When we receive injury, it is usually in our "prospects," our "peace,"

or our "character;" how was it with David? The man to whom he had

rendered most essential services sought to ruin him, to blacken his

fame; again and again Saul attempted his life; the king drove David

from his home, hunted him like a partridge on the mountains, slew

those who had shown him kindness, and wounded him most cruelly in his

affections by giving his wife to another! Beside such a mountain of

accumulated wrongs, how small and trivial appear the injuries which

we may have had to sustain! If David, who had never heard the command

breathed from the lips of Him who Himself prayed for His murderers,

"Love your enemies, do good to them that hate you," if David could

forgive even Saul, how can any Christian make excuse for harbouring

resentment against any whom he thinks have done him a wrong!

If we look beyond second causes to the one first cause, the ordering of

Him who maketh all things work together for good to them that love Him,

we shall see that no enemy can injure us, unless by drawing us into

sin; that no wrong but will prove a blessing, save a wrong which "we

will not forgive."

If our enemy seem to mar our worldly prospects, he is as the thorny

hedge planted by God to keep us from wandering out of the strait path

which leads through the valley of humiliation. If by a thousand petty

acts of unkindness, he try our temper and mar our peace, he is the file

in the hand of Him who maketh the wrath of man to praise Him; a file

whose roughness is to shape, polish, and prepare the living stones for

God's temple. If our enemy assail our character, then is his malice the

cross which God bids us carry after the Saviour, who, though without

spot or taint of sin, was accused of many things, condemned, and led

forth as a malefactor.

Those who, through God's grace, can forgive freely as they themselves

ask to be forgiven, will find at length that the thorny hedge will

blossom into fragrance and beauty, the file prove but an instrument of

good, the cross bring them more close unto Him in whose favour is life,

peace, and joy!

[Illustration]

[Illustration]

XXI.

Jonathan's Bow.

THERE is pathetic interest in this memorial of Jonathan, prince of

Israel. When the mental eye rests on the unstrung bow once grasped in

his strong firm hand, we recall the touching lament of David over him

who fell on the mountain of Gilboa. "How are the mighty fallen in the

midst of the battle! O Jonathan, thou wast slain in thine high places.

I am distressed for thee, my brother Jonathan: very pleasant hast thou

been unto me: thy love to me was wonderful, passing the love of women!"

There are few characters in the Old Testament that stand before us in

more life-like reality than that of Jonathan, few that so much attract

our sympathy and love. We think of him less as the hero, attacking

almost alone the Philistine garrison, or falling, covered with wounds,

at the fatal battle of Gilboa, as the faithful friend, in close

communion with one whom he loved as his own soul. We think of him going

forth into the field at Ramah with his bow in his hand, to give warning

to David, then lying concealed behind the stone Ezel; sadness on the

prince's brow, stern sorrow in his spirit, but unchanging love in his

heart. Touching is the account of that stolen interview between the

prince and his persecuted friend, when they kissed one another, and

wept one with another, till David exceeded.

In the love between David and Jonathan we see an exquisite picture of

what friendship should be; and as Jonathan's constancy was put to a

far sharper test than that of the man whom he loved, let us for our

own instruction examine a little into the leading characteristics of

the friendship of the prince of Israel. There are few amongst us so

desolate or so cold-hearted as not to have friendship for at least

one being upon earth; let us now try its strength and its nature by

comparing it with the deep, disinterested attachment of Jonathan for

one who was preferred before him, one who was to supersede him, the

shepherd lad who was chosen to sit upon the throne to which the king's

son seemed the natural heir.

In the first place, Jonathan's friendship had a "religious basis," the

only one which can ensure stability. It was when David had appeared

before Saul as a conqueror through faith, that the soul of Jonathan

was knit with the soul of David. Theirs was peculiarly friendship "in

the Lord." In the last solemn meeting which was ever to be theirs upon

earth, when Jonathan by the wilderness of Ziph sought out David in the

wood, he gave religious encouragement to his friend, he strengthened

his hand in God.

