Yes, of course, I shall go," Nick answered.
"When?" was the implacable question.
"Oh! By the first train," said Nick eagerly. As she approached the lamp,
the gleam of the devotee could be seen in her gaze. In one moment she had
sacrificed Paris and art and Tommy and herself, and had risen to the sacred
ardour of a vocation. Rosamund was well accustomed to watching the process,
and she gave not the least sign of satisfaction or approval.
"I ought to tell you," she went on, "that I came over from London suddenly
by the afternoon service in order to escape arrest. I am now a political
refugee. Things have come to this pass. You will do well to leave by the
first train. That is why I decided to call here before going to bed."
"Where's Tommy?" asked Nick, appealing wildly to Miss Ingate and Audrey.
Upon being answered she said, still more wildly: "I must see her. Can
you--No, I'll run down myself." In the doorway she turned round: "Mrs.
Moncreiff, would you and Miss Ingate like to have my studio while I'm away?
I should just love you to. There's a very nice bed over there behind the
screen, and a fair sort of couch over here. Do say you will! _Do_!"
"Oh! We will!" Miss Ingate replied at once, reassuringly, as though in
haste to grant the supreme request of some condemned victim. And indeed
Miss Nickall appeared ready to burst into tears if she should be thwarted.
As soon as Nick had gone, Miss Ingate's smiling face, nervous, intimidated,
audacious, sardonic, and good humoured, moved out of the gloom nearer to
Rosamund.
"You knew I played the barrel organ all down Regent Street?" she ventured,
blushing.
"Ah!" murmured Rosamund, unmoved. "It was you who played the barrel-organ?
So it was."
"Yes," said Miss Ingate. "But I'm like you. I don't care passionately for
prison. Eh! Eh! I'm not so vehy, vehy fond of it. I don't know Miss Burke,
but what a pity she has got six weeks, isn't it? Still, I was vehy much
struck by what someone said to me to-day--that you'd be vehy sorry if women
_did_ get the vote. I think I should be sorry, too--you know what I mean."
"Perfectly," ejaculated Rosamund, with a pleasant smile.
"I hope I'm not skidding," said Miss Ingate still more timidly, but also
with a sardonic giggle, looking round into the gloom. "I do skid sometimes,
you know, and we've just come away from a----"
She could not finish.
"And Mrs. Moncreiff, if I've got the name right, is she with us, too?"
asked Rosamund, miraculously urbane. And added: "I hear she has wealth and
is the mistress of it."
Audrey jumped up, smiling, and lifting her veil. She could not help
smiling. The studio, the lamp, Rosamund with her miraculous
self-complacency, Nick with her soft, mad eyes and wistful voice, the
blundering ruthless Miss Ingate, all seemed intensely absurd to her.
Everything seemed absurd except dancing and revelry and coloured lights and
strange disguises and sensuous contacts. She had the most careless
contempt, stiffened by a slight loathing, for political movements and every
melancholy effort to reform the world. The world did not need reforming and
did not want to be reformed.
"Perhaps you don't know my story," Audrey began, not realising how she
would continue. "I am a widow. I made an unhappy marriage. My husband on
the day after our wedding-day began to eat peas with his knife. In a week I
was forced to leave him. And a fortnight later I heard that he was dead of
blood-poisoning. He had cut his mouth."
And she thought:
"What is the matter with me? I have ruined myself." All her exultation had
collapsed.
But Rosamund remarked gravely:
"It is a common story."
Suddenly there was a movement in the obscure corner where sat the unnamed
and unintroduced lady. This lady rose and came towards the table. She was
very elegant in dress and manner, and she looked maturely young.
"Madame Piriac," announced Rosamund.
Audrey recoiled.... Gazing hard at the face, she saw in it a vague but
undeniable resemblance to certain admired photographs which had arrived at
Moze from France.
"Pardon me!" said Madame Piriac in English with a strong French accent. "I
shall like very much to hear the details of this story of _petits pois_."
The tone of Madame Piriac's question was unexceptionable; it took account
of Audrey's mourning attire, and of her youthfulness; but Audrey could
formulate no answer to it. Instead of speaking she gave a touch to her
veil, and it dropped before her piquant, troubled, inscrutable face like a
screen.
Miss Ingate said with noticeable calm, but also with the air of a
conspirator who sees danger to a most secret machination:
"I'm afraid Mrs. Moncreiff won't care to go into details."
It was neatly done. Madame Piriac brought the episode to a close with a
sympathetic smile and an apposite gesture. And Audrey, safe behind her
veil, glanced gratefully and admiringly at Miss Ingate, who, taken quite
unawares, had been so surprisingly able thus to get her out of a scrape.
