PERSONALITY AND CHARACTER

Stevenson had a motley personality, which is sufficiently evident in

his portraits. There was in him the Puritan, the man of the world, and

the vagabond. There was something too of the obsolete soldier of

fortune, with the cocked and feathered hat, worn audaciously on one

side. There was also a touch of the elfin, the uncanny--the mysterious

charm that belongs to the borderland between the real and the unreal

world--the element so conspicuous and so indefinable in the art of

Hawthorne. Writers so different as Defoe, Cooper, Poe, and Sir Thomas

Browne, are seen with varying degrees of emphasis in his literary

temperament. He was whimsical as an imaginative child; and everyone

has noticed that he never grew old. His buoyant optimism was based on

a chronic experience of physical pain, for pessimists like

Schopenhauer are usually men in comfortable circumstances, and of

excellent bodily health. His courage and cheerfulness under depressing

circumstances are so splendid to contemplate that some critics believe

that in time his _Letters_ may be regarded as his greatest literary

work, for they are priceless in their unconscious revelation of a

beautiful soul.

Great as Stevenson was as a writer, he was still greater as a Man. So

many admirable books have been written by men whose character will not

bear examination, that it is refreshing to find one Master-Artist

whose daily life was so full of the fruits of the spirit. As his

romances have brought pleasure to thousands of readers, so the

spectacle of his cheerful march through the Valley of the Shadow of

Death is a constant source of comfort and inspiration. One feels

ashamed of cowardice and petty irritation after witnessing the steady

courage of this man. His philosophy of life is totally different from

that of Stoicism; for the Stoic says, "Grin and bear it," and usually

succeeds in doing neither. Stevenson seems to say, "Laugh and forget

it," and he showed us how to do both.

Stevenson had the rather unusual combination of the Artist and the

Moralist, both elements being marked in his writings to a very high

degree. The famous and oft-quoted sonnet by his friend, the late Mr.

Henley, gives a vivid picture:

"Thin-legged, thin-chested, slight unspeakably,

Neat-footed and weak-fingered: in his face--

Lean, large-honed, curved of beak, and touched with race,

Bold-lipped, rich-tinted, mutable as the sea,

The brown eyes radiant with vivacity--

There shown a brilliant and romantic grace,

A spirit intense and rare, with trace on trace

Of passion, impudence, and energy.

Valiant in velvet, light in ragged luck,

Most vain, most generous, sternly critical,

Buffoon and poet, lover and sensualist;

A deal of Ariel, just a streak of Puck,

Much Antony, of Hamlet most of all,

And something of the Shorter Catechist."

He was not primarily a moral teacher, like Socrates or Thomas Carlyle;

nor did he feel within him the voice of a prophetic mission. The

virtue of his writings consists in their wholesome ethical quality, in

their solid health. Fresh air is often better for the soul than the

swinging of the priest's censer. At a time when the school of Zola was

at its climax, Stevenson opened the windows and let in the pleasant

breeze. For the morbid and unhealthy period of adolescence, his books

are more healthful than many serious moral works. He purges the mind

of uncleanness, just as he purged contemporary fiction.

As Stevenson's correspondence with his friends like Sidney Colvin and

William Archer reveals the social side of his nature, so his

correspondence with the Unseen Power in which he believed shows that

his character was essentially religious. A man's letters are often a

truer picture of his mind than a photograph; and when these epistles

are directed not to men and women, but to the Supreme Intelligence,

they form a real revelation of their writer's heart. Nothing betrays

the personality of a man more clearly than his prayers, and the

following petition that Stevenson composed for the use of his

household at Vailima, bears the stamp of its author.

"At Morning. The day returns and brings us the petty round of

irritating concerns and duties. Help us to play the man, help us to

perform them with laughter and kind faces, let cheerfulness abound

with industry. Give us to go blithely on our business all this day,

bring us to our resting beds weary and content and undishonoured,

and grant us in the end the gift of sleep."

Essays of Robert Louis Stevenson Selected and Edited With an Introduction and Notes by William Lyon Phelps · 第 9 / 48 题