Is not that friendship wanting in the noblest attribute of which the

bonds only regard this brief state of being? Are we indeed friends to

those with whom we never interchange thoughts on the highest subjects,

those whom we have never made the slightest attempt to draw closer to

the Lord? Affection is a most powerful lever; have we made use of it

to elevate the character of those whom we love? Or do we flatter their

foibles, foster their vanity, make their very affection towards us act

as a clog to their souls? There are times when unselfish attachment

is best seen in not only "strengthening, in the Lord," but tenderly

rebuking.

"Who speaks not needed truth, lest he offend,

Hath spared himself, but sacrificed his friend."

Jonathan's friendship was perfectly "free from selfishness." Had there

been in him the taint of ambition, covetousness, or envy, he would

rather have been inclined, like his father, to hate than to love the

young shepherd. Jonathan was of royal descent, the eldest son of a

king; he must have been accustomed from youth to hear the voice of

flattery, and to receive the homage of respect. Few readily part with

dignity; but the son of Saul, without a murmur, apparently without a

feeling of regret, yielded place to the son of Jesse.

And Jonathan was not only a prince but a hero; he had deservedly won

both popularity and fame. David eclipsed him in both. In the song of

the women of Israel— "Saul hath slain his thousands, and David his

ten thousands," there seems not to have been even an allusion to the

distinguished courage of Jonathan. How a proud heart would have chafed

under such neglect! What drops of bitter jealousy would have poisoned

the friendship of most men in the position of the prince! Can we see a

friend of lowlier birth pass before us in the race of honour without an

envious pang? Are we perfectly content to let his fame eclipse our own;

and do we feel nothing but pleasure in listening to praises bestowed

upon him? Then is our unselfish friendship worthy indeed of the name!

Jonathan's attachment to David was "firm under difficulties." The

prince had duties to balance; he had to be submissive to the father who

persecuted the friend. In a very remarkable manner Jonathan combined

filial respect to Saul with fidelity to David. His mild but earnest,

and for awhile successful, pleading with his father, his remaining

with that guilty parent even after the tyrant had attempted his life,

so that in death they were not divided, are beautiful traits in the

prince. Saul was a persecutor—a murderer; his conduct must have wrung

the heart of his pious son; but in life, as well as in death, that son

seems to have kept near to his parent, without for one moment betraying

the cause of his injured friend.

And, lastly, Jonathan's friendship was "tried in trouble." He was no

summer-day lover, but a "brother born for adversity," who clung the

more closely to David as the tempest raged the more fiercely around

him. Jonathan's was love strong as death. If our hearts be warmed with

friendship, is it holy, unselfish, generous, unchanging friendship such

as his?

We are inclined, with David, to mourn over Jonathan, and feel that his

fate was a hard one; that he suffered for sins not his own. But let us

remember that the Lord reserves for those who love Him a far brighter

crown than that which Jonathan was not permitted to wear, and that it

was doubtless in mercy that he was called to close on Gilboa his brief

but glorious career, so that he survived not to witness the ruin of his

house. *

* It is interesting to observe that while the family of Saul may be

compared to a blighted tree, the branch of Jonathan in later days

bloomed into vigorous life. He left, as we know, but one little lame

son; yet, centuries after Jonathan's death, we find his descendants

numerous. The names of twenty-five of them are given in the Book of

Chronicles, and of one of these it is written, "The sons of Ulam were

mighty men of valour, archers, and had many sons and sons' sons,

an hundred and fifty." It is very probable that the descendants of

Jonathan may be living still upon earth. Is it quite impossible that

Saul, the Apostle, the most illustrious of all the tribe of Benjamin,

may have been descended from another Saul through the prince whom in

his warm, self-denying affection he so mush resembled?

Jonathan's bow was as a type of himself. He was not as a weapon left to

hang idle in a royal armoury, he was taken into the field of strife,

he was bent in the hand of the Lord; but the hand that bent supported

him still; his affections were strained like the tightened cord, but

they were strengthened to bear the sore strain; and the bending and

the straining were but to send the arrow of his hopes above an earthly

sceptre or diadem, and fix them on higher joys, a crown that fadeth not

away.

[Illustration]

[Illustration]

XXII.

David's Harp.