She felt very young and callow among these three women, and the mere
presence of Madame Piriac, of whom years ago she had created for herself a
wondrous image, put her into a considerable flutter. On the whole she was
ready to believe that the actual Madame Piriac was quite equal to the image
of her founded on photographs and letters. She set her teeth, and decided
that Madame Piriac should not learn her identity--yet! There was little
risk of her discovering it for herself, for no photograph of Audrey had
gone to Paris for a dozen years, and Miss Ingate's loyalty was absolute.
As Audrey sat down again, the illustrious Rosamund took a chair near her,
and it could not be doubted that the woman had the mien and the carriage of
a leader.
"You are very rich, are you not?" asked Rosamund, in a tone at once
deferential and intimate, and she smiled very attractively in the gloom.
Impossible not to reckon with that smile, as startling as it was seductive!
Evidently Nick had been communicative.
"I suppose I am," murmured Audrey, like a child, and feeling like a child.
Yet at the same time she was asking herself with fierce curiosity: "What
has Madame Piriac got to do with this woman?"
"I hear you have eight or ten thousand a year and can do what you like with
it. And you cannot be more than twenty-three.... What a responsibility it
must be for you! You are a friend of Miss Ingate's and therefore on our
side. Indeed, if a woman such as you were not on our side, I wonder whom
we _could_ count on. Miss Ingate is, of course, a subscriber to the
Union--"
"Only a very little one," cried Miss Ingate.
Audrey had never felt so abashed since an ex-parlourmaid at Flank Hall, who
had left everything to join the Salvation Army, had asked her once in the
streets of Colchester whether she had found salvation. She knew that she,
if any one, ought to subscribe to the Suffragette Union, and to subscribe
largely. For she was a convinced suffragette by faith, because Miss Ingate
was a convinced suffragette. If Miss Ingate had been a Mormon, Audrey also
would have been a Mormon. And, although she hated to subscribe, she knew
also that if Rosamund demanded from her any subscription, however
large--even a thousand pounds--she would not know how to refuse. She felt
before Rosamund as hundreds of women, and not a few men, had felt.
"I may be leaving for Germany to-morrow," Rosamund proceeded. "I may not
see you again--at any rate for many weeks. May I write to London that you
mean to support us?"
Audrey was giving herself up for lost, and not without reason. She
foreshadowed a future of steely self-sacrifice, propaganda, hammers, riots,
and prison; with no self-indulgence in it, no fine clothes, no art, and no
young men save earnest young men. She saw herself in the iron clutch of her
own conscience and sense of duty. And she was frightened. But at that
moment Nick rushed into the room, and the spell was broken. Nick considered
that she had the right to monopolise Rosamund, and she monopolised her.
Miss Ingate prudently gathered Audrey to her side, and was off with her.
Nick ran to kiss them, and told them that Tommy was waiting for them in the
other studio. They groped downstairs, guided by a wisp of light from
Tommy's studio.
"Why didn't you come up?" asked Miss Ingate of Tommy in Tommy's
antechamber. "Have you and _she_ quarrelled?"
"Oh no!" said Tommy. "But I'm afraid of her. She'd grab me if she had the
least chance, and I don't want to be grabbed."
Tommy was arranging to escort them home, and had already got out on the
landing, when Rosamund and Madame Piriac, followed by Nick holding a candle
aloft, came down the stairs. A few words of explanation, a little innocent
blundering on the part of Nick, a polite suggestion by Madame Piriac, and
an imperious affirmative by Rosamund--and the two strangers to Paris found
themselves in Madame Piriac's waiting automobile on the way to their rooms!
In the darkness of the car the four women could not distinguish each
other's faces. But Rosamund's voice was audible in a monologue, and Miss
Ingate trembled for Audrey and for the future.
"This is the most important political movement in the history of the
world," Rosamund was saying, not at all in a speechifying manner, but quite
intimately and naturally. "Everybody admits that, and that's what makes it
so extraordinarily interesting, and that is why we have had such
magnificent help from women in the very highest positions who wouldn't
dream of touching ordinary politics. It's a marvellous thing to be in the
movement, if we can only realise it. Don't you think so, Mrs. Moncreiff?"
Audrey made no response. The other two sat silent. Miss Ingate thought:
"What's the girl going to do next? Surely she could mumble something."
The car curved and stopped.
"Here we are," said Miss Ingate, delighted. "And thank you so much. I
suppose all we have to do is just to push the bell and the door opens. Now
Audrey, dear."
Audrey did not stir.
"_Mon Dieu!_" murmured Madame Piriac, "What has she, little one?"
Rosamund said stiffly and curtly:
"She is asleep.... It is very late. Four o'clock."
Excellent as was Audrey's excuse for her lapse, Rosamund was not at all
pleased. That slumber was one of Rosamund's rare defeats.