IT has been beautifully observed, "In the Book of Psalms we have, if I

may reverently say it, the very prayer-book of our divine Lord Himself;

which He inspired, which He Himself made use of, and has bequeathed as

His own book to the Church." We might also, speaking metaphorically,

say,—The sacred harp on which David first played has never since been

silent; as the breath of God's Spirit breathed through its chords,

its music has been the joy and the comfort of the Church through all

generations; its mysterious sound was heard even in the awful hours of

the Crucifixion; * and never will it be silent, never will one golden

string be broken, till all the redeemed of the Lord join in the chorus

of Heaven.

* Compare Matt. xxvii. 46 with Ps. xxii. 1.

Let us recall some of the various periods when the now familiar psalms

of David first burst from his lips as he touched his harp. The son of

Jesse probably acquired his skill on the instrument by practice, as

he sat watching his sheep in the pastures by Bethlehem, when he was a

beautiful ruddy-checked boy. David's fleecy charge may have been his

only auditors when first the sweet strain arose which has since been

echoed by millions of human hearts. "The Lord is my shepherd; I shall

not want. He maketh me to lie down in green pastures: He leadeth me

beside the still waters."

But the first occasion on which we have certain knowledge of David's

playing on his favourite instrument, is when his skill soothed the deep

depression of the half-mad king. "David took an harp, and played with

his hand: so Saul was refreshed, and was well, and the evil spirit

departed from him." Gladly would we know what words were joined to the

exquisite music which had such power to lighten deep gloom; perhaps

no words were then heard, yet how often has a perturbed spirit been

soothed by such breathings as these: "Why art thou cast down, O my

soul? and why art thou disquieted within me? hope thou in God: for I

shall yet praise Him, who is the health of my countenance, and my God."

David appears to have taken his harp with him into the gloomy recesses

of Adullam, as the companion and solace of his flight; for this is the

strain of his psalm "when he fled from Saul in the cave."

"Be merciful unto me, O God, be merciful unto me: for my soul trusteth

in Thee: yea, in the shadow of Thy wings will I make my refuge, until

these calamities be overpast . . . Awake up, my glory; awake, psaltery

and harp: I myself will awake early."

Under very different circumstances did the monarch of Israel strike the

sounding chords of his harp when the Ark of God was carried in triumph

from Kirjathjearim: "And David and all Israel played before God with

all their might and with singing, and with harps, and with psalteries,

and with timbrels, and with cymbals, and with trumpets." Then indeed

rose a sound of rejoicing. "The singers went before, and the minstrels

followed after; in the midst were the damsels playing on the timbrels."

According to David's own striking metaphor, he who had "lien among the

pots" had become as "the wings of a dove, covered with silver, and

her feathers with yellow gold;" and the harp of the king swelled the

glorious chorus, "Let God arise, let His enemies be scattered: let them

also that hate Him flee before Him!"

But dark shadows were to succeed the glorious sunshine. Happier was

David as the fugitive in the cave than as the king in the palace. When

the guilty but penitent psalmist bent over his harp, the tears of the

stricken sinner, the bereaved father, may have fast dropped on its

strings as he uttered the cry for pardon and grace:

"Have mercy upon me, O God, according to Thy lovingkindness: according

to the multitude of Thy tender mercies blot out my transgressions!"

Could we be permitted to possess any visible relic of King David,

and to choose what that relic might be, it would not be the crown of

Rabbah, that was set on his head, the weight of which was a talent of

gold; it would not be even the sword of Goliath, though with David we

might say of that weapon, "there is none like that;" no, surely it

would be the harp of the sweet singer of Israel that we would choose

as the most precious relic of him whom God's Holy Spirit inspired. But

were that harp visibly before us, would it not appear almost sacrilege

to lay a hand on its strings; would the mightiest or most gifted of

mortals presume to waken its chords? Far, far better for us to have its

divine music preserved for us in the Scriptures, where the little child

can make it sound, and yet be not guilty of presumption; where it is

accessible to all—to the dying pauper on her sick-bed, as well as to

the crowned queen or mitred archbishop. The ragged child's Psalter is

truly more precious than the identical harp of King David would be.

And we have a key to the divine harmonies of the psalms which those who

first stood listening around David did not possess. The blessed name

of Jesus sounds to us thrilling through all the deepest chords of his

music. If the Psalmist's strain be mournful, a Saviour's sufferings

are its theme. "My God, my God, why hast Thou forsaken Me? . . . The

assembly of the wicked have inclosed Me: they pierced My hands and My

feet."

If it burst into a loud song of triumph, its keynote is still the name

of our Lord. "Thy throne, O God, is for ever and ever: the sceptre of

Thy kingdom is a right sceptre. Thou hast loved righteousness, and

hated iniquity: wherefore God, Thy God, hath anointed Thee with the oil

of gladness above Thy fellows."

It would be deeply interesting could we know how far King David himself

understood the meaning of his own songs when, guided by the inspiring

Spirit, he uttered dark sayings to the sound of his harp.

Let us not quit this subject without alluding to the fact that the

harp is the only instrument which is mentioned in Revelation as adding

to the music of Heaven. * The elders beheld by St. John around the

throne of the Lamb had "every one of them harps," when "they sung a new

song, saying, Thou art worthy to take the book, and to open the seals

thereof: for Thou wast slain, and hast redeemed us to God by Thy blood

out of every kindred, and tongue, and people, and nation; and hast made

us unto our God kings and priests: and we shall reign on the earth."

* The trump of God, which shall awaken the dead, cannot be spoken of

under such a term.

And again, recording his bright vision of the blessed above who bear

God's name written on their foreheads, thus writes the beloved Apostle:

"I heard a voice from Heaven, as the voice of many waters, and as the

voice of a great thunder: and I heard the voice of harpers harping with

their harps." There again, we believe, will the voice of the son of

Jesse blend with the notes of a nobler instrument than that which he

played upon earth; there may even we—the weak, the wayward, we whose

lips have been so cold in praise and whose hearts in thanksgiving—lift

up our voices with his!

"Lord, I believe Thou hast prepared,

Unworthy though I be,

For me a blood-bought, dear reward—

A golden harp for me.

'Tis strung and tuned for endless years,

And formed by grace divine,

To sound in God the Father's ears

No other name than Thine!"

[Illustration]

[Illustration]

XXIII.

Absalom's Hair.

IT is not without a cause that a record is preserved in those

Scriptures "which are written for our learning," of the magnificent

growth of Absalom's hair, which, like a golden harvest, was cut by him

every year, and weighed, in the pride of his heart. It is remarkable

that this very hair, this mass of rich beauty, was, through God's

judgment, the instrument of Absalom's destruction.

When the prince fled on his mule before the troops of his injured

father, as Absalom was passing beneath a thick oak, the branches caught

his head, and suspended him between the heaven and the earth, while his

mule passed on through the wood; and there in agony and terror hung the

miserable sinner, unable to release himself from the fetters of his own

luxuriant hair, till death came in the form of a merciless kinsman, and

three darts were thrust by Joab through the heart of Absalom as he was

yet alive in the midst of the oak.

There is no one in Scripture whose mortal beauty, is more vividly

described than Absalom's. "In all Israel there was none to be so much

praised as Absalom for his beauty: from the sole of his foot even to

the crown of his head there was no blemish in him." And there are few

whose characters are represented to us as so loathsome and black with

sin. This suggests a natural inquiry, Was the extraordinary beauty of

Absalom in any way a snare to his soul; was it a bane to him throughout

his life, as well as the immediate cause of his death?

In a certain subordinate degree, perhaps, we may find that it was

so. Absalom's great personal attractions probably increased the

weak, doating partiality of David for his unworthy son, while they

made it more easy for the prince to attain the object of his guilty

ambition—"he stole the hearts of Israel."

Should we then represent beauty as a thing to be despised? Far from

it. Beauty is the stamp which God hath set upon the wondrous works of

His creation; deformity only entered this world with sin, and in the

realms where sin is unknown, all will again be perfect beauty. Personal

charms, like rank or wealth, are a talent, for they undoubtedly bestow

influence; and a blessed thing is influence used for God. There is no

fairer sight than that of youth and loveliness united with "the beauty

of holiness," and devoted to the service of Christ.

The subject naturally opens out into that of personal appearance in

general, and a little reflection upon it may not be unprofitable to

those who possess few attractions, as well as those gifted with many.

To appear well is a common wish, confined to neither sex, nor to any

station or age. As beauty has its advantages and responsibilities, let

us consider for a brief space, with Absalom's rich locks before us,

what are some of the temptations to which it exposes its possessor.

They seem to be chiefly these—love of dress, love of the world, love of

admiration.

The first of these, "love of dress," may seem to be a folly better

attacked by playful satire than by serious rebuke. It is not very often

noticed from the pulpit, though it can be very little pleasure to an

earnest-minded pastor to see the pews like a tulip-bed before him,

where, instead of being dressed with modesty and "shamefacedness,"

Christian women seem to study how to evade the command to wear a

covering on their heads in the house of prayer, by making that covering

as slight and as fantastic as may be. Even painting the skin is not

unknown amongst the women of England, though she of whom it is recorded

that "she painted her face and tired her head," is assuredly one of

the last whom our matrons or maidens would wish to resemble. A bold

style of dress is so utterly repugnant to all our ideas of Christian

devotion, that we can hardly even imagine it to have been ever worn by

the holy women who ministered to our Lord.

The sums of money lavished on dress (nor is the reproach confined to

the weaker sex) is also a disgrace to Christian profession in a land

where poverty abounds. I have heard that a lady (I am glad to say

not British) boasted that she spent a thousand a year on dress. She

would hardly have uttered that boast had she realized that upon her

at that moment was resting the eye of Him who said to the rich young

ruler, "Sell that thou hast, and give to the poor, and thou shalt have

treasure in heaven."

It is, indeed, impossible to fix a rule as to how much it is lawful

to spend upon dress, as the amount must necessarily vary according to

means and station in life; it would be well, however, to determine

never to spend money on any mere ornament of the person, without giving

at least an equal sum to purchase plain articles of clothing for the

poor, to be bestowed "personally." Were this simple plan adopted, one

may safely aver that the flannel and serge would be found to bring far

more pleasure than the jewel, the lace, or the plume; and luxuries

would be gradually relinquished, and that with no feeling of regret,

for the richer luxury of clothing the shivering forms of the poor.

"Love of the world" is another evil to which those are peculiarly

exposed whose attractions dispose the world to love them. To them there

is an added gloss to pleasure; scenes of amusement are brightened by

the ready welcome which they ever receive there. The ornaments of

society need even more than others to watch and pray lest they enter

into temptation, and to seek that grace which alone can keep them

"unspotted from the world."

For the "love of admiration" is in many minds not unlike the feverish

craving for intoxicating liquor which possesses the habitual drunkard.

Eager is the longing for the sweet poison of flattery, the excitement

caused by a sense of power over human hearts. And this leads to very

serious evil. I am not referring only to the dark descent to actual

vice, to which, in thousands of cases, the love of admiration has led;

but would earnestly protest against that common effect of it which

makes trifling with the happiness of others the favourite amusement

of the vain of both sexes, under the name of flirting. One who would

not willingly set foot on a worm will often feel actual pleasure in

inflicting the keenest pangs. Selfish vanity must be gratified at any

cost to others, ungenerous as it is to desire to engross affection

which cannot be returned. The man who prides himself on being a

"lady-killer," or the beauty who complacently counts up the number of

her "conquests," is making an unworthy and sinful use of the endowments

of nature. I might quote to such the homely advice of the great Marquis

of Montrose,—

"Let no one to more love pretend

Than he has hearts in store;

True love begun should never end—

Love one, and love no more."

But I would rather take higher ground. This pride of beauty, this

selfishness of vanity, is "utterly inconsistent" with a Christian

character; it is incompatible with the adoption of that spirit of

Christ without which we "are none of His." God's people are called

to glorify Him in their bodies as well as their souls; and where the

beauty which He has bestowed becomes a cause of vanity, selfishness,

and folly, its possessor may one day have reason to regret not having

been a cretin or a dwarf.

There are two special antidotes to the spiritual poison which is

constantly offered to those in whom the world delights. The first is a

realization of the transitory nature of that beauty which passes away

like a flower; the second is meditation on that beauty which will abide

for ever. One great poet has, as it were, written the first on a skull;

he preaches his sermon in the churchyard. But it is more pleasant, and

at least as profitable, to turn our thoughts from the dust "sown in

dishonour" to what it shall be when "raised in glory." We cannot but

think that outward beauty will then correspond with that which before

was inward; that they who have borne most of the Saviour's image in

their hearts will bear most of that image visibly when we shall be like

Him, for we shall see Him as He is.

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